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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 58 242 107 it is the complementary color RGB 197 13 148. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 58 242 107. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 58 242 107 shade: RGB 63 242 102, RGB 80 255 121, RGB 97 255 140, RGB 114 255 159 and RGB 131 255 178

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 58 242 107. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 58 242 107 shade: RGB 58 242 107, RGB 41 224 88, RGB 24 206 69, RGB 7 188 50 and RGB 0 170 31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 58 242 107 shade: RGB 58 242 107, RGB 59 242 58, RGB 108 242 58, RGB 158 242 58 and RGB 207 242 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 58 242 107 shade: RGB 58 242 107, RGB 58 242 157, RGB 58 242 206, RGB 58 228 242 and RGB 58 178 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 58 242 107 shade matches the following richer shades: RGB 58 242 107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 58 242 107 shade: RGB 58 242 107, RGB 75 225 115, RGB 92 208 123, RGB 109 191 131 and RGB 126 174 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 58 242 107 shade: RGB 110 242 58, RGB 61 242 58, RGB 58 242 104, RGB 58 242 153 and RGB 58 242 202

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 58 242 107 shade: RGB 13 205 64, RGB 19 239 78, RGB 58 242 107, RGB 97 244 136 and RGB 136 247 165

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 58 242 107 shade: RGB 58 242 107, RGB 58 159 242 and RGB 242 58 86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 58 242 107 shade: RGB 58 242 107, RGB 104 58 242 and RGB 242 104 58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 58 242 107 shade: RGB 58 242 107, RGB 58 159 242, RGB 242 58 196 and RGB 242 141 58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 58 242 107 shade: RGB 58 242 107, RGB 58 104 242, RGB 242 58 196 and RGB 242 196 58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 56 / 5

HEX #3AF26B

RGB 58 242 107

HSL 135.98, 0.88%, 0.59%

LAB 84.72, -71.88, 51.78

 

Complementary color

CMYK 0 / 93 / 25 / 23

HEX #C50D94

RGB 197 13 148

HSL 315.98, 0.88%, 0.41%

LAB 44.65, 73.28, -24.51

 

CMYK 74 / 0 / 58 / 5

HEX #3FF266

RGB 63 242 102

HSL 133.07, 0.87%, 0.6%

LAB 84.75, -71.84, 54.07

 

CMYK 69 / 0 / 53 / 0

HEX #50FF79

RGB 80 255 121

HSL 134.06, 1%, 0.66%

LAB 89.21, -71.08, 50.89

 

CMYK 62 / 0 / 45 / 0

HEX #61FF8C

RGB 97 255 140

HSL 136.33, 1%, 0.69%

LAB 89.84, -65.28, 42.82

 

CMYK 55 / 0 / 38 / 0

HEX #72FF9F

RGB 114 255 159

HSL 139.15, 1%, 0.72%

LAB 90.6, -58.67, 34.59

 

CMYK 49 / 0 / 30 / 0

HEX #83FFB2

RGB 131 255 178

HSL 142.74, 1%, 0.76%

LAB 91.49, -51.36, 26.36

 

CMYK 76 / 0 / 56 / 5

HEX #3AF26B

RGB 58 242 107

HSL 135.98, 0.88%, 0.59%

LAB 84.72, -71.88, 51.78

 

CMYK 82 / 0 / 61 / 12

HEX #29E058

RGB 41 224 88

HSL 135.41, 0.75%, 0.52%

LAB 78.75, -70.5, 53.18

 

CMYK 88 / 0 / 67 / 19

HEX #18CE45

RGB 24 206 69

HSL 134.84, 0.79%, 0.45%

LAB 72.74, -68.57, 54.44

 

CMYK 96 / 0 / 73 / 26

HEX #07BC32

RGB 7 188 50

HSL 134.25, 0.93%, 0.38%

LAB 66.7, -65.95, 55.38

 

CMYK 100 / 0 / 82 / 33

HEX #00AA1F

RGB 0 170 31

HSL 130.94, 1%, 0.33%

LAB 60.65, -62.46, 55.65

 

CMYK 76 / 0 / 56 / 5

HEX #3AF26B

RGB 58 242 107

HSL 135.98, 0.88%, 0.59%

LAB 84.72, -71.88, 51.78

 

CMYK 76 / 0 / 76 / 5

HEX #3BF23A

RGB 59 242 58

HSL 119.67, 0.88%, 0.59%

LAB 84.35, -76.5, 70.44

 

CMYK 55 / 0 / 76 / 5

HEX #6CF23A

RGB 108 242 58

HSL 103.7, 0.88%, 0.59%

LAB 85.5, -66.92, 71.95

 

CMYK 35 / 0 / 76 / 5

HEX #9EF23A

RGB 158 242 58

HSL 87.39, 0.88%, 0.59%

LAB 87.52, -51.91, 74.59

 

CMYK 14 / 0 / 76 / 5

HEX #CFF23A

RGB 207 242 58

HSL 71.41, 0.88%, 0.59%

LAB 90.36, -33.73, 78.25

 

CMYK 76 / 0 / 56 / 5

HEX #3AF26B

RGB 58 242 107

HSL 135.98, 0.88%, 0.59%

LAB 84.72, -71.88, 51.78

 

CMYK 76 / 0 / 35 / 5

HEX #3AF29D

RGB 58 242 157

HSL 152.28, 0.88%, 0.59%

LAB 85.42, -63.78, 28.46

 

CMYK 76 / 0 / 15 / 5

HEX #3AF2CE

RGB 58 242 206

HSL 168.26, 0.88%, 0.59%

LAB 86.43, -52.88, 4.55

 

CMYK 76 / 6 / 0 / 5

HEX #3AE4F2

RGB 58 228 242

HSL 184.57, 0.88%, 0.59%

LAB 83.34, -36.99, -18.98

 

CMYK 76 / 26 / 0 / 5

HEX #3AB2F2

RGB 58 178 242

HSL 200.87, 0.88%, 0.59%

LAB 68.86, -11.92, -41.24

 

CMYK 76 / 0 / 56 / 5

HEX #3AF26B

RGB 58 242 107

HSL 135.98, 0.88%, 0.59%

LAB 84.72, -71.88, 51.78

 

CMYK 76 / 0 / 56 / 5

HEX #3AF26B

RGB 58 242 107

HSL 135.98, 0.88%, 0.59%

LAB 84.72, -71.88, 51.78

 

CMYK 67 / 0 / 49 / 12

HEX #4BE173

RGB 75 225 115

HSL 136, 0.71%, 0.59%

LAB 79.95, -62.41, 42.29

 

CMYK 56 / 0 / 41 / 18

HEX #5CD07B

RGB 92 208 123

HSL 136.03, 0.55%, 0.59%

LAB 75.34, -51.22, 32.53

 

CMYK 43 / 0 / 31 / 25

HEX #6DBF83

RGB 109 191 131

HSL 136.1, 0.39%, 0.59%

LAB 70.98, -38.15, 22.66

 

CMYK 28 / 0 / 20 / 32

HEX #7EAE8B

RGB 126 174 139

HSL 136.25, 0.23%, 0.59%

LAB 66.95, -23.29, 12.9

 

CMYK 55 / 0 / 76 / 5

HEX #6EF23A

RGB 110 242 58

HSL 103.04, 0.88%, 0.59%

LAB 85.57, -66.41, 72.04

 

CMYK 75 / 0 / 76 / 5

HEX #3DF23A

RGB 61 242 58

HSL 119.02, 0.88%, 0.59%

LAB 84.38, -76.22, 70.48

 

CMYK 76 / 0 / 57 / 5

HEX #3AF268

RGB 58 242 104

HSL 135, 0.88%, 0.59%

LAB 84.69, -72.26, 53.09

 

CMYK 76 / 0 / 37 / 5

HEX #3AF299

RGB 58 242 153

HSL 150.98, 0.88%, 0.59%

LAB 85.35, -64.54, 30.39

 

CMYK 76 / 0 / 17 / 5

HEX #3AF2CA

RGB 58 242 202

HSL 166.96, 0.88%, 0.59%

LAB 86.34, -53.87, 6.5

 

CMYK 94 / 0 / 69 / 20

HEX #0DCD40

RGB 13 205 64

HSL 135.94, 0.88%, 0.43%

LAB 72.31, -69.41, 55.95

 

CMYK 92 / 0 / 67 / 6

HEX #13EF4E

RGB 19 239 78

HSL 136.09, 0.87%, 0.51%

LAB 83.14, -77.64, 62.1

 

CMYK 76 / 0 / 56 / 5

HEX #3AF26B

RGB 58 242 107

HSL 135.98, 0.88%, 0.59%

LAB 84.72, -71.88, 51.78

 

CMYK 60 / 0 / 44 / 4

HEX #61F488

RGB 97 244 136

HSL 135.92, 0.87%, 0.67%

LAB 86.51, -61.87, 40.51

 

CMYK 45 / 0 / 33 / 3

HEX #88F7A5

RGB 136 247 165

HSL 135.68, 0.87%, 0.75%

LAB 89.15, -49.03, 29.79

 

CMYK 76 / 0 / 56 / 5

HEX #3AF26B

RGB 58 242 107

HSL 135.98, 0.88%, 0.59%

LAB 84.72, -71.88, 51.78

 

CMYK 76 / 34 / 0 / 5

HEX #3A9FF2

RGB 58 159 242

HSL 207.07, 0.88%, 0.59%

LAB 63.43, -1.3, -49.78

 

CMYK 0 / 76 / 64 / 5

HEX #F23A56

RGB 242 58 86

HSL 350.87, 0.88%, 0.59%

LAB 54.63, 69.65, 28.45

 

CMYK 76 / 0 / 56 / 5

HEX #3AF26B

RGB 58 242 107

HSL 135.98, 0.88%, 0.59%

LAB 84.72, -71.88, 51.78

 

CMYK 57 / 76 / 0 / 5

HEX #683AF2

RGB 104 58 242

HSL 255, 0.88%, 0.59%

LAB 41.81, 63.5, -84.6

 

CMYK 0 / 57 / 76 / 5

HEX #F2683A

RGB 242 104 58

HSL 15, 0.88%, 0.59%

LAB 60.86, 50.57, 50.94

 

CMYK 76 / 0 / 56 / 5

HEX #3AF26B

RGB 58 242 107

HSL 135.98, 0.88%, 0.59%

LAB 84.72, -71.88, 51.78

 

CMYK 76 / 34 / 0 / 5

HEX #3A9FF2

RGB 58 159 242

HSL 207.07, 0.88%, 0.59%

LAB 63.43, -1.3, -49.78

 

CMYK 0 / 76 / 19 / 5

HEX #F23AC4

RGB 242 58 196

HSL 315, 0.88%, 0.59%

LAB 57.93, 79.76, -31.51

 

CMYK 0 / 42 / 76 / 5

HEX #F28D3A

RGB 242 141 58

HSL 27.07, 0.88%, 0.59%

LAB 68.19, 32.23, 58.33

 

CMYK 76 / 0 / 56 / 5

HEX #3AF26B

RGB 58 242 107

HSL 135.98, 0.88%, 0.59%

LAB 84.72, -71.88, 51.78

 

CMYK 76 / 57 / 0 / 5

HEX #3A68F2

RGB 58 104 242

HSL 225, 0.88%, 0.59%

LAB 48.52, 32.19, -73.72

 

CMYK 0 / 76 / 19 / 5

HEX #F23AC4

RGB 242 58 196

HSL 315, 0.88%, 0.59%

LAB 57.93, 79.76, -31.51

 

CMYK 0 / 19 / 76 / 5

HEX #F2C43A

RGB 242 196 58

HSL 45, 0.88%, 0.59%

LAB 81.11, 3.39, 70.7

 

Description

Color code: RGB 58 242 107 | qconv.com Color code: RGB 58 242 107 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 242 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 242 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 56 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 56% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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