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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 48 80 it is the complementary color RGB 196 207 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 48 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 59 48 80 shade: RGB 64 48 75, RGB 81 66 94, RGB 98 84 113, RGB 115 102 132 and RGB 132 120 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 48 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 59 48 80 shade: RGB 59 48 80, RGB 42 30 61, RGB 25 12 42, RGB 8 0 23 and RGB 0 0 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 59 48 80 shade: RGB 58 47 79, RGB 67 47 79, RGB 75 47 79, RGB 79 47 74 and RGB 79 47 66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 59 48 80 shade: RGB 58 47 79, RGB 50 47 79 and RGB 47 47 79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 59 48 80 shade matches the following richer shades: RGB 58 47 79, RGB 55 37 90, RGB 52 27 100, RGB 49 16 110 and RGB 45 6 120

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 59 48 80 shade: RGB 58 47 79, RGB 61 58 69, RGB 65 68 59, RGB 68 78 48 and RGB 71 89 38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 59 48 80 shade: RGB 47 54 79, RGB 49 47 79, RGB 58 47 79, RGB 66 47 79 and RGB 75 47 79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 59 48 80 shade: RGB 20 16 28, RGB 39 32 53, RGB 58 47 79, RGB 77 63 105 and RGB 96 78 131

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 59 48 80 shade: RGB 59 48 80, RGB 79 47 62 and RGB 49 79 47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 59 48 80 shade: RGB 59 48 80, RGB 79 58 47 and RGB 47 79 58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 59 48 80 shade: RGB 59 48 80, RGB 79 47 62, RGB 69 79 47 and RGB 47 79 64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 59 48 80 shade: RGB 59 48 80, RGB 79 47 53, RGB 69 79 47 and RGB 47 79 74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 40 / 0 / 69

HEX #3B3050

RGB 59 48 80

HSL 260.63, 0.25%, 0.25%

LAB 22.38, 12.83, -17.8

 

Complementary color

CMYK 5 / 0 / 15 / 19

HEX #C4CFAF

RGB 196 207 175

HSL 80.63, 0.25%, 0.75%

LAB 81.54, -9.37, 14.65

 

CMYK 15 / 36 / 0 / 71

HEX #40304B

RGB 64 48 75

HSL 275.56, 0.22%, 0.24%

LAB 22.7, 13.3, -13.93

 

CMYK 14 / 30 / 0 / 63

HEX #51425E

RGB 81 66 94

HSL 272.14, 0.18%, 0.31%

LAB 30.53, 12.57, -14.17

 

CMYK 13 / 26 / 0 / 56

HEX #625471

RGB 98 84 113

HSL 268.97, 0.15%, 0.39%

LAB 38.07, 11.96, -14.44

 

CMYK 13 / 23 / 0 / 48

HEX #736684

RGB 115 102 132

HSL 266, 0.13%, 0.46%

LAB 45.38, 11.44, -14.73

 

CMYK 13 / 21 / 0 / 41

HEX #847897

RGB 132 120 151

HSL 263.23, 0.13%, 0.53%

LAB 52.48, 10.98, -15.04

 

CMYK 26 / 40 / 0 / 69

HEX #3B3050

RGB 59 48 80

HSL 260.63, 0.25%, 0.25%

LAB 22.38, 12.83, -17.8

 

CMYK 31 / 51 / 0 / 76

HEX #2A1E3D

RGB 42 30 61

HSL 263.23, 0.34%, 0.18%

LAB 14.16, 13.81, -17.83

 

CMYK 40 / 71 / 0 / 84

HEX #190C2A

RGB 25 12 42

HSL 266, 0.56%, 0.11%

LAB 5.75, 13.96, -17.49

 

CMYK 65 / 100 / 0 / 91

HEX #080017

RGB 8 0 23

HSL 260.87, 1%, 0.05%

LAB 1.03, 6.02, -9.95

 

CMYK 100 / 100 / 0 / 98

HEX #000004

RGB 0 0 4

HSL 240, 1%, 0.01%

LAB 0.08, 0.56, -1.51

 

CMYK 27 / 41 / 0 / 69

HEX #3A2F4F

RGB 58 47 79

HSL 260.63, 0.25%, 0.25%

LAB 21.93, 12.88, -17.84

 

CMYK 15 / 41 / 0 / 69

HEX #432F4F

RGB 67 47 79

HSL 277.5, 0.25%, 0.25%

LAB 22.97, 16.11, -16.16

 

CMYK 5 / 41 / 0 / 69

HEX #4B2F4F

RGB 75 47 79

HSL 292.5, 0.25%, 0.25%

LAB 23.98, 19.06, -14.51

 

CMYK 0 / 41 / 6 / 69

HEX #4F2F4A

RGB 79 47 74

HSL 309.38, 0.25%, 0.25%

LAB 24.29, 19.47, -10.65

 

CMYK 0 / 41 / 16 / 69

HEX #4F2F42

RGB 79 47 66

HSL 324.38, 0.25%, 0.25%

LAB 23.96, 17.86, -5.78

 

CMYK 27 / 41 / 0 / 69

HEX #3A2F4F

RGB 58 47 79

HSL 260.63, 0.25%, 0.25%

LAB 21.93, 12.88, -17.84

 

CMYK 37 / 41 / 0 / 69

HEX #322F4F

RGB 50 47 79

HSL 245.63, 0.25%, 0.25%

LAB 21.12, 10.13, -19.18

 

CMYK 41 / 41 / 0 / 69

HEX #2F2F4F

RGB 47 47 79

HSL 240, 0.25%, 0.25%

LAB 20.83, 9.15, -19.64

 

CMYK 27 / 41 / 0 / 69

HEX #3A2F4F

RGB 58 47 79

HSL 260.63, 0.25%, 0.25%

LAB 21.93, 12.88, -17.84

 

CMYK 39 / 59 / 0 / 65

HEX #37255A

RGB 55 37 90

HSL 260.38, 0.42%, 0.25%

LAB 19.53, 21.96, -29.01

 

CMYK 48 / 73 / 0 / 61

HEX #341B64

RGB 52 27 100

HSL 260.55, 0.57%, 0.25%

LAB 17.62, 30.57, -38.75

 

CMYK 55 / 85 / 0 / 57

HEX #31106E

RGB 49 16 110

HSL 261.06, 0.75%, 0.25%

LAB 16.25, 38.68, -47.55

 

CMYK 63 / 95 / 0 / 53

HEX #2D0678

RGB 45 6 120

HSL 260.53, 0.9%, 0.25%

LAB 15.72, 44.67, -54.93

 

CMYK 27 / 41 / 0 / 69

HEX #3A2F4F

RGB 58 47 79

HSL 260.63, 0.25%, 0.25%

LAB 21.93, 12.88, -17.84

 

CMYK 12 / 16 / 0 / 73

HEX #3D3A45

RGB 61 58 69

HSL 256.36, 0.09%, 0.25%

LAB 25.1, 3.88, -6.29

 

CMYK 4 / 0 / 13 / 73

HEX #41443B

RGB 65 68 59

HSL 80, 0.07%, 0.25%

LAB 28.31, -3.19, 5.03

 

CMYK 13 / 0 / 38 / 69

HEX #444E30

RGB 68 78 48

HSL 80, 0.24%, 0.25%

LAB 31.56, -9.95, 16.47

 

CMYK 20 / 0 / 57 / 65

HEX #475926

RGB 71 89 38

HSL 81.18, 0.4%, 0.25%

LAB 35.25, -16.22, 26.94

 

CMYK 41 / 32 / 0 / 69

HEX #2F364F

RGB 47 54 79

HSL 226.88, 0.25%, 0.25%

LAB 23.02, 4.29, -16.23

 

CMYK 38 / 41 / 0 / 69

HEX #312F4F

RGB 49 47 79

HSL 243.75, 0.25%, 0.25%

LAB 21.02, 9.8, -19.34

 

CMYK 27 / 41 / 0 / 69

HEX #3A2F4F

RGB 58 47 79

HSL 260.63, 0.25%, 0.25%

LAB 21.93, 12.88, -17.84

 

CMYK 16 / 41 / 0 / 69

HEX #422F4F

RGB 66 47 79

HSL 275.63, 0.25%, 0.25%

LAB 22.85, 15.75, -16.35

 

CMYK 5 / 41 / 0 / 69

HEX #4B2F4F

RGB 75 47 79

HSL 292.5, 0.25%, 0.25%

LAB 23.98, 19.06, -14.51

 

CMYK 29 / 43 / 0 / 89

HEX #14101C

RGB 20 16 28

HSL 260, 0.27%, 0.09%

LAB 5.45, 4.51, -7.27

 

CMYK 26 / 40 / 0 / 79

HEX #272035

RGB 39 32 53

HSL 260, 0.25%, 0.17%

LAB 13.95, 8.84, -12.52

 

CMYK 27 / 41 / 0 / 69

HEX #3A2F4F

RGB 58 47 79

HSL 260.63, 0.25%, 0.25%

LAB 21.93, 12.88, -17.84

 

CMYK 27 / 40 / 0 / 59

HEX #4D3F69

RGB 77 63 105

HSL 260, 0.25%, 0.33%

LAB 29.79, 15.99, -22.38

 

CMYK 27 / 40 / 0 / 49

HEX #604E83

RGB 96 78 131

HSL 260.38, 0.25%, 0.41%

LAB 37.07, 19.6, -27.11

 

CMYK 26 / 40 / 0 / 69

HEX #3B3050

RGB 59 48 80

HSL 260.63, 0.25%, 0.25%

LAB 22.38, 12.83, -17.8

 

CMYK 0 / 41 / 22 / 69

HEX #4F2F3E

RGB 79 47 62

HSL 331.88, 0.25%, 0.25%

LAB 23.81, 17.11, -3.3

 

CMYK 38 / 0 / 41 / 69

HEX #314F2F

RGB 49 79 47

HSL 116.25, 0.25%, 0.25%

LAB 30.52, -18.63, 15.47

 

CMYK 26 / 40 / 0 / 69

HEX #3B3050

RGB 59 48 80

HSL 260.63, 0.25%, 0.25%

LAB 22.38, 12.83, -17.8

 

CMYK 0 / 27 / 41 / 69

HEX #4F3A2F

RGB 79 58 47

HSL 20.63, 0.25%, 0.25%

LAB 26.43, 7.54, 10.44

 

CMYK 41 / 0 / 27 / 69

HEX #2F4F3A

RGB 47 79 58

HSL 140.63, 0.25%, 0.25%

LAB 30.64, -17.12, 8.76

 

CMYK 26 / 40 / 0 / 69

HEX #3B3050

RGB 59 48 80

HSL 260.63, 0.25%, 0.25%

LAB 22.38, 12.83, -17.8

 

CMYK 0 / 41 / 22 / 69

HEX #4F2F3E

RGB 79 47 62

HSL 331.88, 0.25%, 0.25%

LAB 23.81, 17.11, -3.3

 

CMYK 13 / 0 / 41 / 69

HEX #454F2F

RGB 69 79 47

HSL 78.75, 0.25%, 0.25%

LAB 31.95, -10.24, 17.61

 

CMYK 41 / 0 / 19 / 69

HEX #2F4F40

RGB 47 79 64

HSL 151.88, 0.25%, 0.25%

LAB 30.8, -15.71, 5.18

 

CMYK 26 / 40 / 0 / 69

HEX #3B3050

RGB 59 48 80

HSL 260.63, 0.25%, 0.25%

LAB 22.38, 12.83, -17.8

 

CMYK 0 / 41 / 33 / 69

HEX #4F2F35

RGB 79 47 53

HSL 348.75, 0.25%, 0.25%

LAB 23.51, 15.57, 2.35

 

CMYK 13 / 0 / 41 / 69

HEX #454F2F

RGB 69 79 47

HSL 78.75, 0.25%, 0.25%

LAB 31.95, -10.24, 17.61

 

CMYK 41 / 0 / 6 / 69

HEX #2F4F4A

RGB 47 79 74

HSL 170.63, 0.25%, 0.25%

LAB 31.09, -13.12, -0.78

 

Description

Color code: RGB 59 48 80 | qconv.com Color code: RGB 59 48 80 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 48 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 48 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 40 magenta, none yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 40% 0% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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