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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 70 46 it is the complementary color RGB 196 185 209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 70 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 59 70 46 shade: RGB 64 70 41, RGB 81 88 60, RGB 98 106 79, RGB 115 124 98 and RGB 132 142 117

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 70 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 59 70 46 shade: RGB 59 70 46, RGB 42 52 27, RGB 25 34 8 and RGB 8 16 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 59 70 46 shade: RGB 59 70 46, RGB 66 70 46, RGB 70 68 46, RGB 70 62 46 and RGB 70 55 46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 59 70 46 shade: RGB 59 70 46, RGB 53 70 46, RGB 46 70 46, RGB 46 70 52 and RGB 46 70 59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 59 70 46 shade matches the following richer shades: RGB 59 70 46, RGB 60 80 36, RGB 61 89 27, RGB 62 99 17 and RGB 62 108 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 59 70 46 shade: RGB 59 70 46, RGB 58 61 55, RGB 58 51 65, RGB 57 42 74 and RGB 56 33 84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 59 70 46 shade: RGB 70 68 46, RGB 66 70 46, RGB 59 70 46, RGB 53 70 46 and RGB 46 70 46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 59 70 46 shade: RGB 17 21 13, RGB 38 46 30, RGB 59 70 46, RGB 80 95 62 and RGB 101 120 78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 59 70 46 shade: RGB 59 70 46, RGB 46 70 62 and RGB 70 46 69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 59 70 46 shade: RGB 59 70 46, RGB 46 59 70 and RGB 70 46 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 59 70 46 shade: RGB 59 70 46, RGB 46 70 62, RGB 57 46 70 and RGB 70 46 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 59 70 46 shade: RGB 59 70 46, RGB 46 70 69, RGB 57 46 70 and RGB 70 46 47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 34 / 73

HEX #3B462E

RGB 59 70 46

HSL 87.5, 0.21%, 0.23%

LAB 28.13, -9.53, 13.04

 

Complementary color

CMYK 6 / 11 / 0 / 18

HEX #C4B9D1

RGB 196 185 209

HSL 267.5, 0.21%, 0.77%

LAB 76.7, 8.37, -10.66

 

CMYK 9 / 0 / 41 / 73

HEX #404629

RGB 64 70 41

HSL 72.41, 0.26%, 0.22%

LAB 28.46, -8.05, 16.68

 

CMYK 8 / 0 / 32 / 65

HEX #51583C

RGB 81 88 60

HSL 75, 0.19%, 0.29%

LAB 36.09, -8.19, 15.36

 

CMYK 8 / 0 / 25 / 58

HEX #626A4F

RGB 98 106 79

HSL 77.78, 0.15%, 0.36%

LAB 43.46, -8.27, 14.17

 

CMYK 7 / 0 / 21 / 51

HEX #737C62

RGB 115 124 98

HSL 80.77, 0.12%, 0.44%

LAB 50.62, -8.33, 13.1

 

CMYK 7 / 0 / 18 / 44

HEX #848E75

RGB 132 142 117

HSL 84, 0.1%, 0.51%

LAB 57.59, -8.37, 12.11

 

CMYK 16 / 0 / 34 / 73

HEX #3B462E

RGB 59 70 46

HSL 87.5, 0.21%, 0.23%

LAB 28.13, -9.53, 13.04

 

CMYK 19 / 0 / 48 / 80

HEX #2A341B

RGB 42 52 27

HSL 84, 0.32%, 0.15%

LAB 20.15, -9.54, 14.43

 

CMYK 26 / 0 / 76 / 87

HEX #192208

RGB 25 34 8

HSL 80.77, 0.62%, 0.08%

LAB 11.74, -9.42, 13.95

 

CMYK 50 / 0 / 100 / 94

HEX #081000

RGB 8 16 0

HSL 90, 1%, 0.03%

LAB 3.81, -4.75, 5.62

 

CMYK 16 / 0 / 34 / 73

HEX #3B462E

RGB 59 70 46

HSL 87.5, 0.21%, 0.23%

LAB 28.13, -9.53, 13.04

 

CMYK 6 / 0 / 34 / 73

HEX #42462E

RGB 66 70 46

HSL 70, 0.21%, 0.23%

LAB 28.74, -6.36, 13.95

 

CMYK 0 / 3 / 34 / 73

HEX #46442E

RGB 70 68 46

HSL 55, 0.21%, 0.23%

LAB 28.47, -3.26, 13.66

 

CMYK 0 / 11 / 34 / 73

HEX #463E2E

RGB 70 62 46

HSL 40, 0.21%, 0.23%

LAB 26.58, 0.54, 11.12

 

CMYK 0 / 21 / 34 / 73

HEX #46372E

RGB 70 55 46

HSL 22.5, 0.21%, 0.23%

LAB 24.42, 5.09, 8.17

 

CMYK 16 / 0 / 34 / 73

HEX #3B462E

RGB 59 70 46

HSL 87.5, 0.21%, 0.23%

LAB 28.13, -9.53, 13.04

 

CMYK 24 / 0 / 34 / 73

HEX #35462E

RGB 53 70 46

HSL 102.5, 0.21%, 0.23%

LAB 27.67, -12.13, 12.34

 

CMYK 34 / 0 / 34 / 73

HEX #2E462E

RGB 46 70 46

HSL 120, 0.21%, 0.23%

LAB 27.18, -15.01, 11.6

 

CMYK 34 / 0 / 26 / 73

HEX #2E4634

RGB 46 70 52

HSL 135, 0.21%, 0.23%

LAB 27.32, -13.74, 7.95

 

CMYK 34 / 0 / 16 / 73

HEX #2E463B

RGB 46 70 59

HSL 152.5, 0.21%, 0.23%

LAB 27.51, -12.1, 3.69

 

CMYK 16 / 0 / 34 / 73

HEX #3B462E

RGB 59 70 46

HSL 87.5, 0.21%, 0.23%

LAB 28.13, -9.53, 13.04

 

CMYK 25 / 0 / 55 / 69

HEX #3C5024

RGB 60 80 36

HSL 87.27, 0.38%, 0.23%

LAB 31.41, -16.36, 23.27

 

CMYK 31 / 0 / 70 / 65

HEX #3D591B

RGB 61 89 27

HSL 87.1, 0.53%, 0.23%

LAB 34.43, -21.72, 31.48

 

CMYK 37 / 0 / 83 / 61

HEX #3E6311

RGB 62 99 17

HSL 87.07, 0.71%, 0.23%

LAB 37.82, -27, 39.05

 

CMYK 43 / 0 / 93 / 58

HEX #3E6C08

RGB 62 108 8

HSL 87.6, 0.86%, 0.23%

LAB 40.84, -31.58, 44.27

 

CMYK 16 / 0 / 34 / 73

HEX #3B462E

RGB 59 70 46

HSL 87.5, 0.21%, 0.23%

LAB 28.13, -9.53, 13.04

 

CMYK 5 / 0 / 10 / 76

HEX #3A3D37

RGB 58 61 55

HSL 90, 0.05%, 0.23%

LAB 25.3, -2.61, 3.26

 

CMYK 11 / 22 / 0 / 75

HEX #3A3341

RGB 58 51 65

HSL 270, 0.12%, 0.23%

LAB 22.47, 6.36, -7.6

 

CMYK 23 / 43 / 0 / 71

HEX #392A4A

RGB 57 42 74

HSL 268.13, 0.28%, 0.23%

LAB 20.12, 14.53, -17.31

 

CMYK 33 / 61 / 0 / 67

HEX #382154

RGB 56 33 84

HSL 267.06, 0.44%, 0.23%

LAB 18.23, 23.07, -27.08

 

CMYK 0 / 3 / 34 / 73

HEX #46442E

RGB 70 68 46

HSL 55, 0.21%, 0.23%

LAB 28.47, -3.26, 13.66

 

CMYK 6 / 0 / 34 / 73

HEX #42462E

RGB 66 70 46

HSL 70, 0.21%, 0.23%

LAB 28.74, -6.36, 13.95

 

CMYK 16 / 0 / 34 / 73

HEX #3B462E

RGB 59 70 46

HSL 87.5, 0.21%, 0.23%

LAB 28.13, -9.53, 13.04

 

CMYK 24 / 0 / 34 / 73

HEX #35462E

RGB 53 70 46

HSL 102.5, 0.21%, 0.23%

LAB 27.67, -12.13, 12.34

 

CMYK 34 / 0 / 34 / 73

HEX #2E462E

RGB 46 70 46

HSL 120, 0.21%, 0.23%

LAB 27.18, -15.01, 11.6

 

CMYK 19 / 0 / 38 / 92

HEX #11150D

RGB 17 21 13

HSL 90, 0.24%, 0.07%

LAB 6.18, -3.22, 3.76

 

CMYK 17 / 0 / 35 / 82

HEX #262E1E

RGB 38 46 30

HSL 90, 0.21%, 0.15%

LAB 17.74, -7.13, 9.21

 

CMYK 16 / 0 / 34 / 73

HEX #3B462E

RGB 59 70 46

HSL 87.5, 0.21%, 0.23%

LAB 28.13, -9.53, 13.04

 

CMYK 16 / 0 / 35 / 63

HEX #505F3E

RGB 80 95 62

HSL 87.27, 0.21%, 0.31%

LAB 38.27, -12.34, 17.04

 

CMYK 16 / 0 / 35 / 53

HEX #65784E

RGB 101 120 78

HSL 87.14, 0.21%, 0.39%

LAB 47.94, -15.01, 20.83

 

CMYK 16 / 0 / 34 / 73

HEX #3B462E

RGB 59 70 46

HSL 87.5, 0.21%, 0.23%

LAB 28.13, -9.53, 13.04

 

CMYK 34 / 0 / 11 / 73

HEX #2E463E

RGB 46 70 62

HSL 160, 0.21%, 0.23%

LAB 27.6, -11.34, 1.86

 

CMYK 0 / 34 / 1 / 73

HEX #462E45

RGB 70 46 69

HSL 302.5, 0.21%, 0.23%

LAB 22.6, 15.51, -9.97

 

CMYK 16 / 0 / 34 / 73

HEX #3B462E

RGB 59 70 46

HSL 87.5, 0.21%, 0.23%

LAB 28.13, -9.53, 13.04

 

CMYK 34 / 16 / 0 / 73

HEX #2E3B46

RGB 46 59 70

HSL 207.5, 0.21%, 0.23%

LAB 24.16, -2.21, -8.5

 

CMYK 0 / 34 / 16 / 73

HEX #462E3B

RGB 70 46 59

HSL 327.5, 0.21%, 0.23%

LAB 22.2, 13.39, -3.8

 

CMYK 16 / 0 / 34 / 73

HEX #3B462E

RGB 59 70 46

HSL 87.5, 0.21%, 0.23%

LAB 28.13, -9.53, 13.04

 

CMYK 34 / 0 / 11 / 73

HEX #2E463E

RGB 46 70 62

HSL 160, 0.21%, 0.23%

LAB 27.6, -11.34, 1.86

 

CMYK 19 / 34 / 0 / 73

HEX #392E46

RGB 57 46 70

HSL 267.5, 0.21%, 0.23%

LAB 21.08, 10.69, -13.12

 

CMYK 0 / 34 / 23 / 73

HEX #462E36

RGB 70 46 54

HSL 340, 0.21%, 0.23%

LAB 22.03, 12.43, -0.65

 

CMYK 16 / 0 / 34 / 73

HEX #3B462E

RGB 59 70 46

HSL 87.5, 0.21%, 0.23%

LAB 28.13, -9.53, 13.04

 

CMYK 34 / 0 / 1 / 73

HEX #2E4645

RGB 46 70 69

HSL 177.5, 0.21%, 0.23%

LAB 27.82, -9.47, -2.37

 

CMYK 19 / 34 / 0 / 73

HEX #392E46

RGB 57 46 70

HSL 267.5, 0.21%, 0.23%

LAB 21.08, 10.69, -13.12

 

CMYK 0 / 34 / 33 / 73

HEX #462E2F

RGB 70 46 47

HSL 357.5, 0.21%, 0.23%

LAB 21.8, 11.2, 3.81

 

Description

Color code: RGB 59 70 46 | qconv.com Color code: RGB 59 70 46 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 70 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 70 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 34 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 34% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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