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Color name
RGB 59 103 97

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 103 97 it is the complementary color RGB 196 152 158. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 103 97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 59 103 97 shade: RGB 64 103 92, RGB 81 121 111, RGB 98 139 130, RGB 115 157 149 and RGB 132 175 168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 103 97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 59 103 97 shade: RGB 59 103 97, RGB 42 85 78, RGB 25 67 59, RGB 8 49 40 and RGB 0 31 21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 59 103 97 shade: RGB 59 103 97, RGB 59 103 85, RGB 59 103 73, RGB 59 103 61 and RGB 69 103 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 59 103 97 shade: RGB 59 103 97, RGB 59 97 103, RGB 59 85 103, RGB 59 73 103 and RGB 59 62 103

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 59 103 97 shade matches the following richer shades: RGB 59 103 97, RGB 46 116 107, RGB 33 130 116, RGB 19 143 126 and RGB 6 156 136

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 59 103 97 shade: RGB 59 103 97, RGB 72 90 88, RGB 85 77 78, RGB 99 64 68 and RGB 112 50 59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 59 103 97 shade: RGB 59 103 73, RGB 59 103 85, RGB 59 103 97, RGB 59 98 103 and RGB 59 86 103

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 59 103 97 shade: RGB 29 51 48, RGB 44 77 72, RGB 59 103 97, RGB 74 129 122 and RGB 89 156 146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 59 103 97 shade: RGB 59 103 97, RGB 61 59 103 and RGB 103 79 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 59 103 97 shade: RGB 59 103 97, RGB 97 59 103 and RGB 103 97 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 59 103 97 shade: RGB 59 103 97, RGB 61 59 103, RGB 103 59 66 and RGB 101 103 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 59 103 97 shade: RGB 59 103 97, RGB 74 59 103, RGB 103 59 66 and RGB 88 103 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 6 / 60

HEX #3B6761

RGB 59 103 97

HSL 171.82, 0.27%, 0.32%

LAB 40.4, -16.81, -1.4

 

Complementary color

CMYK 0 / 22 / 19 / 23

HEX #C4989E

RGB 196 152 158

HSL 351.82, 0.27%, 0.68%

LAB 67.02, 17.36, 3.19

 

CMYK 38 / 0 / 11 / 60

HEX #40675C

RGB 64 103 92

HSL 163.08, 0.23%, 0.33%

LAB 40.51, -16.57, 1.85

 

CMYK 33 / 0 / 8 / 53

HEX #51796F

RGB 81 121 111

HSL 165, 0.2%, 0.4%

LAB 47.72, -16.36, 1.02

 

CMYK 29 / 0 / 6 / 45

HEX #628B82

RGB 98 139 130

HSL 166.83, 0.17%, 0.46%

LAB 54.73, -16.18, 0.26

 

CMYK 27 / 0 / 5 / 38

HEX #739D95

RGB 115 157 149

HSL 168.57, 0.18%, 0.53%

LAB 61.59, -16.02, -0.45

 

CMYK 25 / 0 / 4 / 31

HEX #84AFA8

RGB 132 175 168

HSL 170.23, 0.21%, 0.6%

LAB 68.31, -15.88, -1.12

 

CMYK 43 / 0 / 6 / 60

HEX #3B6761

RGB 59 103 97

HSL 171.82, 0.27%, 0.32%

LAB 40.4, -16.81, -1.4

 

CMYK 51 / 0 / 8 / 67

HEX #2A554E

RGB 42 85 78

HSL 170.23, 0.34%, 0.25%

LAB 33, -16.92, -0.55

 

CMYK 63 / 0 / 12 / 74

HEX #19433B

RGB 25 67 59

HSL 168.57, 0.46%, 0.18%

LAB 25.37, -16.92, 0.46

 

CMYK 84 / 0 / 18 / 81

HEX #083128

RGB 8 49 40

HSL 166.83, 0.72%, 0.11%

LAB 17.47, -16.61, 1.72

 

CMYK 100 / 0 / 32 / 88

HEX #001F15

RGB 0 31 21

HSL 160.65, 1%, 0.06%

LAB 9.27, -14.35, 3.46

 

CMYK 43 / 0 / 6 / 60

HEX #3B6761

RGB 59 103 97

HSL 171.82, 0.27%, 0.32%

LAB 40.4, -16.81, -1.4

 

CMYK 43 / 0 / 17 / 60

HEX #3B6755

RGB 59 103 85

HSL 155.45, 0.27%, 0.32%

LAB 40.06, -19.86, 5.42

 

CMYK 43 / 0 / 29 / 60

HEX #3B6749

RGB 59 103 73

HSL 139.09, 0.27%, 0.32%

LAB 39.77, -22.57, 12.27

 

CMYK 43 / 0 / 41 / 60

HEX #3B673D

RGB 59 103 61

HSL 122.73, 0.27%, 0.32%

LAB 39.53, -24.91, 19.05

 

CMYK 33 / 0 / 43 / 60

HEX #45673B

RGB 69 103 59

HSL 106.36, 0.27%, 0.32%

LAB 40.05, -21.62, 21.01

 

CMYK 43 / 0 / 6 / 60

HEX #3B6761

RGB 59 103 97

HSL 171.82, 0.27%, 0.32%

LAB 40.4, -16.81, -1.4

 

CMYK 43 / 6 / 0 / 60

HEX #3B6167

RGB 59 97 103

HSL 188.18, 0.27%, 0.32%

LAB 38.65, -11.75, -7.67

 

CMYK 43 / 17 / 0 / 60

HEX #3B5567

RGB 59 85 103

HSL 204.55, 0.27%, 0.32%

LAB 34.81, -4.57, -13.48

 

CMYK 43 / 29 / 0 / 60

HEX #3B4967

RGB 59 73 103

HSL 220.91, 0.27%, 0.32%

LAB 31.05, 3.05, -19.26

 

CMYK 43 / 40 / 0 / 60

HEX #3B3E67

RGB 59 62 103

HSL 235.91, 0.27%, 0.32%

LAB 27.72, 10.35, -24.47

 

CMYK 43 / 0 / 6 / 60

HEX #3B6761

RGB 59 103 97

HSL 171.82, 0.27%, 0.32%

LAB 40.4, -16.81, -1.4

 

CMYK 60 / 0 / 8 / 55

HEX #2E746B

RGB 46 116 107

HSL 172.29, 0.43%, 0.32%

LAB 44.42, -24.2, -1.6

 

CMYK 75 / 0 / 11 / 49

HEX #218274

RGB 33 130 116

HSL 171.34, 0.6%, 0.32%

LAB 48.95, -30.77, -0.35

 

CMYK 87 / 0 / 12 / 44

HEX #138F7E

RGB 19 143 126

HSL 171.77, 0.77%, 0.32%

LAB 53.27, -35.4, 0.11

 

CMYK 96 / 0 / 13 / 39

HEX #069C88

RGB 6 156 136

HSL 172, 0.93%, 0.32%

LAB 57.65, -39.05, 0.76

 

CMYK 43 / 0 / 6 / 60

HEX #3B6761

RGB 59 103 97

HSL 171.82, 0.27%, 0.32%

LAB 40.4, -16.81, -1.4

 

CMYK 20 / 0 / 2 / 65

HEX #485A58

RGB 72 90 88

HSL 173.33, 0.11%, 0.32%

LAB 36.73, -7.36, -1.14

 

CMYK 0 / 9 / 8 / 67

HEX #554D4E

RGB 85 77 78

HSL 352.5, 0.05%, 0.32%

LAB 33.54, 3.52, 0.61

 

CMYK 0 / 35 / 31 / 61

HEX #634044

RGB 99 64 68

HSL 353.14, 0.21%, 0.32%

LAB 31.2, 15.88, 3.83

 

CMYK 0 / 55 / 47 / 56

HEX #70323B

RGB 112 50 59

HSL 351.29, 0.38%, 0.32%

LAB 29.52, 28.38, 7.58

 

CMYK 43 / 0 / 29 / 60

HEX #3B6749

RGB 59 103 73

HSL 139.09, 0.27%, 0.32%

LAB 39.77, -22.57, 12.27

 

CMYK 43 / 0 / 17 / 60

HEX #3B6755

RGB 59 103 85

HSL 155.45, 0.27%, 0.32%

LAB 40.06, -19.86, 5.42

 

CMYK 43 / 0 / 6 / 60

HEX #3B6761

RGB 59 103 97

HSL 171.82, 0.27%, 0.32%

LAB 40.4, -16.81, -1.4

 

CMYK 43 / 5 / 0 / 60

HEX #3B6267

RGB 59 98 103

HSL 186.82, 0.27%, 0.32%

LAB 38.98, -12.32, -7.19

 

CMYK 43 / 17 / 0 / 60

HEX #3B5667

RGB 59 86 103

HSL 203.18, 0.27%, 0.32%

LAB 35.13, -5.18, -12.99

 

CMYK 43 / 0 / 6 / 80

HEX #1D3330

RGB 29 51 48

HSL 171.82, 0.28%, 0.16%

LAB 19.4, -9.58, -0.86

 

CMYK 43 / 0 / 6 / 70

HEX #2C4D48

RGB 44 77 72

HSL 170.91, 0.27%, 0.24%

LAB 30.18, -13.46, -0.84

 

CMYK 43 / 0 / 6 / 60

HEX #3B6761

RGB 59 103 97

HSL 171.82, 0.27%, 0.32%

LAB 40.4, -16.81, -1.4

 

CMYK 43 / 0 / 5 / 49

HEX #4A817A

RGB 74 129 122

HSL 172.36, 0.27%, 0.4%

LAB 50.17, -19.99, -1.92

 

CMYK 43 / 0 / 6 / 39

HEX #599C92

RGB 89 156 146

HSL 171.04, 0.27%, 0.48%

LAB 59.87, -23.8, -1.44

 

CMYK 43 / 0 / 6 / 60

HEX #3B6761

RGB 59 103 97

HSL 171.82, 0.27%, 0.32%

LAB 40.4, -16.81, -1.4

 

CMYK 41 / 43 / 0 / 60

HEX #3D3B67

RGB 61 59 103

HSL 242.73, 0.27%, 0.32%

LAB 27.02, 12.97, -25.57

 

CMYK 0 / 23 / 43 / 60

HEX #674F3B

RGB 103 79 59

HSL 27.27, 0.27%, 0.32%

LAB 35.58, 7.07, 15.67

 

CMYK 43 / 0 / 6 / 60

HEX #3B6761

RGB 59 103 97

HSL 171.82, 0.27%, 0.32%

LAB 40.4, -16.81, -1.4

 

CMYK 6 / 43 / 0 / 60

HEX #613B67

RGB 97 59 103

HSL 291.82, 0.27%, 0.32%

LAB 30.99, 24.85, -19.06

 

CMYK 0 / 6 / 43 / 60

HEX #67613B

RGB 103 97 59

HSL 51.82, 0.27%, 0.32%

LAB 40.81, -3.78, 22.51

 

CMYK 43 / 0 / 6 / 60

HEX #3B6761

RGB 59 103 97

HSL 171.82, 0.27%, 0.32%

LAB 40.4, -16.81, -1.4

 

CMYK 41 / 43 / 0 / 60

HEX #3D3B67

RGB 61 59 103

HSL 242.73, 0.27%, 0.32%

LAB 27.02, 12.97, -25.57

 

CMYK 0 / 43 / 36 / 60

HEX #673B42

RGB 103 59 66

HSL 350.45, 0.27%, 0.32%

LAB 30.41, 20.35, 4.08

 

CMYK 2 / 0 / 43 / 60

HEX #65673B

RGB 101 103 59

HSL 62.73, 0.27%, 0.32%

LAB 42.43, -8.16, 24.54

 

CMYK 43 / 0 / 6 / 60

HEX #3B6761

RGB 59 103 97

HSL 171.82, 0.27%, 0.32%

LAB 40.4, -16.81, -1.4

 

CMYK 28 / 43 / 0 / 60

HEX #4A3B67

RGB 74 59 103

HSL 260.45, 0.27%, 0.32%

LAB 28.28, 17.06, -23.49

 

CMYK 0 / 43 / 36 / 60

HEX #673B42

RGB 103 59 66

HSL 350.45, 0.27%, 0.32%

LAB 30.41, 20.35, 4.08

 

CMYK 15 / 0 / 43 / 60

HEX #58673B

RGB 88 103 59

HSL 80.45, 0.27%, 0.32%

LAB 41.36, -13.87, 22.95

 

Description

Color code: RGB 59 103 97 | qconv.com Color code: RGB 59 103 97 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 103 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 103 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 6 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 6% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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