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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 116 220 it is the complementary color RGB 196 139 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 116 220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 59 116 220 shade: RGB 64 116 215, RGB 81 134 234, RGB 98 152 253, RGB 115 170 255 and RGB 132 188 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 116 220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 59 116 220 shade: RGB 59 116 220, RGB 42 98 201, RGB 25 80 182, RGB 8 62 163 and RGB 0 44 144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 59 116 220 shade: RGB 59 116 220, RGB 59 73 220, RGB 89 59 220, RGB 133 59 220 and RGB 176 59 220

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 59 116 220 shade: RGB 59 116 220, RGB 59 73 220 and RGB 59 59 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 59 116 220 shade matches the following richer shades: RGB 59 116 220 and RGB 41 111 239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 59 116 220 shade: RGB 59 116 220, RGB 78 122 202, RGB 97 127 183, RGB 115 133 164 and RGB 134 138 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 59 116 220 shade: RGB 59 204 220, RGB 59 161 220, RGB 59 118 220, RGB 59 75 220 and RGB 86 59 220

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 59 116 220 shade: RGB 29 78 168, RGB 35 95 203, RGB 59 116 220, RGB 94 141 226 and RGB 130 166 232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 59 116 220 shade: RGB 59 116 220, RGB 193 59 220 and RGB 183 220 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 59 116 220 shade: RGB 59 116 220, RGB 220 59 118 and RGB 118 220 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 59 116 220 shade: RGB 59 116 220, RGB 193 59 220, RGB 220 161 59 and RGB 86 220 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 59 116 220 shade: RGB 59 116 220, RGB 220 59 199, RGB 220 161 59 and RGB 59 220 81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 47 / 0 / 14

HEX #3B74DC

RGB 59 116 220

HSL 218.76, 0.7%, 0.55%

LAB 50.2, 16.76, -58.63

 

Complementary color

CMYK 0 / 29 / 82 / 23

HEX #C48B23

RGB 196 139 35

HSL 38.76, 0.7%, 0.45%

LAB 61.93, 13.01, 59.37

 

CMYK 70 / 46 / 0 / 16

HEX #4074D7

RGB 64 116 215

HSL 219.34, 0.65%, 0.55%

LAB 50.08, 15.63, -55.98

 

CMYK 65 / 43 / 0 / 8

HEX #5186EA

RGB 81 134 234

HSL 219.22, 0.78%, 0.62%

LAB 56.82, 13.86, -55.82

 

CMYK 61 / 40 / 0 / 1

HEX #6298FD

RGB 98 152 253

HSL 219.1, 0.97%, 0.69%

LAB 63.46, 12.41, -55.66

 

CMYK 55 / 33 / 0 / 0

HEX #73AAFF

RGB 115 170 255

HSL 216.43, 1%, 0.73%

LAB 69.19, 5.9, -47.63

 

CMYK 48 / 26 / 0 / 0

HEX #84BCFF

RGB 132 188 255

HSL 212.68, 1%, 0.76%

LAB 74.88, -0.46, -38.67

 

CMYK 73 / 47 / 0 / 14

HEX #3B74DC

RGB 59 116 220

HSL 218.76, 0.7%, 0.55%

LAB 50.2, 16.76, -58.63

 

CMYK 79 / 51 / 0 / 21

HEX #2A62C9

RGB 42 98 201

HSL 218.87, 0.65%, 0.48%

LAB 43.43, 19.15, -58.75

 

CMYK 86 / 56 / 0 / 29

HEX #1950B6

RGB 25 80 182

HSL 218.98, 0.76%, 0.41%

LAB 36.6, 22.11, -58.77

 

CMYK 95 / 62 / 0 / 36

HEX #083EA3

RGB 8 62 163

HSL 219.1, 0.91%, 0.34%

LAB 29.77, 25.75, -58.61

 

CMYK 100 / 69 / 0 / 44

HEX #002C90

RGB 0 44 144

HSL 221.67, 1%, 0.28%

LAB 23.05, 30.04, -58.03

 

CMYK 73 / 47 / 0 / 14

HEX #3B74DC

RGB 59 116 220

HSL 218.76, 0.7%, 0.55%

LAB 50.2, 16.76, -58.63

 

CMYK 73 / 67 / 0 / 14

HEX #3B49DC

RGB 59 73 220

HSL 234.78, 0.7%, 0.55%

LAB 39.35, 43.72, -76.28

 

CMYK 60 / 73 / 0 / 14

HEX #593BDC

RGB 89 59 220

HSL 251.18, 0.7%, 0.55%

LAB 38.58, 55.02, -77.46

 

CMYK 40 / 73 / 0 / 14

HEX #853BDC

RGB 133 59 220

HSL 267.58, 0.7%, 0.55%

LAB 43.18, 61.6, -69.75

 

CMYK 20 / 73 / 0 / 14

HEX #B03BDC

RGB 176 59 220

HSL 283.6, 0.7%, 0.55%

LAB 48.92, 69.42, -60.18

 

CMYK 73 / 47 / 0 / 14

HEX #3B74DC

RGB 59 116 220

HSL 218.76, 0.7%, 0.55%

LAB 50.2, 16.76, -58.63

 

CMYK 73 / 67 / 0 / 14

HEX #3B49DC

RGB 59 73 220

HSL 234.78, 0.7%, 0.55%

LAB 39.35, 43.72, -76.28

 

CMYK 73 / 73 / 0 / 14

HEX #3B3BDC

RGB 59 59 220

HSL 240, 0.7%, 0.55%

LAB 36.41, 51.79, -81.11

 

CMYK 73 / 47 / 0 / 14

HEX #3B74DC

RGB 59 116 220

HSL 218.76, 0.7%, 0.55%

LAB 50.2, 16.76, -58.63

 

CMYK 83 / 54 / 0 / 6

HEX #296FEF

RGB 41 111 239

HSL 218.79, 0.86%, 0.55%

LAB 49.58, 25.14, -70.34

 

CMYK 73 / 47 / 0 / 14

HEX #3B74DC

RGB 59 116 220

HSL 218.76, 0.7%, 0.55%

LAB 50.2, 16.76, -58.63

 

CMYK 61 / 40 / 0 / 21

HEX #4E7ACA

RGB 78 122 202

HSL 218.71, 0.54%, 0.55%

LAB 51.61, 9.69, -46.11

 

CMYK 47 / 31 / 0 / 28

HEX #617FB7

RGB 97 127 183

HSL 219.07, 0.37%, 0.55%

LAB 53.1, 4.74, -32.83

 

CMYK 30 / 19 / 0 / 36

HEX #7385A4

RGB 115 133 164

HSL 217.96, 0.21%, 0.55%

LAB 55.18, 0.94, -18.6

 

CMYK 8 / 5 / 0 / 43

HEX #868A92

RGB 134 138 146

HSL 220, 0.05%, 0.55%

LAB 57.39, 0.18, -4.78

 

CMYK 73 / 7 / 0 / 14

HEX #3BCCDC

RGB 59 204 220

HSL 185.96, 0.7%, 0.55%

LAB 75.63, -32.13, -18.89

 

CMYK 73 / 27 / 0 / 14

HEX #3BA1DC

RGB 59 161 220

HSL 201.99, 0.7%, 0.55%

LAB 63, -9.95, -38.33

 

CMYK 73 / 46 / 0 / 14

HEX #3B76DC

RGB 59 118 220

HSL 218.01, 0.7%, 0.55%

LAB 50.75, 15.51, -57.75

 

CMYK 73 / 66 / 0 / 14

HEX #3B4BDC

RGB 59 75 220

HSL 234.04, 0.7%, 0.55%

LAB 39.8, 42.52, -75.54

 

CMYK 61 / 73 / 0 / 14

HEX #563BDC

RGB 86 59 220

HSL 250.06, 0.7%, 0.55%

LAB 38.33, 54.65, -77.89

 

CMYK 83 / 54 / 0 / 34

HEX #1D4EA8

RGB 29 78 168

HSL 218.85, 0.71%, 0.39%

LAB 35.08, 18.21, -52.93

 

CMYK 83 / 53 / 0 / 20

HEX #235FCB

RGB 35 95 203

HSL 218.57, 0.71%, 0.47%

LAB 42.54, 21.22, -61.34

 

CMYK 73 / 47 / 0 / 14

HEX #3B74DC

RGB 59 116 220

HSL 218.76, 0.7%, 0.55%

LAB 50.2, 16.76, -58.63

 

CMYK 58 / 38 / 0 / 11

HEX #5E8DE2

RGB 94 141 226

HSL 218.64, 0.69%, 0.63%

LAB 58.9, 9.32, -48.02

 

CMYK 44 / 28 / 0 / 9

HEX #82A6E8

RGB 130 166 232

HSL 218.82, 0.69%, 0.71%

LAB 67.91, 4.76, -37.06

 

CMYK 73 / 47 / 0 / 14

HEX #3B74DC

RGB 59 116 220

HSL 218.76, 0.7%, 0.55%

LAB 50.2, 16.76, -58.63

 

CMYK 12 / 73 / 0 / 14

HEX #C13BDC

RGB 193 59 220

HSL 289.94, 0.7%, 0.55%

LAB 51.42, 72.75, -56.03

 

CMYK 17 / 0 / 73 / 14

HEX #B7DC3B

RGB 183 220 59

HSL 73.79, 0.7%, 0.55%

LAB 82.68, -33.05, 70.17

 

CMYK 73 / 47 / 0 / 14

HEX #3B74DC

RGB 59 116 220

HSL 218.76, 0.7%, 0.55%

LAB 50.2, 16.76, -58.63

 

CMYK 0 / 73 / 46 / 14

HEX #DC3B76

RGB 220 59 118

HSL 338.01, 0.7%, 0.55%

LAB 51.44, 65.45, 4.28

 

CMYK 46 / 0 / 73 / 14

HEX #76DC3B

RGB 118 220 59

HSL 98.01, 0.7%, 0.55%

LAB 79.24, -56.11, 65.64

 

CMYK 73 / 47 / 0 / 14

HEX #3B74DC

RGB 59 116 220

HSL 218.76, 0.7%, 0.55%

LAB 50.2, 16.76, -58.63

 

CMYK 12 / 73 / 0 / 14

HEX #C13BDC

RGB 193 59 220

HSL 289.94, 0.7%, 0.55%

LAB 51.42, 72.75, -56.03

 

CMYK 0 / 27 / 73 / 14

HEX #DCA13B

RGB 220 161 59

HSL 38.01, 0.7%, 0.55%

LAB 70.19, 12.47, 59.02

 

CMYK 61 / 0 / 73 / 14

HEX #56DC3B

RGB 86 220 59

HSL 109.94, 0.7%, 0.55%

LAB 78.16, -64.59, 64.19

 

CMYK 73 / 47 / 0 / 14

HEX #3B74DC

RGB 59 116 220

HSL 218.76, 0.7%, 0.55%

LAB 50.2, 16.76, -58.63

 

CMYK 0 / 73 / 10 / 14

HEX #DC3BC7

RGB 220 59 199

HSL 307.83, 0.7%, 0.55%

LAB 54.52, 75.02, -38.84

 

CMYK 0 / 27 / 73 / 14

HEX #DCA13B

RGB 220 161 59

HSL 38.01, 0.7%, 0.55%

LAB 70.19, 12.47, 59.02

 

CMYK 73 / 0 / 63 / 14

HEX #3BDC51

RGB 59 220 81

HSL 128.2, 0.7%, 0.55%

LAB 77.7, -67.74, 55.07

 

Description

Color code: RGB 59 116 220 | qconv.com Color code: RGB 59 116 220 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 116 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 116 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 47 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 47% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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