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Color name
RGB 59 160 116

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 160 116 it is the complementary color RGB 196 95 139. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 160 116. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 59 160 116 shade: RGB 64 160 111, RGB 81 178 130, RGB 98 196 149, RGB 115 214 168 and RGB 132 232 187

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 160 116. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 59 160 116 shade: RGB 59 160 116, RGB 42 142 97, RGB 25 124 78, RGB 8 106 59 and RGB 0 88 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 59 160 116 shade: RGB 59 160 116, RGB 59 160 88, RGB 59 160 61, RGB 83 160 59 and RGB 111 160 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 59 160 116 shade: RGB 59 160 116, RGB 59 160 143, RGB 59 149 160, RGB 59 122 160 and RGB 59 95 160

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 59 160 116 shade matches the following richer shades: RGB 59 160 116, RGB 41 177 118, RGB 23 195 120 and RGB 5 213 122

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 59 160 116 shade: RGB 59 160 116, RGB 76 142 113, RGB 94 124 111, RGB 112 106 109 and RGB 130 89 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 59 160 116 shade: RGB 59 160 60, RGB 59 160 87, RGB 59 160 114, RGB 59 160 141 and RGB 59 151 160

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 59 160 116 shade: RGB 36 99 72, RGB 48 129 94, RGB 59 160 116, RGB 72 187 137 and RGB 103 198 157

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 59 160 116 shade: RGB 59 160 116, RGB 59 84 160 and RGB 160 74 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 59 160 116 shade: RGB 59 160 116, RGB 114 59 160 and RGB 160 114 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 59 160 116 shade: RGB 59 160 116, RGB 59 84 160, RGB 160 59 104 and RGB 160 134 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 59 160 116 shade: RGB 59 160 116, RGB 64 59 160, RGB 160 59 104 and RGB 155 160 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 28 / 37

HEX #3BA074

RGB 59 160 116

HSL 153.86, 0.46%, 0.43%

LAB 59.28, -39.89, 14.47

 

Complementary color

CMYK 0 / 52 / 29 / 23

HEX #C45F8B

RGB 196 95 139

HSL 333.86, 0.46%, 0.57%

LAB 53.8, 45.23, -5.26

 

CMYK 60 / 0 / 31 / 37

HEX #40A06F

RGB 64 160 111

HSL 149.38, 0.43%, 0.44%

LAB 59.32, -39.93, 17.33

 

CMYK 54 / 0 / 27 / 30

HEX #51B282

RGB 81 178 130

HSL 150.31, 0.39%, 0.51%

LAB 65.91, -39.92, 16.06

 

CMYK 50 / 0 / 24 / 23

HEX #62C495

RGB 98 196 149

HSL 151.22, 0.45%, 0.58%

LAB 72.39, -39.81, 14.9

 

CMYK 46 / 0 / 21 / 16

HEX #73D6A8

RGB 115 214 168

HSL 152.12, 0.55%, 0.65%

LAB 78.79, -39.64, 13.83

 

CMYK 43 / 0 / 19 / 9

HEX #84E8BB

RGB 132 232 187

HSL 153, 0.68%, 0.71%

LAB 85.1, -39.44, 12.84

 

CMYK 63 / 0 / 28 / 37

HEX #3BA074

RGB 59 160 116

HSL 153.86, 0.46%, 0.43%

LAB 59.28, -39.89, 14.47

 

CMYK 70 / 0 / 32 / 44

HEX #2A8E61

RGB 42 142 97

HSL 153, 0.54%, 0.36%

LAB 52.62, -39.59, 15.87

 

CMYK 80 / 0 / 37 / 51

HEX #197C4E

RGB 25 124 78

HSL 152.12, 0.66%, 0.29%

LAB 45.87, -38.92, 17.46

 

CMYK 92 / 0 / 44 / 58

HEX #086A3B

RGB 8 106 59

HSL 151.22, 0.86%, 0.22%

LAB 39.03, -37.62, 19.28

 

CMYK 100 / 0 / 55 / 65

HEX #005828

RGB 0 88 40

HSL 147.27, 1%, 0.17%

LAB 32.11, -35.3, 21.35

 

CMYK 63 / 0 / 28 / 37

HEX #3BA074

RGB 59 160 116

HSL 153.86, 0.46%, 0.43%

LAB 59.28, -39.89, 14.47

 

CMYK 63 / 0 / 45 / 37

HEX #3BA058

RGB 59 160 88

HSL 137.23, 0.46%, 0.43%

LAB 58.77, -45.41, 29.05

 

CMYK 63 / 0 / 62 / 37

HEX #3BA03D

RGB 59 160 61

HSL 121.19, 0.46%, 0.43%

LAB 58.42, -49.29, 42.14

 

CMYK 48 / 0 / 63 / 37

HEX #53A03B

RGB 83 160 59

HSL 105.74, 0.46%, 0.43%

LAB 59.25, -43.03, 44.21

 

CMYK 31 / 0 / 63 / 37

HEX #6FA03B

RGB 111 160 59

HSL 89.11, 0.46%, 0.43%

LAB 60.64, -33.36, 46.14

 

CMYK 63 / 0 / 28 / 37

HEX #3BA074

RGB 59 160 116

HSL 153.86, 0.46%, 0.43%

LAB 59.28, -39.89, 14.47

 

CMYK 63 / 0 / 11 / 37

HEX #3BA08F

RGB 59 160 143

HSL 169.9, 0.46%, 0.43%

LAB 59.94, -33.27, 0.23

 

CMYK 63 / 7 / 0 / 37

HEX #3B95A0

RGB 59 149 160

HSL 186.53, 0.46%, 0.43%

LAB 57.04, -23, -13.74

 

CMYK 63 / 24 / 0 / 37

HEX #3B7AA0

RGB 59 122 160

HSL 202.57, 0.46%, 0.43%

LAB 48.74, -8.22, -26.43

 

CMYK 63 / 41 / 0 / 37

HEX #3B5FA0

RGB 59 95 160

HSL 218.61, 0.46%, 0.43%

LAB 40.66, 8.29, -39.14

 

CMYK 63 / 0 / 28 / 37

HEX #3BA074

RGB 59 160 116

HSL 153.86, 0.46%, 0.43%

LAB 59.28, -39.89, 14.47

 

CMYK 77 / 0 / 33 / 31

HEX #29B176

RGB 41 177 118

HSL 153.97, 0.62%, 0.43%

LAB 64.34, -49.37, 20.27

 

CMYK 88 / 0 / 38 / 24

HEX #17C378

RGB 23 195 120

HSL 153.84, 0.79%, 0.43%

LAB 69.87, -57.4, 26.62

 

CMYK 98 / 0 / 43 / 16

HEX #05D57A

RGB 5 213 122

HSL 153.75, 0.95%, 0.43%

LAB 75.47, -64.08, 32.94

 

CMYK 63 / 0 / 28 / 37

HEX #3BA074

RGB 59 160 116

HSL 153.86, 0.46%, 0.43%

LAB 59.28, -39.89, 14.47

 

CMYK 46 / 0 / 20 / 44

HEX #4C8E71

RGB 76 142 113

HSL 153.64, 0.3%, 0.43%

LAB 54.11, -28.23, 8.99

 

CMYK 24 / 0 / 10 / 51

HEX #5E7C6F

RGB 94 124 111

HSL 154, 0.14%, 0.43%

LAB 49.43, -13.67, 3.59

 

CMYK 0 / 5 / 3 / 56

HEX #706A6D

RGB 112 106 109

HSL 330, 0.03%, 0.43%

LAB 45.44, 2.94, -0.84

 

CMYK 0 / 32 / 18 / 49

HEX #82596B

RGB 130 89 107

HSL 333.66, 0.19%, 0.43%

LAB 42.69, 19.79, -3.45

 

CMYK 63 / 0 / 63 / 37

HEX #3BA03C

RGB 59 160 60

HSL 120.59, 0.46%, 0.43%

LAB 58.41, -49.41, 42.59

 

CMYK 63 / 0 / 46 / 37

HEX #3BA057

RGB 59 160 87

HSL 136.63, 0.46%, 0.43%

LAB 58.75, -45.58, 29.56

 

CMYK 63 / 0 / 29 / 37

HEX #3BA072

RGB 59 160 114

HSL 152.67, 0.46%, 0.43%

LAB 59.24, -40.33, 15.53

 

CMYK 63 / 0 / 12 / 37

HEX #3BA08D

RGB 59 160 141

HSL 168.71, 0.46%, 0.43%

LAB 59.88, -33.8, 1.29

 

CMYK 63 / 6 / 0 / 37

HEX #3B97A0

RGB 59 151 160

HSL 185.35, 0.46%, 0.43%

LAB 57.66, -24.03, -12.81

 

CMYK 64 / 0 / 27 / 61

HEX #246348

RGB 36 99 72

HSL 154.29, 0.47%, 0.26%

LAB 37.42, -27.28, 9.47

 

CMYK 63 / 0 / 27 / 49

HEX #30815E

RGB 48 129 94

HSL 154.07, 0.46%, 0.35%

LAB 48.43, -33.4, 11.82

 

CMYK 63 / 0 / 28 / 37

HEX #3BA074

RGB 59 160 116

HSL 153.86, 0.46%, 0.43%

LAB 59.28, -39.89, 14.47

 

CMYK 61 / 0 / 27 / 27

HEX #48BB89

RGB 72 187 137

HSL 153.91, 0.46%, 0.51%

LAB 68.55, -44.26, 15.89

 

CMYK 48 / 0 / 21 / 22

HEX #67C69D

RGB 103 198 157

HSL 154.11, 0.45%, 0.59%

LAB 73.35, -37.77, 11.97

 

CMYK 63 / 0 / 28 / 37

HEX #3BA074

RGB 59 160 116

HSL 153.86, 0.46%, 0.43%

LAB 59.28, -39.89, 14.47

 

CMYK 63 / 48 / 0 / 37

HEX #3B54A0

RGB 59 84 160

HSL 225.15, 0.46%, 0.43%

LAB 37.5, 15.41, -44.18

 

CMYK 0 / 54 / 63 / 37

HEX #A04A3B

RGB 160 74 59

HSL 8.91, 0.46%, 0.43%

LAB 42.29, 34.48, 25.89

 

CMYK 63 / 0 / 28 / 37

HEX #3BA074

RGB 59 160 116

HSL 153.86, 0.46%, 0.43%

LAB 59.28, -39.89, 14.47

 

CMYK 29 / 63 / 0 / 37

HEX #723BA0

RGB 114 59 160

HSL 272.67, 0.46%, 0.43%

LAB 36.45, 43.22, -45.6

 

CMYK 0 / 29 / 63 / 37

HEX #A0723B

RGB 160 114 59

HSL 32.67, 0.46%, 0.43%

LAB 51.64, 12.18, 37.11

 

CMYK 63 / 0 / 28 / 37

HEX #3BA074

RGB 59 160 116

HSL 153.86, 0.46%, 0.43%

LAB 59.28, -39.89, 14.47

 

CMYK 63 / 48 / 0 / 37

HEX #3B54A0

RGB 59 84 160

HSL 225.15, 0.46%, 0.43%

LAB 37.5, 15.41, -44.18

 

CMYK 0 / 63 / 35 / 37

HEX #A03B68

RGB 160 59 104

HSL 333.27, 0.46%, 0.43%

LAB 40.57, 46.22, -4.26

 

CMYK 0 / 16 / 63 / 37

HEX #A0863B

RGB 160 134 59

HSL 44.55, 0.46%, 0.43%

LAB 56.92, 0.9, 43.1

 

CMYK 63 / 0 / 28 / 37

HEX #3BA074

RGB 59 160 116

HSL 153.86, 0.46%, 0.43%

LAB 59.28, -39.89, 14.47

 

CMYK 60 / 63 / 0 / 37

HEX #403BA0

RGB 64 59 160

HSL 242.97, 0.46%, 0.43%

LAB 31.24, 32.59, -54.27

 

CMYK 0 / 63 / 35 / 37

HEX #A03B68

RGB 160 59 104

HSL 333.27, 0.46%, 0.43%

LAB 40.57, 46.22, -4.26

 

CMYK 3 / 0 / 63 / 37

HEX #9BA03B

RGB 155 160 59

HSL 62.97, 0.46%, 0.43%

LAB 63.69, -15.32, 50.35

 

Description

Color code: RGB 59 160 116 | qconv.com Color code: RGB 59 160 116 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 160 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 160 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 28 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 28% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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