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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 5 162 20 it is the complementary color RGB 250 93 235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 5 162 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 5 162 20 shade: RGB 10 162 15, RGB 27 180 34, RGB 44 198 53, RGB 61 216 72 and RGB 78 234 91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 5 162 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 5 162 20 shade: RGB 5 162 20, RGB 0 144 1, RGB 0 126 0, RGB 0 108 0 and RGB 0 90 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 5 162 20 shade: RGB 5 163 20, RGB 32 163 5, RGB 75 163 5, RGB 117 163 5 and RGB 160 163 5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 5 162 20 shade: RGB 5 163 20, RGB 5 163 62, RGB 5 163 105, RGB 5 163 148 and RGB 5 135 163

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 5 162 20 shade matches the following richer shades: RGB 5 163 20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 5 162 20 shade: RGB 5 163 20, RGB 18 149 31, RGB 32 136 42, RGB 45 122 53 and RGB 59 108 64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 5 162 20 shade: RGB 76 163 5, RGB 34 163 5, RGB 5 163 18, RGB 5 163 60 and RGB 5 163 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 5 162 20 shade: RGB 2 83 10, RGB 3 123 15, RGB 5 163 20, RGB 6 203 25 and RGB 7 243 30

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 5 162 20 shade: RGB 5 162 20, RGB 5 118 163 and RGB 163 5 55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 5 162 20 shade: RGB 5 162 20, RGB 18 5 163 and RGB 163 18 5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 5 162 20 shade: RGB 5 162 20, RGB 5 118 163, RGB 163 5 150 and RGB 163 49 5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 5 162 20 shade: RGB 5 162 20, RGB 5 70 163, RGB 163 5 150 and RGB 163 97 5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 88 / 36

HEX #05A214

RGB 5 162 20

HSL 125.73, 0.94%, 0.33%

LAB 57.96, -60.48, 56.03

 

Complementary color

CMYK 0 / 63 / 6 / 2

HEX #FA5DEB

RGB 250 93 235

HSL 305.73, 0.94%, 0.67%

LAB 65.08, 75.42, -42.25

 

CMYK 94 / 0 / 91 / 36

HEX #0AA20F

RGB 10 162 15

HSL 121.97, 0.88%, 0.34%

LAB 57.98, -60.4, 57.06

 

CMYK 85 / 0 / 81 / 29

HEX #1BB422

RGB 27 180 34

HSL 122.75, 0.74%, 0.41%

LAB 64.15, -63.43, 58.14

 

CMYK 78 / 0 / 73 / 22

HEX #2CC635

RGB 44 198 53

HSL 123.51, 0.64%, 0.47%

LAB 70.3, -65.58, 58.07

 

CMYK 72 / 0 / 67 / 15

HEX #3DD848

RGB 61 216 72

HSL 124.26, 0.67%, 0.54%

LAB 76.42, -67.06, 57.36

 

CMYK 67 / 0 / 61 / 8

HEX #4EEA5B

RGB 78 234 91

HSL 125, 0.79%, 0.61%

LAB 82.5, -68.05, 56.33

 

CMYK 97 / 0 / 88 / 36

HEX #05A214

RGB 5 162 20

HSL 125.73, 0.94%, 0.33%

LAB 57.96, -60.48, 56.03

 

CMYK 100 / 0 / 99 / 44

HEX #009001

RGB 0 144 1

HSL 120.42, 1%, 0.28%

LAB 51.78, -56.28, 54.17

 

CMYK 100 / 0 / 100 / 51

HEX #007E00

RGB 0 126 0

HSL 120, 1%, 0.25%

LAB 45.53, -51.12, 49.34

 

CMYK 100 / 0 / 100 / 58

HEX #006C00

RGB 0 108 0

HSL 120, 1%, 0.21%

LAB 39.11, -45.79, 44.19

 

CMYK 100 / 0 / 100 / 65

HEX #005A00

RGB 0 90 0

HSL 120, 1%, 0.18%

LAB 32.51, -40.3, 38.9

 

CMYK 97 / 0 / 88 / 36

HEX #05A314

RGB 5 163 20

HSL 125.7, 0.94%, 0.33%

LAB 58.3, -60.76, 56.32

 

CMYK 80 / 0 / 97 / 36

HEX #20A305

RGB 32 163 5

HSL 109.75, 0.94%, 0.33%

LAB 58.52, -58.92, 59.14

 

CMYK 54 / 0 / 97 / 36

HEX #4BA305

RGB 75 163 5

HSL 93.42, 0.94%, 0.33%

LAB 59.62, -49.71, 60.49

 

CMYK 28 / 0 / 97 / 36

HEX #75A305

RGB 117 163 5

HSL 77.47, 0.94%, 0.33%

LAB 61.64, -35.01, 62.96

 

CMYK 2 / 0 / 97 / 36

HEX #A0A305

RGB 160 163 5

HSL 61.14, 0.94%, 0.33%

LAB 64.71, -16.69, 66.64

 

CMYK 97 / 0 / 88 / 36

HEX #05A314

RGB 5 163 20

HSL 125.7, 0.94%, 0.33%

LAB 58.3, -60.76, 56.32

 

CMYK 97 / 0 / 62 / 36

HEX #05A33E

RGB 5 163 62

HSL 141.65, 0.94%, 0.33%

LAB 58.58, -57.22, 41.63

 

CMYK 97 / 0 / 36 / 36

HEX #05A369

RGB 5 163 105

HSL 157.97, 0.94%, 0.33%

LAB 59.2, -49.75, 20.31

 

CMYK 97 / 0 / 9 / 36

HEX #05A394

RGB 5 163 148

HSL 174.3, 0.94%, 0.33%

LAB 60.22, -38.73, -2.28

 

CMYK 97 / 17 / 0 / 36

HEX #0587A3

RGB 5 135 163

HSL 190.63, 0.94%, 0.33%

LAB 51.84, -20.21, -23.47

 

CMYK 97 / 0 / 88 / 36

HEX #05A314

RGB 5 163 20

HSL 125.7, 0.94%, 0.33%

LAB 58.3, -60.76, 56.32

 

CMYK 97 / 0 / 88 / 36

HEX #05A314

RGB 5 163 20

HSL 125.7, 0.94%, 0.33%

LAB 58.3, -60.76, 56.32

 

CMYK 88 / 0 / 79 / 42

HEX #12951F

RGB 18 149 31

HSL 125.95, 0.78%, 0.33%

LAB 53.73, -55.11, 49.1

 

CMYK 76 / 0 / 69 / 47

HEX #20882A

RGB 32 136 42

HSL 125.77, 0.62%, 0.33%

LAB 49.6, -48.14, 40.71

 

CMYK 63 / 0 / 57 / 52

HEX #2D7A35

RGB 45 122 53

HSL 126.23, 0.46%, 0.33%

LAB 45.27, -38.88, 30.58

 

CMYK 45 / 0 / 41 / 58

HEX #3B6C40

RGB 59 108 64

HSL 126.12, 0.29%, 0.33%

LAB 41.26, -26.84, 19.58

 

CMYK 53 / 0 / 97 / 36

HEX #4CA305

RGB 76 163 5

HSL 93.04, 0.94%, 0.33%

LAB 59.65, -49.42, 60.53

 

CMYK 79 / 0 / 97 / 36

HEX #22A305

RGB 34 163 5

HSL 108.99, 0.94%, 0.33%

LAB 58.55, -58.65, 59.18

 

CMYK 97 / 0 / 89 / 36

HEX #05A312

RGB 5 163 18

HSL 124.94, 0.94%, 0.33%

LAB 58.29, -60.85, 56.74

 

CMYK 97 / 0 / 63 / 36

HEX #05A33C

RGB 5 163 60

HSL 140.89, 0.94%, 0.33%

LAB 58.56, -57.47, 42.53

 

CMYK 97 / 0 / 37 / 36

HEX #05A366

RGB 5 163 102

HSL 156.84, 0.94%, 0.33%

LAB 59.15, -50.39, 21.87

 

CMYK 98 / 0 / 88 / 67

HEX #02530A

RGB 2 83 10

HSL 125.93, 0.95%, 0.17%

LAB 29.96, -37.12, 33.3

 

CMYK 98 / 0 / 88 / 52

HEX #037B0F

RGB 3 123 15

HSL 126, 0.95%, 0.25%

LAB 44.55, -49.35, 45.24

 

CMYK 97 / 0 / 88 / 36

HEX #05A314

RGB 5 163 20

HSL 125.7, 0.94%, 0.33%

LAB 58.3, -60.76, 56.32

 

CMYK 97 / 0 / 88 / 20

HEX #06CB19

RGB 6 203 25

HSL 125.79, 0.94%, 0.41%

LAB 71.43, -71.71, 66.82

 

CMYK 97 / 0 / 88 / 5

HEX #07F31E

RGB 7 243 30

HSL 125.85, 0.94%, 0.49%

LAB 84.09, -82.24, 76.89

 

CMYK 97 / 0 / 88 / 36

HEX #05A214

RGB 5 162 20

HSL 125.73, 0.94%, 0.33%

LAB 57.96, -60.48, 56.03

 

CMYK 97 / 28 / 0 / 36

HEX #0576A3

RGB 5 118 163

HSL 197.09, 0.94%, 0.33%

LAB 46.49, -10.74, -31.79

 

CMYK 0 / 97 / 66 / 36

HEX #A30537

RGB 163 5 55

HSL 341.01, 0.94%, 0.33%

LAB 34.34, 58.23, 18.38

 

CMYK 97 / 0 / 88 / 36

HEX #05A214

RGB 5 162 20

HSL 125.73, 0.94%, 0.33%

LAB 57.96, -60.48, 56.03

 

CMYK 89 / 97 / 0 / 36

HEX #1205A3

RGB 18 5 163

HSL 244.94, 0.94%, 0.33%

LAB 19.56, 55.44, -75.48

 

CMYK 0 / 89 / 97 / 36

HEX #A31205

RGB 163 18 5

HSL 4.94, 0.94%, 0.33%

LAB 34.46, 54.79, 46.2

 

CMYK 97 / 0 / 88 / 36

HEX #05A214

RGB 5 162 20

HSL 125.73, 0.94%, 0.33%

LAB 57.96, -60.48, 56.03

 

CMYK 97 / 28 / 0 / 36

HEX #0576A3

RGB 5 118 163

HSL 197.09, 0.94%, 0.33%

LAB 46.49, -10.74, -31.79

 

CMYK 0 / 97 / 8 / 36

HEX #A30596

RGB 163 5 150

HSL 304.94, 0.94%, 0.33%

LAB 38.02, 67.82, -36.6

 

CMYK 0 / 70 / 97 / 36

HEX #A33105

RGB 163 49 5

HSL 16.71, 0.94%, 0.33%

LAB 37.83, 45.36, 48.09

 

CMYK 97 / 0 / 88 / 36

HEX #05A214

RGB 5 162 20

HSL 125.73, 0.94%, 0.33%

LAB 57.96, -60.48, 56.03

 

CMYK 97 / 57 / 0 / 36

HEX #0546A3

RGB 5 70 163

HSL 215.32, 0.94%, 0.33%

LAB 31.94, 20.12, -55.06

 

CMYK 0 / 97 / 8 / 36

HEX #A30596

RGB 163 5 150

HSL 304.94, 0.94%, 0.33%

LAB 38.02, 67.82, -36.6

 

CMYK 0 / 40 / 97 / 36

HEX #A36105

RGB 163 97 5

HSL 34.94, 0.94%, 0.33%

LAB 47.43, 21.03, 54.26

 

Description

Color code: RGB 5 162 20 | qconv.com Color code: RGB 5 162 20 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 162 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 162 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 88 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 88% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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