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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 5 119 77 it is the complementary color RGB 250 136 178. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 5 119 77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 5 119 77 shade: RGB 10 119 72, RGB 27 137 91, RGB 44 155 110, RGB 61 173 129 and RGB 78 191 148

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 5 119 77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 5 119 77 shade: RGB 5 119 77, RGB 0 101 58, RGB 0 83 39, RGB 0 65 20 and RGB 0 47 1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 5 119 77 shade: RGB 4 117 76, RGB 4 117 45, RGB 4 117 15, RGB 24 117 4 and RGB 55 117 4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 5 119 77 shade: RGB 4 117 76, RGB 4 117 106, RGB 4 98 117, RGB 4 67 117 and RGB 4 37 117

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 5 119 77 shade matches the following richer shades: RGB 4 117 76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 5 119 77 shade: RGB 4 117 76, RGB 14 107 73, RGB 24 97 70, RGB 34 87 68 and RGB 44 77 65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 5 119 77 shade: RGB 4 117 14, RGB 4 117 44, RGB 4 117 74, RGB 4 117 104 and RGB 4 100 117

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 5 119 77 shade: RGB 1 38 24, RGB 3 77 50, RGB 4 117 76, RGB 6 157 101 and RGB 8 196 127

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 5 119 77 shade: RGB 5 119 77, RGB 4 25 117 and RGB 117 29 4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 5 119 77 shade: RGB 5 119 77, RGB 74 4 117 and RGB 117 74 4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 5 119 77 shade: RGB 5 119 77, RGB 4 25 117, RGB 117 4 48 and RGB 117 96 4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 5 119 77 shade: RGB 5 119 77, RGB 18 4 117, RGB 117 4 48 and RGB 104 117 4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 35 / 53

HEX #05774D

RGB 5 119 77

HSL 157.89, 0.92%, 0.24%

LAB 43.89, -39.03, 15.32

 

Complementary color

CMYK 0 / 46 / 29 / 2

HEX #FA88B2

RGB 250 136 178

HSL 337.89, 0.92%, 0.76%

LAB 70.28, 47.93, -2.5

 

CMYK 92 / 0 / 39 / 53

HEX #0A7748

RGB 10 119 72

HSL 154.13, 0.84%, 0.25%

LAB 43.84, -39.79, 18.15

 

CMYK 80 / 0 / 34 / 46

HEX #1B895B

RGB 27 137 91

HSL 154.91, 0.67%, 0.32%

LAB 50.55, -41.08, 16.39

 

CMYK 72 / 0 / 29 / 39

HEX #2C9B6E

RGB 44 155 110

HSL 155.68, 0.56%, 0.39%

LAB 57.18, -41.81, 14.84

 

CMYK 65 / 0 / 25 / 32

HEX #3DAD81

RGB 61 173 129

HSL 156.43, 0.48%, 0.46%

LAB 63.72, -42.19, 13.48

 

CMYK 59 / 0 / 23 / 25

HEX #4EBF94

RGB 78 191 148

HSL 157.17, 0.47%, 0.53%

LAB 70.19, -42.34, 12.25

 

CMYK 96 / 0 / 35 / 53

HEX #05774D

RGB 5 119 77

HSL 157.89, 0.92%, 0.24%

LAB 43.89, -39.03, 15.32

 

CMYK 100 / 0 / 43 / 60

HEX #00653A

RGB 0 101 58

HSL 154.46, 1%, 0.2%

LAB 37.14, -36.62, 17.36

 

CMYK 100 / 0 / 53 / 67

HEX #005327

RGB 0 83 39

HSL 148.19, 1%, 0.16%

LAB 30.24, -33.6, 19.59

 

CMYK 100 / 0 / 69 / 75

HEX #004114

RGB 0 65 20

HSL 138.46, 1%, 0.13%

LAB 23.11, -30.14, 21.77

 

CMYK 100 / 0 / 98 / 82

HEX #002F01

RGB 0 47 1

HSL 121.28, 1%, 0.09%

LAB 15.67, -26.15, 21.76

 

CMYK 97 / 0 / 35 / 54

HEX #04754C

RGB 4 117 76

HSL 158.23, 0.93%, 0.24%

LAB 43.17, -38.54, 14.92

 

CMYK 97 / 0 / 62 / 54

HEX #04752D

RGB 4 117 45

HSL 141.77, 0.93%, 0.24%

LAB 42.67, -44.46, 31.41

 

CMYK 97 / 0 / 87 / 54

HEX #04750F

RGB 4 117 15

HSL 125.84, 0.93%, 0.24%

LAB 42.43, -47.43, 43.33

 

CMYK 79 / 0 / 97 / 54

HEX #187504

RGB 24 117 4

HSL 109.38, 0.93%, 0.24%

LAB 42.65, -45.65, 46.21

 

CMYK 53 / 0 / 97 / 54

HEX #377504

RGB 55 117 4

HSL 92.92, 0.93%, 0.24%

LAB 43.57, -38.03, 47.35

 

CMYK 97 / 0 / 35 / 54

HEX #04754C

RGB 4 117 76

HSL 158.23, 0.93%, 0.24%

LAB 43.17, -38.54, 14.92

 

CMYK 97 / 0 / 9 / 54

HEX #04756A

RGB 4 117 106

HSL 174.16, 0.93%, 0.24%

LAB 43.93, -30.31, -1.82

 

CMYK 97 / 16 / 0 / 54

HEX #046275

RGB 4 98 117

HSL 190.09, 0.93%, 0.24%

LAB 37.92, -16.75, -17.53

 

CMYK 97 / 43 / 0 / 54

HEX #044375

RGB 4 67 117

HSL 206.55, 0.93%, 0.24%

LAB 27.64, 2.53, -33.66

 

CMYK 97 / 68 / 0 / 54

HEX #042575

RGB 4 37 117

HSL 222.48, 0.93%, 0.24%

LAB 18.51, 24.03, -48.47

 

CMYK 97 / 0 / 35 / 54

HEX #04754C

RGB 4 117 76

HSL 158.23, 0.93%, 0.24%

LAB 43.17, -38.54, 14.92

 

CMYK 97 / 0 / 35 / 54

HEX #04754C

RGB 4 117 76

HSL 158.23, 0.93%, 0.24%

LAB 43.17, -38.54, 14.92

 

CMYK 87 / 0 / 32 / 58

HEX #0E6B49

RGB 14 107 73

HSL 158.06, 0.77%, 0.24%

LAB 39.73, -34.28, 12

 

CMYK 75 / 0 / 28 / 62

HEX #186146

RGB 24 97 70

HSL 157.81, 0.6%, 0.24%

LAB 36.34, -29.24, 9.13

 

CMYK 61 / 0 / 22 / 66

HEX #225744

RGB 34 87 68

HSL 158.49, 0.44%, 0.24%

LAB 33.08, -22.82, 5.81

 

CMYK 43 / 0 / 16 / 70

HEX #2C4D41

RGB 44 77 65

HSL 158.18, 0.27%, 0.24%

LAB 29.97, -15.33, 3.34

 

CMYK 97 / 0 / 88 / 54

HEX #04750E

RGB 4 117 14

HSL 125.31, 0.93%, 0.24%

LAB 42.43, -47.48, 43.59

 

CMYK 97 / 0 / 62 / 54

HEX #04752C

RGB 4 117 44

HSL 141.24, 0.93%, 0.24%

LAB 42.66, -44.6, 31.9

 

CMYK 97 / 0 / 37 / 54

HEX #04754A

RGB 4 117 74

HSL 157.17, 0.93%, 0.24%

LAB 43.13, -39, 16.03

 

CMYK 97 / 0 / 11 / 54

HEX #047568

RGB 4 117 104

HSL 173.1, 0.93%, 0.24%

LAB 43.87, -30.92, -0.71

 

CMYK 97 / 15 / 0 / 54

HEX #046475

RGB 4 100 117

HSL 189.03, 0.93%, 0.24%

LAB 38.59, -17.87, -16.51

 

CMYK 97 / 0 / 37 / 85

HEX #012618

RGB 1 38 24

HSL 157.3, 0.95%, 0.08%

LAB 12.34, -17.55, 5.63

 

CMYK 96 / 0 / 35 / 70

HEX #034D32

RGB 3 77 50

HSL 158.11, 0.93%, 0.16%

LAB 28.27, -28.23, 10.29

 

CMYK 97 / 0 / 35 / 54

HEX #04754C

RGB 4 117 76

HSL 158.23, 0.93%, 0.24%

LAB 43.17, -38.54, 14.92

 

CMYK 96 / 0 / 36 / 38

HEX #069D65

RGB 6 157 101

HSL 157.75, 0.93%, 0.32%

LAB 57.17, -48.32, 19.75

 

CMYK 96 / 0 / 35 / 23

HEX #08C47F

RGB 8 196 127

HSL 157.98, 0.92%, 0.4%

LAB 70.22, -57.06, 23.38

 

CMYK 96 / 0 / 35 / 53

HEX #05774D

RGB 5 119 77

HSL 157.89, 0.92%, 0.24%

LAB 43.89, -39.03, 15.32

 

CMYK 97 / 79 / 0 / 54

HEX #041975

RGB 4 25 117

HSL 228.85, 0.93%, 0.24%

LAB 15.52, 32.21, -53.41

 

CMYK 0 / 75 / 97 / 54

HEX #751D04

RGB 117 29 4

HSL 13.27, 0.93%, 0.24%

LAB 25.77, 37.21, 35.78

 

CMYK 96 / 0 / 35 / 53

HEX #05774D

RGB 5 119 77

HSL 157.89, 0.92%, 0.24%

LAB 43.89, -39.03, 15.32

 

CMYK 37 / 97 / 0 / 54

HEX #4A0475

RGB 74 4 117

HSL 277.17, 0.93%, 0.24%

LAB 19.34, 47.63, -46.88

 

CMYK 0 / 37 / 97 / 54

HEX #754A04

RGB 117 74 4

HSL 37.17, 0.93%, 0.24%

LAB 35.38, 13.06, 43.16

 

CMYK 96 / 0 / 35 / 53

HEX #05774D

RGB 5 119 77

HSL 157.89, 0.92%, 0.24%

LAB 43.89, -39.03, 15.32

 

CMYK 97 / 79 / 0 / 54

HEX #041975

RGB 4 25 117

HSL 228.85, 0.93%, 0.24%

LAB 15.52, 32.21, -53.41

 

CMYK 0 / 97 / 59 / 54

HEX #750430

RGB 117 4 48

HSL 336.64, 0.93%, 0.24%

LAB 23.94, 46.17, 7.36

 

CMYK 0 / 18 / 97 / 54

HEX #756004

RGB 117 96 4

HSL 48.85, 0.93%, 0.24%

LAB 41.46, -0.1, 47.63

 

CMYK 96 / 0 / 35 / 53

HEX #05774D

RGB 5 119 77

HSL 157.89, 0.92%, 0.24%

LAB 43.89, -39.03, 15.32

 

CMYK 85 / 97 / 0 / 54

HEX #120475

RGB 18 4 117

HSL 247.43, 0.93%, 0.24%

LAB 12.61, 43.1, -58.23

 

CMYK 0 / 97 / 59 / 54

HEX #750430

RGB 117 4 48

HSL 336.64, 0.93%, 0.24%

LAB 23.94, 46.17, 7.36

 

CMYK 11 / 0 / 97 / 54

HEX #687504

RGB 104 117 4

HSL 66.9, 0.93%, 0.24%

LAB 46.54, -18.11, 50.97

 

Description

Color code: RGB 5 119 77 | qconv.com Color code: RGB 5 119 77 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 119 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 119 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 35 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 35% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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