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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 5 127 10 it is the complementary color RGB 250 128 245. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 5 127 10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 5 127 10 shade: RGB 10 127 5, RGB 27 145 24, RGB 44 163 43, RGB 61 181 62 and RGB 78 199 81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 5 127 10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 5 127 10 shade: RGB 5 127 10, RGB 0 109 0, RGB 0 91 0, RGB 0 73 0 and RGB 0 55 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 5 127 10 shade: RGB 5 127 10, RGB 33 127 5, RGB 66 127 5, RGB 98 127 5 and RGB 127 122 5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 5 127 10 shade: RGB 5 127 10, RGB 5 127 43, RGB 5 127 76, RGB 5 127 108 and RGB 5 112 127

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 5 127 10 shade matches the following richer shades: RGB 5 127 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 5 127 10 shade: RGB 5 127 10, RGB 16 116 20, RGB 26 105 30, RGB 37 95 39 and RGB 48 84 49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 5 127 10 shade: RGB 66 127 5, RGB 33 127 5, RGB 5 127 9, RGB 5 127 41 and RGB 5 127 74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 5 127 10 shade: RGB 2 48 3, RGB 3 87 7, RGB 5 127 10, RGB 6 166 13 and RGB 8 206 16

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 5 127 10 shade: RGB 5 127 10, RGB 5 98 127 and RGB 127 5 50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 5 127 10 shade: RGB 5 127 10, RGB 9 5 127 and RGB 127 9 5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 5 127 10 shade: RGB 5 127 10, RGB 5 98 127, RGB 127 5 123 and RGB 127 33 5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 5 127 10 shade: RGB 5 127 10, RGB 5 62 127, RGB 127 5 123 and RGB 127 70 5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 92 / 50

HEX #057F0A

RGB 5 127 10

HSL 122.46, 0.92%, 0.26%

LAB 45.95, -50.62, 47.63

 

Complementary color

CMYK 0 / 49 / 2 / 2

HEX #FA80F5

RGB 250 128 245

HSL 302.46, 0.92%, 0.74%

LAB 71.11, 61.89, -38.34

 

CMYK 92 / 0 / 96 / 50

HEX #0A7F05

RGB 10 127 5

HSL 117.54, 0.92%, 0.26%

LAB 45.98, -50.42, 48.69

 

CMYK 81 / 0 / 83 / 43

HEX #1B9118

RGB 27 145 24

HSL 118.51, 0.72%, 0.33%

LAB 52.45, -53.31, 50.1

 

CMYK 73 / 0 / 74 / 36

HEX #2CA32B

RGB 44 163 43

HSL 119.5, 0.58%, 0.4%

LAB 58.89, -55.18, 50.11

 

CMYK 66 / 0 / 66 / 29

HEX #3DB53E

RGB 61 181 62

HSL 120.5, 0.5%, 0.47%

LAB 65.27, -56.32, 49.36

 

CMYK 61 / 0 / 59 / 22

HEX #4EC751

RGB 78 199 81

HSL 121.49, 0.52%, 0.54%

LAB 71.6, -56.99, 48.25

 

CMYK 96 / 0 / 92 / 50

HEX #057F0A

RGB 5 127 10

HSL 122.46, 0.92%, 0.26%

LAB 45.95, -50.62, 47.63

 

CMYK 100 / 0 / 100 / 57

HEX #006D00

RGB 0 109 0

HSL 120, 1%, 0.21%

LAB 39.47, -46.09, 44.48

 

CMYK 100 / 0 / 100 / 64

HEX #005B00

RGB 0 91 0

HSL 120, 1%, 0.18%

LAB 32.88, -40.61, 39.19

 

CMYK 100 / 0 / 100 / 71

HEX #004900

RGB 0 73 0

HSL 120, 1%, 0.14%

LAB 26.05, -34.94, 33.56

 

CMYK 100 / 0 / 100 / 78

HEX #003700

RGB 0 55 0

HSL 120, 1%, 0.11%

LAB 18.94, -29.03, 26.14

 

CMYK 96 / 0 / 92 / 50

HEX #057F0A

RGB 5 127 10

HSL 122.46, 0.92%, 0.26%

LAB 45.95, -50.62, 47.63

 

CMYK 74 / 0 / 96 / 50

HEX #217F05

RGB 33 127 5

HSL 106.23, 0.92%, 0.26%

LAB 46.33, -47.33, 49.12

 

CMYK 48 / 0 / 96 / 50

HEX #427F05

RGB 66 127 5

HSL 90, 0.92%, 0.26%

LAB 47.43, -38.43, 50.47

 

CMYK 23 / 0 / 96 / 50

HEX #627F05

RGB 98 127 5

HSL 74.26, 0.92%, 0.26%

LAB 49.24, -25.88, 52.68

 

CMYK 0 / 4 / 96 / 50

HEX #7F7A05

RGB 127 122 5

HSL 57.54, 0.92%, 0.26%

LAB 50.03, -10.03, 54.29

 

CMYK 96 / 0 / 92 / 50

HEX #057F0A

RGB 5 127 10

HSL 122.46, 0.92%, 0.26%

LAB 45.95, -50.62, 47.63

 

CMYK 96 / 0 / 66 / 50

HEX #057F2B

RGB 5 127 43

HSL 138.69, 0.92%, 0.26%

LAB 46.16, -48, 36.37

 

CMYK 96 / 0 / 40 / 50

HEX #057F4C

RGB 5 127 76

HSL 154.92, 0.92%, 0.26%

LAB 46.62, -42.39, 19.57

 

CMYK 96 / 0 / 15 / 50

HEX #057F6C

RGB 5 127 108

HSL 170.66, 0.92%, 0.26%

LAB 47.36, -34.26, 2

 

CMYK 96 / 12 / 0 / 50

HEX #05707F

RGB 5 112 127

HSL 187.38, 0.92%, 0.26%

LAB 42.99, -20.72, -15.84

 

CMYK 96 / 0 / 92 / 50

HEX #057F0A

RGB 5 127 10

HSL 122.46, 0.92%, 0.26%

LAB 45.95, -50.62, 47.63

 

CMYK 96 / 0 / 92 / 50

HEX #057F0A

RGB 5 127 10

HSL 122.46, 0.92%, 0.26%

LAB 45.95, -50.62, 47.63

 

CMYK 86 / 0 / 83 / 55

HEX #107414

RGB 16 116 20

HSL 122.4, 0.76%, 0.26%

LAB 42.23, -45.65, 41.67

 

CMYK 75 / 0 / 71 / 59

HEX #1A691E

RGB 26 105 30

HSL 123.04, 0.6%, 0.26%

LAB 38.58, -39.41, 34.12

 

CMYK 61 / 0 / 59 / 63

HEX #255F27

RGB 37 95 39

HSL 122.07, 0.44%, 0.26%

LAB 35.45, -31.69, 26.17

 

CMYK 43 / 0 / 42 / 67

HEX #305431

RGB 48 84 49

HSL 121.67, 0.27%, 0.26%

LAB 32.24, -21.28, 16.5

 

CMYK 48 / 0 / 96 / 50

HEX #427F05

RGB 66 127 5

HSL 90, 0.92%, 0.26%

LAB 47.43, -38.43, 50.47

 

CMYK 74 / 0 / 96 / 50

HEX #217F05

RGB 33 127 5

HSL 106.23, 0.92%, 0.26%

LAB 46.33, -47.33, 49.12

 

CMYK 96 / 0 / 93 / 50

HEX #057F09

RGB 5 127 9

HSL 121.97, 0.92%, 0.26%

LAB 45.95, -50.66, 47.83

 

CMYK 96 / 0 / 68 / 50

HEX #057F29

RGB 5 127 41

HSL 137.7, 0.92%, 0.26%

LAB 46.14, -48.24, 37.28

 

CMYK 96 / 0 / 42 / 50

HEX #057F4A

RGB 5 127 74

HSL 153.93, 0.92%, 0.26%

LAB 46.59, -42.82, 20.65

 

CMYK 96 / 0 / 94 / 81

HEX #023003

RGB 2 48 3

HSL 121.3, 0.92%, 0.1%

LAB 16.17, -25.63, 21.59

 

CMYK 97 / 0 / 92 / 66

HEX #035707

RGB 3 87 7

HSL 122.86, 0.93%, 0.18%

LAB 31.47, -38.5, 35.66

 

CMYK 96 / 0 / 92 / 50

HEX #057F0A

RGB 5 127 10

HSL 122.46, 0.92%, 0.26%

LAB 45.95, -50.62, 47.63

 

CMYK 96 / 0 / 92 / 35

HEX #06A60D

RGB 6 166 13

HSL 122.63, 0.93%, 0.34%

LAB 59.29, -61.82, 58.52

 

CMYK 96 / 0 / 92 / 19

HEX #08CE10

RGB 8 206 16

HSL 122.42, 0.93%, 0.42%

LAB 72.38, -72.74, 69.13

 

CMYK 96 / 0 / 92 / 50

HEX #057F0A

RGB 5 127 10

HSL 122.46, 0.92%, 0.26%

LAB 45.95, -50.62, 47.63

 

CMYK 96 / 23 / 0 / 50

HEX #05627F

RGB 5 98 127

HSL 194.26, 0.92%, 0.26%

LAB 38.38, -12.9, -22.95

 

CMYK 0 / 96 / 61 / 50

HEX #7F0532

RGB 127 5 50

HSL 337.87, 0.92%, 0.26%

LAB 26.31, 48.73, 9.6

 

CMYK 96 / 0 / 92 / 50

HEX #057F0A

RGB 5 127 10

HSL 122.46, 0.92%, 0.26%

LAB 45.95, -50.62, 47.63

 

CMYK 93 / 96 / 0 / 50

HEX #09057F

RGB 9 5 127

HSL 241.97, 0.92%, 0.26%

LAB 13.82, 45.35, -62.64

 

CMYK 0 / 93 / 96 / 50

HEX #7F0905

RGB 127 9 5

HSL 1.97, 0.92%, 0.26%

LAB 25.92, 46.18, 36.3

 

CMYK 96 / 0 / 92 / 50

HEX #057F0A

RGB 5 127 10

HSL 122.46, 0.92%, 0.26%

LAB 45.95, -50.62, 47.63

 

CMYK 96 / 23 / 0 / 50

HEX #05627F

RGB 5 98 127

HSL 194.26, 0.92%, 0.26%

LAB 38.38, -12.9, -22.95

 

CMYK 0 / 96 / 3 / 50

HEX #7F057B

RGB 127 5 123

HSL 301.97, 0.92%, 0.26%

LAB 29.54, 57.17, -33.74

 

CMYK 0 / 74 / 96 / 50

HEX #7F2105

RGB 127 33 5

HSL 13.77, 0.92%, 0.26%

LAB 28.41, 39.18, 38.46

 

CMYK 96 / 0 / 92 / 50

HEX #057F0A

RGB 5 127 10

HSL 122.46, 0.92%, 0.26%

LAB 45.95, -50.62, 47.63

 

CMYK 96 / 51 / 0 / 50

HEX #053E7F

RGB 5 62 127

HSL 211.97, 0.92%, 0.26%

LAB 26.76, 10.42, -41.36

 

CMYK 0 / 96 / 3 / 50

HEX #7F057B

RGB 127 5 123

HSL 301.97, 0.92%, 0.26%

LAB 29.54, 57.17, -33.74

 

CMYK 0 / 45 / 96 / 50

HEX #7F4605

RGB 127 70 5

HSL 31.97, 0.92%, 0.26%

LAB 35.8, 20.18, 43.78

 

Description

Color code: RGB 5 127 10 | qconv.com Color code: RGB 5 127 10 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 127 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 127 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 92 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 92% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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