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Color name
RGB 5 249 227

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 5 249 227 it is the complementary color RGB 250 6 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 5 249 227. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 5 249 227 shade: RGB 10 249 222, RGB 27 255 241, RGB 44 255 255, RGB 61 255 255 and RGB 78 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 5 249 227. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 5 249 227 shade: RGB 5 249 227, RGB 0 231 208, RGB 0 213 189, RGB 0 195 170 and RGB 0 177 151

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 5 249 227 shade: RGB 5 249 227, RGB 5 249 161, RGB 5 249 95, RGB 5 249 29 and RGB 46 249 5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 5 249 227 shade: RGB 5 249 227, RGB 5 205 249, RGB 5 139 249, RGB 5 73 249 and RGB 5 7 249

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 5 249 227 shade matches the following richer shades: RGB 5 249 227

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 5 249 227 shade: RGB 5 249 227, RGB 25 229 210, RGB 46 208 194, RGB 66 188 177 and RGB 87 167 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 5 249 227 shade: RGB 5 249 94, RGB 5 249 160, RGB 5 249 225, RGB 5 209 249 and RGB 5 143 249

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 5 249 227 shade: RGB 3 169 154, RGB 4 209 190, RGB 5 249 227, RGB 45 250 232 and RGB 85 251 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 5 249 227 shade: RGB 5 249 227, RGB 29 5 249 and RGB 249 127 5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 5 249 227 shade: RGB 5 249 227, RGB 225 5 249 and RGB 249 225 5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 5 249 227 shade: RGB 5 249 227, RGB 29 5 249, RGB 249 5 29 and RGB 225 249 5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 5 249 227 shade: RGB 5 249 227, RGB 103 5 249, RGB 249 5 29 and RGB 151 249 5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 9 / 2

HEX #05F9E3

RGB 5 249 227

HSL 174.59, 0.96%, 0.5%

LAB 88.6, -53.25, -3.3

 

Complementary color

CMYK 0 / 98 / 89 / 2

HEX #FA061C

RGB 250 6 28

HSL 354.59, 0.96%, 0.5%

LAB 52.44, 78.75, 57.79

 

CMYK 96 / 0 / 11 / 2

HEX #0AF9DE

RGB 10 249 222

HSL 173.22, 0.95%, 0.51%

LAB 88.49, -54.48, -0.86

 

CMYK 89 / 0 / 5 / 0

HEX #1BFFF1

RGB 27 255 241

HSL 176.32, 1%, 0.55%

LAB 90.83, -51.29, -7.29

 

CMYK 83 / 0 / 0 / 0

HEX #2CFFFF

RGB 44 255 255

HSL 180, 1%, 0.59%

LAB 91.36, -46.48, -13.75

 

CMYK 76 / 0 / 0 / 0

HEX #3DFFFF

RGB 61 255 255

HSL 180, 1%, 0.62%

LAB 91.56, -45.14, -13.42

 

CMYK 69 / 0 / 0 / 0

HEX #4EFFFF

RGB 78 255 255

HSL 180, 1%, 0.65%

LAB 91.85, -43.33, -12.97

 

CMYK 98 / 0 / 9 / 2

HEX #05F9E3

RGB 5 249 227

HSL 174.59, 0.96%, 0.5%

LAB 88.6, -53.25, -3.3

 

CMYK 100 / 0 / 10 / 9

HEX #00E7D0

RGB 0 231 208

HSL 174.03, 1%, 0.45%

LAB 82.76, -51.1, -1.91

 

CMYK 100 / 0 / 11 / 16

HEX #00D5BD

RGB 0 213 189

HSL 173.24, 1%, 0.42%

LAB 76.84, -48.81, -0.46

 

CMYK 100 / 0 / 13 / 24

HEX #00C3AA

RGB 0 195 170

HSL 172.31, 1%, 0.38%

LAB 70.82, -46.49, 1.04

 

CMYK 100 / 0 / 15 / 31

HEX #00B197

RGB 0 177 151

HSL 171.19, 1%, 0.35%

LAB 64.71, -44.13, 2.6

 

CMYK 98 / 0 / 9 / 2

HEX #05F9E3

RGB 5 249 227

HSL 174.59, 0.96%, 0.5%

LAB 88.6, -53.25, -3.3

 

CMYK 98 / 0 / 35 / 2

HEX #05F9A1

RGB 5 249 161

HSL 158.36, 0.96%, 0.5%

LAB 87.17, -68.85, 28.72

 

CMYK 98 / 0 / 62 / 2

HEX #05F95F

RGB 5 249 95

HSL 142.13, 0.96%, 0.5%

LAB 86.31, -79.22, 58.73

 

CMYK 98 / 0 / 88 / 2

HEX #05F91D

RGB 5 249 29

HSL 125.9, 0.96%, 0.5%

LAB 85.94, -83.92, 78.66

 

CMYK 82 / 0 / 98 / 2

HEX #2EF905

RGB 46 249 5

HSL 109.92, 0.96%, 0.5%

LAB 86.18, -81.94, 81.66

 

CMYK 98 / 0 / 9 / 2

HEX #05F9E3

RGB 5 249 227

HSL 174.59, 0.96%, 0.5%

LAB 88.6, -53.25, -3.3

 

CMYK 98 / 18 / 0 / 2

HEX #05CDF9

RGB 5 205 249

HSL 190.82, 0.96%, 0.5%

LAB 76.4, -26.74, -33.35

 

CMYK 98 / 44 / 0 / 2

HEX #058BF9

RGB 5 139 249

HSL 207.05, 0.96%, 0.5%

LAB 57.4, 9.82, -63.29

 

CMYK 98 / 71 / 0 / 2

HEX #0549F9

RGB 5 73 249

HSL 223.28, 0.96%, 0.5%

LAB 40.63, 51.01, -90.63

 

CMYK 98 / 97 / 0 / 2

HEX #0507F9

RGB 5 7 249

HSL 239.51, 0.96%, 0.5%

LAB 31.86, 76.72, -105.23

 

CMYK 98 / 0 / 9 / 2

HEX #05F9E3

RGB 5 249 227

HSL 174.59, 0.96%, 0.5%

LAB 88.6, -53.25, -3.3

 

CMYK 98 / 0 / 9 / 2

HEX #05F9E3

RGB 5 249 227

HSL 174.59, 0.96%, 0.5%

LAB 88.6, -53.25, -3.3

 

CMYK 89 / 0 / 8 / 10

HEX #19E5D2

RGB 25 229 210

HSL 174.41, 0.8%, 0.5%

LAB 82.32, -48.95, -3.59

 

CMYK 78 / 0 / 7 / 18

HEX #2ED0C2

RGB 46 208 194

HSL 174.81, 0.64%, 0.5%

LAB 75.82, -42.85, -4.61

 

CMYK 65 / 0 / 6 / 26

HEX #42BCB1

RGB 66 188 177

HSL 174.59, 0.48%, 0.5%

LAB 69.68, -35.97, -4.37

 

CMYK 48 / 0 / 4 / 35

HEX #57A7A0

RGB 87 167 160

HSL 174.75, 0.31%, 0.5%

LAB 63.51, -26.27, -3.98

 

CMYK 98 / 0 / 62 / 2

HEX #05F95E

RGB 5 249 94

HSL 141.89, 0.96%, 0.5%

LAB 86.3, -79.33, 59.14

 

CMYK 98 / 0 / 36 / 2

HEX #05F9A0

RGB 5 249 160

HSL 158.11, 0.96%, 0.5%

LAB 87.15, -69.05, 29.2

 

CMYK 98 / 0 / 10 / 2

HEX #05F9E1

RGB 5 249 225

HSL 174.1, 0.96%, 0.5%

LAB 88.55, -53.79, -2.33

 

CMYK 98 / 16 / 0 / 2

HEX #05D1F9

RGB 5 209 249

HSL 189.84, 0.96%, 0.5%

LAB 77.56, -28.71, -31.55

 

CMYK 98 / 43 / 0 / 2

HEX #058FF9

RGB 5 143 249

HSL 206.07, 0.96%, 0.5%

LAB 58.52, 7.39, -61.49

 

CMYK 98 / 0 / 9 / 34

HEX #03A99A

RGB 3 169 154

HSL 174.58, 0.97%, 0.34%

LAB 62.28, -39.72, -2.62

 

CMYK 98 / 0 / 9 / 18

HEX #04D1BE

RGB 4 209 190

HSL 174.44, 0.96%, 0.42%

LAB 75.67, -46.75, -2.72

 

CMYK 98 / 0 / 9 / 2

HEX #05F9E3

RGB 5 249 227

HSL 174.59, 0.96%, 0.5%

LAB 88.6, -53.25, -3.3

 

CMYK 82 / 0 / 7 / 2

HEX #2DFAE8

RGB 45 250 232

HSL 174.73, 0.95%, 0.58%

LAB 89.28, -50.61, -4.89

 

CMYK 66 / 0 / 6 / 2

HEX #55FBEC

RGB 85 251 236

HSL 174.58, 0.95%, 0.66%

LAB 90.31, -45.71, -5.37

 

CMYK 98 / 0 / 9 / 2

HEX #05F9E3

RGB 5 249 227

HSL 174.59, 0.96%, 0.5%

LAB 88.6, -53.25, -3.3

 

CMYK 88 / 98 / 0 / 2

HEX #1D05F9

RGB 29 5 249

HSL 245.9, 0.96%, 0.5%

LAB 32.28, 77.21, -104.52

 

CMYK 0 / 49 / 98 / 2

HEX #F97F05

RGB 249 127 5

HSL 30, 0.96%, 0.5%

LAB 66, 41.03, 72.23

 

CMYK 98 / 0 / 9 / 2

HEX #05F9E3

RGB 5 249 227

HSL 174.59, 0.96%, 0.5%

LAB 88.6, -53.25, -3.3

 

CMYK 10 / 98 / 0 / 2

HEX #E105F9

RGB 225 5 249

HSL 294.1, 0.96%, 0.5%

LAB 55.03, 92.59, -66.28

 

CMYK 0 / 10 / 98 / 2

HEX #F9E105

RGB 249 225 5

HSL 54.1, 0.96%, 0.5%

LAB 88.92, -9.45, 87.9

 

CMYK 98 / 0 / 9 / 2

HEX #05F9E3

RGB 5 249 227

HSL 174.59, 0.96%, 0.5%

LAB 88.6, -53.25, -3.3

 

CMYK 88 / 98 / 0 / 2

HEX #1D05F9

RGB 29 5 249

HSL 245.9, 0.96%, 0.5%

LAB 32.28, 77.21, -104.52

 

CMYK 0 / 98 / 88 / 2

HEX #F9051D

RGB 249 5 29

HSL 354.1, 0.96%, 0.5%

LAB 52.22, 78.6, 57.11

 

CMYK 10 / 0 / 98 / 2

HEX #E1F905

RGB 225 249 5

HSL 65.9, 0.96%, 0.5%

LAB 93.35, -30.93, 90.33

 

CMYK 98 / 0 / 9 / 2

HEX #05F9E3

RGB 5 249 227

HSL 174.59, 0.96%, 0.5%

LAB 88.6, -53.25, -3.3

 

CMYK 59 / 98 / 0 / 2

HEX #6705F9

RGB 103 5 249

HSL 264.1, 0.96%, 0.5%

LAB 37.54, 79.66, -95.61

 

CMYK 0 / 98 / 88 / 2

HEX #F9051D

RGB 249 5 29

HSL 354.1, 0.96%, 0.5%

LAB 52.22, 78.6, 57.11

 

CMYK 39 / 0 / 98 / 2

HEX #97F905

RGB 151 249 5

HSL 84.1, 0.96%, 0.5%

LAB 89.08, -58.5, 85.2

 

Description

Color code: RGB 5 249 227 | qconv.com Color code: RGB 5 249 227 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 249 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 249 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 9 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 9% 2% C M Y K

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Provide designers and agencies with accurate color values.

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