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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 63 66 64 it is the complementary color RGB 192 189 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 63 66 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 63 66 64 shade: RGB 68 66 59, RGB 85 84 78, RGB 102 102 97, RGB 119 120 116 and RGB 136 138 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 63 66 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 63 66 64 shade: RGB 63 66 64, RGB 46 48 45, RGB 29 30 26 and RGB 12 12 7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 63 66 64 shade: RGB 62 65 63, RGB 62 65 62, RGB 63 65 62, RGB 63 65 62 and RGB 64 65 62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 63 66 64 shade: RGB 62 65 63, RGB 62 65 64, RGB 62 65 64, RGB 62 64 65 and RGB 62 63 65

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 63 66 64 shade matches the following richer shades: RGB 62 65 63, RGB 52 75 59, RGB 41 85 56, RGB 31 95 53 and RGB 21 106 49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 63 66 64 shade: RGB 62 65 63, RGB 72 54 66, RGB 83 44 70, RGB 93 34 73 and RGB 103 23 77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 63 66 64 shade: RGB 62 65 62, RGB 62 65 62, RGB 62 65 63, RGB 62 65 64 and RGB 62 65 64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 63 66 64 shade: RGB 22 22 22, RGB 42 43 42, RGB 62 65 63, RGB 82 86 83 and RGB 102 107 104

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 63 66 64 shade: RGB 63 66 64, RGB 62 63 65 and RGB 65 62 62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 63 66 64 shade: RGB 63 66 64, RGB 63 62 65 and RGB 65 63 62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 63 66 64 shade: RGB 63 66 64, RGB 62 63 65, RGB 65 62 64 and RGB 65 63 62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 63 66 64 shade: RGB 63 66 64, RGB 62 62 65, RGB 65 62 64 and RGB 65 64 62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 3 / 74

HEX #3F4240

RGB 63 66 64

HSL 140, 0.02%, 0.25%

LAB 27.64, -1.7, 0.78

 

Complementary color

CMYK 0 / 2 / 1 / 25

HEX #C0BDBF

RGB 192 189 191

HSL 320, 0.02%, 0.75%

LAB 76.9, 1.42, -0.64

 

CMYK 0 / 3 / 13 / 73

HEX #44423B

RGB 68 66 59

HSL 46.67, 0.07%, 0.25%

LAB 27.96, -0.61, 4.56

 

CMYK 0 / 1 / 8 / 67

HEX #55544E

RGB 85 84 78

HSL 51.43, 0.04%, 0.32%

LAB 35.64, -0.83, 3.65

 

CMYK 0 / 0 / 5 / 60

HEX #666661

RGB 102 102 97

HSL 60, 0.03%, 0.39%

LAB 43.05, -1.01, 2.82

 

CMYK 1 / 0 / 3 / 53

HEX #777874

RGB 119 120 116

HSL 75, 0.02%, 0.46%

LAB 50.23, -1.17, 2.05

 

CMYK 1 / 0 / 2 / 46

HEX #888A87

RGB 136 138 135

HSL 100, 0.01%, 0.54%

LAB 57.23, -1.32, 1.34

 

CMYK 5 / 0 / 3 / 74

HEX #3F4240

RGB 63 66 64

HSL 140, 0.02%, 0.25%

LAB 27.64, -1.7, 0.78

 

CMYK 4 / 0 / 6 / 81

HEX #2E302D

RGB 46 48 45

HSL 100, 0.03%, 0.18%

LAB 19.57, -1.58, 1.61

 

CMYK 3 / 0 / 13 / 88

HEX #1D1E1A

RGB 29 30 26

HSL 75, 0.07%, 0.11%

LAB 11.02, -1.45, 2.58

 

CMYK 0 / 0 / 42 / 95

HEX #0C0C07

RGB 12 12 7

HSL 60, 0.26%, 0.04%

LAB 3.22, -0.71, 1.93

 

CMYK 5 / 0 / 3 / 75

HEX #3E413F

RGB 62 65 63

HSL 140, 0.02%, 0.25%

LAB 27.2, -1.71, 0.78

 

CMYK 5 / 0 / 5 / 75

HEX #3E413E

RGB 62 65 62

HSL 120, 0.02%, 0.25%

LAB 27.16, -1.93, 1.39

 

CMYK 3 / 0 / 5 / 75

HEX #3F413E

RGB 63 65 62

HSL 100, 0.02%, 0.25%

LAB 27.26, -1.51, 1.53

 

CMYK 3 / 0 / 5 / 75

HEX #3F413E

RGB 63 65 62

HSL 100, 0.02%, 0.25%

LAB 27.26, -1.51, 1.53

 

CMYK 2 / 0 / 5 / 75

HEX #40413E

RGB 64 65 62

HSL 80, 0.02%, 0.25%

LAB 27.35, -1.08, 1.68

 

CMYK 5 / 0 / 3 / 75

HEX #3E413F

RGB 62 65 63

HSL 140, 0.02%, 0.25%

LAB 27.2, -1.71, 0.78

 

CMYK 5 / 0 / 2 / 75

HEX #3E4140

RGB 62 65 64

HSL 160, 0.02%, 0.25%

LAB 27.23, -1.48, 0.17

 

CMYK 5 / 0 / 2 / 75

HEX #3E4140

RGB 62 65 64

HSL 160, 0.02%, 0.25%

LAB 27.23, -1.48, 0.17

 

CMYK 5 / 2 / 0 / 75

HEX #3E4041

RGB 62 64 65

HSL 200, 0.02%, 0.25%

LAB 26.94, -0.61, -0.91

 

CMYK 5 / 3 / 0 / 75

HEX #3E3F41

RGB 62 63 65

HSL 220, 0.02%, 0.25%

LAB 26.62, 0.04, -1.37

 

CMYK 5 / 0 / 3 / 75

HEX #3E413F

RGB 62 65 63

HSL 140, 0.02%, 0.25%

LAB 27.2, -1.71, 0.78

 

CMYK 31 / 0 / 21 / 71

HEX #344B3B

RGB 52 75 59

HSL 138.26, 0.18%, 0.25%

LAB 29.61, -12.78, 6.72

 

CMYK 52 / 0 / 34 / 67

HEX #295538

RGB 41 85 56

HSL 140.45, 0.35%, 0.25%

LAB 32.38, -22.73, 12.35

 

CMYK 67 / 0 / 44 / 63

HEX #1F5F35

RGB 31 95 53

HSL 140.63, 0.51%, 0.25%

LAB 35.46, -30.81, 18.21

 

CMYK 80 / 0 / 54 / 58

HEX #156A31

RGB 21 106 49

HSL 139.76, 0.67%, 0.25%

LAB 39.05, -38.01, 25

 

CMYK 5 / 0 / 3 / 75

HEX #3E413F

RGB 62 65 63

HSL 140, 0.02%, 0.25%

LAB 27.2, -1.71, 0.78

 

CMYK 0 / 25 / 8 / 72

HEX #483642

RGB 72 54 66

HSL 320, 0.14%, 0.25%

LAB 24.98, 10.39, -4.35

 

CMYK 0 / 47 / 16 / 67

HEX #532C46

RGB 83 44 70

HSL 320, 0.31%, 0.25%

LAB 23.94, 22.09, -8.44

 

CMYK 0 / 63 / 22 / 64

HEX #5D2249

RGB 93 34 73

HSL 320.34, 0.46%, 0.25%

LAB 23.51, 31.92, -10.97

 

CMYK 0 / 78 / 25 / 60

HEX #67174D

RGB 103 23 77

HSL 319.5, 0.63%, 0.25%

LAB 23.78, 40.49, -13.1

 

CMYK 5 / 0 / 5 / 75

HEX #3E413E

RGB 62 65 62

HSL 120, 0.02%, 0.25%

LAB 27.16, -1.93, 1.39

 

CMYK 5 / 0 / 5 / 75

HEX #3E413E

RGB 62 65 62

HSL 120, 0.02%, 0.25%

LAB 27.16, -1.93, 1.39

 

CMYK 5 / 0 / 3 / 75

HEX #3E413F

RGB 62 65 63

HSL 140, 0.02%, 0.25%

LAB 27.2, -1.71, 0.78

 

CMYK 5 / 0 / 2 / 75

HEX #3E4140

RGB 62 65 64

HSL 160, 0.02%, 0.25%

LAB 27.23, -1.48, 0.17

 

CMYK 5 / 0 / 2 / 75

HEX #3E4140

RGB 62 65 64

HSL 160, 0.02%, 0.25%

LAB 27.23, -1.48, 0.17

 

CMYK 0 / 0 / 0 / 91

HEX #161616

RGB 22 22 22

HSL 0, 0%, 0.09%

LAB 7.25, 0, -0

 

CMYK 2 / 0 / 2 / 83

HEX #2A2B2A

RGB 42 43 42

HSL 120, 0.01%, 0.17%

LAB 17.4, -0.69, 0.49

 

CMYK 5 / 0 / 3 / 75

HEX #3E413F

RGB 62 65 63

HSL 140, 0.02%, 0.25%

LAB 27.2, -1.71, 0.78

 

CMYK 5 / 0 / 3 / 66

HEX #525653

RGB 82 86 83

HSL 135, 0.02%, 0.33%

LAB 36.13, -2.24, 1.19

 

CMYK 5 / 0 / 3 / 58

HEX #666B68

RGB 102 107 104

HSL 144, 0.02%, 0.41%

LAB 44.72, -2.54, 1.01

 

CMYK 5 / 0 / 3 / 74

HEX #3F4240

RGB 63 66 64

HSL 140, 0.02%, 0.25%

LAB 27.64, -1.7, 0.78

 

CMYK 5 / 3 / 0 / 75

HEX #3E3F41

RGB 62 63 65

HSL 220, 0.02%, 0.25%

LAB 26.62, 0.04, -1.37

 

CMYK 0 / 5 / 5 / 75

HEX #413E3E

RGB 65 62 62

HSL 0, 0.02%, 0.25%

LAB 26.5, 1.28, 0.45

 

CMYK 5 / 0 / 3 / 74

HEX #3F4240

RGB 63 66 64

HSL 140, 0.02%, 0.25%

LAB 27.64, -1.7, 0.78

 

CMYK 3 / 5 / 0 / 75

HEX #3F3E41

RGB 63 62 65

HSL 260, 0.02%, 0.25%

LAB 26.4, 1.11, -1.69

 

CMYK 0 / 3 / 5 / 75

HEX #413F3E

RGB 65 63 62

HSL 20, 0.02%, 0.25%

LAB 26.81, 0.63, 0.91

 

CMYK 5 / 0 / 3 / 74

HEX #3F4240

RGB 63 66 64

HSL 140, 0.02%, 0.25%

LAB 27.64, -1.7, 0.78

 

CMYK 5 / 3 / 0 / 75

HEX #3E3F41

RGB 62 63 65

HSL 220, 0.02%, 0.25%

LAB 26.62, 0.04, -1.37

 

CMYK 0 / 5 / 2 / 75

HEX #413E40

RGB 65 62 64

HSL 320, 0.02%, 0.25%

LAB 26.56, 1.72, -0.77

 

CMYK 0 / 3 / 5 / 75

HEX #413F3E

RGB 65 63 62

HSL 20, 0.02%, 0.25%

LAB 26.81, 0.63, 0.91

 

CMYK 5 / 0 / 3 / 74

HEX #3F4240

RGB 63 66 64

HSL 140, 0.02%, 0.25%

LAB 27.64, -1.7, 0.78

 

CMYK 5 / 5 / 0 / 75

HEX #3E3E41

RGB 62 62 65

HSL 240, 0.02%, 0.25%

LAB 26.31, 0.69, -1.84

 

CMYK 0 / 5 / 2 / 75

HEX #413E40

RGB 65 62 64

HSL 320, 0.02%, 0.25%

LAB 26.56, 1.72, -0.77

 

CMYK 0 / 2 / 5 / 75

HEX #41403E

RGB 65 64 62

HSL 40, 0.02%, 0.25%

LAB 27.13, -0.01, 1.37

 

Description

Color code: RGB 63 66 64 | qconv.com Color code: RGB 63 66 64 | qconv.com - big

With this color almost no shade stands out particularly. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 66 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 66 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 3 yellow and 74 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 3% 74% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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