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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 63 101 26 it is the complementary color RGB 192 154 229. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 63 101 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 63 101 26 shade: RGB 68 101 21, RGB 85 119 40, RGB 102 137 59, RGB 119 155 78 and RGB 136 173 97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 63 101 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 63 101 26 shade: RGB 63 101 26, RGB 46 83 7, RGB 29 65 0, RGB 12 47 0 and RGB 0 29 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 63 101 26 shade: RGB 63 101 26, RGB 83 101 26, RGB 101 98 26, RGB 101 78 26 and RGB 101 58 26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 63 101 26 shade: RGB 63 101 26, RGB 42 101 26, RGB 26 101 29, RGB 26 101 49 and RGB 26 101 70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 63 101 26 shade matches the following richer shades: RGB 63 101 26, RGB 63 111 15 and RGB 62 121 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 63 101 26 shade: RGB 63 101 26, RGB 63 91 36, RGB 63 80 46, RGB 63 70 57 and RGB 63 60 67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 63 101 26 shade: RGB 101 98 26, RGB 83 101 26, RGB 63 101 26, RGB 43 101 26 and RGB 26 101 28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 63 101 26 shade: RGB 22 35 9, RGB 42 68 17, RGB 63 101 26, RGB 83 134 34 and RGB 104 166 43

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 63 101 26 shade: RGB 63 101 26, RGB 26 101 78 and RGB 101 26 93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 63 101 26 shade: RGB 63 101 26, RGB 26 63 101 and RGB 101 26 63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 63 101 26 shade: RGB 63 101 26, RGB 26 101 78, RGB 63 26 101 and RGB 101 26 48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 63 101 26 shade: RGB 63 101 26, RGB 26 101 101, RGB 63 26 101 and RGB 101 26 26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 74 / 60

HEX #3F651A

RGB 63 101 26

HSL 90.4, 0.59%, 0.25%

LAB 38.62, -26.94, 36.36

 

Complementary color

CMYK 16 / 33 / 0 / 10

HEX #C09AE5

RGB 192 154 229

HSL 270.4, 0.59%, 0.75%

LAB 69.45, 28.28, -32.65

 

CMYK 33 / 0 / 79 / 60

HEX #446515

RGB 68 101 21

HSL 84.75, 0.66%, 0.24%

LAB 38.88, -25.26, 38.74

 

CMYK 29 / 0 / 66 / 53

HEX #557728

RGB 85 119 40

HSL 85.82, 0.5%, 0.31%

LAB 46.01, -25.67, 38.33

 

CMYK 26 / 0 / 57 / 46

HEX #66893B

RGB 102 137 59

HSL 86.92, 0.4%, 0.38%

LAB 52.98, -25.86, 37.34

 

CMYK 23 / 0 / 50 / 39

HEX #779B4E

RGB 119 155 78

HSL 88.05, 0.33%, 0.46%

LAB 59.81, -25.93, 36.16

 

CMYK 21 / 0 / 44 / 32

HEX #88AD61

RGB 136 173 97

HSL 89.21, 0.32%, 0.53%

LAB 66.51, -25.92, 34.95

 

CMYK 38 / 0 / 74 / 60

HEX #3F651A

RGB 63 101 26

HSL 90.4, 0.59%, 0.25%

LAB 38.62, -26.94, 36.36

 

CMYK 45 / 0 / 92 / 67

HEX #2E5307

RGB 46 83 7

HSL 89.21, 0.84%, 0.18%

LAB 31.31, -26.33, 36.02

 

CMYK 55 / 0 / 100 / 75

HEX #1D4100

RGB 29 65 0

HSL 93.23, 1%, 0.13%

LAB 23.81, -24.96, 31.7

 

CMYK 74 / 0 / 100 / 82

HEX #0C2F00

RGB 12 47 0

HSL 104.68, 1%, 0.09%

LAB 16.06, -22.8, 22.74

 

CMYK 100 / 0 / 100 / 89

HEX #001D00

RGB 0 29 0

HSL 120, 1%, 0.06%

LAB 7.94, -16.22, 11.59

 

CMYK 38 / 0 / 74 / 60

HEX #3F651A

RGB 63 101 26

HSL 90.4, 0.59%, 0.25%

LAB 38.62, -26.94, 36.36

 

CMYK 18 / 0 / 74 / 60

HEX #53651A

RGB 83 101 26

HSL 74.4, 0.59%, 0.25%

LAB 39.95, -18.38, 38.14

 

CMYK 0 / 3 / 74 / 60

HEX #65621A

RGB 101 98 26

HSL 57.6, 0.59%, 0.25%

LAB 40.54, -8.27, 39.23

 

CMYK 0 / 23 / 74 / 60

HEX #654E1A

RGB 101 78 26

HSL 41.6, 0.59%, 0.25%

LAB 34.58, 3.61, 33.22

 

CMYK 0 / 43 / 74 / 60

HEX #653A1A

RGB 101 58 26

HSL 25.6, 0.59%, 0.25%

LAB 29.08, 15.95, 27.37

 

CMYK 38 / 0 / 74 / 60

HEX #3F651A

RGB 63 101 26

HSL 90.4, 0.59%, 0.25%

LAB 38.62, -26.94, 36.36

 

CMYK 58 / 0 / 74 / 60

HEX #2A651A

RGB 42 101 26

HSL 107.2, 0.59%, 0.25%

LAB 37.62, -34.31, 35.01

 

CMYK 74 / 0 / 71 / 60

HEX #1A651D

RGB 26 101 29

HSL 122.4, 0.59%, 0.25%

LAB 37.14, -38.03, 33.03

 

CMYK 74 / 0 / 51 / 60

HEX #1A6531

RGB 26 101 49

HSL 138.4, 0.59%, 0.25%

LAB 37.39, -35.17, 22.95

 

CMYK 74 / 0 / 31 / 60

HEX #1A6546

RGB 26 101 70

HSL 155.2, 0.59%, 0.25%

LAB 37.79, -30.73, 11.15

 

CMYK 38 / 0 / 74 / 60

HEX #3F651A

RGB 63 101 26

HSL 90.4, 0.59%, 0.25%

LAB 38.62, -26.94, 36.36

 

CMYK 43 / 0 / 86 / 56

HEX #3F6F0F

RGB 63 111 15

HSL 90, 0.76%, 0.25%

LAB 41.94, -32.26, 43.47

 

CMYK 49 / 0 / 96 / 53

HEX #3E7905

RGB 62 121 5

HSL 90.52, 0.92%, 0.25%

LAB 45.23, -37.31, 48.61

 

CMYK 38 / 0 / 74 / 60

HEX #3F651A

RGB 63 101 26

HSL 90.4, 0.59%, 0.25%

LAB 38.62, -26.94, 36.36

 

CMYK 31 / 0 / 60 / 64

HEX #3F5B24

RGB 63 91 36

HSL 90.55, 0.43%, 0.25%

LAB 35.33, -20.98, 27.97

 

CMYK 21 / 0 / 43 / 69

HEX #3F502E

RGB 63 80 46

HSL 90, 0.27%, 0.25%

LAB 31.79, -13.62, 17.91

 

CMYK 10 / 0 / 19 / 73

HEX #3F4639

RGB 63 70 57

HSL 92.31, 0.1%, 0.25%

LAB 28.73, -5.71, 6.88

 

CMYK 6 / 10 / 0 / 74

HEX #3F3C43

RGB 63 60 67

HSL 265.71, 0.06%, 0.25%

LAB 25.84, 2.89, -3.83

 

CMYK 0 / 3 / 74 / 60

HEX #65621A

RGB 101 98 26

HSL 57.6, 0.59%, 0.25%

LAB 40.54, -8.27, 39.23

 

CMYK 18 / 0 / 74 / 60

HEX #53651A

RGB 83 101 26

HSL 74.4, 0.59%, 0.25%

LAB 39.95, -18.38, 38.14

 

CMYK 38 / 0 / 74 / 60

HEX #3F651A

RGB 63 101 26

HSL 90.4, 0.59%, 0.25%

LAB 38.62, -26.94, 36.36

 

CMYK 57 / 0 / 74 / 60

HEX #2B651A

RGB 43 101 26

HSL 106.4, 0.59%, 0.25%

LAB 37.65, -34.01, 35.06

 

CMYK 74 / 0 / 72 / 60

HEX #1A651C

RGB 26 101 28

HSL 121.6, 0.59%, 0.25%

LAB 37.13, -38.14, 33.47

 

CMYK 37 / 0 / 74 / 86

HEX #162309

RGB 22 35 9

HSL 90, 0.59%, 0.09%

LAB 11.91, -11.42, 13.73

 

CMYK 38 / 0 / 75 / 73

HEX #2A4411

RGB 42 68 17

HSL 90.59, 0.6%, 0.17%

LAB 25.76, -19.87, 26.69

 

CMYK 38 / 0 / 74 / 60

HEX #3F651A

RGB 63 101 26

HSL 90.4, 0.59%, 0.25%

LAB 38.62, -26.94, 36.36

 

CMYK 38 / 0 / 75 / 47

HEX #538622

RGB 83 134 34

HSL 90.6, 0.6%, 0.33%

LAB 50.69, -34.01, 45.69

 

CMYK 37 / 0 / 74 / 35

HEX #68A62B

RGB 104 166 43

HSL 90.24, 0.59%, 0.41%

LAB 61.99, -39.85, 53.93

 

CMYK 38 / 0 / 74 / 60

HEX #3F651A

RGB 63 101 26

HSL 90.4, 0.59%, 0.25%

LAB 38.62, -26.94, 36.36

 

CMYK 74 / 0 / 23 / 60

HEX #1A654E

RGB 26 101 78

HSL 161.6, 0.59%, 0.25%

LAB 37.98, -28.68, 6.56

 

CMYK 0 / 74 / 8 / 60

HEX #651A5D

RGB 101 26 93

HSL 306.4, 0.59%, 0.25%

LAB 24.63, 41.35, -22.47

 

CMYK 38 / 0 / 74 / 60

HEX #3F651A

RGB 63 101 26

HSL 90.4, 0.59%, 0.25%

LAB 38.62, -26.94, 36.36

 

CMYK 74 / 38 / 0 / 60

HEX #1A3F65

RGB 26 63 101

HSL 210.4, 0.59%, 0.25%

LAB 25.9, 0.96, -26.19

 

CMYK 0 / 74 / 38 / 60

HEX #651A3F

RGB 101 26 63

HSL 330.4, 0.59%, 0.25%

LAB 23.22, 36.82, -4.47

 

CMYK 38 / 0 / 74 / 60

HEX #3F651A

RGB 63 101 26

HSL 90.4, 0.59%, 0.25%

LAB 38.62, -26.94, 36.36

 

CMYK 74 / 0 / 23 / 60

HEX #1A654E

RGB 26 101 78

HSL 161.6, 0.59%, 0.25%

LAB 37.98, -28.68, 6.56

 

CMYK 38 / 74 / 0 / 60

HEX #3F1A65

RGB 63 26 101

HSL 269.6, 0.59%, 0.25%

LAB 18.95, 33.76, -37.17

 

CMYK 0 / 74 / 52 / 60

HEX #651A30

RGB 101 26 48

HSL 342.4, 0.59%, 0.25%

LAB 22.72, 35.13, 5.14

 

CMYK 38 / 0 / 74 / 60

HEX #3F651A

RGB 63 101 26

HSL 90.4, 0.59%, 0.25%

LAB 38.62, -26.94, 36.36

 

CMYK 74 / 0 / 0 / 60

HEX #1A6565

RGB 26 101 101

HSL 180, 0.59%, 0.25%

LAB 38.67, -21.86, -6.55

 

CMYK 38 / 74 / 0 / 60

HEX #3F1A65

RGB 63 26 101

HSL 269.6, 0.59%, 0.25%

LAB 18.95, 33.76, -37.17

 

CMYK 0 / 74 / 74 / 60

HEX #651A1A

RGB 101 26 26

HSL 0, 0.59%, 0.25%

LAB 22.23, 33.44, 19.56

 

Description

Color code: RGB 63 101 26 | qconv.com Color code: RGB 63 101 26 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 101 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 101 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 74 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 74% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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