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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 63 180 79 it is the complementary color RGB 192 75 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 63 180 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 63 180 79 shade: RGB 68 180 74, RGB 85 198 93, RGB 102 216 112, RGB 119 234 131 and RGB 136 252 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 63 180 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 63 180 79 shade: RGB 63 180 79, RGB 46 162 60, RGB 29 144 41, RGB 12 126 22 and RGB 0 108 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 63 180 79 shade: RGB 63 181 79, RGB 79 181 63, RGB 110 181 63, RGB 142 181 63 and RGB 174 181 63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 63 180 79 shade: RGB 63 181 79, RGB 63 181 111, RGB 63 181 143, RGB 63 181 174 and RGB 63 155 181

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 63 180 79 shade matches the following richer shades: RGB 63 181 79, RGB 43 200 65, RGB 24 220 50 and RGB 4 240 36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 63 180 79 shade: RGB 63 181 79, RGB 83 161 94, RGB 103 141 108, RGB 123 121 122 and RGB 142 101 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 63 180 79 shade: RGB 110 181 63, RGB 79 181 63, RGB 63 181 79, RGB 63 181 110 and RGB 63 181 141

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 63 180 79 shade: RGB 42 120 52, RGB 52 150 66, RGB 63 181 79, RGB 89 196 103 and RGB 119 207 131

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 63 180 79 shade: RGB 63 180 79, RGB 63 141 181 and RGB 181 63 94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 63 180 79 shade: RGB 63 180 79, RGB 79 63 181 and RGB 181 79 63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 63 180 79 shade: RGB 63 180 79, RGB 63 141 181, RGB 181 63 165 and RGB 181 102 63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 63 180 79 shade: RGB 63 180 79, RGB 63 106 181, RGB 181 63 165 and RGB 181 138 63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 56 / 29

HEX #3FB44F

RGB 63 180 79

HSL 128.21, 0.48%, 0.48%

LAB 65.17, -53.56, 41.55

 

Complementary color

CMYK 0 / 61 / 8 / 25

HEX #C04BB0

RGB 192 75 176

HSL 308.21, 0.48%, 0.52%

LAB 51.12, 58.85, -31.15

 

CMYK 62 / 0 / 59 / 29

HEX #44B44A

RGB 68 180 74

HSL 123.21, 0.45%, 0.49%

LAB 65.25, -53.12, 44.04

 

CMYK 57 / 0 / 53 / 22

HEX #55C65D

RGB 85 198 93

HSL 124.25, 0.5%, 0.55%

LAB 71.63, -53.49, 42.74

 

CMYK 53 / 0 / 48 / 15

HEX #66D870

RGB 102 216 112

HSL 125.26, 0.59%, 0.62%

LAB 77.94, -53.62, 41.41

 

CMYK 49 / 0 / 44 / 8

HEX #77EA83

RGB 119 234 131

HSL 126.26, 0.73%, 0.69%

LAB 84.18, -53.61, 40.11

 

CMYK 46 / 0 / 40 / 1

HEX #88FC96

RGB 136 252 150

HSL 127.24, 0.95%, 0.76%

LAB 90.35, -53.51, 38.86

 

CMYK 65 / 0 / 56 / 29

HEX #3FB44F

RGB 63 180 79

HSL 128.21, 0.48%, 0.48%

LAB 65.17, -53.56, 41.55

 

CMYK 72 / 0 / 63 / 36

HEX #2EA23C

RGB 46 162 60

HSL 127.24, 0.56%, 0.41%

LAB 58.74, -52.78, 42.87

 

CMYK 80 / 0 / 72 / 44

HEX #1D9029

RGB 29 144 41

HSL 126.26, 0.66%, 0.34%

LAB 52.25, -51.41, 43.94

 

CMYK 90 / 0 / 83 / 51

HEX #0C7E16

RGB 12 126 22

HSL 125.26, 0.83%, 0.27%

LAB 45.71, -49.12, 44.32

 

CMYK 100 / 0 / 97 / 58

HEX #006C03

RGB 0 108 3

HSL 121.67, 1%, 0.21%

LAB 39.12, -45.64, 43.4

 

CMYK 65 / 0 / 56 / 29

HEX #3FB54F

RGB 63 181 79

HSL 128.14, 0.48%, 0.48%

LAB 65.49, -53.93, 41.93

 

CMYK 56 / 0 / 65 / 29

HEX #4FB53F

RGB 79 181 63

HSL 111.86, 0.48%, 0.48%

LAB 65.8, -52.04, 49.66

 

CMYK 39 / 0 / 65 / 29

HEX #6EB53F

RGB 110 181 63

HSL 96.1, 0.48%, 0.48%

LAB 67.07, -42.67, 51.41

 

CMYK 22 / 0 / 65 / 29

HEX #8EB53F

RGB 142 181 63

HSL 79.83, 0.48%, 0.48%

LAB 68.87, -30.84, 53.87

 

CMYK 4 / 0 / 65 / 29

HEX #AEB53F

RGB 174 181 63

HSL 63.56, 0.48%, 0.48%

LAB 71.15, -17.68, 56.97

 

CMYK 65 / 0 / 56 / 29

HEX #3FB54F

RGB 63 181 79

HSL 128.14, 0.48%, 0.48%

LAB 65.49, -53.93, 41.93

 

CMYK 65 / 0 / 39 / 29

HEX #3FB56F

RGB 63 181 111

HSL 144.41, 0.48%, 0.48%

LAB 65.94, -48.83, 26.26

 

CMYK 65 / 0 / 21 / 29

HEX #3FB58F

RGB 63 181 143

HSL 160.68, 0.48%, 0.48%

LAB 66.59, -42.02, 9.82

 

CMYK 65 / 0 / 4 / 29

HEX #3FB5AE

RGB 63 181 174

HSL 176.44, 0.48%, 0.48%

LAB 67.4, -34.01, -6.1

 

CMYK 65 / 14 / 0 / 29

HEX #3F9BB5

RGB 63 155 181

HSL 193.22, 0.48%, 0.48%

LAB 59.74, -18.95, -21.55

 

CMYK 65 / 0 / 56 / 29

HEX #3FB54F

RGB 63 181 79

HSL 128.14, 0.48%, 0.48%

LAB 65.49, -53.93, 41.93

 

CMYK 79 / 0 / 68 / 22

HEX #2BC841

RGB 43 200 65

HSL 128.41, 0.65%, 0.48%

LAB 71.01, -65.27, 54.25

 

CMYK 89 / 0 / 77 / 14

HEX #18DC32

RGB 24 220 50

HSL 127.96, 0.8%, 0.48%

LAB 77.05, -74.24, 65.67

 

CMYK 98 / 0 / 85 / 6

HEX #04F024

RGB 4 240 36

HSL 128.14, 0.97%, 0.48%

LAB 83.16, -81.31, 74.91

 

CMYK 65 / 0 / 56 / 29

HEX #3FB54F

RGB 63 181 79

HSL 128.14, 0.48%, 0.48%

LAB 65.49, -53.93, 41.93

 

CMYK 48 / 0 / 42 / 37

HEX #53A15E

RGB 83 161 94

HSL 128.46, 0.32%, 0.48%

LAB 60.01, -38.75, 27.64

 

CMYK 27 / 0 / 23 / 45

HEX #678D6C

RGB 103 141 108

HSL 127.89, 0.16%, 0.48%

LAB 55.09, -20.22, 13.43

 

CMYK 0 / 2 / 1 / 52

HEX #7B797A

RGB 123 121 122

HSL 330, 0.01%, 0.48%

LAB 51.03, 0.96, -0.28

 

CMYK 0 / 29 / 4 / 44

HEX #8E6589

RGB 142 101 137

HSL 307.32, 0.17%, 0.48%

LAB 48.09, 22.75, -13.34

 

CMYK 39 / 0 / 65 / 29

HEX #6EB53F

RGB 110 181 63

HSL 96.1, 0.48%, 0.48%

LAB 67.07, -42.67, 51.41

 

CMYK 56 / 0 / 65 / 29

HEX #4FB53F

RGB 79 181 63

HSL 111.86, 0.48%, 0.48%

LAB 65.8, -52.04, 49.66

 

CMYK 65 / 0 / 56 / 29

HEX #3FB54F

RGB 63 181 79

HSL 128.14, 0.48%, 0.48%

LAB 65.49, -53.93, 41.93

 

CMYK 65 / 0 / 39 / 29

HEX #3FB56E

RGB 63 181 110

HSL 143.9, 0.48%, 0.48%

LAB 65.93, -49.01, 26.77

 

CMYK 65 / 0 / 22 / 29

HEX #3FB58D

RGB 63 181 141

HSL 159.66, 0.48%, 0.48%

LAB 66.54, -42.49, 10.85

 

CMYK 65 / 0 / 57 / 53

HEX #2A7834

RGB 42 120 52

HSL 127.69, 0.48%, 0.32%

LAB 44.48, -38.94, 30.13

 

CMYK 65 / 0 / 56 / 41

HEX #349642

RGB 52 150 66

HSL 128.57, 0.49%, 0.4%

LAB 55.01, -46.44, 35.69

 

CMYK 65 / 0 / 56 / 29

HEX #3FB54F

RGB 63 181 79

HSL 128.14, 0.48%, 0.48%

LAB 65.49, -53.93, 41.93

 

CMYK 55 / 0 / 47 / 23

HEX #59C467

RGB 89 196 103

HSL 127.85, 0.48%, 0.56%

LAB 71.27, -50.32, 37.42

 

CMYK 43 / 0 / 37 / 19

HEX #77CF83

RGB 119 207 131

HSL 128.18, 0.48%, 0.64%

LAB 76.18, -42.35, 29.72

 

CMYK 65 / 0 / 56 / 29

HEX #3FB44F

RGB 63 180 79

HSL 128.21, 0.48%, 0.48%

LAB 65.17, -53.56, 41.55

 

CMYK 65 / 22 / 0 / 29

HEX #3F8DB5

RGB 63 141 181

HSL 200.34, 0.48%, 0.48%

LAB 55.53, -11.32, -28.04

 

CMYK 0 / 65 / 48 / 29

HEX #B53F5E

RGB 181 63 94

HSL 344.24, 0.48%, 0.48%

LAB 44.5, 50.14, 8.09

 

CMYK 65 / 0 / 56 / 29

HEX #3FB44F

RGB 63 180 79

HSL 128.21, 0.48%, 0.48%

LAB 65.17, -53.56, 41.55

 

CMYK 56 / 65 / 0 / 29

HEX #4F3FB5

RGB 79 63 181

HSL 248.14, 0.48%, 0.48%

LAB 35.11, 39.56, -60.48

 

CMYK 0 / 56 / 65 / 29

HEX #B54F3F

RGB 181 79 63

HSL 8.14, 0.48%, 0.48%

LAB 46.68, 40.28, 29.71

 

CMYK 65 / 0 / 56 / 29

HEX #3FB44F

RGB 63 180 79

HSL 128.21, 0.48%, 0.48%

LAB 65.17, -53.56, 41.55

 

CMYK 65 / 22 / 0 / 29

HEX #3F8DB5

RGB 63 141 181

HSL 200.34, 0.48%, 0.48%

LAB 55.53, -11.32, -28.04

 

CMYK 0 / 65 / 9 / 29

HEX #B53FA5

RGB 181 63 165

HSL 308.14, 0.48%, 0.48%

LAB 47.1, 59.22, -31.08

 

CMYK 0 / 44 / 65 / 29

HEX #B5663F

RGB 181 102 63

HSL 19.83, 0.48%, 0.48%

LAB 51.48, 28.23, 35.47

 

CMYK 65 / 0 / 56 / 29

HEX #3FB44F

RGB 63 180 79

HSL 128.21, 0.48%, 0.48%

LAB 65.17, -53.56, 41.55

 

CMYK 65 / 41 / 0 / 29

HEX #3F6AB5

RGB 63 106 181

HSL 218.14, 0.48%, 0.48%

LAB 45.22, 9.54, -44.23

 

CMYK 0 / 65 / 9 / 29

HEX #B53FA5

RGB 181 63 165

HSL 308.14, 0.48%, 0.48%

LAB 47.1, 59.22, -31.08

 

CMYK 0 / 24 / 65 / 29

HEX #B58A3F

RGB 181 138 63

HSL 38.14, 0.48%, 0.48%

LAB 60.21, 8.27, 45.44

 

Description

Color code: RGB 63 180 79 | qconv.com Color code: RGB 63 180 79 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 180 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 180 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 56 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 56% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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