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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 63 199 53 it is the complementary color RGB 192 56 202. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 63 199 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 63 199 53 shade: RGB 68 199 48, RGB 85 217 67, RGB 102 235 86, RGB 119 253 105 and RGB 136 255 124

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 63 199 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 63 199 53 shade: RGB 63 199 53, RGB 46 181 34, RGB 29 163 15, RGB 12 145 0 and RGB 0 127 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 63 199 53 shade: RGB 62 197 52, RGB 101 197 52, RGB 140 197 52, RGB 179 197 52 and RGB 197 176 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 63 199 53 shade: RGB 62 197 52, RGB 52 197 81, RGB 52 197 120, RGB 52 197 159 and RGB 52 195 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 63 199 53 shade matches the following richer shades: RGB 62 197 52, RGB 44 217 32 and RGB 27 237 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 63 199 53 shade: RGB 62 197 52, RGB 79 177 72, RGB 97 156 92, RGB 114 136 113 and RGB 132 116 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 63 199 53 shade: RGB 141 197 52, RGB 103 197 52, RGB 64 197 52, RGB 52 197 79 and RGB 52 197 117

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 63 199 53 shade: RGB 41 132 35, RGB 52 164 43, RGB 62 197 52, RGB 90 209 82 and RGB 121 217 114

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 63 199 53 shade: RGB 63 199 53, RGB 52 180 197 and RGB 197 52 122

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 63 199 53 shade: RGB 63 199 53, RGB 52 64 197 and RGB 197 52 64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 63 199 53 shade: RGB 63 199 53, RGB 52 180 197, RGB 185 52 197 and RGB 197 69 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 63 199 53 shade: RGB 63 199 53, RGB 52 137 197, RGB 185 52 197 and RGB 197 112 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 73 / 22

HEX #3FC735

RGB 63 199 53

HSL 115.89, 0.58%, 0.49%

LAB 70.98, -62.82, 58.88

 

Complementary color

CMYK 5 / 72 / 0 / 21

HEX #C038CA

RGB 192 56 202

HSL 295.89, 0.58%, 0.51%

LAB 49.86, 70.42, -48.23

 

CMYK 66 / 0 / 76 / 22

HEX #44C730

RGB 68 199 48

HSL 112.05, 0.61%, 0.48%

LAB 71.07, -62.19, 60.71

 

CMYK 61 / 0 / 69 / 15

HEX #55D943

RGB 85 217 67

HSL 112.8, 0.66%, 0.56%

LAB 77.26, -63.17, 60.37

 

CMYK 57 / 0 / 63 / 8

HEX #66EB56

RGB 102 235 86

HSL 113.56, 0.79%, 0.63%

LAB 83.4, -63.79, 59.6

 

CMYK 53 / 0 / 58 / 1

HEX #77FD69

RGB 119 253 105

HSL 114.32, 0.97%, 0.7%

LAB 89.48, -64.16, 58.6

 

CMYK 47 / 0 / 51 / 0

HEX #88FF7C

RGB 136 255 124

HSL 114.5, 1%, 0.74%

LAB 90.88, -58.25, 51.92

 

CMYK 68 / 0 / 73 / 22

HEX #3FC735

RGB 63 199 53

HSL 115.89, 0.58%, 0.49%

LAB 70.98, -62.82, 58.88

 

CMYK 75 / 0 / 81 / 29

HEX #2EB522

RGB 46 181 34

HSL 115.1, 0.68%, 0.42%

LAB 64.76, -61.29, 58.81

 

CMYK 82 / 0 / 91 / 36

HEX #1DA30F

RGB 29 163 15

HSL 114.32, 0.83%, 0.35%

LAB 58.5, -59.02, 57.58

 

CMYK 92 / 0 / 100 / 43

HEX #0C9100

RGB 12 145 0

HSL 115.03, 1%, 0.28%

LAB 52.21, -55.79, 54.73

 

CMYK 100 / 0 / 100 / 50

HEX #007F00

RGB 0 127 0

HSL 120, 1%, 0.25%

LAB 45.88, -51.41, 49.62

 

CMYK 69 / 0 / 74 / 23

HEX #3EC534

RGB 62 197 52

HSL 115.86, 0.58%, 0.49%

LAB 70.32, -62.43, 58.55

 

CMYK 49 / 0 / 74 / 23

HEX #65C534

RGB 101 197 52

HSL 99.72, 0.58%, 0.49%

LAB 71.52, -52.86, 60.15

 

CMYK 29 / 0 / 74 / 23

HEX #8CC534

RGB 140 197 52

HSL 83.59, 0.58%, 0.49%

LAB 73.39, -39.64, 62.62

 

CMYK 9 / 0 / 74 / 23

HEX #B3C534

RGB 179 197 52

HSL 67.45, 0.58%, 0.49%

LAB 75.92, -24.12, 65.94

 

CMYK 0 / 11 / 74 / 23

HEX #C5B034

RGB 197 176 52

HSL 51.31, 0.58%, 0.49%

LAB 71.67, -5.8, 62.4

 

CMYK 69 / 0 / 74 / 23

HEX #3EC534

RGB 62 197 52

HSL 115.86, 0.58%, 0.49%

LAB 70.32, -62.43, 58.55

 

CMYK 74 / 0 / 59 / 23

HEX #34C551

RGB 52 197 81

HSL 132, 0.58%, 0.49%

LAB 70.36, -61.24, 46.66

 

CMYK 74 / 0 / 39 / 23

HEX #34C578

RGB 52 197 120

HSL 148.14, 0.58%, 0.49%

LAB 70.88, -55.11, 28.03

 

CMYK 74 / 0 / 19 / 23

HEX #34C59F

RGB 52 197 159

HSL 164.28, 0.58%, 0.49%

LAB 71.67, -46.61, 8.3

 

CMYK 74 / 1 / 0 / 23

HEX #34C3C5

RGB 52 195 197

HSL 180.83, 0.58%, 0.49%

LAB 72.09, -35.49, -11.76

 

CMYK 69 / 0 / 74 / 23

HEX #3EC534

RGB 62 197 52

HSL 115.86, 0.58%, 0.49%

LAB 70.32, -62.43, 58.55

 

CMYK 80 / 0 / 85 / 15

HEX #2CD920

RGB 44 217 32

HSL 116.11, 0.74%, 0.49%

LAB 76.23, -72.51, 69.72

 

CMYK 89 / 0 / 95 / 7

HEX #1BED0C

RGB 27 237 12

HSL 116, 0.9%, 0.49%

LAB 82.29, -80.21, 77.85

 

CMYK 69 / 0 / 74 / 23

HEX #3EC534

RGB 62 197 52

HSL 115.86, 0.58%, 0.49%

LAB 70.32, -62.43, 58.55

 

CMYK 55 / 0 / 59 / 31

HEX #4FB148

RGB 79 177 72

HSL 116, 0.42%, 0.49%

LAB 64.62, -49.54, 44.33

 

CMYK 38 / 0 / 41 / 39

HEX #619C5C

RGB 97 156 92

HSL 115.31, 0.26%, 0.49%

LAB 59.06, -32.46, 27.59

 

CMYK 16 / 0 / 17 / 47

HEX #728871

RGB 114 136 113

HSL 117.39, 0.09%, 0.49%

LAB 54.43, -12.63, 9.75

 

CMYK 1 / 13 / 0 / 48

HEX #847485

RGB 132 116 133

HSL 296.47, 0.07%, 0.49%

LAB 50.79, 9.47, -7.02

 

CMYK 28 / 0 / 74 / 23

HEX #8DC534

RGB 141 197 52

HSL 83.17, 0.58%, 0.49%

LAB 73.44, -39.26, 62.69

 

CMYK 48 / 0 / 74 / 23

HEX #67C534

RGB 103 197 52

HSL 98.9, 0.58%, 0.49%

LAB 71.6, -52.26, 60.25

 

CMYK 68 / 0 / 74 / 23

HEX #40C534

RGB 64 197 52

HSL 115.03, 0.58%, 0.49%

LAB 70.36, -62.04, 58.61

 

CMYK 74 / 0 / 60 / 23

HEX #34C54F

RGB 52 197 79

HSL 131.17, 0.58%, 0.49%

LAB 70.33, -61.49, 47.54

 

CMYK 74 / 0 / 41 / 23

HEX #34C575

RGB 52 197 117

HSL 146.9, 0.58%, 0.49%

LAB 70.83, -55.67, 29.53

 

CMYK 69 / 0 / 73 / 48

HEX #298423

RGB 41 132 35

HSL 116.29, 0.58%, 0.33%

LAB 48.38, -45.71, 42.42

 

CMYK 68 / 0 / 74 / 36

HEX #34A42B

RGB 52 164 43

HSL 115.54, 0.58%, 0.41%

LAB 59.39, -54.01, 50.69

 

CMYK 69 / 0 / 74 / 23

HEX #3EC534

RGB 62 197 52

HSL 115.86, 0.58%, 0.49%

LAB 70.32, -62.43, 58.55

 

CMYK 57 / 0 / 61 / 18

HEX #5AD152

RGB 90 209 82

HSL 116.22, 0.58%, 0.57%

LAB 75.07, -57.71, 51.87

 

CMYK 44 / 0 / 47 / 15

HEX #79D972

RGB 121 217 114

HSL 115.92, 0.58%, 0.65%

LAB 78.99, -48.55, 41.9

 

CMYK 68 / 0 / 73 / 22

HEX #3FC735

RGB 63 199 53

HSL 115.89, 0.58%, 0.49%

LAB 70.98, -62.82, 58.88

 

CMYK 74 / 9 / 0 / 23

HEX #34B4C5

RGB 52 180 197

HSL 187.03, 0.58%, 0.49%

LAB 67.58, -28.29, -18.56

 

CMYK 0 / 74 / 38 / 23

HEX #C5347A

RGB 197 52 122

HSL 331.03, 0.58%, 0.49%

LAB 46.62, 61.85, -5.7

 

CMYK 68 / 0 / 73 / 22

HEX #3FC735

RGB 63 199 53

HSL 115.89, 0.58%, 0.49%

LAB 70.98, -62.82, 58.88

 

CMYK 74 / 68 / 0 / 23

HEX #3440C5

RGB 52 64 197

HSL 235.03, 0.58%, 0.49%

LAB 34.86, 40.54, -70.38

 

CMYK 0 / 74 / 68 / 23

HEX #C53440

RGB 197 52 64

HSL 355.03, 0.58%, 0.49%

LAB 45.22, 57.26, 27.94

 

CMYK 68 / 0 / 73 / 22

HEX #3FC735

RGB 63 199 53

HSL 115.89, 0.58%, 0.49%

LAB 70.98, -62.82, 58.88

 

CMYK 74 / 9 / 0 / 23

HEX #34B4C5

RGB 52 180 197

HSL 187.03, 0.58%, 0.49%

LAB 67.58, -28.29, -18.56

 

CMYK 6 / 74 / 0 / 23

HEX #B934C5

RGB 185 52 197

HSL 295.03, 0.58%, 0.49%

LAB 48.01, 69.43, -48.36

 

CMYK 0 / 65 / 74 / 23

HEX #C54534

RGB 197 69 52

HSL 7.03, 0.58%, 0.49%

LAB 47.46, 50.09, 37.55

 

CMYK 68 / 0 / 73 / 22

HEX #3FC735

RGB 63 199 53

HSL 115.89, 0.58%, 0.49%

LAB 70.98, -62.82, 58.88

 

CMYK 74 / 30 / 0 / 23

HEX #3489C5

RGB 52 137 197

HSL 204.83, 0.58%, 0.49%

LAB 54.71, -5.24, -38.44

 

CMYK 6 / 74 / 0 / 23

HEX #B934C5

RGB 185 52 197

HSL 295.03, 0.58%, 0.49%

LAB 48.01, 69.43, -48.36

 

CMYK 0 / 43 / 74 / 23

HEX #C57034

RGB 197 112 52

HSL 24.83, 0.58%, 0.49%

LAB 55.79, 28.85, 46.54

 

Description

Color code: RGB 63 199 53 | qconv.com Color code: RGB 63 199 53 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 199 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 199 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 73 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 73% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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