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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 63 215 172 it is the complementary color RGB 192 40 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 63 215 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 63 215 172 shade: RGB 68 215 167, RGB 85 233 186, RGB 102 251 205, RGB 119 255 224 and RGB 136 255 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 63 215 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 63 215 172 shade: RGB 63 215 172, RGB 46 197 153, RGB 29 179 134, RGB 12 161 115 and RGB 0 143 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 63 215 172 shade: RGB 64 215 173, RGB 64 215 132, RGB 64 215 91, RGB 78 215 64 and RGB 119 215 64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 63 215 172 shade: RGB 64 215 173, RGB 64 215 213, RGB 64 177 215, RGB 64 136 215 and RGB 64 95 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 63 215 172 shade matches the following richer shades: RGB 64 215 173, RGB 45 234 181 and RGB 27 253 189

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 63 215 172 shade: RGB 64 215 173, RGB 83 197 165, RGB 101 178 157, RGB 120 160 148 and RGB 138 141 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 63 215 172 shade: RGB 64 215 92, RGB 64 215 132, RGB 64 215 173, RGB 64 215 213 and RGB 64 178 215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 63 215 172 shade: RGB 33 164 127, RGB 40 198 153, RGB 64 215 173, RGB 98 222 187 and RGB 133 230 202

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 63 215 172 shade: RGB 63 215 172, RGB 64 77 215 and RGB 215 112 64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 63 215 172 shade: RGB 63 215 172, RGB 173 64 215 and RGB 215 173 64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 63 215 172 shade: RGB 63 215 172, RGB 64 77 215, RGB 215 64 107 and RGB 215 203 64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 63 215 172 shade: RGB 63 215 172, RGB 97 64 215, RGB 215 64 107 and RGB 183 215 64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 20 / 16

HEX #3FD7AC

RGB 63 215 172

HSL 163.03, 0.66%, 0.55%

LAB 77.66, -49.48, 9.9

 

Complementary color

CMYK 0 / 79 / 57 / 25

HEX #C02853

RGB 192 40 83

HSL 343.03, 0.66%, 0.45%

LAB 43.28, 60.75, 13.53

 

CMYK 68 / 0 / 22 / 16

HEX #44D7A7

RGB 68 215 167

HSL 160.41, 0.65%, 0.55%

LAB 77.65, -49.92, 12.55

 

CMYK 64 / 0 / 20 / 9

HEX #55E9BA

RGB 85 233 186

HSL 160.95, 0.77%, 0.62%

LAB 83.84, -50.26, 11.36

 

CMYK 59 / 0 / 18 / 2

HEX #66FBCD

RGB 102 251 205

HSL 161.48, 0.95%, 0.69%

LAB 89.96, -50.45, 10.26

 

CMYK 53 / 0 / 12 / 0

HEX #77FFE0

RGB 119 255 224

HSL 166.32, 1%, 0.73%

LAB 92.05, -44.54, 3.51

 

CMYK 47 / 0 / 5 / 0

HEX #88FFF3

RGB 136 255 243

HSL 173.95, 1%, 0.77%

LAB 93.11, -36.47, -4.7

 

CMYK 71 / 0 / 20 / 16

HEX #3FD7AC

RGB 63 215 172

HSL 163.03, 0.66%, 0.55%

LAB 77.66, -49.48, 9.9

 

CMYK 77 / 0 / 22 / 23

HEX #2EC599

RGB 46 197 153

HSL 162.52, 0.62%, 0.48%

LAB 71.43, -48.8, 11.19

 

CMYK 84 / 0 / 25 / 30

HEX #1DB386

RGB 29 179 134

HSL 162, 0.72%, 0.41%

LAB 65.14, -47.8, 12.63

 

CMYK 93 / 0 / 29 / 37

HEX #0CA173

RGB 12 161 115

HSL 161.48, 0.86%, 0.34%

LAB 58.79, -46.36, 14.23

 

CMYK 100 / 0 / 33 / 44

HEX #008F60

RGB 0 143 96

HSL 160.28, 1%, 0.28%

LAB 52.39, -44.4, 16.03

 

CMYK 70 / 0 / 20 / 16

HEX #40D7AD

RGB 64 215 173

HSL 163.31, 0.65%, 0.55%

LAB 77.7, -49.1, 9.43

 

CMYK 70 / 0 / 39 / 16

HEX #40D784

RGB 64 215 132

HSL 147.02, 0.65%, 0.55%

LAB 76.89, -57.8, 29.83

 

CMYK 70 / 0 / 58 / 16

HEX #40D75B

RGB 64 215 91

HSL 130.73, 0.65%, 0.55%

LAB 76.34, -64.14, 49.16

 

CMYK 64 / 0 / 70 / 16

HEX #4ED740

RGB 78 215 64

HSL 114.44, 0.65%, 0.55%

LAB 76.43, -64.26, 60.58

 

CMYK 45 / 0 / 70 / 16

HEX #77D740

RGB 119 215 64

HSL 98.15, 0.65%, 0.55%

LAB 77.81, -53.53, 62.44

 

CMYK 70 / 0 / 20 / 16

HEX #40D7AD

RGB 64 215 173

HSL 163.31, 0.65%, 0.55%

LAB 77.7, -49.1, 9.43

 

CMYK 70 / 0 / 1 / 16

HEX #40D7D5

RGB 64 215 213

HSL 179.21, 0.65%, 0.55%

LAB 78.75, -38.69, -10.43

 

CMYK 70 / 18 / 0 / 16

HEX #40B1D7

RGB 64 177 215

HSL 195.1, 0.65%, 0.55%

LAB 67.61, -19.55, -28.41

 

CMYK 70 / 37 / 0 / 16

HEX #4088D7

RGB 64 136 215

HSL 211.39, 0.65%, 0.55%

LAB 55.69, 3.4, -47.04

 

CMYK 70 / 56 / 0 / 16

HEX #405FD7

RGB 64 95 215

HSL 227.68, 0.65%, 0.55%

LAB 44.49, 28.88, -65.01

 

CMYK 70 / 0 / 20 / 16

HEX #40D7AD

RGB 64 215 173

HSL 163.31, 0.65%, 0.55%

LAB 77.7, -49.1, 9.43

 

CMYK 81 / 0 / 23 / 8

HEX #2DEAB5

RGB 45 234 181

HSL 163.17, 0.82%, 0.55%

LAB 83.31, -56.99, 13.12

 

CMYK 89 / 0 / 25 / 1

HEX #1BFDBD

RGB 27 253 189

HSL 163.01, 0.98%, 0.55%

LAB 89, -63.56, 16.97

 

CMYK 70 / 0 / 20 / 16

HEX #40D7AD

RGB 64 215 173

HSL 163.31, 0.65%, 0.55%

LAB 77.7, -49.1, 9.43

 

CMYK 58 / 0 / 16 / 23

HEX #53C5A5

RGB 83 197 165

HSL 163.16, 0.5%, 0.55%

LAB 72.55, -40.04, 6.42

 

CMYK 43 / 0 / 12 / 30

HEX #65B29D

RGB 101 178 157

HSL 163.64, 0.33%, 0.55%

LAB 67.31, -28.9, 3.31

 

CMYK 25 / 0 / 7 / 37

HEX #78A094

RGB 120 160 148

HSL 162, 0.17%, 0.55%

LAB 62.74, -16.22, 1.82

 

CMYK 2 / 0 / 1 / 45

HEX #8A8D8C

RGB 138 141 140

HSL 160, 0.01%, 0.55%

LAB 58.36, -1.29, 0.14

 

CMYK 70 / 0 / 57 / 16

HEX #40D75C

RGB 64 215 92

HSL 131.13, 0.65%, 0.55%

LAB 76.35, -64.01, 48.71

 

CMYK 70 / 0 / 39 / 16

HEX #40D784

RGB 64 215 132

HSL 147.02, 0.65%, 0.55%

LAB 76.89, -57.8, 29.83

 

CMYK 70 / 0 / 20 / 16

HEX #40D7AD

RGB 64 215 173

HSL 163.31, 0.65%, 0.55%

LAB 77.7, -49.1, 9.43

 

CMYK 70 / 0 / 1 / 16

HEX #40D7D5

RGB 64 215 213

HSL 179.21, 0.65%, 0.55%

LAB 78.75, -38.69, -10.43

 

CMYK 70 / 17 / 0 / 16

HEX #40B2D7

RGB 64 178 215

HSL 194.7, 0.65%, 0.55%

LAB 67.9, -20.07, -27.96

 

CMYK 80 / 0 / 23 / 36

HEX #21A47F

RGB 33 164 127

HSL 163.05, 0.66%, 0.39%

LAB 60.25, -42.97, 9.62

 

CMYK 80 / 0 / 23 / 22

HEX #28C699

RGB 40 198 153

HSL 162.91, 0.66%, 0.47%

LAB 71.65, -49.85, 11.49

 

CMYK 70 / 0 / 20 / 16

HEX #40D7AD

RGB 64 215 173

HSL 163.31, 0.65%, 0.55%

LAB 77.7, -49.1, 9.43

 

CMYK 56 / 0 / 16 / 13

HEX #62DEBB

RGB 98 222 187

HSL 163.06, 0.65%, 0.63%

LAB 80.98, -42.91, 6.79

 

CMYK 42 / 0 / 12 / 10

HEX #85E6CA

RGB 133 230 202

HSL 162.68, 0.66%, 0.71%

LAB 84.92, -35.08, 4.71

 

CMYK 71 / 0 / 20 / 16

HEX #3FD7AC

RGB 63 215 172

HSL 163.03, 0.66%, 0.55%

LAB 77.66, -49.48, 9.9

 

CMYK 70 / 64 / 0 / 16

HEX #404DD7

RGB 64 77 215

HSL 234.83, 0.65%, 0.55%

LAB 40.09, 40.14, -72.19

 

CMYK 0 / 48 / 70 / 16

HEX #D77040

RGB 215 112 64

HSL 19.07, 0.65%, 0.55%

LAB 58.42, 36.73, 44.14

 

CMYK 71 / 0 / 20 / 16

HEX #3FD7AC

RGB 63 215 172

HSL 163.03, 0.66%, 0.55%

LAB 77.66, -49.48, 9.9

 

CMYK 20 / 70 / 0 / 16

HEX #AD40D7

RGB 173 64 215

HSL 283.31, 0.65%, 0.55%

LAB 48.83, 65.96, -57.49

 

CMYK 0 / 20 / 70 / 16

HEX #D7AD40

RGB 215 173 64

HSL 43.31, 0.65%, 0.55%

LAB 72.7, 4.16, 59.31

 

CMYK 71 / 0 / 20 / 16

HEX #3FD7AC

RGB 63 215 172

HSL 163.03, 0.66%, 0.55%

LAB 77.66, -49.48, 9.9

 

CMYK 70 / 64 / 0 / 16

HEX #404DD7

RGB 64 77 215

HSL 234.83, 0.65%, 0.55%

LAB 40.09, 40.14, -72.19

 

CMYK 0 / 70 / 50 / 16

HEX #D7406B

RGB 215 64 107

HSL 342.91, 0.65%, 0.55%

LAB 50.89, 61.35, 10.02

 

CMYK 0 / 6 / 70 / 16

HEX #D7CB40

RGB 215 203 64

HSL 55.23, 0.65%, 0.55%

LAB 80.48, -11.4, 67.1

 

CMYK 71 / 0 / 20 / 16

HEX #3FD7AC

RGB 63 215 172

HSL 163.03, 0.66%, 0.55%

LAB 77.66, -49.48, 9.9

 

CMYK 55 / 70 / 0 / 16

HEX #6140D7

RGB 97 64 215

HSL 253.11, 0.65%, 0.55%

LAB 39.77, 52.1, -72.62

 

CMYK 0 / 70 / 50 / 16

HEX #D7406B

RGB 215 64 107

HSL 342.91, 0.65%, 0.55%

LAB 50.89, 61.35, 10.02

 

CMYK 15 / 0 / 70 / 16

HEX #B7D740

RGB 183 215 64

HSL 72.72, 0.65%, 0.55%

LAB 81.31, -30.46, 67.11

 

Description

Color code: RGB 63 215 172 | qconv.com Color code: RGB 63 215 172 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 215 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 215 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 20 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 20% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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