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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 60 95 112 it is the complementary color RGB 195 160 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 60 95 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 60 95 112 shade: RGB 65 95 107, RGB 82 113 126, RGB 99 131 145, RGB 116 149 164 and RGB 133 167 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 60 95 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 60 95 112 shade: RGB 60 95 112, RGB 43 77 93, RGB 26 59 74, RGB 9 41 55 and RGB 0 23 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 60 95 112 shade: RGB 60 95 112, RGB 60 81 112, RGB 60 67 112, RGB 67 60 112 and RGB 81 60 112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 60 95 112 shade: RGB 60 95 112, RGB 60 81 112, RGB 60 67 112 and RGB 60 60 112

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 60 95 112 shade matches the following richer shades: RGB 60 95 112, RGB 46 100 126, RGB 32 105 140, RGB 18 110 154 and RGB 4 115 168

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 60 95 112 shade: RGB 60 95 112, RGB 74 90 98, RGB 88 85 84, RGB 102 81 70 and RGB 116 76 56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 60 95 112 shade: RGB 60 112 101, RGB 60 110 112, RGB 60 96 112, RGB 60 82 112 and RGB 60 68 112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 60 95 112 shade: RGB 31 50 59, RGB 46 72 85, RGB 60 95 112, RGB 75 118 139 and RGB 89 141 166

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 60 95 112 shade: RGB 60 95 112, RGB 87 60 112 and RGB 112 108 60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 60 95 112 shade: RGB 60 95 112, RGB 112 60 96 and RGB 96 112 60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 60 95 112 shade: RGB 60 95 112, RGB 87 60 112, RGB 112 77 60 and RGB 85 112 60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 60 95 112 shade: RGB 60 95 112, RGB 103 60 112, RGB 112 77 60 and RGB 70 112 60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 15 / 0 / 56

HEX #3C5F70

RGB 60 95 112

HSL 199.62, 0.3%, 0.34%

LAB 38.4, -7.61, -13.59

 

Complementary color

CMYK 0 / 18 / 27 / 24

HEX #C3A08F

RGB 195 160 143

HSL 19.62, 0.3%, 0.66%

LAB 68.55, 10.35, 13.71

 

CMYK 39 / 11 / 0 / 58

HEX #415F6B

RGB 65 95 107

HSL 197.14, 0.24%, 0.34%

LAB 38.5, -7.63, -10.33

 

CMYK 35 / 10 / 0 / 51

HEX #52717E

RGB 82 113 126

HSL 197.73, 0.21%, 0.41%

LAB 45.79, -7.71, -10.77

 

CMYK 32 / 10 / 0 / 43

HEX #638391

RGB 99 131 145

HSL 198.26, 0.19%, 0.48%

LAB 52.87, -7.76, -11.19

 

CMYK 29 / 9 / 0 / 36

HEX #7495A4

RGB 116 149 164

HSL 198.75, 0.21%, 0.55%

LAB 59.79, -7.81, -11.62

 

CMYK 27 / 9 / 0 / 28

HEX #85A7B7

RGB 133 167 183

HSL 199.2, 0.26%, 0.62%

LAB 66.55, -7.85, -12.04

 

CMYK 46 / 15 / 0 / 56

HEX #3C5F70

RGB 60 95 112

HSL 199.62, 0.3%, 0.34%

LAB 38.4, -7.61, -13.59

 

CMYK 54 / 17 / 0 / 64

HEX #2B4D5D

RGB 43 77 93

HSL 199.2, 0.37%, 0.27%

LAB 30.91, -7.32, -13.21

 

CMYK 65 / 20 / 0 / 71

HEX #1A3B4A

RGB 26 59 74

HSL 198.75, 0.48%, 0.2%

LAB 23.14, -6.83, -12.82

 

CMYK 84 / 25 / 0 / 78

HEX #092937

RGB 9 41 55

HSL 198.26, 0.72%, 0.13%

LAB 15.06, -5.87, -12.38

 

CMYK 100 / 36 / 0 / 86

HEX #001724

RGB 0 23 36

HSL 201.67, 1%, 0.07%

LAB 6.69, -3.22, -11.64

 

CMYK 46 / 15 / 0 / 56

HEX #3C5F70

RGB 60 95 112

HSL 199.62, 0.3%, 0.34%

LAB 38.4, -7.61, -13.59

 

CMYK 46 / 28 / 0 / 56

HEX #3C5170

RGB 60 81 112

HSL 215.77, 0.3%, 0.34%

LAB 34.01, 1.05, -20.33

 

CMYK 46 / 40 / 0 / 56

HEX #3C4370

RGB 60 67 112

HSL 231.92, 0.3%, 0.34%

LAB 29.77, 10.21, -26.96

 

CMYK 40 / 46 / 0 / 56

HEX #433C70

RGB 67 60 112

HSL 248.08, 0.3%, 0.34%

LAB 28.37, 16.89, -29.15

 

CMYK 28 / 46 / 0 / 56

HEX #513C70

RGB 81 60 112

HSL 264.23, 0.3%, 0.34%

LAB 29.79, 21.15, -26.81

 

CMYK 46 / 15 / 0 / 56

HEX #3C5F70

RGB 60 95 112

HSL 199.62, 0.3%, 0.34%

LAB 38.4, -7.61, -13.59

 

CMYK 46 / 28 / 0 / 56

HEX #3C5170

RGB 60 81 112

HSL 215.77, 0.3%, 0.34%

LAB 34.01, 1.05, -20.33

 

CMYK 46 / 40 / 0 / 56

HEX #3C4370

RGB 60 67 112

HSL 231.92, 0.3%, 0.34%

LAB 29.77, 10.21, -26.96

 

CMYK 46 / 46 / 0 / 56

HEX #3C3C70

RGB 60 60 112

HSL 240, 0.3%, 0.34%

LAB 27.74, 14.91, -30.18

 

CMYK 46 / 15 / 0 / 56

HEX #3C5F70

RGB 60 95 112

HSL 199.62, 0.3%, 0.34%

LAB 38.4, -7.61, -13.59

 

CMYK 63 / 21 / 0 / 51

HEX #2E647E

RGB 46 100 126

HSL 199.5, 0.47%, 0.34%

LAB 39.92, -9.39, -19.88

 

CMYK 77 / 25 / 0 / 45

HEX #20698C

RGB 32 105 140

HSL 199.44, 0.63%, 0.34%

LAB 41.69, -9.68, -25.61

 

CMYK 88 / 29 / 0 / 40

HEX #126E9A

RGB 18 110 154

HSL 199.41, 0.79%, 0.34%

LAB 43.67, -8.79, -30.89

 

CMYK 98 / 32 / 0 / 34

HEX #0473A8

RGB 4 115 168

HSL 199.39, 0.95%, 0.34%

LAB 45.79, -7.09, -35.82

 

CMYK 46 / 15 / 0 / 56

HEX #3C5F70

RGB 60 95 112

HSL 199.62, 0.3%, 0.34%

LAB 38.4, -7.61, -13.59

 

CMYK 24 / 8 / 0 / 62

HEX #4A5A62

RGB 74 90 98

HSL 200, 0.14%, 0.34%

LAB 37.21, -4.14, -6.65

 

CMYK 0 / 3 / 5 / 65

HEX #585554

RGB 88 85 84

HSL 15, 0.02%, 0.34%

LAB 36.39, 1.01, 1.01

 

CMYK 0 / 21 / 31 / 60

HEX #665146

RGB 102 81 70

HSL 20.63, 0.19%, 0.34%

LAB 36.28, 6.94, 9.79

 

CMYK 0 / 34 / 52 / 55

HEX #744C38

RGB 116 76 56

HSL 20, 0.35%, 0.34%

LAB 36.3, 14.47, 18.76

 

CMYK 46 / 0 / 10 / 56

HEX #3C7065

RGB 60 112 101

HSL 167.31, 0.3%, 0.34%

LAB 43.49, -20.33, 0.7

 

CMYK 46 / 2 / 0 / 56

HEX #3C6E70

RGB 60 110 112

HSL 182.31, 0.3%, 0.34%

LAB 43.19, -16.24, -6.38

 

CMYK 46 / 14 / 0 / 56

HEX #3C6070

RGB 60 96 112

HSL 198.46, 0.3%, 0.34%

LAB 38.72, -8.21, -13.1

 

CMYK 46 / 27 / 0 / 56

HEX #3C5270

RGB 60 82 112

HSL 214.62, 0.3%, 0.34%

LAB 34.32, 0.42, -19.85

 

CMYK 46 / 39 / 0 / 56

HEX #3C4470

RGB 60 68 112

HSL 230.77, 0.3%, 0.34%

LAB 30.07, 9.55, -26.5

 

CMYK 47 / 15 / 0 / 77

HEX #1F323B

RGB 31 50 59

HSL 199.29, 0.31%, 0.18%

LAB 19.59, -4.81, -8.11

 

CMYK 46 / 15 / 0 / 67

HEX #2E4855

RGB 46 72 85

HSL 200, 0.3%, 0.26%

LAB 29.09, -5.95, -10.85

 

CMYK 46 / 15 / 0 / 56

HEX #3C5F70

RGB 60 95 112

HSL 199.62, 0.3%, 0.34%

LAB 38.4, -7.61, -13.59

 

CMYK 46 / 15 / 0 / 45

HEX #4B768B

RGB 75 118 139

HSL 199.69, 0.3%, 0.42%

LAB 47.39, -8.91, -16.11

 

CMYK 46 / 15 / 0 / 35

HEX #598DA6

RGB 89 141 166

HSL 199.48, 0.3%, 0.5%

LAB 56.01, -10.42, -18.61

 

CMYK 46 / 15 / 0 / 56

HEX #3C5F70

RGB 60 95 112

HSL 199.62, 0.3%, 0.34%

LAB 38.4, -7.61, -13.59

 

CMYK 22 / 46 / 0 / 56

HEX #573C70

RGB 87 60 112

HSL 271.15, 0.3%, 0.34%

LAB 30.47, 23.05, -25.69

 

CMYK 0 / 4 / 46 / 56

HEX #706C3C

RGB 112 108 60

HSL 55.38, 0.3%, 0.34%

LAB 44.94, -5.97, 27.32

 

CMYK 46 / 15 / 0 / 56

HEX #3C5F70

RGB 60 95 112

HSL 199.62, 0.3%, 0.34%

LAB 38.4, -7.61, -13.59

 

CMYK 0 / 46 / 14 / 56

HEX #703C60

RGB 112 60 96

HSL 318.46, 0.3%, 0.34%

LAB 32.96, 28.17, -11.39

 

CMYK 14 / 0 / 46 / 56

HEX #60703C

RGB 96 112 60

HSL 78.46, 0.3%, 0.34%

LAB 44.8, -15.26, 26.86

 

CMYK 46 / 15 / 0 / 56

HEX #3C5F70

RGB 60 95 112

HSL 199.62, 0.3%, 0.34%

LAB 38.4, -7.61, -13.59

 

CMYK 22 / 46 / 0 / 56

HEX #573C70

RGB 87 60 112

HSL 271.15, 0.3%, 0.34%

LAB 30.47, 23.05, -25.69

 

CMYK 0 / 31 / 46 / 56

HEX #704D3C

RGB 112 77 60

HSL 19.62, 0.3%, 0.34%

LAB 36.14, 12.51, 15.99

 

CMYK 24 / 0 / 46 / 56

HEX #55703C

RGB 85 112 60

HSL 91.15, 0.3%, 0.34%

LAB 44.01, -19.86, 25.7

 

CMYK 46 / 15 / 0 / 56

HEX #3C5F70

RGB 60 95 112

HSL 199.62, 0.3%, 0.34%

LAB 38.4, -7.61, -13.59

 

CMYK 8 / 46 / 0 / 56

HEX #673C70

RGB 103 60 112

HSL 289.62, 0.3%, 0.34%

LAB 32.45, 28.27, -22.45

 

CMYK 0 / 31 / 46 / 56

HEX #704D3C

RGB 112 77 60

HSL 19.62, 0.3%, 0.34%

LAB 36.14, 12.51, 15.99

 

CMYK 38 / 0 / 46 / 56

HEX #46703C

RGB 70 112 60

HSL 108.46, 0.3%, 0.34%

LAB 43.09, -25.65, 24.34

 

Description

Color code: RGB 60 95 112 | qconv.com Color code: RGB 60 95 112 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 95 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 95 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 15 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 15% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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