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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 60 117 55 it is the complementary color RGB 195 138 200. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 60 117 55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 60 117 55 shade: RGB 65 117 50, RGB 82 135 69, RGB 99 153 88, RGB 116 171 107 and RGB 133 189 126

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 60 117 55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 60 117 55 shade: RGB 60 117 55, RGB 43 99 36, RGB 26 81 17, RGB 9 63 0 and RGB 0 45 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 60 117 55 shade: RGB 60 117 55, RGB 77 117 55, RGB 94 117 55, RGB 111 117 55 and RGB 117 107 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 60 117 55 shade: RGB 60 117 55, RGB 55 117 67, RGB 55 117 84, RGB 55 117 100 and RGB 55 117 117

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 60 117 55 shade matches the following richer shades: RGB 60 117 55, RGB 48 131 41, RGB 36 145 27 and RGB 25 159 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 60 117 55 shade: RGB 60 117 55, RGB 72 103 69, RGB 84 89 83, RGB 95 75 97 and RGB 107 61 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 60 117 55 shade: RGB 93 117 55, RGB 77 117 55, RGB 60 117 55, RGB 55 117 66 and RGB 55 117 83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 60 117 55 shade: RGB 31 61 29, RGB 46 89 42, RGB 60 117 55, RGB 74 145 68 and RGB 89 173 82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 60 117 55 shade: RGB 60 117 55, RGB 55 110 117 and RGB 117 55 85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 60 117 55 shade: RGB 60 117 55, RGB 55 60 117 and RGB 117 55 60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 60 117 55 shade: RGB 60 117 55, RGB 55 110 117, RGB 112 55 117 and RGB 117 62 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 60 117 55 shade: RGB 60 117 55, RGB 55 91 117, RGB 112 55 117 and RGB 117 81 55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 53 / 54

HEX #3C7537

RGB 60 117 55

HSL 115.16, 0.36%, 0.34%

LAB 44.17, -32.2, 28.33

 

Complementary color

CMYK 3 / 31 / 0 / 22

HEX #C38AC8

RGB 195 138 200

HSL 295.16, 0.36%, 0.66%

LAB 64.92, 32.09, -23.51

 

CMYK 44 / 0 / 57 / 54

HEX #417532

RGB 65 117 50

HSL 106.57, 0.4%, 0.33%

LAB 44.34, -31.22, 31.23

 

CMYK 39 / 0 / 49 / 47

HEX #528745

RGB 82 135 69

HSL 108.18, 0.32%, 0.4%

LAB 51.33, -31.15, 29.91

 

CMYK 35 / 0 / 42 / 40

HEX #639958

RGB 99 153 88

HSL 109.85, 0.27%, 0.47%

LAB 58.17, -30.99, 28.61

 

CMYK 32 / 0 / 37 / 33

HEX #74AB6B

RGB 116 171 107

HSL 111.56, 0.28%, 0.55%

LAB 64.88, -30.78, 27.37

 

CMYK 30 / 0 / 33 / 26

HEX #85BD7E

RGB 133 189 126

HSL 113.33, 0.32%, 0.62%

LAB 71.48, -30.55, 26.19

 

CMYK 49 / 0 / 53 / 54

HEX #3C7537

RGB 60 117 55

HSL 115.16, 0.36%, 0.34%

LAB 44.17, -32.2, 28.33

 

CMYK 57 / 0 / 64 / 61

HEX #2B6324

RGB 43 99 36

HSL 113.33, 0.47%, 0.26%

LAB 37.05, -32.08, 29.68

 

CMYK 68 / 0 / 79 / 68

HEX #1A5111

RGB 26 81 17

HSL 111.56, 0.65%, 0.19%

LAB 29.78, -31.44, 30.62

 

CMYK 86 / 0 / 100 / 75

HEX #093F00

RGB 9 63 0

HSL 111.43, 1%, 0.12%

LAB 22.35, -29.83, 29.98

 

CMYK 100 / 0 / 100 / 82

HEX #002D00

RGB 0 45 0

HSL 120, 1%, 0.09%

LAB 14.83, -25.61, 21.09

 

CMYK 49 / 0 / 53 / 54

HEX #3C7537

RGB 60 117 55

HSL 115.16, 0.36%, 0.34%

LAB 44.17, -32.2, 28.33

 

CMYK 34 / 0 / 53 / 54

HEX #4D7537

RGB 77 117 55

HSL 98.71, 0.36%, 0.34%

LAB 45.05, -26.22, 29.59

 

CMYK 20 / 0 / 53 / 54

HEX #5E7537

RGB 94 117 55

HSL 82.26, 0.36%, 0.34%

LAB 46.15, -19.39, 31.18

 

CMYK 5 / 0 / 53 / 54

HEX #6F7537

RGB 111 117 55

HSL 65.81, 0.36%, 0.34%

LAB 47.47, -12, 33.07

 

CMYK 0 / 9 / 53 / 54

HEX #756B37

RGB 117 107 55

HSL 50.32, 0.36%, 0.34%

LAB 45.04, -3.65, 30.31

 

CMYK 49 / 0 / 53 / 54

HEX #3C7537

RGB 60 117 55

HSL 115.16, 0.36%, 0.34%

LAB 44.17, -32.2, 28.33

 

CMYK 53 / 0 / 43 / 54

HEX #377543

RGB 55 117 67

HSL 131.61, 0.36%, 0.34%

LAB 44.15, -31.78, 21.61

 

CMYK 53 / 0 / 28 / 54

HEX #377554

RGB 55 117 84

HSL 148.06, 0.36%, 0.34%

LAB 44.48, -28.36, 12.22

 

CMYK 53 / 0 / 15 / 54

HEX #377564

RGB 55 117 100

HSL 163.55, 0.36%, 0.34%

LAB 44.88, -24.51, 3.28

 

CMYK 53 / 0 / 0 / 54

HEX #377575

RGB 55 117 117

HSL 180, 0.36%, 0.34%

LAB 45.39, -19.84, -6.13

 

CMYK 49 / 0 / 53 / 54

HEX #3C7537

RGB 60 117 55

HSL 115.16, 0.36%, 0.34%

LAB 44.17, -32.2, 28.33

 

CMYK 63 / 0 / 69 / 49

HEX #308329

RGB 48 131 41

HSL 115.33, 0.52%, 0.34%

LAB 48.29, -43.15, 39.84

 

CMYK 75 / 0 / 81 / 43

HEX #24911B

RGB 36 145 27

HSL 115.42, 0.69%, 0.34%

LAB 52.63, -51.76, 49.42

 

CMYK 84 / 0 / 92 / 38

HEX #199F0D

RGB 25 159 13

HSL 115.07, 0.85%, 0.34%

LAB 57.11, -58.35, 56.72

 

CMYK 49 / 0 / 53 / 54

HEX #3C7537

RGB 60 117 55

HSL 115.16, 0.36%, 0.34%

LAB 44.17, -32.2, 28.33

 

CMYK 30 / 0 / 33 / 60

HEX #486745

RGB 72 103 69

HSL 114.71, 0.2%, 0.34%

LAB 40.42, -18.76, 15.67

 

CMYK 6 / 0 / 7 / 65

HEX #545953

RGB 84 89 83

HSL 110, 0.03%, 0.34%

LAB 37.21, -3.26, 2.78

 

CMYK 2 / 23 / 0 / 62

HEX #5F4B61

RGB 95 75 97

HSL 294.55, 0.13%, 0.34%

LAB 34.66, 12.82, -9.66

 

CMYK 4 / 45 / 0 / 56

HEX #6B3D6F

RGB 107 61 111

HSL 295.2, 0.29%, 0.34%

LAB 33.16, 28.79, -20.67

 

CMYK 21 / 0 / 53 / 54

HEX #5D7537

RGB 93 117 55

HSL 83.23, 0.36%, 0.34%

LAB 46.08, -19.81, 31.08

 

CMYK 34 / 0 / 53 / 54

HEX #4D7537

RGB 77 117 55

HSL 98.71, 0.36%, 0.34%

LAB 45.05, -26.22, 29.59

 

CMYK 49 / 0 / 53 / 54

HEX #3C7537

RGB 60 117 55

HSL 115.16, 0.36%, 0.34%

LAB 44.17, -32.2, 28.33

 

CMYK 53 / 0 / 44 / 54

HEX #377542

RGB 55 117 66

HSL 130.65, 0.36%, 0.34%

LAB 44.13, -31.96, 22.15

 

CMYK 53 / 0 / 29 / 54

HEX #377553

RGB 55 117 83

HSL 147.1, 0.36%, 0.34%

LAB 44.46, -28.58, 12.77

 

CMYK 49 / 0 / 52 / 76

HEX #1F3D1D

RGB 31 61 29

HSL 116.25, 0.36%, 0.18%

LAB 22.71, -19.06, 16.27

 

CMYK 48 / 0 / 53 / 65

HEX #2E592A

RGB 46 89 42

HSL 114.89, 0.36%, 0.26%

LAB 33.76, -25.68, 22.54

 

CMYK 49 / 0 / 53 / 54

HEX #3C7537

RGB 60 117 55

HSL 115.16, 0.36%, 0.34%

LAB 44.17, -32.2, 28.33

 

CMYK 49 / 0 / 53 / 43

HEX #4A9144

RGB 74 145 68

HSL 115.32, 0.36%, 0.42%

LAB 54.16, -38.39, 33.84

 

CMYK 49 / 0 / 53 / 32

HEX #59AD52

RGB 89 173 82

HSL 115.38, 0.36%, 0.5%

LAB 63.85, -43.92, 38.71

 

CMYK 49 / 0 / 53 / 54

HEX #3C7537

RGB 60 117 55

HSL 115.16, 0.36%, 0.34%

LAB 44.17, -32.2, 28.33

 

CMYK 53 / 6 / 0 / 54

HEX #376E75

RGB 55 110 117

HSL 186.77, 0.36%, 0.34%

LAB 43.14, -16.03, -9.49

 

CMYK 0 / 53 / 27 / 54

HEX #753755

RGB 117 55 85

HSL 330.97, 0.36%, 0.34%

LAB 32.19, 30.98, -5.41

 

CMYK 49 / 0 / 53 / 54

HEX #3C7537

RGB 60 117 55

HSL 115.16, 0.36%, 0.34%

LAB 44.17, -32.2, 28.33

 

CMYK 53 / 49 / 0 / 54

HEX #373C75

RGB 55 60 117

HSL 235.16, 0.36%, 0.34%

LAB 27.65, 15.29, -33.52

 

CMYK 0 / 53 / 49 / 54

HEX #75373C

RGB 117 55 60

HSL 355.16, 0.36%, 0.34%

LAB 31.44, 27.7, 9.73

 

CMYK 49 / 0 / 53 / 54

HEX #3C7537

RGB 60 117 55

HSL 115.16, 0.36%, 0.34%

LAB 44.17, -32.2, 28.33

 

CMYK 53 / 6 / 0 / 54

HEX #376E75

RGB 55 110 117

HSL 186.77, 0.36%, 0.34%

LAB 43.14, -16.03, -9.49

 

CMYK 4 / 53 / 0 / 54

HEX #703775

RGB 112 55 117

HSL 295.16, 0.36%, 0.34%

LAB 32.84, 35.06, -24.91

 

CMYK 0 / 47 / 53 / 54

HEX #753E37

RGB 117 62 55

HSL 6.77, 0.36%, 0.34%

LAB 32.93, 23.16, 14.96

 

CMYK 49 / 0 / 53 / 54

HEX #3C7537

RGB 60 117 55

HSL 115.16, 0.36%, 0.34%

LAB 44.17, -32.2, 28.33

 

CMYK 53 / 22 / 0 / 54

HEX #375B75

RGB 55 91 117

HSL 205.16, 0.36%, 0.34%

LAB 37.08, -4.94, -18.72

 

CMYK 4 / 53 / 0 / 54

HEX #703775

RGB 112 55 117

HSL 295.16, 0.36%, 0.34%

LAB 32.84, 35.06, -24.91

 

CMYK 0 / 31 / 53 / 54

HEX #755137

RGB 117 81 55

HSL 25.16, 0.36%, 0.34%

LAB 37.74, 11.79, 21.25

 

Description

Color code: RGB 60 117 55 | qconv.com Color code: RGB 60 117 55 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 117 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 117 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 53 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 53% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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