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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 60 167 179 it is the complementary color RGB 195 88 76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 60 167 179. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 60 167 179 shade: RGB 65 167 174, RGB 82 185 193, RGB 99 203 212, RGB 116 221 231 and RGB 133 239 250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 60 167 179. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 60 167 179 shade: RGB 60 167 179, RGB 43 149 160, RGB 26 131 141, RGB 9 113 122 and RGB 0 95 103

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 60 167 179 shade: RGB 59 167 179, RGB 59 135 179, RGB 59 103 179, RGB 59 70 179 and RGB 81 59 179

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 60 167 179 shade: RGB 59 167 179, RGB 59 135 179, RGB 59 103 179, RGB 59 70 179 and RGB 59 59 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 60 167 179 shade matches the following richer shades: RGB 59 167 179, RGB 40 183 199, RGB 21 198 218 and RGB 1 214 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 60 167 179 shade: RGB 59 167 179, RGB 79 152 160, RGB 98 136 140, RGB 118 121 121 and RGB 137 105 102

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 60 167 179 shade: RGB 59 179 127, RGB 59 179 159, RGB 59 167 179, RGB 59 135 179 and RGB 59 103 179

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 60 167 179 shade: RGB 39 109 117, RGB 49 138 148, RGB 59 167 179, RGB 83 186 197 and RGB 114 198 208

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 60 167 179 shade: RGB 60 167 179, RGB 95 59 179 and RGB 179 143 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 60 167 179 shade: RGB 60 167 179, RGB 179 59 167 and RGB 167 179 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 60 167 179 shade: RGB 60 167 179, RGB 95 59 179, RGB 179 71 59 and RGB 143 179 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 60 167 179 shade: RGB 60 167 179, RGB 131 59 179, RGB 179 71 59 and RGB 107 179 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 7 / 0 / 30

HEX #3CA7B3

RGB 60 167 179

HSL 186.05, 0.5%, 0.47%

LAB 63.22, -26.24, -15.14

 

Complementary color

CMYK 0 / 55 / 61 / 24

HEX #C3584C

RGB 195 88 76

HSL 6.05, 0.5%, 0.53%

LAB 50.81, 41.93, 27.79

 

CMYK 63 / 4 / 0 / 32

HEX #41A7AE

RGB 65 167 174

HSL 183.85, 0.46%, 0.47%

LAB 63.19, -26.91, -12.37

 

CMYK 58 / 4 / 0 / 24

HEX #52B9C1

RGB 82 185 193

HSL 184.32, 0.47%, 0.54%

LAB 69.71, -27.31, -13.06

 

CMYK 53 / 4 / 0 / 17

HEX #63CBD4

RGB 99 203 212

HSL 184.78, 0.57%, 0.61%

LAB 76.14, -27.58, -13.7

 

CMYK 50 / 4 / 0 / 9

HEX #74DDE7

RGB 116 221 231

HSL 185.22, 0.71%, 0.68%

LAB 82.48, -27.76, -14.29

 

CMYK 47 / 4 / 0 / 2

HEX #85EFFA

RGB 133 239 250

HSL 185.64, 0.92%, 0.75%

LAB 88.74, -27.88, -14.85

 

CMYK 66 / 7 / 0 / 30

HEX #3CA7B3

RGB 60 167 179

HSL 186.05, 0.5%, 0.47%

LAB 63.22, -26.24, -15.14

 

CMYK 73 / 7 / 0 / 37

HEX #2B95A0

RGB 43 149 160

HSL 185.64, 0.58%, 0.4%

LAB 56.63, -25.46, -14.39

 

CMYK 82 / 7 / 0 / 45

HEX #1A838D

RGB 26 131 141

HSL 185.22, 0.69%, 0.33%

LAB 49.95, -24.35, -13.54

 

CMYK 93 / 7 / 0 / 52

HEX #09717A

RGB 9 113 122

HSL 184.78, 0.86%, 0.26%

LAB 43.17, -22.76, -12.56

 

CMYK 100 / 8 / 0 / 60

HEX #005F67

RGB 0 95 103

HSL 184.66, 1%, 0.2%

LAB 36.3, -20.53, -11.39

 

CMYK 67 / 7 / 0 / 30

HEX #3BA7B3

RGB 59 167 179

HSL 186, 0.5%, 0.47%

LAB 63.2, -26.39, -15.18

 

CMYK 67 / 25 / 0 / 30

HEX #3B87B3

RGB 59 135 179

HSL 202, 0.5%, 0.47%

LAB 53.51, -9.28, -30.04

 

CMYK 67 / 42 / 0 / 30

HEX #3B67B3

RGB 59 103 179

HSL 218, 0.5%, 0.47%

LAB 44.07, 10.03, -44.91

 

CMYK 67 / 61 / 0 / 30

HEX #3B46B3

RGB 59 70 179

HSL 234.5, 0.5%, 0.47%

LAB 35.13, 31.34, -59.32

 

CMYK 55 / 67 / 0 / 30

HEX #513BB3

RGB 81 59 179

HSL 251, 0.5%, 0.47%

LAB 34.26, 41.61, -60.68

 

CMYK 67 / 7 / 0 / 30

HEX #3BA7B3

RGB 59 167 179

HSL 186, 0.5%, 0.47%

LAB 63.2, -26.39, -15.18

 

CMYK 67 / 25 / 0 / 30

HEX #3B87B3

RGB 59 135 179

HSL 202, 0.5%, 0.47%

LAB 53.51, -9.28, -30.04

 

CMYK 67 / 42 / 0 / 30

HEX #3B67B3

RGB 59 103 179

HSL 218, 0.5%, 0.47%

LAB 44.07, 10.03, -44.91

 

CMYK 67 / 61 / 0 / 30

HEX #3B46B3

RGB 59 70 179

HSL 234.5, 0.5%, 0.47%

LAB 35.13, 31.34, -59.32

 

CMYK 67 / 67 / 0 / 30

HEX #3B3BB3

RGB 59 59 179

HSL 240, 0.5%, 0.47%

LAB 32.51, 38.24, -63.61

 

CMYK 67 / 7 / 0 / 30

HEX #3BA7B3

RGB 59 167 179

HSL 186, 0.5%, 0.47%

LAB 63.2, -26.39, -15.18

 

CMYK 80 / 8 / 0 / 22

HEX #28B7C7

RGB 40 183 199

HSL 186.04, 0.67%, 0.47%

LAB 68.34, -30.4, -18.52

 

CMYK 90 / 9 / 0 / 15

HEX #15C6DA

RGB 21 198 218

HSL 186.09, 0.82%, 0.47%

LAB 73.29, -32.89, -21.4

 

CMYK 100 / 10 / 0 / 7

HEX #01D6ED

RGB 1 214 237

HSL 185.85, 0.99%, 0.47%

LAB 78.59, -35.06, -23.58

 

CMYK 67 / 7 / 0 / 30

HEX #3BA7B3

RGB 59 167 179

HSL 186, 0.5%, 0.47%

LAB 63.2, -26.39, -15.18

 

CMYK 51 / 5 / 0 / 37

HEX #4F98A0

RGB 79 152 160

HSL 185.93, 0.34%, 0.47%

LAB 58.66, -20.49, -11.23

 

CMYK 30 / 3 / 0 / 45

HEX #62888C

RGB 98 136 140

HSL 185.71, 0.18%, 0.47%

LAB 54.13, -12.13, -6.41

 

CMYK 2 / 0 / 0 / 53

HEX #767979

RGB 118 121 121

HSL 180, 0.01%, 0.47%

LAB 50.58, -1.13, -0.4

 

CMYK 0 / 23 / 26 / 46

HEX #896966

RGB 137 105 102

HSL 5.14, 0.15%, 0.47%

LAB 47.47, 12.31, 6.61

 

CMYK 67 / 0 / 29 / 30

HEX #3BB37F

RGB 59 179 127

HSL 154, 0.5%, 0.47%

LAB 65.52, -45.51, 17.06

 

CMYK 67 / 0 / 11 / 30

HEX #3BB39F

RGB 59 179 159

HSL 170, 0.5%, 0.47%

LAB 66.27, -37.78, 0.53

 

CMYK 67 / 7 / 0 / 30

HEX #3BA7B3

RGB 59 167 179

HSL 186, 0.5%, 0.47%

LAB 63.2, -26.39, -15.18

 

CMYK 67 / 25 / 0 / 30

HEX #3B87B3

RGB 59 135 179

HSL 202, 0.5%, 0.47%

LAB 53.51, -9.28, -30.04

 

CMYK 67 / 42 / 0 / 30

HEX #3B67B3

RGB 59 103 179

HSL 218, 0.5%, 0.47%

LAB 44.07, 10.03, -44.91

 

CMYK 67 / 7 / 0 / 54

HEX #276D75

RGB 39 109 117

HSL 186.15, 0.5%, 0.31%

LAB 42.24, -18.84, -10.9

 

CMYK 67 / 7 / 0 / 42

HEX #318A94

RGB 49 138 148

HSL 186.06, 0.5%, 0.39%

LAB 52.91, -22.7, -13.09

 

CMYK 67 / 7 / 0 / 30

HEX #3BA7B3

RGB 59 167 179

HSL 186, 0.5%, 0.47%

LAB 63.2, -26.39, -15.18

 

CMYK 58 / 6 / 0 / 23

HEX #53BAC5

RGB 83 186 197

HSL 185.79, 0.5%, 0.55%

LAB 70.17, -26.48, -14.57

 

CMYK 45 / 5 / 0 / 18

HEX #72C6D0

RGB 114 198 208

HSL 186.38, 0.5%, 0.63%

LAB 75.15, -22.88, -12.96

 

CMYK 66 / 7 / 0 / 30

HEX #3CA7B3

RGB 60 167 179

HSL 186.05, 0.5%, 0.47%

LAB 63.22, -26.24, -15.14

 

CMYK 47 / 67 / 0 / 30

HEX #5F3BB3

RGB 95 59 179

HSL 258, 0.5%, 0.47%

LAB 35.63, 44.14, -58.39

 

CMYK 0 / 20 / 67 / 30

HEX #B38F3B

RGB 179 143 59

HSL 42, 0.5%, 0.47%

LAB 61.26, 4.37, 48.4

 

CMYK 66 / 7 / 0 / 30

HEX #3CA7B3

RGB 60 167 179

HSL 186.05, 0.5%, 0.47%

LAB 63.22, -26.24, -15.14

 

CMYK 0 / 67 / 7 / 30

HEX #B33BA7

RGB 179 59 167

HSL 306, 0.5%, 0.47%

LAB 46.31, 60.61, -33.52

 

CMYK 7 / 0 / 67 / 30

HEX #A7B33B

RGB 167 179 59

HSL 66, 0.5%, 0.47%

LAB 70.02, -19.88, 57.24

 

CMYK 66 / 7 / 0 / 30

HEX #3CA7B3

RGB 60 167 179

HSL 186.05, 0.5%, 0.47%

LAB 63.22, -26.24, -15.14

 

CMYK 47 / 67 / 0 / 30

HEX #5F3BB3

RGB 95 59 179

HSL 258, 0.5%, 0.47%

LAB 35.63, 44.14, -58.39

 

CMYK 0 / 60 / 67 / 30

HEX #B3473B

RGB 179 71 59

HSL 6, 0.5%, 0.47%

LAB 44.81, 43.17, 29.69

 

CMYK 20 / 0 / 67 / 30

HEX #8FB33B

RGB 143 179 59

HSL 78, 0.5%, 0.47%

LAB 68.31, -29.78, 54.95

 

CMYK 66 / 7 / 0 / 30

HEX #3CA7B3

RGB 60 167 179

HSL 186.05, 0.5%, 0.47%

LAB 63.22, -26.24, -15.14

 

CMYK 27 / 67 / 0 / 30

HEX #833BB3

RGB 131 59 179

HSL 276, 0.5%, 0.47%

LAB 39.93, 51.59, -51.22

 

CMYK 0 / 60 / 67 / 30

HEX #B3473B

RGB 179 71 59

HSL 6, 0.5%, 0.47%

LAB 44.81, 43.17, 29.69

 

CMYK 40 / 0 / 67 / 30

HEX #6BB33B

RGB 107 179 59

HSL 96, 0.5%, 0.47%

LAB 66.28, -43.18, 52.18

 

Description

Color code: RGB 60 167 179 | qconv.com Color code: RGB 60 167 179 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 167 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 167 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 7 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 7% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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