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Color name
RGB 60 180 98

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 60 180 98 it is the complementary color RGB 195 75 157. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 60 180 98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 60 180 98 shade: RGB 65 180 93, RGB 82 198 112, RGB 99 216 131, RGB 116 234 150 and RGB 133 252 169

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 60 180 98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 60 180 98 shade: RGB 60 180 98, RGB 43 162 79, RGB 26 144 60, RGB 9 126 41 and RGB 0 108 22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 60 180 98 shade: RGB 59 179 97, RGB 59 179 65, RGB 86 179 59, RGB 118 179 59 and RGB 151 179 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 60 180 98 shade: RGB 59 179 97, RGB 59 179 130, RGB 59 179 162, RGB 59 164 179 and RGB 59 132 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 60 180 98 shade matches the following richer shades: RGB 59 179 97, RGB 40 199 90, RGB 21 218 83 and RGB 1 237 76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 60 180 98 shade: RGB 59 179 97, RGB 79 160 104, RGB 98 140 112, RGB 118 121 119 and RGB 137 102 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 60 180 98 shade: RGB 85 179 59, RGB 59 179 65, RGB 59 179 97, RGB 59 179 129 and RGB 59 179 161

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 60 180 98 shade: RGB 39 117 64, RGB 49 148 81, RGB 59 179 97, RGB 83 197 119 and RGB 114 208 143

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 60 180 98 shade: RGB 60 180 98, RGB 59 117 179 and RGB 179 59 69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 60 180 98 shade: RGB 60 180 98, RGB 97 59 179 and RGB 179 97 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 60 180 98 shade: RGB 60 180 98, RGB 59 117 179, RGB 179 59 141 and RGB 179 121 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 60 180 98 shade: RGB 60 180 98, RGB 59 81 179, RGB 179 59 141 and RGB 179 157 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 46 / 29

HEX #3CB462

RGB 60 180 98

HSL 139, 0.5%, 0.47%

LAB 65.35, -51.32, 32.27

 

Complementary color

CMYK 0 / 62 / 19 / 24

HEX #C34B9D

RGB 195 75 157

HSL 319, 0.5%, 0.53%

LAB 50.77, 56.78, -20.49

 

CMYK 64 / 0 / 48 / 29

HEX #41B45D

RGB 65 180 93

HSL 134.61, 0.47%, 0.48%

LAB 65.4, -51.13, 34.93

 

CMYK 59 / 0 / 43 / 22

HEX #52C670

RGB 82 198 112

HSL 135.52, 0.5%, 0.55%

LAB 71.79, -51.37, 33.49

 

CMYK 54 / 0 / 39 / 15

HEX #63D883

RGB 99 216 131

HSL 136.41, 0.6%, 0.62%

LAB 78.11, -51.42, 32.12

 

CMYK 50 / 0 / 36 / 8

HEX #74EA96

RGB 116 234 150

HSL 137.29, 0.74%, 0.69%

LAB 84.36, -51.36, 30.84

 

CMYK 47 / 0 / 33 / 1

HEX #85FCA9

RGB 133 252 169

HSL 138.15, 0.95%, 0.75%

LAB 90.54, -51.21, 29.63

 

CMYK 67 / 0 / 46 / 29

HEX #3CB462

RGB 60 180 98

HSL 139, 0.5%, 0.47%

LAB 65.35, -51.32, 32.27

 

CMYK 73 / 0 / 51 / 36

HEX #2BA24F

RGB 43 162 79

HSL 138.15, 0.58%, 0.4%

LAB 58.9, -50.68, 33.82

 

CMYK 82 / 0 / 58 / 44

HEX #1A903C

RGB 26 144 60

HSL 137.29, 0.69%, 0.33%

LAB 52.39, -49.54, 35.42

 

CMYK 93 / 0 / 67 / 51

HEX #097E29

RGB 9 126 41

HSL 136.41, 0.87%, 0.26%

LAB 45.83, -47.61, 36.94

 

CMYK 100 / 0 / 80 / 58

HEX #006C16

RGB 0 108 22

HSL 132.22, 1%, 0.21%

LAB 39.21, -44.5, 37.97

 

CMYK 67 / 0 / 46 / 30

HEX #3BB361

RGB 59 179 97

HSL 139, 0.5%, 0.47%

LAB 64.99, -51.29, 32.32

 

CMYK 67 / 0 / 64 / 30

HEX #3BB341

RGB 59 179 65

HSL 123, 0.5%, 0.47%

LAB 64.61, -55.71, 47.31

 

CMYK 52 / 0 / 67 / 30

HEX #56B33B

RGB 86 179 59

HSL 106.5, 0.5%, 0.47%

LAB 65.38, -49.74, 50.96

 

CMYK 34 / 0 / 67 / 30

HEX #76B33B

RGB 118 179 59

HSL 90.5, 0.5%, 0.47%

LAB 66.83, -39.33, 52.94

 

CMYK 16 / 0 / 67 / 30

HEX #97B33B

RGB 151 179 59

HSL 74, 0.5%, 0.47%

LAB 68.85, -26.54, 55.67

 

CMYK 67 / 0 / 46 / 30

HEX #3BB361

RGB 59 179 97

HSL 139, 0.5%, 0.47%

LAB 64.99, -51.29, 32.32

 

CMYK 67 / 0 / 27 / 30

HEX #3BB382

RGB 59 179 130

HSL 155.5, 0.5%, 0.47%

LAB 65.58, -44.85, 15.51

 

CMYK 67 / 0 / 9 / 30

HEX #3BB3A2

RGB 59 179 162

HSL 171.5, 0.5%, 0.47%

LAB 66.35, -36.99, -1.02

 

CMYK 67 / 8 / 0 / 30

HEX #3BA4B3

RGB 59 164 179

HSL 187.5, 0.5%, 0.47%

LAB 62.28, -24.88, -16.56

 

CMYK 67 / 26 / 0 / 30

HEX #3B84B3

RGB 59 132 179

HSL 203.5, 0.5%, 0.47%

LAB 52.61, -7.57, -31.44

 

CMYK 67 / 0 / 46 / 30

HEX #3BB361

RGB 59 179 97

HSL 139, 0.5%, 0.47%

LAB 64.99, -51.29, 32.32

 

CMYK 80 / 0 / 55 / 22

HEX #28C75A

RGB 40 199 90

HSL 138.87, 0.67%, 0.47%

LAB 70.9, -62.32, 43.05

 

CMYK 90 / 0 / 62 / 15

HEX #15DA53

RGB 21 218 83

HSL 138.88, 0.82%, 0.47%

LAB 76.63, -70.84, 52.89

 

CMYK 100 / 0 / 68 / 7

HEX #01ED4C

RGB 1 237 76

HSL 139.07, 0.99%, 0.47%

LAB 82.43, -77.89, 62.09

 

CMYK 67 / 0 / 46 / 30

HEX #3BB361

RGB 59 179 97

HSL 139, 0.5%, 0.47%

LAB 64.99, -51.29, 32.32

 

CMYK 51 / 0 / 35 / 37

HEX #4FA068

RGB 79 160 104

HSL 138.52, 0.34%, 0.47%

LAB 59.71, -37.65, 21.8

 

CMYK 30 / 0 / 20 / 45

HEX #628C70

RGB 98 140 112

HSL 140, 0.18%, 0.47%

LAB 54.58, -20.64, 10.39

 

CMYK 2 / 0 / 2 / 53

HEX #767977

RGB 118 121 119

HSL 140, 0.01%, 0.47%

LAB 50.52, -1.53, 0.69

 

CMYK 0 / 26 / 8 / 46

HEX #89667E

RGB 137 102 126

HSL 318.86, 0.15%, 0.47%

LAB 47.4, 18.22, -7.86

 

CMYK 53 / 0 / 67 / 30

HEX #55B33B

RGB 85 179 59

HSL 107, 0.5%, 0.47%

LAB 65.35, -50.02, 50.91

 

CMYK 67 / 0 / 64 / 30

HEX #3BB341

RGB 59 179 65

HSL 123, 0.5%, 0.47%

LAB 64.61, -55.71, 47.31

 

CMYK 67 / 0 / 46 / 30

HEX #3BB361

RGB 59 179 97

HSL 139, 0.5%, 0.47%

LAB 64.99, -51.29, 32.32

 

CMYK 67 / 0 / 28 / 30

HEX #3BB381

RGB 59 179 129

HSL 155, 0.5%, 0.47%

LAB 65.56, -45.08, 16.02

 

CMYK 67 / 0 / 10 / 30

HEX #3BB3A1

RGB 59 179 161

HSL 171, 0.5%, 0.47%

LAB 66.32, -37.25, -0.5

 

CMYK 67 / 0 / 45 / 54

HEX #277540

RGB 39 117 64

HSL 139.23, 0.5%, 0.31%

LAB 43.54, -36.41, 22.41

 

CMYK 67 / 0 / 45 / 42

HEX #319451

RGB 49 148 81

HSL 139.39, 0.5%, 0.39%

LAB 54.48, -43.93, 27.22

 

CMYK 67 / 0 / 46 / 30

HEX #3BB361

RGB 59 179 97

HSL 139, 0.5%, 0.47%

LAB 64.99, -51.29, 32.32

 

CMYK 58 / 0 / 40 / 23

HEX #53C577

RGB 83 197 119

HSL 138.95, 0.5%, 0.55%

LAB 71.63, -49.57, 29.67

 

CMYK 45 / 0 / 31 / 18

HEX #72D08F

RGB 114 208 143

HSL 138.51, 0.5%, 0.63%

LAB 76.48, -42.11, 23.83

 

CMYK 67 / 0 / 46 / 29

HEX #3CB462

RGB 60 180 98

HSL 139, 0.5%, 0.47%

LAB 65.35, -51.32, 32.27

 

CMYK 67 / 35 / 0 / 30

HEX #3B75B3

RGB 59 117 179

HSL 211, 0.5%, 0.47%

LAB 48.14, 1.32, -38.44

 

CMYK 0 / 67 / 61 / 30

HEX #B33B45

RGB 179 59 69

HSL 355, 0.5%, 0.47%

LAB 42.98, 49.16, 21.38

 

CMYK 67 / 0 / 46 / 29

HEX #3CB462

RGB 60 180 98

HSL 139, 0.5%, 0.47%

LAB 65.35, -51.32, 32.27

 

CMYK 46 / 67 / 0 / 30

HEX #613BB3

RGB 97 59 179

HSL 259, 0.5%, 0.47%

LAB 35.84, 44.53, -58.04

 

CMYK 0 / 46 / 67 / 30

HEX #B3613B

RGB 179 97 59

HSL 19, 0.5%, 0.47%

LAB 50.04, 29.87, 35.88

 

CMYK 67 / 0 / 46 / 29

HEX #3CB462

RGB 60 180 98

HSL 139, 0.5%, 0.47%

LAB 65.35, -51.32, 32.27

 

CMYK 67 / 35 / 0 / 30

HEX #3B75B3

RGB 59 117 179

HSL 211, 0.5%, 0.47%

LAB 48.14, 1.32, -38.44

 

CMYK 0 / 67 / 21 / 30

HEX #B33B8D

RGB 179 59 141

HSL 319, 0.5%, 0.47%

LAB 45.13, 56.71, -19.8

 

CMYK 0 / 32 / 67 / 30

HEX #B3793B

RGB 179 121 59

HSL 31, 0.5%, 0.47%

LAB 55.66, 16.6, 42.28

 

CMYK 67 / 0 / 46 / 29

HEX #3CB462

RGB 60 180 98

HSL 139, 0.5%, 0.47%

LAB 65.35, -51.32, 32.27

 

CMYK 67 / 55 / 0 / 30

HEX #3B51B3

RGB 59 81 179

HSL 229, 0.5%, 0.47%

LAB 37.97, 24.22, -54.72

 

CMYK 0 / 67 / 21 / 30

HEX #B33B8D

RGB 179 59 141

HSL 319, 0.5%, 0.47%

LAB 45.13, 56.71, -19.8

 

CMYK 0 / 12 / 67 / 30

HEX #B39D3B

RGB 179 157 59

HSL 49, 0.5%, 0.47%

LAB 64.97, -3.24, 52.34

 

Description

Color code: RGB 60 180 98 | qconv.com Color code: RGB 60 180 98 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 180 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 180 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 46 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 46% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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