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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61 77 53 it is the complementary color RGB 194 178 202. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61 77 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 61 77 53 shade: RGB 66 77 48, RGB 83 95 67, RGB 100 113 86, RGB 117 131 105 and RGB 134 149 124

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61 77 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 61 77 53 shade: RGB 61 77 53, RGB 44 59 34, RGB 27 41 15, RGB 10 23 0 and RGB 0 5 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 61 77 53 shade: RGB 59 75 52, RGB 66 75 52, RGB 72 75 52, RGB 75 71 52 and RGB 75 65 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 61 77 53 shade: RGB 59 75 52, RGB 53 75 52, RGB 52 75 57, RGB 52 75 63 and RGB 52 75 69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 61 77 53 shade matches the following richer shades: RGB 59 75 52, RGB 56 85 41, RGB 53 95 31, RGB 49 106 21 and RGB 46 116 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 61 77 53 shade: RGB 59 75 52, RGB 63 64 62, RGB 66 54 72, RGB 70 44 83 and RGB 73 33 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 61 77 53 shade: RGB 72 75 52, RGB 66 75 52, RGB 59 75 52, RGB 53 75 52 and RGB 52 75 56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 61 77 53 shade: RGB 21 26 18, RGB 40 50 35, RGB 59 75 52, RGB 79 99 69 and RGB 98 123 86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 61 77 53 shade: RGB 61 77 53, RGB 52 75 72 and RGB 75 52 69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 61 77 53 shade: RGB 61 77 53, RGB 52 59 75 and RGB 75 52 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 61 77 53 shade: RGB 61 77 53, RGB 52 75 72, RGB 67 52 75 and RGB 75 52 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 61 77 53 shade: RGB 61 77 53, RGB 52 71 75, RGB 67 52 75 and RGB 75 56 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 31 / 70

HEX #3D4D35

RGB 61 77 53

HSL 100, 0.18%, 0.25%

LAB 30.78, -11.55, 12.23

 

Complementary color

CMYK 4 / 12 / 0 / 21

HEX #C2B2CA

RGB 194 178 202

HSL 280, 0.18%, 0.75%

LAB 74.56, 10.13, -10.07

 

CMYK 14 / 0 / 38 / 70

HEX #424D30

RGB 66 77 48

HSL 82.76, 0.23%, 0.25%

LAB 31.07, -10.25, 15.79

 

CMYK 13 / 0 / 29 / 63

HEX #535F43

RGB 83 95 67

HSL 85.71, 0.17%, 0.32%

LAB 38.6, -10.25, 14.53

 

CMYK 12 / 0 / 24 / 56

HEX #647156

RGB 100 113 86

HSL 88.89, 0.14%, 0.39%

LAB 45.9, -10.23, 13.4

 

CMYK 11 / 0 / 20 / 49

HEX #758369

RGB 117 131 105

HSL 92.31, 0.11%, 0.46%

LAB 52.99, -10.21, 12.37

 

CMYK 10 / 0 / 17 / 42

HEX #86957C

RGB 134 149 124

HSL 96, 0.11%, 0.54%

LAB 59.91, -10.2, 11.42

 

CMYK 21 / 0 / 31 / 70

HEX #3D4D35

RGB 61 77 53

HSL 100, 0.18%, 0.25%

LAB 30.78, -11.55, 12.23

 

CMYK 25 / 0 / 42 / 77

HEX #2C3B22

RGB 44 59 34

HSL 96, 0.27%, 0.18%

LAB 22.93, -11.7, 13.56

 

CMYK 34 / 0 / 63 / 84

HEX #1B290F

RGB 27 41 15

HSL 92.31, 0.46%, 0.11%

LAB 14.7, -11.8, 14.76

 

CMYK 57 / 0 / 100 / 91

HEX #0A1700

RGB 10 23 0

HSL 93.91, 1%, 0.05%

LAB 6.12, -8.69, 9

 

CMYK 100 / 0 / 100 / 98

HEX #000500

RGB 0 5 0

HSL 120, 1%, 0.01%

LAB 0.98, -2, 1.43

 

CMYK 21 / 0 / 31 / 71

HEX #3B4B34

RGB 59 75 52

HSL 101.74, 0.18%, 0.25%

LAB 29.94, -11.41, 11.69

 

CMYK 12 / 0 / 31 / 71

HEX #424B34

RGB 66 75 52

HSL 83.48, 0.18%, 0.25%

LAB 30.49, -8.39, 12.54

 

CMYK 4 / 0 / 31 / 71

HEX #484B34

RGB 72 75 52

HSL 67.83, 0.18%, 0.25%

LAB 31.01, -5.71, 13.34

 

CMYK 0 / 5 / 31 / 71

HEX #4B4734

RGB 75 71 52

HSL 49.57, 0.18%, 0.25%

LAB 30.04, -1.87, 12.06

 

CMYK 0 / 13 / 31 / 71

HEX #4B4134

RGB 75 65 52

HSL 33.91, 0.18%, 0.25%

LAB 28.18, 1.93, 9.52

 

CMYK 21 / 0 / 31 / 71

HEX #3B4B34

RGB 59 75 52

HSL 101.74, 0.18%, 0.25%

LAB 29.94, -11.41, 11.69

 

CMYK 29 / 0 / 31 / 71

HEX #354B34

RGB 53 75 52

HSL 117.39, 0.18%, 0.25%

LAB 29.51, -13.88, 11.04

 

CMYK 31 / 0 / 24 / 71

HEX #344B39

RGB 52 75 57

HSL 133.04, 0.18%, 0.25%

LAB 29.56, -13.23, 7.92

 

CMYK 31 / 0 / 16 / 71

HEX #344B3F

RGB 52 75 63

HSL 148.7, 0.18%, 0.25%

LAB 29.72, -11.86, 4.31

 

CMYK 31 / 0 / 8 / 71

HEX #344B45

RGB 52 75 69

HSL 164.35, 0.18%, 0.25%

LAB 29.89, -10.38, 0.71

 

CMYK 21 / 0 / 31 / 71

HEX #3B4B34

RGB 59 75 52

HSL 101.74, 0.18%, 0.25%

LAB 29.94, -11.41, 11.69

 

CMYK 34 / 0 / 52 / 67

HEX #385529

RGB 56 85 41

HSL 99.55, 0.35%, 0.25%

LAB 32.91, -20.06, 22.19

 

CMYK 44 / 0 / 67 / 63

HEX #355F1F

RGB 53 95 31

HSL 99.38, 0.51%, 0.25%

LAB 36.06, -27.47, 31.19

 

CMYK 54 / 0 / 80 / 58

HEX #316A15

RGB 49 106 21

HSL 100.24, 0.67%, 0.25%

LAB 39.61, -34.63, 39.1

 

CMYK 60 / 0 / 91 / 55

HEX #2E740B

RGB 46 116 11

HSL 100, 0.83%, 0.25%

LAB 42.91, -40.1, 45.08

 

CMYK 21 / 0 / 31 / 71

HEX #3B4B34

RGB 59 75 52

HSL 101.74, 0.18%, 0.25%

LAB 29.94, -11.41, 11.69

 

CMYK 2 / 0 / 3 / 75

HEX #3F403E

RGB 63 64 62

HSL 90, 0.02%, 0.25%

LAB 26.94, -0.87, 1.07

 

CMYK 8 / 25 / 0 / 72

HEX #423648

RGB 66 54 72

HSL 280, 0.14%, 0.25%

LAB 24.53, 9.3, -9.1

 

CMYK 16 / 47 / 0 / 67

HEX #462C53

RGB 70 44 83

HSL 280, 0.31%, 0.25%

LAB 22.75, 20.16, -19.13

 

CMYK 22 / 65 / 0 / 64

HEX #49215D

RGB 73 33 93

HSL 280, 0.48%, 0.25%

LAB 21.19, 30.34, -28.22

 

CMYK 4 / 0 / 31 / 71

HEX #484B34

RGB 72 75 52

HSL 67.83, 0.18%, 0.25%

LAB 31.01, -5.71, 13.34

 

CMYK 12 / 0 / 31 / 71

HEX #424B34

RGB 66 75 52

HSL 83.48, 0.18%, 0.25%

LAB 30.49, -8.39, 12.54

 

CMYK 21 / 0 / 31 / 71

HEX #3B4B34

RGB 59 75 52

HSL 101.74, 0.18%, 0.25%

LAB 29.94, -11.41, 11.69

 

CMYK 29 / 0 / 31 / 71

HEX #354B34

RGB 53 75 52

HSL 117.39, 0.18%, 0.25%

LAB 29.51, -13.88, 11.04

 

CMYK 31 / 0 / 25 / 71

HEX #344B38

RGB 52 75 56

HSL 130.43, 0.18%, 0.25%

LAB 29.53, -13.44, 8.53

 

CMYK 19 / 0 / 31 / 90

HEX #151A12

RGB 21 26 18

HSL 97.5, 0.18%, 0.09%

LAB 8.5, -4.36, 4.46

 

CMYK 20 / 0 / 30 / 80

HEX #283223

RGB 40 50 35

HSL 100, 0.18%, 0.17%

LAB 19.45, -7.77, 8.18

 

CMYK 21 / 0 / 31 / 71

HEX #3B4B34

RGB 59 75 52

HSL 101.74, 0.18%, 0.25%

LAB 29.94, -11.41, 11.69

 

CMYK 20 / 0 / 30 / 61

HEX #4F6345

RGB 79 99 69

HSL 100, 0.18%, 0.33%

LAB 39.61, -13.83, 14.64

 

CMYK 20 / 0 / 30 / 52

HEX #627B56

RGB 98 123 86

HSL 100.54, 0.18%, 0.41%

LAB 48.8, -16.53, 17.35

 

CMYK 21 / 0 / 31 / 70

HEX #3D4D35

RGB 61 77 53

HSL 100, 0.18%, 0.25%

LAB 30.78, -11.55, 12.23

 

CMYK 31 / 0 / 4 / 71

HEX #344B48

RGB 52 75 72

HSL 172.17, 0.18%, 0.25%

LAB 29.99, -9.6, -1.08

 

CMYK 0 / 31 / 8 / 71

HEX #4B3445

RGB 75 52 69

HSL 315.65, 0.18%, 0.25%

LAB 24.89, 13.59, -6.44

 

CMYK 21 / 0 / 31 / 70

HEX #3D4D35

RGB 61 77 53

HSL 100, 0.18%, 0.25%

LAB 30.78, -11.55, 12.23

 

CMYK 31 / 21 / 0 / 71

HEX #343B4B

RGB 52 59 75

HSL 221.74, 0.18%, 0.25%

LAB 24.85, 1.41, -10.73

 

CMYK 0 / 31 / 21 / 71

HEX #4B343B

RGB 75 52 59

HSL 341.74, 0.18%, 0.25%

LAB 24.54, 11.6, -0.28

 

CMYK 21 / 0 / 31 / 70

HEX #3D4D35

RGB 61 77 53

HSL 100, 0.18%, 0.25%

LAB 30.78, -11.55, 12.23

 

CMYK 31 / 0 / 4 / 71

HEX #344B48

RGB 52 75 72

HSL 172.17, 0.18%, 0.25%

LAB 29.99, -9.6, -1.08

 

CMYK 11 / 31 / 0 / 71

HEX #43344B

RGB 67 52 75

HSL 279.13, 0.18%, 0.25%

LAB 24.18, 11.77, -11.61

 

CMYK 0 / 31 / 27 / 71

HEX #4B3437

RGB 75 52 55

HSL 352.17, 0.18%, 0.25%

LAB 24.41, 10.88, 2.22

 

CMYK 21 / 0 / 31 / 70

HEX #3D4D35

RGB 61 77 53

HSL 100, 0.18%, 0.25%

LAB 30.78, -11.55, 12.23

 

CMYK 31 / 5 / 0 / 71

HEX #34474B

RGB 52 71 75

HSL 190.43, 0.18%, 0.25%

LAB 28.76, -6.34, -4.83

 

CMYK 11 / 31 / 0 / 71

HEX #43344B

RGB 67 52 75

HSL 279.13, 0.18%, 0.25%

LAB 24.18, 11.77, -11.61

 

CMYK 0 / 25 / 31 / 71

HEX #4B3834

RGB 75 56 52

HSL 10.43, 0.18%, 0.25%

LAB 25.48, 7.75, 5.75

 

Description

Color code: RGB 61 77 53 | qconv.com Color code: RGB 61 77 53 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 77 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 77 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 31 yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 31% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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