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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61 82 49 it is the complementary color RGB 194 173 206. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61 82 49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 61 82 49 shade: RGB 66 82 44, RGB 83 100 63, RGB 100 118 82, RGB 117 136 101 and RGB 134 154 120

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61 82 49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 61 82 49 shade: RGB 61 82 49, RGB 44 64 30, RGB 27 46 11, RGB 10 28 0 and RGB 0 10 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 61 82 49 shade: RGB 61 82 49, RGB 70 82 49, RGB 79 82 49, RGB 82 77 49 and RGB 82 68 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 61 82 49 shade: RGB 61 82 49, RGB 52 82 49, RGB 49 82 55, RGB 49 82 64 and RGB 49 82 73

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 61 82 49 shade matches the following richer shades: RGB 61 82 49, RGB 58 93 38, RGB 55 104 28, RGB 53 115 17 and RGB 50 125 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 61 82 49 shade: RGB 61 82 49, RGB 64 72 60, RGB 67 61 71, RGB 70 50 81 and RGB 73 39 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 61 82 49 shade: RGB 79 82 49, RGB 70 82 49, RGB 61 82 49, RGB 53 82 49 and RGB 49 82 55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 61 82 49 shade: RGB 23 31 18, RGB 42 57 34, RGB 61 82 49, RGB 81 108 65 and RGB 100 134 80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 61 82 49 shade: RGB 61 82 49, RGB 49 82 77 and RGB 82 49 75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 61 82 49 shade: RGB 61 82 49, RGB 49 61 82 and RGB 82 49 61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 61 82 49 shade: RGB 61 82 49, RGB 49 82 77, RGB 70 49 82 and RGB 82 49 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 61 82 49 shade: RGB 61 82 49, RGB 49 78 82, RGB 70 49 82 and RGB 82 54 49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 40 / 68

HEX #3D5231

RGB 61 82 49

HSL 98.18, 0.25%, 0.26%

LAB 32.37, -15.12, 16.82

 

Complementary color

CMYK 6 / 16 / 0 / 19

HEX #C2ADCE

RGB 194 173 206

HSL 278.18, 0.25%, 0.74%

LAB 73.42, 13.64, -13.95

 

CMYK 20 / 0 / 46 / 68

HEX #42522C

RGB 66 82 44

HSL 85.26, 0.3%, 0.25%

LAB 32.65, -13.75, 20.25

 

CMYK 17 / 0 / 37 / 61

HEX #53643F

RGB 83 100 63

HSL 87.57, 0.23%, 0.32%

LAB 40.1, -13.74, 18.92

 

CMYK 15 / 0 / 31 / 54

HEX #647652

RGB 100 118 82

HSL 90, 0.18%, 0.39%

LAB 47.33, -13.69, 17.7

 

CMYK 14 / 0 / 26 / 47

HEX #758865

RGB 117 136 101

HSL 92.57, 0.15%, 0.46%

LAB 54.38, -13.63, 16.58

 

CMYK 13 / 0 / 22 / 40

HEX #869A78

RGB 134 154 120

HSL 95.29, 0.14%, 0.54%

LAB 61.25, -13.58, 15.54

 

CMYK 26 / 0 / 40 / 68

HEX #3D5231

RGB 61 82 49

HSL 98.18, 0.25%, 0.26%

LAB 32.37, -15.12, 16.82

 

CMYK 31 / 0 / 53 / 75

HEX #2C401E

RGB 44 64 30

HSL 95.29, 0.36%, 0.18%

LAB 24.63, -15.25, 18.23

 

CMYK 41 / 0 / 76 / 82

HEX #1B2E0B

RGB 27 46 11

HSL 92.57, 0.61%, 0.11%

LAB 16.56, -15.22, 19.04

 

CMYK 64 / 0 / 100 / 89

HEX #0A1C00

RGB 10 28 0

HSL 98.57, 1%, 0.05%

LAB 8.08, -12.71, 11.88

 

CMYK 100 / 0 / 100 / 96

HEX #000A00

RGB 0 10 0

HSL 120, 1%, 0.02%

LAB 1.96, -4.01, 2.86

 

CMYK 26 / 0 / 40 / 68

HEX #3D5231

RGB 61 82 49

HSL 98.18, 0.25%, 0.26%

LAB 32.37, -15.12, 16.82

 

CMYK 15 / 0 / 40 / 68

HEX #465231

RGB 70 82 49

HSL 81.82, 0.25%, 0.26%

LAB 33.05, -11.25, 17.84

 

CMYK 4 / 0 / 40 / 68

HEX #4F5231

RGB 79 82 49

HSL 65.45, 0.25%, 0.26%

LAB 33.81, -7.18, 18.98

 

CMYK 0 / 6 / 40 / 68

HEX #524D31

RGB 82 77 49

HSL 50.91, 0.25%, 0.26%

LAB 32.53, -2.77, 17.37

 

CMYK 0 / 17 / 40 / 68

HEX #524431

RGB 82 68 49

HSL 34.55, 0.25%, 0.26%

LAB 29.79, 2.84, 13.75

 

CMYK 26 / 0 / 40 / 68

HEX #3D5231

RGB 61 82 49

HSL 98.18, 0.25%, 0.26%

LAB 32.37, -15.12, 16.82

 

CMYK 37 / 0 / 40 / 68

HEX #345231

RGB 52 82 49

HSL 114.55, 0.25%, 0.26%

LAB 31.78, -18.74, 15.93

 

CMYK 40 / 0 / 33 / 68

HEX #315237

RGB 49 82 55

HSL 130.91, 0.25%, 0.26%

LAB 31.72, -18.69, 12.14

 

CMYK 40 / 0 / 22 / 68

HEX #315240

RGB 49 82 64

HSL 147.27, 0.25%, 0.26%

LAB 31.94, -16.7, 6.81

 

CMYK 40 / 0 / 11 / 68

HEX #315249

RGB 49 82 73

HSL 163.64, 0.25%, 0.26%

LAB 32.19, -14.47, 1.47

 

CMYK 26 / 0 / 40 / 68

HEX #3D5231

RGB 61 82 49

HSL 98.18, 0.25%, 0.26%

LAB 32.37, -15.12, 16.82

 

CMYK 38 / 0 / 59 / 64

HEX #3A5D26

RGB 58 93 38

HSL 98.18, 0.42%, 0.26%

LAB 35.73, -23.78, 27.28

 

CMYK 47 / 0 / 73 / 59

HEX #37681C

RGB 55 104 28

HSL 98.68, 0.58%, 0.26%

LAB 39.24, -31.18, 36.01

 

CMYK 54 / 0 / 85 / 55

HEX #357311

RGB 53 115 17

HSL 97.96, 0.74%, 0.26%

LAB 42.85, -37.32, 43.54

 

CMYK 60 / 0 / 95 / 51

HEX #327D06

RGB 50 125 6

HSL 97.82, 0.91%, 0.26%

LAB 46.12, -42.59, 48.93

 

CMYK 26 / 0 / 40 / 68

HEX #3D5231

RGB 61 82 49

HSL 98.18, 0.25%, 0.26%

LAB 32.37, -15.12, 16.82

 

CMYK 11 / 0 / 17 / 72

HEX #40483C

RGB 64 72 60

HSL 100, 0.09%, 0.26%

LAB 29.54, -5.91, 6.11

 

CMYK 6 / 14 / 0 / 72

HEX #433D47

RGB 67 61 71

HSL 276, 0.08%, 0.26%

LAB 26.69, 4.82, -5.17

 

CMYK 14 / 38 / 0 / 68

HEX #463251

RGB 70 50 81

HSL 278.71, 0.24%, 0.26%

LAB 24.25, 15.73, -15.47

 

CMYK 21 / 58 / 0 / 64

HEX #49275C

RGB 73 39 92

HSL 278.49, 0.4%, 0.26%

LAB 22.44, 26.57, -25.56

 

CMYK 4 / 0 / 40 / 68

HEX #4F5231

RGB 79 82 49

HSL 65.45, 0.25%, 0.26%

LAB 33.81, -7.18, 18.98

 

CMYK 15 / 0 / 40 / 68

HEX #465231

RGB 70 82 49

HSL 81.82, 0.25%, 0.26%

LAB 33.05, -11.25, 17.84

 

CMYK 26 / 0 / 40 / 68

HEX #3D5231

RGB 61 82 49

HSL 98.18, 0.25%, 0.26%

LAB 32.37, -15.12, 16.82

 

CMYK 35 / 0 / 40 / 68

HEX #355231

RGB 53 82 49

HSL 112.73, 0.25%, 0.26%

LAB 31.84, -18.35, 16.03

 

CMYK 40 / 0 / 33 / 68

HEX #315237

RGB 49 82 55

HSL 130.91, 0.25%, 0.26%

LAB 31.72, -18.69, 12.14

 

CMYK 26 / 0 / 42 / 88

HEX #171F12

RGB 23 31 18

HSL 96.92, 0.27%, 0.1%

LAB 10.6, -6.86, 7.48

 

CMYK 26 / 0 / 40 / 78

HEX #2A3922

RGB 42 57 34

HSL 99.13, 0.25%, 0.18%

LAB 22.07, -11.39, 12.4

 

CMYK 26 / 0 / 40 / 68

HEX #3D5231

RGB 61 82 49

HSL 98.18, 0.25%, 0.26%

LAB 32.37, -15.12, 16.82

 

CMYK 25 / 0 / 40 / 58

HEX #516C41

RGB 81 108 65

HSL 97.67, 0.25%, 0.34%

LAB 42.55, -18.61, 20.93

 

CMYK 25 / 0 / 40 / 47

HEX #648650

RGB 100 134 80

HSL 97.78, 0.25%, 0.42%

LAB 52.22, -22.48, 25.29

 

CMYK 26 / 0 / 40 / 68

HEX #3D5231

RGB 61 82 49

HSL 98.18, 0.25%, 0.26%

LAB 32.37, -15.12, 16.82

 

CMYK 40 / 0 / 6 / 68

HEX #31524D

RGB 49 82 77

HSL 170.91, 0.25%, 0.26%

LAB 32.31, -13.4, -0.89

 

CMYK 0 / 40 / 9 / 68

HEX #52314B

RGB 82 49 75

HSL 312.73, 0.25%, 0.26%

LAB 25.26, 19.57, -9.81

 

CMYK 26 / 0 / 40 / 68

HEX #3D5231

RGB 61 82 49

HSL 98.18, 0.25%, 0.26%

LAB 32.37, -15.12, 16.82

 

CMYK 40 / 26 / 0 / 68

HEX #313D52

RGB 49 61 82

HSL 218.18, 0.25%, 0.26%

LAB 25.56, 1.17, -14.27

 

CMYK 0 / 40 / 26 / 68

HEX #52313D

RGB 82 49 61

HSL 338.18, 0.25%, 0.26%

LAB 24.73, 16.92, -1.23

 

CMYK 26 / 0 / 40 / 68

HEX #3D5231

RGB 61 82 49

HSL 98.18, 0.25%, 0.26%

LAB 32.37, -15.12, 16.82

 

CMYK 40 / 0 / 6 / 68

HEX #31524D

RGB 49 82 77

HSL 170.91, 0.25%, 0.26%

LAB 32.31, -13.4, -0.89

 

CMYK 15 / 40 / 0 / 68

HEX #463152

RGB 70 49 82

HSL 278.18, 0.25%, 0.26%

LAB 24.03, 16.64, -16.48

 

CMYK 0 / 40 / 33 / 68

HEX #523137

RGB 82 49 55

HSL 349.09, 0.25%, 0.26%

LAB 24.53, 15.92, 2.52

 

CMYK 26 / 0 / 40 / 68

HEX #3D5231

RGB 61 82 49

HSL 98.18, 0.25%, 0.26%

LAB 32.37, -15.12, 16.82

 

CMYK 40 / 5 / 0 / 68

HEX #314E52

RGB 49 78 82

HSL 187.27, 0.25%, 0.26%

LAB 31.14, -9.63, -5.81

 

CMYK 15 / 40 / 0 / 68

HEX #463152

RGB 70 49 82

HSL 278.18, 0.25%, 0.26%

LAB 24.03, 16.64, -16.48

 

CMYK 0 / 34 / 40 / 68

HEX #523631

RGB 82 54 49

HSL 9.09, 0.25%, 0.26%

LAB 25.73, 11.81, 8.22

 

Description

Color code: RGB 61 82 49 | qconv.com Color code: RGB 61 82 49 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 82 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 82 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 40 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 40% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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