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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61 92 49 it is the complementary color RGB 194 163 206. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61 92 49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 61 92 49 shade: RGB 66 92 44, RGB 83 110 63, RGB 100 128 82, RGB 117 146 101 and RGB 134 164 120

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61 92 49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 61 92 49 shade: RGB 61 92 49, RGB 44 74 30, RGB 27 56 11, RGB 10 38 0 and RGB 0 20 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 61 92 49 shade: RGB 61 92 49, RGB 73 92 49, RGB 85 92 49, RGB 92 89 49 and RGB 92 77 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 61 92 49 shade: RGB 61 92 49, RGB 50 92 49, RGB 49 92 61, RGB 49 92 72 and RGB 49 92 84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 61 92 49 shade matches the following richer shades: RGB 61 92 49, RGB 56 104 38, RGB 51 115 26, RGB 46 127 15 and RGB 41 139 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 61 92 49 shade: RGB 61 92 49, RGB 67 81 61, RGB 72 69 73, RGB 77 58 84 and RGB 82 46 96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 61 92 49 shade: RGB 84 92 49, RGB 73 92 49, RGB 62 92 49, RGB 50 92 49 and RGB 49 92 60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 61 92 49 shade: RGB 26 39 21, RGB 44 66 35, RGB 61 92 49, RGB 79 119 64 and RGB 97 146 78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 61 92 49 shade: RGB 61 92 49, RGB 49 92 89 and RGB 92 49 79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 61 92 49 shade: RGB 61 92 49, RGB 49 62 92 and RGB 92 49 62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 61 92 49 shade: RGB 61 92 49, RGB 49 92 89, RGB 80 49 92 and RGB 92 49 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 61 92 49 shade: RGB 61 92 49, RGB 49 83 92, RGB 80 49 92 and RGB 92 59 49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 47 / 64

HEX #3D5C31

RGB 61 92 49

HSL 103.26, 0.3%, 0.28%

LAB 35.73, -20.56, 21.16

 

Complementary color

CMYK 6 / 21 / 0 / 19

HEX #C2A3CE

RGB 194 163 206

HSL 283.26, 0.3%, 0.72%

LAB 70.95, 19.14, -17.68

 

CMYK 28 / 0 / 52 / 64

HEX #425C2C

RGB 66 92 44

HSL 92.5, 0.35%, 0.27%

LAB 35.97, -19.26, 24.39

 

CMYK 25 / 0 / 43 / 57

HEX #536E3F

RGB 83 110 63

HSL 94.47, 0.27%, 0.34%

LAB 43.29, -19.18, 23.06

 

CMYK 22 / 0 / 36 / 50

HEX #648052

RGB 100 128 82

HSL 96.52, 0.22%, 0.41%

LAB 50.4, -19.06, 21.79

 

CMYK 20 / 0 / 31 / 43

HEX #759265

RGB 117 146 101

HSL 98.67, 0.18%, 0.48%

LAB 57.35, -18.93, 20.61

 

CMYK 18 / 0 / 27 / 36

HEX #86A478

RGB 134 164 120

HSL 100.91, 0.19%, 0.56%

LAB 64.14, -18.8, 19.52

 

CMYK 34 / 0 / 47 / 64

HEX #3D5C31

RGB 61 92 49

HSL 103.26, 0.3%, 0.28%

LAB 35.73, -20.56, 21.16

 

CMYK 41 / 0 / 59 / 71

HEX #2C4A1E

RGB 44 74 30

HSL 100.91, 0.42%, 0.2%

LAB 28.19, -20.67, 22.56

 

CMYK 52 / 0 / 80 / 78

HEX #1B380B

RGB 27 56 11

HSL 98.67, 0.67%, 0.13%

LAB 20.38, -20.5, 23.55

 

CMYK 74 / 0 / 100 / 85

HEX #0A2600

RGB 10 38 0

HSL 104.21, 1%, 0.07%

LAB 12.29, -19.46, 17.8

 

CMYK 100 / 0 / 100 / 92

HEX #001400

RGB 0 20 0

HSL 120, 1%, 0.04%

LAB 4.52, -9.23, 6.6

 

CMYK 34 / 0 / 47 / 64

HEX #3D5C31

RGB 61 92 49

HSL 103.26, 0.3%, 0.28%

LAB 35.73, -20.56, 21.16

 

CMYK 21 / 0 / 47 / 64

HEX #495C31

RGB 73 92 49

HSL 86.51, 0.3%, 0.28%

LAB 36.54, -15.61, 22.36

 

CMYK 8 / 0 / 47 / 64

HEX #555C31

RGB 85 92 49

HSL 69.77, 0.3%, 0.28%

LAB 37.49, -10.3, 23.75

 

CMYK 0 / 3 / 47 / 64

HEX #5C5931

RGB 92 89 49

HSL 55.81, 0.3%, 0.28%

LAB 37.19, -5.33, 23.51

 

CMYK 0 / 16 / 47 / 64

HEX #5C4D31

RGB 92 77 49

HSL 39.07, 0.3%, 0.28%

LAB 33.57, 1.94, 18.93

 

CMYK 34 / 0 / 47 / 64

HEX #3D5C31

RGB 61 92 49

HSL 103.26, 0.3%, 0.28%

LAB 35.73, -20.56, 21.16

 

CMYK 46 / 0 / 47 / 64

HEX #325C31

RGB 50 92 49

HSL 118.6, 0.3%, 0.28%

LAB 35.11, -24.63, 20.24

 

CMYK 47 / 0 / 34 / 64

HEX #315C3D

RGB 49 92 61

HSL 136.74, 0.3%, 0.28%

LAB 35.29, -22.7, 13.31

 

CMYK 47 / 0 / 22 / 64

HEX #315C48

RGB 49 92 72

HSL 152.09, 0.3%, 0.28%

LAB 35.55, -20.23, 6.91

 

CMYK 47 / 0 / 9 / 64

HEX #315C54

RGB 49 92 84

HSL 168.84, 0.3%, 0.28%

LAB 35.88, -17.15, -0.06

 

CMYK 34 / 0 / 47 / 64

HEX #3D5C31

RGB 61 92 49

HSL 103.26, 0.3%, 0.28%

LAB 35.73, -20.56, 21.16

 

CMYK 46 / 0 / 63 / 59

HEX #386826

RGB 56 104 38

HSL 103.64, 0.46%, 0.28%

LAB 39.38, -29.81, 31.48

 

CMYK 56 / 0 / 77 / 55

HEX #33731A

RGB 51 115 26

HSL 103.15, 0.63%, 0.28%

LAB 42.82, -37.36, 40.42

 

CMYK 64 / 0 / 88 / 50

HEX #2E7F0F

RGB 46 127 15

HSL 103.39, 0.79%, 0.28%

LAB 46.7, -44.06, 47.46

 

CMYK 71 / 0 / 98 / 45

HEX #298B03

RGB 41 139 3

HSL 103.24, 0.96%, 0.28%

LAB 50.62, -49.84, 53.1

 

CMYK 34 / 0 / 47 / 64

HEX #3D5C31

RGB 61 92 49

HSL 103.26, 0.3%, 0.28%

LAB 35.73, -20.56, 21.16

 

CMYK 17 / 0 / 25 / 68

HEX #43513D

RGB 67 81 61

HSL 102, 0.14%, 0.28%

LAB 32.73, -9.88, 9.98

 

CMYK 1 / 5 / 0 / 71

HEX #484549

RGB 72 69 73

HSL 285, 0.03%, 0.28%

LAB 29.7, 2.14, -1.96

 

CMYK 8 / 31 / 0 / 67

HEX #4D3A54

RGB 77 58 84

HSL 283.85, 0.18%, 0.28%

LAB 27.42, 13.84, -12.5

 

CMYK 15 / 52 / 0 / 62

HEX #522E60

RGB 82 46 96

HSL 283.2, 0.35%, 0.28%

LAB 25.54, 26.13, -23.21

 

CMYK 9 / 0 / 47 / 64

HEX #545C31

RGB 84 92 49

HSL 71.16, 0.3%, 0.28%

LAB 37.41, -10.75, 23.63

 

CMYK 21 / 0 / 47 / 64

HEX #495C31

RGB 73 92 49

HSL 86.51, 0.3%, 0.28%

LAB 36.54, -15.61, 22.36

 

CMYK 33 / 0 / 47 / 64

HEX #3E5C31

RGB 62 92 49

HSL 101.86, 0.3%, 0.28%

LAB 35.79, -20.16, 21.25

 

CMYK 46 / 0 / 47 / 64

HEX #325C31

RGB 50 92 49

HSL 118.6, 0.3%, 0.28%

LAB 35.11, -24.63, 20.24

 

CMYK 47 / 0 / 35 / 64

HEX #315C3C

RGB 49 92 60

HSL 135.35, 0.3%, 0.28%

LAB 35.27, -22.91, 13.89

 

CMYK 33 / 0 / 46 / 85

HEX #1A2715

RGB 26 39 21

HSL 103.33, 0.3%, 0.12%

LAB 13.97, -10.02, 10.15

 

CMYK 33 / 0 / 47 / 74

HEX #2C4223

RGB 44 66 35

HSL 102.58, 0.31%, 0.2%

LAB 25.42, -15.59, 16.17

 

CMYK 34 / 0 / 47 / 64

HEX #3D5C31

RGB 61 92 49

HSL 103.26, 0.3%, 0.28%

LAB 35.73, -20.56, 21.16

 

CMYK 34 / 0 / 46 / 53

HEX #4F7740

RGB 79 119 64

HSL 103.64, 0.3%, 0.36%

LAB 45.94, -25.22, 25.83

 

CMYK 34 / 0 / 47 / 43

HEX #61924E

RGB 97 146 78

HSL 103.24, 0.3%, 0.44%

LAB 55.73, -29.81, 30.82

 

CMYK 34 / 0 / 47 / 64

HEX #3D5C31

RGB 61 92 49

HSL 103.26, 0.3%, 0.28%

LAB 35.73, -20.56, 21.16

 

CMYK 47 / 0 / 3 / 64

HEX #315C59

RGB 49 92 89

HSL 175.81, 0.3%, 0.28%

LAB 36.04, -15.76, -2.94

 

CMYK 0 / 47 / 14 / 64

HEX #5C314F

RGB 92 49 79

HSL 318.14, 0.3%, 0.28%

LAB 26.84, 24.17, -9.92

 

CMYK 34 / 0 / 47 / 64

HEX #3D5C31

RGB 61 92 49

HSL 103.26, 0.3%, 0.28%

LAB 35.73, -20.56, 21.16

 

CMYK 47 / 33 / 0 / 64

HEX #313E5C

RGB 49 62 92

HSL 221.86, 0.3%, 0.28%

LAB 26.36, 3.75, -19.56

 

CMYK 0 / 47 / 33 / 64

HEX #5C313E

RGB 92 49 62

HSL 341.86, 0.3%, 0.28%

LAB 26.21, 21.26, 0.45

 

CMYK 34 / 0 / 47 / 64

HEX #3D5C31

RGB 61 92 49

HSL 103.26, 0.3%, 0.28%

LAB 35.73, -20.56, 21.16

 

CMYK 47 / 0 / 3 / 64

HEX #315C59

RGB 49 92 89

HSL 175.81, 0.3%, 0.28%

LAB 36.04, -15.76, -2.94

 

CMYK 13 / 47 / 0 / 64

HEX #50315C

RGB 80 49 92

HSL 283.26, 0.3%, 0.28%

LAB 25.79, 22.64, -20.23

 

CMYK 0 / 47 / 42 / 64

HEX #5C3135

RGB 92 49 53

HSL 354.42, 0.3%, 0.28%

LAB 25.95, 19.97, 6.08

 

CMYK 34 / 0 / 47 / 64

HEX #3D5C31

RGB 61 92 49

HSL 103.26, 0.3%, 0.28%

LAB 35.73, -20.56, 21.16

 

CMYK 47 / 10 / 0 / 64

HEX #31535C

RGB 49 83 92

HSL 192.56, 0.3%, 0.28%

LAB 33.16, -9.64, -9.12

 

CMYK 13 / 47 / 0 / 64

HEX #50315C

RGB 80 49 92

HSL 283.26, 0.3%, 0.28%

LAB 25.79, 22.64, -20.23

 

CMYK 0 / 36 / 47 / 64

HEX #5C3B31

RGB 92 59 49

HSL 13.95, 0.3%, 0.28%

LAB 28.45, 13.23, 12.16

 

Description

Color code: RGB 61 92 49 | qconv.com Color code: RGB 61 92 49 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 92 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 92 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 47 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 47% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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