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Color name
RGB 61 120 89

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61 120 89 it is the complementary color RGB 194 135 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61 120 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 61 120 89 shade: RGB 66 120 84, RGB 83 138 103, RGB 100 156 122, RGB 117 174 141 and RGB 134 192 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61 120 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 61 120 89 shade: RGB 61 120 89, RGB 44 102 70, RGB 27 84 51, RGB 10 66 32 and RGB 0 48 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 61 120 89 shade: RGB 59 118 87, RGB 59 118 71, RGB 63 118 59, RGB 79 118 59 and RGB 95 118 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 61 120 89 shade: RGB 59 118 87, RGB 59 118 103, RGB 59 117 118, RGB 59 102 118 and RGB 59 86 118

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 61 120 89 shade matches the following richer shades: RGB 59 118 87, RGB 45 133 87, RGB 30 147 86, RGB 16 162 85 and RGB 2 176 84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 61 120 89 shade: RGB 59 118 87, RGB 74 104 88, RGB 88 89 89, RGB 103 75 89 and RGB 117 60 90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 61 120 89 shade: RGB 63 118 59, RGB 59 118 71, RGB 59 118 87, RGB 59 118 102 and RGB 59 118 118

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 61 120 89 shade: RGB 32 63 47, RGB 45 91 67, RGB 59 118 87, RGB 73 146 108 and RGB 89 171 128

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 61 120 89 shade: RGB 61 120 89, RGB 59 79 118 and RGB 118 63 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 61 120 89 shade: RGB 61 120 89, RGB 87 59 118 and RGB 118 87 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 61 120 89 shade: RGB 61 120 89, RGB 59 79 118, RGB 118 59 91 and RGB 118 99 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 61 120 89 shade: RGB 61 120 89, RGB 59 61 118, RGB 118 59 91 and RGB 118 116 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 26 / 53

HEX #3D7859

RGB 61 120 89

HSL 148.47, 0.33%, 0.35%

LAB 45.83, -27.04, 11.19

 

Complementary color

CMYK 0 / 30 / 14 / 24

HEX #C287A6

RGB 194 135 166

HSL 328.47, 0.33%, 0.65%

LAB 62.97, 27.29, -7.29

 

CMYK 45 / 0 / 30 / 53

HEX #427854

RGB 66 120 84

HSL 140, 0.29%, 0.36%

LAB 45.95, -26.63, 14.31

 

CMYK 40 / 0 / 25 / 46

HEX #538A67

RGB 83 138 103

HSL 141.82, 0.25%, 0.43%

LAB 52.94, -26.35, 13.14

 

CMYK 36 / 0 / 22 / 39

HEX #649C7A

RGB 100 156 122

HSL 143.57, 0.22%, 0.5%

LAB 59.79, -26.07, 12.07

 

CMYK 33 / 0 / 19 / 32

HEX #75AE8D

RGB 117 174 141

HSL 145.26, 0.26%, 0.57%

LAB 66.5, -25.8, 11.09

 

CMYK 30 / 0 / 17 / 25

HEX #86C0A0

RGB 134 192 160

HSL 146.9, 0.32%, 0.64%

LAB 73.09, -25.55, 10.18

 

CMYK 49 / 0 / 26 / 53

HEX #3D7859

RGB 61 120 89

HSL 148.47, 0.33%, 0.35%

LAB 45.83, -27.04, 11.19

 

CMYK 57 / 0 / 31 / 60

HEX #2C6646

RGB 44 102 70

HSL 146.9, 0.4%, 0.29%

LAB 38.69, -27.2, 12.48

 

CMYK 68 / 0 / 39 / 67

HEX #1B5433

RGB 27 84 51

HSL 145.26, 0.51%, 0.22%

LAB 31.38, -27.16, 13.98

 

CMYK 85 / 0 / 52 / 74

HEX #0A4220

RGB 10 66 32

HSL 143.57, 0.74%, 0.15%

LAB 23.89, -26.59, 15.75

 

CMYK 100 / 0 / 73 / 81

HEX #00300D

RGB 0 48 13

HSL 136.25, 1%, 0.09%

LAB 16.22, -24.78, 17.45

 

CMYK 50 / 0 / 26 / 54

HEX #3B7657

RGB 59 118 87

HSL 148.47, 0.33%, 0.35%

LAB 45.05, -27.07, 11.26

 

CMYK 50 / 0 / 40 / 54

HEX #3B7647

RGB 59 118 71

HSL 132.2, 0.33%, 0.35%

LAB 44.72, -30.34, 20.12

 

CMYK 47 / 0 / 50 / 54

HEX #3F763B

RGB 63 118 59

HSL 115.93, 0.33%, 0.35%

LAB 44.7, -31.1, 26.85

 

CMYK 33 / 0 / 50 / 54

HEX #4F763B

RGB 79 118 59

HSL 99.66, 0.33%, 0.35%

LAB 45.54, -25.43, 28.08

 

CMYK 19 / 0 / 50 / 54

HEX #5F763B

RGB 95 118 59

HSL 83.39, 0.33%, 0.35%

LAB 46.59, -19.02, 29.59

 

CMYK 50 / 0 / 26 / 54

HEX #3B7657

RGB 59 118 87

HSL 148.47, 0.33%, 0.35%

LAB 45.05, -27.07, 11.26

 

CMYK 50 / 0 / 13 / 54

HEX #3B7667

RGB 59 118 103

HSL 164.75, 0.33%, 0.35%

LAB 45.45, -23.22, 2.34

 

CMYK 50 / 1 / 0 / 54

HEX #3B7576

RGB 59 117 118

HSL 181.02, 0.33%, 0.35%

LAB 45.58, -18.6, -6.42

 

CMYK 50 / 14 / 0 / 54

HEX #3B6676

RGB 59 102 118

HSL 196.27, 0.33%, 0.35%

LAB 40.8, -10.17, -13.61

 

CMYK 50 / 27 / 0 / 54

HEX #3B5676

RGB 59 86 118

HSL 212.54, 0.33%, 0.35%

LAB 35.78, -0.45, -21.33

 

CMYK 50 / 0 / 26 / 54

HEX #3B7657

RGB 59 118 87

HSL 148.47, 0.33%, 0.35%

LAB 45.05, -27.07, 11.26

 

CMYK 66 / 0 / 35 / 48

HEX #2D8557

RGB 45 133 87

HSL 148.64, 0.49%, 0.35%

LAB 49.52, -37.36, 17.33

 

CMYK 80 / 0 / 41 / 42

HEX #1E9356

RGB 30 147 86

HSL 148.72, 0.66%, 0.35%

LAB 53.83, -45.72, 23.59

 

CMYK 90 / 0 / 48 / 36

HEX #10A255

RGB 16 162 85

HSL 148.36, 0.82%, 0.35%

LAB 58.61, -52.75, 30.28

 

CMYK 99 / 0 / 52 / 31

HEX #02B054

RGB 2 176 84

HSL 148.28, 0.98%, 0.35%

LAB 63.1, -58.39, 36.39

 

CMYK 50 / 0 / 26 / 54

HEX #3B7657

RGB 59 118 87

HSL 148.47, 0.33%, 0.35%

LAB 45.05, -27.07, 11.26

 

CMYK 29 / 0 / 15 / 59

HEX #4A6858

RGB 74 104 88

HSL 148, 0.17%, 0.35%

LAB 41.31, -14.71, 5.5

 

CMYK 1 / 0 / 0 / 65

HEX #585959

RGB 88 89 89

HSL 180, 0.01%, 0.35%

LAB 37.74, -0.4, -0.14

 

CMYK 0 / 27 / 14 / 60

HEX #674B59

RGB 103 75 89

HSL 330, 0.16%, 0.35%

LAB 35.28, 14.34, -3.59

 

CMYK 0 / 49 / 23 / 54

HEX #753C5A

RGB 117 60 90

HSL 328.42, 0.32%, 0.35%

LAB 33.46, 28.97, -6.73

 

CMYK 47 / 0 / 50 / 54

HEX #3F763B

RGB 63 118 59

HSL 115.93, 0.33%, 0.35%

LAB 44.7, -31.1, 26.85

 

CMYK 50 / 0 / 40 / 54

HEX #3B7647

RGB 59 118 71

HSL 132.2, 0.33%, 0.35%

LAB 44.72, -30.34, 20.12

 

CMYK 50 / 0 / 26 / 54

HEX #3B7657

RGB 59 118 87

HSL 148.47, 0.33%, 0.35%

LAB 45.05, -27.07, 11.26

 

CMYK 50 / 0 / 14 / 54

HEX #3B7666

RGB 59 118 102

HSL 163.73, 0.33%, 0.35%

LAB 45.42, -23.47, 2.9

 

CMYK 50 / 0 / 0 / 54

HEX #3B7676

RGB 59 118 118

HSL 180, 0.33%, 0.35%

LAB 45.9, -19.14, -5.94

 

CMYK 49 / 0 / 25 / 75

HEX #203F2F

RGB 32 63 47

HSL 149.03, 0.33%, 0.19%

LAB 23.89, -15.96, 6.28

 

CMYK 51 / 0 / 26 / 64

HEX #2D5B43

RGB 45 91 67

HSL 148.7, 0.34%, 0.27%

LAB 34.89, -22.11, 9.05

 

CMYK 50 / 0 / 26 / 54

HEX #3B7657

RGB 59 118 87

HSL 148.47, 0.33%, 0.35%

LAB 45.05, -27.07, 11.26

 

CMYK 50 / 0 / 26 / 43

HEX #49926C

RGB 73 146 108

HSL 148.77, 0.33%, 0.43%

LAB 55.13, -32.06, 13.26

 

CMYK 48 / 0 / 25 / 33

HEX #59AB80

RGB 89 171 128

HSL 148.54, 0.33%, 0.51%

LAB 64.01, -35.19, 14.56

 

CMYK 49 / 0 / 26 / 53

HEX #3D7859

RGB 61 120 89

HSL 148.47, 0.33%, 0.35%

LAB 45.83, -27.04, 11.19

 

CMYK 50 / 33 / 0 / 54

HEX #3B4F76

RGB 59 79 118

HSL 219.66, 0.33%, 0.35%

LAB 33.63, 4.02, -24.68

 

CMYK 0 / 47 / 50 / 54

HEX #763F3B

RGB 118 63 59

HSL 4.07, 0.33%, 0.35%

LAB 33.4, 23.42, 13.08

 

CMYK 49 / 0 / 26 / 53

HEX #3D7859

RGB 61 120 89

HSL 148.47, 0.33%, 0.35%

LAB 45.83, -27.04, 11.19

 

CMYK 26 / 50 / 0 / 54

HEX #573B76

RGB 87 59 118

HSL 268.47, 0.33%, 0.35%

LAB 30.55, 25.25, -29.35

 

CMYK 0 / 26 / 50 / 54

HEX #76573B

RGB 118 87 59

HSL 28.47, 0.33%, 0.35%

LAB 39.55, 9.05, 21.22

 

CMYK 49 / 0 / 26 / 53

HEX #3D7859

RGB 61 120 89

HSL 148.47, 0.33%, 0.35%

LAB 45.83, -27.04, 11.19

 

CMYK 50 / 33 / 0 / 54

HEX #3B4F76

RGB 59 79 118

HSL 219.66, 0.33%, 0.35%

LAB 33.63, 4.02, -24.68

 

CMYK 0 / 50 / 23 / 54

HEX #763B5B

RGB 118 59 91

HSL 327.46, 0.33%, 0.35%

LAB 33.42, 30.06, -7.41

 

CMYK 0 / 16 / 50 / 54

HEX #76633B

RGB 118 99 59

HSL 40.68, 0.33%, 0.35%

LAB 42.9, 1.89, 25.47

 

CMYK 49 / 0 / 26 / 53

HEX #3D7859

RGB 61 120 89

HSL 148.47, 0.33%, 0.35%

LAB 45.83, -27.04, 11.19

 

CMYK 50 / 48 / 0 / 54

HEX #3B3D76

RGB 59 61 118

HSL 237.97, 0.33%, 0.35%

LAB 28.31, 15.97, -33.08

 

CMYK 0 / 50 / 23 / 54

HEX #763B5B

RGB 118 59 91

HSL 327.46, 0.33%, 0.35%

LAB 33.42, 30.06, -7.41

 

CMYK 0 / 2 / 50 / 54

HEX #76743B

RGB 118 116 59

HSL 57.97, 0.33%, 0.35%

LAB 47.83, -7.91, 31.53

 

Description

Color code: RGB 61 120 89 | qconv.com Color code: RGB 61 120 89 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 120 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 120 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 26 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 26% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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