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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61 183 112 it is the complementary color RGB 194 72 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61 183 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 61 183 112 shade: RGB 66 183 107, RGB 83 201 126, RGB 100 219 145, RGB 117 237 164 and RGB 134 255 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61 183 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 61 183 112 shade: RGB 61 183 112, RGB 44 165 93, RGB 27 147 74, RGB 10 129 55 and RGB 0 111 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 61 183 112 shade: RGB 61 183 112, RGB 61 183 79, RGB 76 183 61, RGB 109 183 61 and RGB 142 183 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 61 183 112 shade: RGB 61 183 112, RGB 61 183 145, RGB 61 183 178, RGB 61 155 183 and RGB 61 122 183

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 61 183 112 shade matches the following richer shades: RGB 61 183 112, RGB 41 203 109, RGB 21 223 105 and RGB 1 243 102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 61 183 112 shade: RGB 61 183 112, RGB 81 163 115, RGB 100 143 118, RGB 120 124 122 and RGB 140 104 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 61 183 112 shade: RGB 75 183 61, RGB 61 183 79, RGB 61 183 112, RGB 61 183 144 and RGB 61 183 177

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 61 183 112 shade: RGB 40 121 74, RGB 50 152 93, RGB 61 183 112, RGB 87 199 133 and RGB 117 209 156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 61 183 112 shade: RGB 61 183 112, RGB 61 108 183 and RGB 183 63 61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 61 183 112 shade: RGB 61 183 112, RGB 112 61 183 and RGB 183 112 61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 61 183 112 shade: RGB 61 183 112, RGB 61 108 183, RGB 183 61 132 and RGB 183 136 61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 61 183 112 shade: RGB 61 183 112, RGB 61 71 183, RGB 183 61 132 and RGB 183 173 61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 39 / 28

HEX #3DB770

RGB 61 183 112

HSL 145.08, 0.5%, 0.48%

LAB 66.54, -49.8, 26.51

 

Complementary color

CMYK 0 / 63 / 26 / 24

HEX #C2488F

RGB 194 72 143

HSL 325.08, 0.5%, 0.52%

LAB 49.6, 55.85, -13.96

 

CMYK 64 / 0 / 42 / 28

HEX #42B76B

RGB 66 183 107

HSL 141.03, 0.47%, 0.49%

LAB 66.59, -49.75, 29.22

 

CMYK 59 / 0 / 37 / 21

HEX #53C97E

RGB 83 201 126

HSL 141.86, 0.52%, 0.56%

LAB 72.97, -49.93, 27.81

 

CMYK 54 / 0 / 34 / 14

HEX #64DB91

RGB 100 219 145

HSL 142.69, 0.62%, 0.63%

LAB 79.28, -49.94, 26.49

 

CMYK 51 / 0 / 31 / 7

HEX #75EDA4

RGB 117 237 164

HSL 143.5, 0.77%, 0.69%

LAB 85.52, -49.86, 25.26

 

CMYK 47 / 0 / 28 / 0

HEX #86FFB7

RGB 134 255 183

HSL 144.3, 1%, 0.76%

LAB 91.69, -49.7, 24.11

 

CMYK 67 / 0 / 39 / 28

HEX #3DB770

RGB 61 183 112

HSL 145.08, 0.5%, 0.48%

LAB 66.54, -49.8, 26.51

 

CMYK 73 / 0 / 44 / 35

HEX #2CA55D

RGB 44 165 93

HSL 144.3, 0.58%, 0.41%

LAB 60.1, -49.27, 28.06

 

CMYK 82 / 0 / 50 / 42

HEX #1B934A

RGB 27 147 74

HSL 143.5, 0.69%, 0.34%

LAB 53.59, -48.3, 29.73

 

CMYK 92 / 0 / 57 / 49

HEX #0A8137

RGB 10 129 55

HSL 142.69, 0.86%, 0.27%

LAB 47.03, -46.64, 31.5

 

CMYK 100 / 0 / 68 / 56

HEX #006F24

RGB 0 111 36

HSL 139.46, 1%, 0.22%

LAB 40.4, -44, 33.23

 

CMYK 67 / 0 / 39 / 28

HEX #3DB770

RGB 61 183 112

HSL 145.08, 0.5%, 0.48%

LAB 66.54, -49.8, 26.51

 

CMYK 67 / 0 / 57 / 28

HEX #3DB74F

RGB 61 183 79

HSL 128.85, 0.5%, 0.48%

LAB 66.08, -55.06, 42.61

 

CMYK 58 / 0 / 67 / 28

HEX #4CB73D

RGB 76 183 61

HSL 112.62, 0.5%, 0.48%

LAB 66.32, -53.73, 51.04

 

CMYK 40 / 0 / 67 / 28

HEX #6DB73D

RGB 109 183 61

HSL 96.39, 0.5%, 0.48%

LAB 67.62, -44.03, 52.82

 

CMYK 22 / 0 / 67 / 28

HEX #8EB73D

RGB 142 183 61

HSL 80.16, 0.5%, 0.48%

LAB 69.44, -31.92, 55.29

 

CMYK 67 / 0 / 39 / 28

HEX #3DB770

RGB 61 183 112

HSL 145.08, 0.5%, 0.48%

LAB 66.54, -49.8, 26.51

 

CMYK 67 / 0 / 21 / 28

HEX #3DB791

RGB 61 183 145

HSL 161.31, 0.5%, 0.48%

LAB 67.2, -42.75, 9.59

 

CMYK 67 / 0 / 3 / 28

HEX #3DB7B2

RGB 61 183 178

HSL 177.54, 0.5%, 0.48%

LAB 68.07, -34.14, -7.31

 

CMYK 67 / 15 / 0 / 28

HEX #3D9BB7

RGB 61 155 183

HSL 193.77, 0.5%, 0.48%

LAB 59.76, -18.65, -22.66

 

CMYK 67 / 33 / 0 / 28

HEX #3D7AB7

RGB 61 122 183

HSL 210, 0.5%, 0.48%

LAB 49.89, 0.05, -37.99

 

CMYK 67 / 0 / 39 / 28

HEX #3DB770

RGB 61 183 112

HSL 145.08, 0.5%, 0.48%

LAB 66.54, -49.8, 26.51

 

CMYK 80 / 0 / 46 / 20

HEX #29CB6D

RGB 41 203 109

HSL 145.19, 0.66%, 0.48%

LAB 72.42, -60.63, 35.63

 

CMYK 91 / 0 / 53 / 13

HEX #15DF69

RGB 21 223 105

HSL 144.95, 0.83%, 0.48%

LAB 78.44, -69.49, 45.04

 

CMYK 100 / 0 / 58 / 5

HEX #01F366

RGB 1 243 102

HSL 145.04, 0.99%, 0.48%

LAB 84.52, -76.73, 53.66

 

CMYK 67 / 0 / 39 / 28

HEX #3DB770

RGB 61 183 112

HSL 145.08, 0.5%, 0.48%

LAB 66.54, -49.8, 26.51

 

CMYK 50 / 0 / 29 / 36

HEX #51A373

RGB 81 163 115

HSL 144.88, 0.34%, 0.48%

LAB 60.94, -36.32, 17.44

 

CMYK 30 / 0 / 17 / 44

HEX #648F76

RGB 100 143 118

HSL 145.12, 0.18%, 0.48%

LAB 55.75, -20.29, 8.63

 

CMYK 3 / 0 / 2 / 51

HEX #787C7A

RGB 120 124 122

HSL 150, 0.02%, 0.48%

LAB 51.63, -1.9, 0.56

 

CMYK 0 / 26 / 11 / 45

HEX #8C687D

RGB 140 104 125

HSL 325, 0.15%, 0.48%

LAB 48.21, 17.98, -6.03

 

CMYK 59 / 0 / 67 / 28

HEX #4BB73D

RGB 75 183 61

HSL 113.11, 0.5%, 0.48%

LAB 66.29, -53.98, 51

 

CMYK 67 / 0 / 57 / 28

HEX #3DB74F

RGB 61 183 79

HSL 128.85, 0.5%, 0.48%

LAB 66.08, -55.06, 42.61

 

CMYK 67 / 0 / 39 / 28

HEX #3DB770

RGB 61 183 112

HSL 145.08, 0.5%, 0.48%

LAB 66.54, -49.8, 26.51

 

CMYK 67 / 0 / 21 / 28

HEX #3DB790

RGB 61 183 144

HSL 160.82, 0.5%, 0.48%

LAB 67.18, -42.99, 10.11

 

CMYK 67 / 0 / 3 / 28

HEX #3DB7B1

RGB 61 183 177

HSL 177.05, 0.5%, 0.48%

LAB 68.05, -34.42, -6.8

 

CMYK 67 / 0 / 39 / 53

HEX #28794A

RGB 40 121 74

HSL 145.19, 0.5%, 0.32%

LAB 45.11, -35.94, 18.8

 

CMYK 67 / 0 / 39 / 40

HEX #32985D

RGB 50 152 93

HSL 145.29, 0.5%, 0.4%

LAB 56.01, -43.11, 22.72

 

CMYK 67 / 0 / 39 / 28

HEX #3DB770

RGB 61 183 112

HSL 145.08, 0.5%, 0.48%

LAB 66.54, -49.8, 26.51

 

CMYK 56 / 0 / 33 / 22

HEX #57C785

RGB 87 199 133

HSL 144.64, 0.5%, 0.56%

LAB 72.61, -46.92, 23.67

 

CMYK 44 / 0 / 25 / 18

HEX #75D19C

RGB 117 209 156

HSL 145.43, 0.5%, 0.64%

LAB 77.15, -39.29, 17.91

 

CMYK 67 / 0 / 39 / 28

HEX #3DB770

RGB 61 183 112

HSL 145.08, 0.5%, 0.48%

LAB 66.54, -49.8, 26.51

 

CMYK 67 / 41 / 0 / 28

HEX #3D6CB7

RGB 61 108 183

HSL 216.89, 0.5%, 0.48%

LAB 45.82, 8.65, -44.44

 

CMYK 0 / 66 / 67 / 28

HEX #B73F3D

RGB 183 63 61

HSL 0.98, 0.5%, 0.48%

LAB 44.17, 48.31, 27.89

 

CMYK 67 / 0 / 39 / 28

HEX #3DB770

RGB 61 183 112

HSL 145.08, 0.5%, 0.48%

LAB 66.54, -49.8, 26.51

 

CMYK 39 / 67 / 0 / 28

HEX #703DB7

RGB 112 61 183

HSL 265.08, 0.5%, 0.48%

LAB 38.2, 47.52, -56.49

 

CMYK 0 / 39 / 67 / 28

HEX #B7703D

RGB 183 112 61

HSL 25.08, 0.5%, 0.48%

LAB 54.02, 23.45, 39.54

 

CMYK 67 / 0 / 39 / 28

HEX #3DB770

RGB 61 183 112

HSL 145.08, 0.5%, 0.48%

LAB 66.54, -49.8, 26.51

 

CMYK 67 / 41 / 0 / 28

HEX #3D6CB7

RGB 61 108 183

HSL 216.89, 0.5%, 0.48%

LAB 45.82, 8.65, -44.44

 

CMYK 0 / 67 / 28 / 28

HEX #B73D84

RGB 183 61 132

HSL 325.08, 0.5%, 0.48%

LAB 45.73, 55.82, -13.37

 

CMYK 0 / 26 / 67 / 28

HEX #B7883D

RGB 183 136 61

HSL 36.89, 0.5%, 0.48%

LAB 59.9, 10.13, 46.11

 

CMYK 67 / 0 / 39 / 28

HEX #3DB770

RGB 61 183 112

HSL 145.08, 0.5%, 0.48%

LAB 66.54, -49.8, 26.51

 

CMYK 67 / 61 / 0 / 28

HEX #3D47B7

RGB 61 71 183

HSL 235.08, 0.5%, 0.48%

LAB 35.82, 32.4, -60.55

 

CMYK 0 / 67 / 28 / 28

HEX #B73D84

RGB 183 61 132

HSL 325.08, 0.5%, 0.48%

LAB 45.73, 55.82, -13.37

 

CMYK 0 / 5 / 67 / 28

HEX #B7AD3D

RGB 183 173 61

HSL 55.08, 0.5%, 0.48%

LAB 69.68, -9.84, 56.5

 

Description

Color code: RGB 61 183 112 | qconv.com Color code: RGB 61 183 112 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 183 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 183 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 39 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 39% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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