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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61 215 193 it is the complementary color RGB 194 40 62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61 215 193. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 61 215 193 shade: RGB 66 215 188, RGB 83 233 207, RGB 100 251 226, RGB 117 255 245 and RGB 134 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61 215 193. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 61 215 193 shade: RGB 61 215 193, RGB 44 197 174, RGB 27 179 155, RGB 10 161 136 and RGB 0 143 117

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 61 215 193 shade: RGB 60 215 193, RGB 60 215 151, RGB 60 215 109, RGB 60 215 67 and RGB 94 215 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 61 215 193 shade: RGB 60 215 193, RGB 60 195 215, RGB 60 153 215, RGB 60 111 215 and RGB 60 70 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 61 215 193 shade matches the following richer shades: RGB 60 215 193, RGB 41 234 206 and RGB 22 253 220

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 61 215 193 shade: RGB 60 215 193, RGB 79 196 179, RGB 98 177 165, RGB 117 158 152 and RGB 136 139 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 61 215 193 shade: RGB 60 215 109, RGB 60 215 150, RGB 60 215 191, RGB 60 197 215 and RGB 60 155 215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 61 215 193 shade: RGB 32 160 141, RGB 39 194 172, RGB 60 215 193, RGB 94 222 203 and RGB 128 229 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 61 215 193 shade: RGB 61 215 193, RGB 68 60 215 and RGB 215 129 60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 61 215 193 shade: RGB 61 215 193, RGB 191 60 215 and RGB 215 191 60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 61 215 193 shade: RGB 61 215 193, RGB 68 60 215, RGB 215 60 83 and RGB 207 215 60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 61 215 193 shade: RGB 61 215 193, RGB 114 60 215, RGB 215 60 83 and RGB 160 215 60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 10 / 16

HEX #3DD7C1

RGB 61 215 193

HSL 171.43, 0.66%, 0.54%

LAB 78.14, -44.5, -0.64

 

Complementary color

CMYK 0 / 79 / 68 / 24

HEX #C2283E

RGB 194 40 62

HSL 351.43, 0.66%, 0.46%

LAB 43.26, 60.04, 26.61

 

CMYK 69 / 0 / 13 / 16

HEX #42D7BC

RGB 66 215 188

HSL 169.13, 0.65%, 0.55%

LAB 78.1, -45.12, 2

 

CMYK 64 / 0 / 11 / 9

HEX #53E9CF

RGB 83 233 207

HSL 169.6, 0.77%, 0.62%

LAB 84.29, -45.58, 0.97

 

CMYK 60 / 0 / 10 / 2

HEX #64FBE2

RGB 100 251 226

HSL 170.07, 0.95%, 0.69%

LAB 90.41, -45.89, 0.01

 

CMYK 54 / 0 / 4 / 0

HEX #75FFF5

RGB 117 255 245

HSL 175.65, 1%, 0.73%

LAB 92.53, -39.89, -6.67

 

CMYK 47 / 0 / 0 / 0

HEX #86FFFF

RGB 134 255 255

HSL 180, 1%, 0.76%

LAB 93.37, -33.98, -10.54

 

CMYK 72 / 0 / 10 / 16

HEX #3DD7C1

RGB 61 215 193

HSL 171.43, 0.66%, 0.54%

LAB 78.14, -44.5, -0.64

 

CMYK 78 / 0 / 12 / 23

HEX #2CC5AE

RGB 44 197 174

HSL 170.98, 0.63%, 0.47%

LAB 71.91, -43.69, 0.49

 

CMYK 85 / 0 / 13 / 30

HEX #1BB39B

RGB 27 179 155

HSL 170.53, 0.74%, 0.4%

LAB 65.62, -42.58, 1.73

 

CMYK 94 / 0 / 16 / 37

HEX #0AA188

RGB 10 161 136

HSL 170.07, 0.88%, 0.34%

LAB 59.28, -41.05, 3.13

 

CMYK 100 / 0 / 18 / 44

HEX #008F75

RGB 0 143 117

HSL 169.09, 1%, 0.28%

LAB 52.87, -39.03, 4.71

 

CMYK 72 / 0 / 10 / 16

HEX #3CD7C1

RGB 60 215 193

HSL 171.48, 0.66%, 0.54%

LAB 78.12, -44.62, -0.67

 

CMYK 72 / 0 / 30 / 16

HEX #3CD797

RGB 60 215 151

HSL 155.23, 0.66%, 0.54%

LAB 77.16, -54.62, 20.3

 

CMYK 72 / 0 / 49 / 16

HEX #3CD76D

RGB 60 215 109

HSL 138.97, 0.66%, 0.54%

LAB 76.48, -62.29, 40.81

 

CMYK 72 / 0 / 69 / 16

HEX #3CD743

RGB 60 215 67

HSL 122.71, 0.66%, 0.54%

LAB 76.05, -67.36, 58.92

 

CMYK 56 / 0 / 72 / 16

HEX #5ED73C

RGB 94 215 60

HSL 106.84, 0.66%, 0.54%

LAB 76.86, -60.86, 62.62

 

CMYK 72 / 0 / 10 / 16

HEX #3CD7C1

RGB 60 215 193

HSL 171.48, 0.66%, 0.54%

LAB 78.12, -44.62, -0.67

 

CMYK 72 / 9 / 0 / 16

HEX #3CC3D7

RGB 60 195 215

HSL 187.74, 0.66%, 0.54%

LAB 72.82, -29.17, -20.44

 

CMYK 72 / 29 / 0 / 16

HEX #3C99D7

RGB 60 153 215

HSL 204, 0.66%, 0.54%

LAB 60.47, -7.05, -39.5

 

CMYK 72 / 48 / 0 / 16

HEX #3C6FD7

RGB 60 111 215

HSL 220.26, 0.66%, 0.54%

LAB 48.56, 18.21, -58.45

 

CMYK 72 / 67 / 0 / 16

HEX #3C46D7

RGB 60 70 215

HSL 236.13, 0.66%, 0.54%

LAB 38.28, 43.93, -75.16

 

CMYK 72 / 0 / 10 / 16

HEX #3CD7C1

RGB 60 215 193

HSL 171.48, 0.66%, 0.54%

LAB 78.12, -44.62, -0.67

 

CMYK 82 / 0 / 12 / 8

HEX #29EACE

RGB 41 234 206

HSL 171.3, 0.82%, 0.54%

LAB 83.85, -51.12, 0.77

 

CMYK 91 / 0 / 13 / 1

HEX #16FDDC

RGB 22 253 220

HSL 171.43, 0.98%, 0.54%

LAB 89.67, -56.26, 1.9

 

CMYK 72 / 0 / 10 / 16

HEX #3CD7C1

RGB 60 215 193

HSL 171.48, 0.66%, 0.54%

LAB 78.12, -44.62, -0.67

 

CMYK 60 / 0 / 9 / 23

HEX #4FC4B3

RGB 79 196 179

HSL 171.28, 0.5%, 0.54%

LAB 72.49, -36.89, -1.29

 

CMYK 45 / 0 / 7 / 31

HEX #62B1A5

RGB 98 177 165

HSL 170.89, 0.34%, 0.54%

LAB 67.09, -27.26, -1.44

 

CMYK 26 / 0 / 4 / 38

HEX #759E98

RGB 117 158 152

HSL 171.22, 0.17%, 0.54%

LAB 62.09, -15.23, -1.41

 

CMYK 2 / 0 / 1 / 45

HEX #888B8A

RGB 136 139 138

HSL 160, 0.01%, 0.54%

LAB 57.59, -1.3, 0.14

 

CMYK 72 / 0 / 49 / 16

HEX #3CD76D

RGB 60 215 109

HSL 138.97, 0.66%, 0.54%

LAB 76.48, -62.29, 40.81

 

CMYK 72 / 0 / 30 / 16

HEX #3CD796

RGB 60 215 150

HSL 154.84, 0.66%, 0.54%

LAB 77.14, -54.83, 20.8

 

CMYK 72 / 0 / 11 / 16

HEX #3CD7BF

RGB 60 215 191

HSL 170.71, 0.66%, 0.54%

LAB 78.07, -45.14, 0.33

 

CMYK 72 / 8 / 0 / 16

HEX #3CC5D7

RGB 60 197 215

HSL 186.97, 0.66%, 0.54%

LAB 73.42, -30.14, -19.54

 

CMYK 72 / 28 / 0 / 16

HEX #3C9BD7

RGB 60 155 215

HSL 203.23, 0.66%, 0.54%

LAB 61.05, -8.18, -38.59

 

CMYK 80 / 0 / 12 / 37

HEX #20A08D

RGB 32 160 141

HSL 171.09, 0.67%, 0.38%

LAB 59.32, -37.65, 0.39

 

CMYK 80 / 0 / 11 / 24

HEX #27C2AC

RGB 39 194 172

HSL 171.48, 0.67%, 0.46%

LAB 70.87, -43.42, 0.05

 

CMYK 72 / 0 / 10 / 16

HEX #3CD7C1

RGB 60 215 193

HSL 171.48, 0.66%, 0.54%

LAB 78.12, -44.62, -0.67

 

CMYK 58 / 0 / 9 / 13

HEX #5EDECB

RGB 94 222 203

HSL 171.09, 0.66%, 0.62%

LAB 81.26, -39.83, -1.31

 

CMYK 44 / 0 / 7 / 10

HEX #80E5D6

RGB 128 229 214

HSL 171.09, 0.66%, 0.7%

LAB 84.73, -33.11, -1.91

 

CMYK 72 / 0 / 10 / 16

HEX #3DD7C1

RGB 61 215 193

HSL 171.43, 0.66%, 0.54%

LAB 78.14, -44.5, -0.64

 

CMYK 68 / 72 / 0 / 16

HEX #443CD7

RGB 68 60 215

HSL 243.1, 0.66%, 0.54%

LAB 36.68, 50.52, -77.78

 

CMYK 0 / 40 / 72 / 16

HEX #D7813C

RGB 215 129 60

HSL 26.71, 0.66%, 0.54%

LAB 62.06, 27.59, 50.05

 

CMYK 72 / 0 / 10 / 16

HEX #3DD7C1

RGB 61 215 193

HSL 171.43, 0.66%, 0.54%

LAB 78.14, -44.5, -0.64

 

CMYK 11 / 72 / 0 / 16

HEX #BF3CD7

RGB 191 60 215

HSL 290.71, 0.66%, 0.54%

LAB 50.94, 71.11, -53.97

 

CMYK 0 / 11 / 72 / 16

HEX #D7BF3C

RGB 215 191 60

HSL 50.71, 0.66%, 0.54%

LAB 77.3, -5.46, 65.47

 

CMYK 72 / 0 / 10 / 16

HEX #3DD7C1

RGB 61 215 193

HSL 171.43, 0.66%, 0.54%

LAB 78.14, -44.5, -0.64

 

CMYK 68 / 72 / 0 / 16

HEX #443CD7

RGB 68 60 215

HSL 243.1, 0.66%, 0.54%

LAB 36.68, 50.52, -77.78

 

CMYK 0 / 72 / 61 / 16

HEX #D73C53

RGB 215 60 83

HSL 351.1, 0.66%, 0.54%

LAB 49.86, 61.03, 23.1

 

CMYK 4 / 0 / 72 / 16

HEX #CFD73C

RGB 207 215 60

HSL 63.1, 0.66%, 0.54%

LAB 83.02, -20.89, 70.74

 

CMYK 72 / 0 / 10 / 16

HEX #3DD7C1

RGB 61 215 193

HSL 171.43, 0.66%, 0.54%

LAB 78.14, -44.5, -0.64

 

CMYK 47 / 72 / 0 / 16

HEX #723CD7

RGB 114 60 215

HSL 260.9, 0.66%, 0.54%

LAB 40.76, 56.75, -70.93

 

CMYK 0 / 72 / 61 / 16

HEX #D73C53

RGB 215 60 83

HSL 351.1, 0.66%, 0.54%

LAB 49.86, 61.03, 23.1

 

CMYK 26 / 0 / 72 / 16

HEX #A0D73C

RGB 160 215 60

HSL 81.29, 0.66%, 0.54%

LAB 79.84, -39.63, 66.58

 

Description

Color code: RGB 61 215 193 | qconv.com Color code: RGB 61 215 193 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 215 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 215 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 10 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 10% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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