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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 62 157 111 it is the complementary color RGB 193 98 144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 62 157 111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 62 157 111 shade: RGB 67 157 106, RGB 84 175 125, RGB 101 193 144, RGB 118 211 163 and RGB 135 229 182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 62 157 111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 62 157 111 shade: RGB 62 157 111, RGB 45 139 92, RGB 28 121 73, RGB 11 103 54 and RGB 0 85 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 62 157 111 shade: RGB 62 156 111, RGB 62 156 85, RGB 64 156 62, RGB 90 156 62 and RGB 115 156 62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 62 157 111 shade: RGB 62 156 111, RGB 62 156 136, RGB 62 151 156, RGB 62 126 156 and RGB 62 100 156

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 62 157 111 shade matches the following richer shades: RGB 62 156 111, RGB 44 174 111, RGB 27 192 112 and RGB 9 210 112

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 62 157 111 shade: RGB 62 156 111, RGB 80 139 110, RGB 97 121 110, RGB 115 103 109 and RGB 133 85 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 62 157 111 shade: RGB 65 156 62, RGB 62 156 84, RGB 62 156 109, RGB 62 156 134 and RGB 62 153 156

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 62 157 111 shade: RGB 38 97 69, RGB 50 127 90, RGB 62 156 111, RGB 76 183 131 and RGB 106 195 152

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 62 157 111 shade: RGB 62 157 111, RGB 62 90 156 and RGB 156 71 62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 62 157 111 shade: RGB 62 157 111, RGB 109 62 156 and RGB 156 109 62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 62 157 111 shade: RGB 62 157 111, RGB 62 90 156, RGB 156 62 109 and RGB 156 128 62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 62 157 111 shade: RGB 62 157 111, RGB 62 62 156, RGB 156 62 109 and RGB 156 156 62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 29 / 38

HEX #3E9D6F

RGB 62 157 111

HSL 150.95, 0.43%, 0.43%

LAB 58.31, -39.06, 15.92

 

Complementary color

CMYK 0 / 49 / 25 / 24

HEX #C16290

RGB 193 98 144

HSL 330.95, 0.43%, 0.57%

LAB 54.12, 43.39, -7.78

 

CMYK 57 / 0 / 32 / 38

HEX #439D6A

RGB 67 157 106

HSL 146, 0.4%, 0.44%

LAB 58.37, -38.98, 18.8

 

CMYK 52 / 0 / 29 / 31

HEX #54AF7D

RGB 84 175 125

HSL 147.03, 0.36%, 0.51%

LAB 64.98, -38.9, 17.53

 

CMYK 48 / 0 / 25 / 24

HEX #65C190

RGB 101 193 144

HSL 148.04, 0.43%, 0.58%

LAB 71.5, -38.74, 16.36

 

CMYK 44 / 0 / 23 / 17

HEX #76D3A3

RGB 118 211 163

HSL 149.03, 0.51%, 0.65%

LAB 77.92, -38.53, 15.29

 

CMYK 41 / 0 / 21 / 10

HEX #87E5B6

RGB 135 229 182

HSL 150, 0.64%, 0.71%

LAB 84.26, -38.3, 14.29

 

CMYK 61 / 0 / 29 / 38

HEX #3E9D6F

RGB 62 157 111

HSL 150.95, 0.43%, 0.43%

LAB 58.31, -39.06, 15.92

 

CMYK 68 / 0 / 34 / 45

HEX #2D8B5C

RGB 45 139 92

HSL 150, 0.51%, 0.36%

LAB 51.61, -38.86, 17.33

 

CMYK 77 / 0 / 40 / 53

HEX #1C7949

RGB 28 121 73

HSL 149.03, 0.62%, 0.29%

LAB 44.8, -38.33, 18.91

 

CMYK 89 / 0 / 48 / 60

HEX #0B6736

RGB 11 103 54

HSL 148.04, 0.81%, 0.22%

LAB 37.91, -37.19, 20.72

 

CMYK 100 / 0 / 59 / 67

HEX #005523

RGB 0 85 35

HSL 144.71, 1%, 0.17%

LAB 30.92, -35.08, 22.72

 

CMYK 60 / 0 / 29 / 39

HEX #3E9C6F

RGB 62 156 111

HSL 151.28, 0.43%, 0.43%

LAB 57.99, -38.62, 15.48

 

CMYK 60 / 0 / 46 / 39

HEX #3E9C55

RGB 62 156 85

HSL 134.68, 0.43%, 0.43%

LAB 57.52, -43.63, 29.06

 

CMYK 59 / 0 / 60 / 39

HEX #409C3E

RGB 64 156 62

HSL 118.72, 0.43%, 0.43%

LAB 57.28, -46.45, 40.41

 

CMYK 42 / 0 / 60 / 39

HEX #5A9C3E

RGB 90 156 62

HSL 102.13, 0.43%, 0.43%

LAB 58.32, -38.77, 41.87

 

CMYK 26 / 0 / 60 / 39

HEX #739C3E

RGB 115 156 62

HSL 86.17, 0.43%, 0.43%

LAB 59.68, -29.67, 43.78

 

CMYK 60 / 0 / 29 / 39

HEX #3E9C6F

RGB 62 156 111

HSL 151.28, 0.43%, 0.43%

LAB 57.99, -38.62, 15.48

 

CMYK 60 / 0 / 13 / 39

HEX #3E9C88

RGB 62 156 136

HSL 167.23, 0.43%, 0.43%

LAB 58.58, -32.66, 2.23

 

CMYK 60 / 3 / 0 / 39

HEX #3E979C

RGB 62 151 156

HSL 183.19, 0.43%, 0.43%

LAB 57.61, -24.67, -10.58

 

CMYK 60 / 19 / 0 / 39

HEX #3E7E9C

RGB 62 126 156

HSL 199.15, 0.43%, 0.43%

LAB 49.91, -11.24, -22.28

 

CMYK 60 / 36 / 0 / 39

HEX #3E649C

RGB 62 100 156

HSL 215.74, 0.43%, 0.43%

LAB 42.06, 4.31, -34.53

 

CMYK 60 / 0 / 29 / 39

HEX #3E9C6F

RGB 62 156 111

HSL 151.28, 0.43%, 0.43%

LAB 57.99, -38.62, 15.48

 

CMYK 75 / 0 / 36 / 32

HEX #2CAE6F

RGB 44 174 111

HSL 150.92, 0.6%, 0.43%

LAB 63.31, -49.26, 22.66

 

CMYK 86 / 0 / 42 / 25

HEX #1BC070

RGB 27 192 112

HSL 150.91, 0.75%, 0.43%

LAB 68.83, -57.58, 29.42

 

CMYK 96 / 0 / 47 / 18

HEX #09D270

RGB 9 210 112

HSL 150.75, 0.92%, 0.43%

LAB 74.39, -64.71, 36.59

 

CMYK 60 / 0 / 29 / 39

HEX #3E9C6F

RGB 62 156 111

HSL 151.28, 0.43%, 0.43%

LAB 57.99, -38.62, 15.48

 

CMYK 42 / 0 / 21 / 45

HEX #508B6E

RGB 80 139 110

HSL 150.51, 0.27%, 0.43%

LAB 53.27, -26.27, 9.56

 

CMYK 20 / 0 / 9 / 53

HEX #61796E

RGB 97 121 110

HSL 152.5, 0.11%, 0.43%

LAB 48.69, -11.16, 3.14

 

CMYK 0 / 10 / 5 / 55

HEX #73676D

RGB 115 103 109

HSL 330, 0.06%, 0.43%

LAB 44.87, 5.9, -1.64

 

CMYK 0 / 36 / 19 / 48

HEX #85556C

RGB 133 85 108

HSL 331.25, 0.22%, 0.43%

LAB 42.1, 23.48, -4.9

 

CMYK 58 / 0 / 60 / 39

HEX #419C3E

RGB 65 156 62

HSL 118.09, 0.43%, 0.43%

LAB 57.32, -46.19, 40.45

 

CMYK 60 / 0 / 46 / 39

HEX #3E9C54

RGB 62 156 84

HSL 134.04, 0.43%, 0.43%

LAB 57.5, -43.8, 29.57

 

CMYK 60 / 0 / 30 / 39

HEX #3E9C6D

RGB 62 156 109

HSL 150, 0.43%, 0.43%

LAB 57.95, -39.05, 16.54

 

CMYK 60 / 0 / 14 / 39

HEX #3E9C86

RGB 62 156 134

HSL 165.96, 0.43%, 0.43%

LAB 58.53, -33.17, 3.29

 

CMYK 60 / 2 / 0 / 39

HEX #3E999C

RGB 62 153 156

HSL 181.91, 0.43%, 0.43%

LAB 58.23, -25.69, -9.65

 

CMYK 61 / 0 / 29 / 62

HEX #266145

RGB 38 97 69

HSL 151.53, 0.44%, 0.26%

LAB 36.73, -26.56, 10.34

 

CMYK 61 / 0 / 29 / 50

HEX #327F5A

RGB 50 127 90

HSL 151.17, 0.44%, 0.35%

LAB 47.75, -32.96, 13.2

 

CMYK 60 / 0 / 29 / 39

HEX #3E9C6F

RGB 62 156 111

HSL 151.28, 0.43%, 0.43%

LAB 57.99, -38.62, 15.48

 

CMYK 58 / 0 / 28 / 28

HEX #4CB783

RGB 76 183 131

HSL 150.84, 0.43%, 0.51%

LAB 67.31, -43.01, 17.43

 

CMYK 46 / 0 / 22 / 24

HEX #6AC398

RGB 106 195 152

HSL 151.01, 0.43%, 0.59%

LAB 72.47, -36.69, 13.44

 

CMYK 61 / 0 / 29 / 38

HEX #3E9D6F

RGB 62 157 111

HSL 150.95, 0.43%, 0.43%

LAB 58.31, -39.06, 15.92

 

CMYK 60 / 42 / 0 / 39

HEX #3E5A9C

RGB 62 90 156

HSL 222.13, 0.43%, 0.43%

LAB 39.13, 10.68, -39.16

 

CMYK 0 / 54 / 60 / 39

HEX #9C473E

RGB 156 71 62

HSL 5.74, 0.43%, 0.43%

LAB 41.09, 34.7, 22.45

 

CMYK 61 / 0 / 29 / 38

HEX #3E9D6F

RGB 62 157 111

HSL 150.95, 0.43%, 0.43%

LAB 58.31, -39.06, 15.92

 

CMYK 30 / 60 / 0 / 39

HEX #6D3E9C

RGB 109 62 156

HSL 270, 0.43%, 0.43%

LAB 36.17, 39.38, -43.67

 

CMYK 0 / 30 / 60 / 39

HEX #9C6D3E

RGB 156 109 62

HSL 30, 0.43%, 0.43%

LAB 49.92, 13.49, 33.37

 

CMYK 61 / 0 / 29 / 38

HEX #3E9D6F

RGB 62 157 111

HSL 150.95, 0.43%, 0.43%

LAB 58.31, -39.06, 15.92

 

CMYK 60 / 42 / 0 / 39

HEX #3E5A9C

RGB 62 90 156

HSL 222.13, 0.43%, 0.43%

LAB 39.13, 10.68, -39.16

 

CMYK 0 / 60 / 30 / 39

HEX #9C3E6D

RGB 156 62 109

HSL 330, 0.43%, 0.43%

LAB 40.6, 44.18, -7.4

 

CMYK 0 / 18 / 60 / 39

HEX #9C803E

RGB 156 128 62

HSL 42.13, 0.43%, 0.43%

LAB 54.92, 2.68, 39.24

 

CMYK 61 / 0 / 29 / 38

HEX #3E9D6F

RGB 62 157 111

HSL 150.95, 0.43%, 0.43%

LAB 58.31, -39.06, 15.92

 

CMYK 60 / 60 / 0 / 39

HEX #3E3E9C

RGB 62 62 156

HSL 240, 0.43%, 0.43%

LAB 31.51, 28.96, -51.43

 

CMYK 0 / 60 / 30 / 39

HEX #9C3E6D

RGB 156 62 109

HSL 330, 0.43%, 0.43%

LAB 40.6, 44.18, -7.4

 

CMYK 0 / 0 / 60 / 39

HEX #9C9C3E

RGB 156 156 62

HSL 60, 0.43%, 0.43%

LAB 62.67, -12.58, 47.93

 

Description

Color code: RGB 62 157 111 | qconv.com Color code: RGB 62 157 111 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 157 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 157 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 29 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 29% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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