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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 62 172 64 it is the complementary color RGB 193 83 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 62 172 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 62 172 64 shade: RGB 67 172 59, RGB 84 190 78, RGB 101 208 97, RGB 118 226 116 and RGB 135 244 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 62 172 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 62 172 64 shade: RGB 62 172 64, RGB 45 154 45, RGB 28 136 26, RGB 11 118 7 and RGB 0 100 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 62 172 64 shade: RGB 62 172 64, RGB 89 172 62, RGB 119 172 62, RGB 149 172 62 and RGB 172 165 62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 62 172 64 shade: RGB 62 172 64, RGB 62 172 93, RGB 62 172 123, RGB 62 172 153 and RGB 62 161 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 62 172 64 shade matches the following richer shades: RGB 62 172 64, RGB 43 191 45, RGB 24 210 27 and RGB 5 229 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 62 172 64 shade: RGB 62 172 64, RGB 81 153 82, RGB 100 134 100, RGB 119 115 119 and RGB 138 96 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 62 172 64 shade: RGB 119 172 62, RGB 89 172 62, RGB 62 172 64, RGB 62 172 93 and RGB 62 172 122

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 62 172 64 shade: RGB 40 111 41, RGB 51 142 52, RGB 62 172 64, RGB 82 192 84 and RGB 113 203 114

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 62 172 64 shade: RGB 62 172 64, RGB 62 148 172 and RGB 172 62 104

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 62 172 64 shade: RGB 62 172 64, RGB 64 62 172 and RGB 172 64 62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 62 172 64 shade: RGB 62 172 64, RGB 62 148 172, RGB 172 62 170 and RGB 172 86 62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 62 172 64 shade: RGB 62 172 64, RGB 62 115 172, RGB 172 62 170 and RGB 172 119 62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 63 / 33

HEX #3EAC40

RGB 62 172 64

HSL 121.09, 0.47%, 0.46%

LAB 62.42, -52.69, 45.33

 

Complementary color

CMYK 0 / 57 / 1 / 24

HEX #C153BF

RGB 193 83 191

HSL 301.09, 0.47%, 0.54%

LAB 53.26, 58.09, -36.49

 

CMYK 61 / 0 / 66 / 33

HEX #43AC3B

RGB 67 172 59

HSL 115.75, 0.49%, 0.45%

LAB 62.52, -52.08, 47.67

 

CMYK 56 / 0 / 59 / 25

HEX #54BE4E

RGB 84 190 78

HSL 116.79, 0.46%, 0.53%

LAB 68.94, -52.55, 46.6

 

CMYK 51 / 0 / 53 / 18

HEX #65D061

RGB 101 208 97

HSL 117.84, 0.54%, 0.6%

LAB 75.29, -52.76, 45.38

 

CMYK 48 / 0 / 49 / 11

HEX #76E274

RGB 118 226 116

HSL 118.91, 0.65%, 0.67%

LAB 81.57, -52.79, 44.12

 

CMYK 45 / 0 / 45 / 4

HEX #87F487

RGB 135 244 135

HSL 120, 0.83%, 0.74%

LAB 87.78, -52.72, 42.87

 

CMYK 64 / 0 / 63 / 33

HEX #3EAC40

RGB 62 172 64

HSL 121.09, 0.47%, 0.46%

LAB 62.42, -52.69, 45.33

 

CMYK 71 / 0 / 71 / 40

HEX #2D9A2D

RGB 45 154 45

HSL 120, 0.55%, 0.39%

LAB 55.95, -51.76, 46.3

 

CMYK 79 / 0 / 81 / 47

HEX #1C881A

RGB 28 136 26

HSL 118.91, 0.68%, 0.32%

LAB 49.41, -50.15, 46.63

 

CMYK 91 / 0 / 94 / 54

HEX #0B7607

RGB 11 118 7

HSL 117.84, 0.89%, 0.25%

LAB 42.83, -47.49, 45.6

 

CMYK 100 / 0 / 100 / 61

HEX #006400

RGB 0 100 0

HSL 120, 1%, 0.2%

LAB 36.2, -43.37, 41.86

 

CMYK 64 / 0 / 63 / 33

HEX #3EAC40

RGB 62 172 64

HSL 121.09, 0.47%, 0.46%

LAB 62.42, -52.69, 45.33

 

CMYK 48 / 0 / 64 / 33

HEX #59AC3E

RGB 89 172 62

HSL 105.27, 0.47%, 0.46%

LAB 63.32, -45.8, 47.47

 

CMYK 31 / 0 / 64 / 33

HEX #77AC3E

RGB 119 172 62

HSL 88.91, 0.47%, 0.46%

LAB 64.78, -35.59, 49.49

 

CMYK 13 / 0 / 64 / 33

HEX #95AC3E

RGB 149 172 62

HSL 72.55, 0.47%, 0.46%

LAB 66.7, -23.73, 52.13

 

CMYK 0 / 4 / 64 / 33

HEX #ACA53E

RGB 172 165 62

HSL 56.18, 0.47%, 0.46%

LAB 66.54, -10.36, 52.5

 

CMYK 64 / 0 / 63 / 33

HEX #3EAC40

RGB 62 172 64

HSL 121.09, 0.47%, 0.46%

LAB 62.42, -52.69, 45.33

 

CMYK 64 / 0 / 46 / 33

HEX #3EAC5D

RGB 62 172 93

HSL 136.91, 0.47%, 0.46%

LAB 62.78, -48.67, 31.58

 

CMYK 64 / 0 / 28 / 33

HEX #3EAC7B

RGB 62 172 123

HSL 153.27, 0.47%, 0.46%

LAB 63.31, -42.91, 16.2

 

CMYK 64 / 0 / 11 / 33

HEX #3EAC99

RGB 62 172 153

HSL 169.64, 0.47%, 0.46%

LAB 64.02, -35.67, 0.59

 

CMYK 64 / 6 / 0 / 33

HEX #3EA1AC

RGB 62 161 172

HSL 186, 0.47%, 0.46%

LAB 61.21, -25, -14.23

 

CMYK 64 / 0 / 63 / 33

HEX #3EAC40

RGB 62 172 64

HSL 121.09, 0.47%, 0.46%

LAB 62.42, -52.69, 45.33

 

CMYK 77 / 0 / 76 / 25

HEX #2BBF2D

RGB 43 191 45

HSL 120.81, 0.63%, 0.46%

LAB 67.99, -64.15, 58.51

 

CMYK 89 / 0 / 87 / 18

HEX #18D21B

RGB 24 210 27

HSL 120.97, 0.79%, 0.46%

LAB 73.78, -72.64, 68.52

 

CMYK 98 / 0 / 96 / 10

HEX #05E509

RGB 5 229 9

HSL 121.07, 0.96%, 0.46%

LAB 79.67, -79.14, 75.92

 

CMYK 64 / 0 / 63 / 33

HEX #3EAC40

RGB 62 172 64

HSL 121.09, 0.47%, 0.46%

LAB 62.42, -52.69, 45.33

 

CMYK 47 / 0 / 46 / 40

HEX #519952

RGB 81 153 82

HSL 120.83, 0.31%, 0.46%

LAB 57.21, -37.74, 30.4

 

CMYK 25 / 0 / 25 / 47

HEX #648664

RGB 100 134 100

HSL 120, 0.15%, 0.46%

LAB 52.6, -19.14, 14.52

 

CMYK 0 / 3 / 0 / 53

HEX #777377

RGB 119 115 119

HSL 300, 0.02%, 0.46%

LAB 48.9, 2.34, -1.66

 

CMYK 0 / 30 / 1 / 46

HEX #8A6089

RGB 138 96 137

HSL 301.43, 0.18%, 0.46%

LAB 46.41, 24.25, -15.93

 

CMYK 31 / 0 / 64 / 33

HEX #77AC3E

RGB 119 172 62

HSL 88.91, 0.47%, 0.46%

LAB 64.78, -35.59, 49.49

 

CMYK 48 / 0 / 64 / 33

HEX #59AC3E

RGB 89 172 62

HSL 105.27, 0.47%, 0.46%

LAB 63.32, -45.8, 47.47

 

CMYK 64 / 0 / 63 / 33

HEX #3EAC40

RGB 62 172 64

HSL 121.09, 0.47%, 0.46%

LAB 62.42, -52.69, 45.33

 

CMYK 64 / 0 / 46 / 33

HEX #3EAC5D

RGB 62 172 93

HSL 136.91, 0.47%, 0.46%

LAB 62.78, -48.67, 31.58

 

CMYK 64 / 0 / 29 / 33

HEX #3EAC7A

RGB 62 172 122

HSL 152.73, 0.47%, 0.46%

LAB 63.29, -43.12, 16.72

 

CMYK 64 / 0 / 63 / 56

HEX #286F29

RGB 40 111 41

HSL 120.85, 0.47%, 0.3%

LAB 41.18, -37.3, 31.87

 

CMYK 64 / 0 / 63 / 44

HEX #338E34

RGB 51 142 52

HSL 120.66, 0.47%, 0.38%

LAB 52.17, -45.42, 39.16

 

CMYK 64 / 0 / 63 / 33

HEX #3EAC40

RGB 62 172 64

HSL 121.09, 0.47%, 0.46%

LAB 62.42, -52.69, 45.33

 

CMYK 57 / 0 / 56 / 25

HEX #52C054

RGB 82 192 84

HSL 121.09, 0.47%, 0.54%

LAB 69.56, -53.09, 44.52

 

CMYK 44 / 0 / 44 / 20

HEX #71CB72

RGB 113 203 114

HSL 120.67, 0.46%, 0.62%

LAB 74.47, -45.03, 36.13

 

CMYK 64 / 0 / 63 / 33

HEX #3EAC40

RGB 62 172 64

HSL 121.09, 0.47%, 0.46%

LAB 62.42, -52.69, 45.33

 

CMYK 64 / 14 / 0 / 33

HEX #3E94AC

RGB 62 148 172

HSL 193.09, 0.47%, 0.46%

LAB 57.25, -18.24, -20.25

 

CMYK 0 / 64 / 40 / 33

HEX #AC3E68

RGB 172 62 104

HSL 337.09, 0.47%, 0.46%

LAB 43.09, 48.71, -0.33

 

CMYK 64 / 0 / 63 / 33

HEX #3EAC40

RGB 62 172 64

HSL 121.09, 0.47%, 0.46%

LAB 62.42, -52.69, 45.33

 

CMYK 63 / 64 / 0 / 33

HEX #403EAC

RGB 64 62 172

HSL 241.09, 0.47%, 0.46%

LAB 32.95, 34.75, -58.71

 

CMYK 0 / 63 / 64 / 33

HEX #AC403E

RGB 172 64 62

HSL 1.09, 0.47%, 0.46%

LAB 42.44, 44.09, 24.71

 

CMYK 64 / 0 / 63 / 33

HEX #3EAC40

RGB 62 172 64

HSL 121.09, 0.47%, 0.46%

LAB 62.42, -52.69, 45.33

 

CMYK 64 / 14 / 0 / 33

HEX #3E94AC

RGB 62 148 172

HSL 193.09, 0.47%, 0.46%

LAB 57.25, -18.24, -20.25

 

CMYK 0 / 64 / 1 / 33

HEX #AC3EAA

RGB 172 62 170

HSL 301.09, 0.47%, 0.46%

LAB 45.8, 58.18, -36.19

 

CMYK 0 / 50 / 64 / 33

HEX #AC563E

RGB 172 86 62

HSL 13.09, 0.47%, 0.46%

LAB 46.68, 33.12, 29.96

 

CMYK 64 / 0 / 63 / 33

HEX #3EAC40

RGB 62 172 64

HSL 121.09, 0.47%, 0.46%

LAB 62.42, -52.69, 45.33

 

CMYK 64 / 33 / 0 / 33

HEX #3E73AC

RGB 62 115 172

HSL 211.09, 0.47%, 0.46%

LAB 47.32, 0.62, -35.66

 

CMYK 0 / 64 / 1 / 33

HEX #AC3EAA

RGB 172 62 170

HSL 301.09, 0.47%, 0.46%

LAB 45.8, 58.18, -36.19

 

CMYK 0 / 31 / 64 / 33

HEX #AC773E

RGB 172 119 62

HSL 31.09, 0.47%, 0.46%

LAB 54.36, 14.86, 39.05

 

Description

Color code: RGB 62 172 64 | qconv.com Color code: RGB 62 172 64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 172 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 172 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 63 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 63% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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