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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 62 192 173 it is the complementary color RGB 193 63 82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 62 192 173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 62 192 173 shade: RGB 67 192 168, RGB 84 210 187, RGB 101 228 206, RGB 118 246 225 and RGB 135 255 244

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 62 192 173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 62 192 173 shade: RGB 62 192 173, RGB 45 174 154, RGB 28 156 135, RGB 11 138 116 and RGB 0 120 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 62 192 173 shade: RGB 62 192 173, RGB 62 192 138, RGB 62 192 103, RGB 62 192 68 and RGB 91 192 62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 62 192 173 shade: RGB 62 192 173, RGB 62 176 192, RGB 62 141 192, RGB 62 106 192 and RGB 62 71 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 62 192 173 shade matches the following richer shades: RGB 62 192 173, RGB 41 213 188, RGB 21 233 202 and RGB 0 254 217

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 62 192 173 shade: RGB 62 192 173, RGB 83 171 158, RGB 103 151 144, RGB 124 130 129 and RGB 144 110 115

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 62 192 173 shade: RGB 62 192 103, RGB 62 192 138, RGB 62 192 173, RGB 62 177 192 and RGB 62 142 192

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 62 192 173 shade: RGB 42 130 117, RGB 52 161 145, RGB 62 192 173, RGB 93 202 186 and RGB 124 212 199

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 62 192 173 shade: RGB 62 192 173, RGB 68 62 192 and RGB 192 120 62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 62 192 173 shade: RGB 62 192 173, RGB 173 62 192 and RGB 192 173 62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 62 192 173 shade: RGB 62 192 173, RGB 68 62 192, RGB 192 62 81 and RGB 186 192 62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 62 192 173 shade: RGB 62 192 173, RGB 107 62 192, RGB 192 62 81 and RGB 147 192 62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 10 / 25

HEX #3EC0AD

RGB 62 192 173

HSL 171.23, 0.51%, 0.5%

LAB 70.69, -39.48, -0.71

 

Complementary color

CMYK 0 / 67 / 58 / 24

HEX #C13F52

RGB 193 63 82

HSL 351.23, 0.51%, 0.5%

LAB 46.31, 53.01, 18.29

 

CMYK 65 / 0 / 13 / 25

HEX #43C0A8

RGB 67 192 168

HSL 168.48, 0.5%, 0.51%

LAB 70.68, -40, 2.02

 

CMYK 60 / 0 / 11 / 18

HEX #54D2BB

RGB 84 210 187

HSL 169.05, 0.58%, 0.58%

LAB 77.02, -40.29, 1.02

 

CMYK 56 / 0 / 10 / 11

HEX #65E4CE

RGB 101 228 206

HSL 169.61, 0.7%, 0.65%

LAB 83.29, -40.45, 0.1

 

CMYK 52 / 0 / 9 / 4

HEX #76F6E1

RGB 118 246 225

HSL 170.16, 0.88%, 0.71%

LAB 89.49, -40.52, -0.75

 

CMYK 47 / 0 / 4 / 0

HEX #87FFF4

RGB 135 255 244

HSL 174.5, 1%, 0.76%

LAB 93.1, -36.45, -5.24

 

CMYK 68 / 0 / 10 / 25

HEX #3EC0AD

RGB 62 192 173

HSL 171.23, 0.51%, 0.5%

LAB 70.69, -39.48, -0.71

 

CMYK 74 / 0 / 11 / 32

HEX #2DAE9A

RGB 45 174 154

HSL 170.7, 0.59%, 0.43%

LAB 64.29, -38.86, 0.38

 

CMYK 82 / 0 / 13 / 39

HEX #1C9C87

RGB 28 156 135

HSL 170.16, 0.7%, 0.36%

LAB 57.82, -37.92, 1.61

 

CMYK 92 / 0 / 16 / 46

HEX #0B8A74

RGB 11 138 116

HSL 169.61, 0.85%, 0.29%

LAB 51.28, -36.54, 3

 

CMYK 100 / 0 / 19 / 53

HEX #007861

RGB 0 120 97

HSL 168.5, 1%, 0.24%

LAB 44.65, -34.61, 4.6

 

CMYK 68 / 0 / 10 / 25

HEX #3EC0AD

RGB 62 192 173

HSL 171.23, 0.51%, 0.5%

LAB 70.69, -39.48, -0.71

 

CMYK 68 / 0 / 28 / 25

HEX #3EC08A

RGB 62 192 138

HSL 155.08, 0.51%, 0.5%

LAB 69.87, -47.95, 17.14

 

CMYK 68 / 0 / 46 / 25

HEX #3EC067

RGB 62 192 103

HSL 138.92, 0.51%, 0.5%

LAB 69.26, -54.63, 34.71

 

CMYK 68 / 0 / 65 / 25

HEX #3EC044

RGB 62 192 68

HSL 122.77, 0.51%, 0.5%

LAB 68.85, -59.31, 50.76

 

CMYK 53 / 0 / 68 / 25

HEX #5BC03E

RGB 91 192 62

HSL 106.62, 0.51%, 0.5%

LAB 69.66, -53.06, 54.37

 

CMYK 68 / 0 / 10 / 25

HEX #3EC0AD

RGB 62 192 173

HSL 171.23, 0.51%, 0.5%

LAB 70.69, -39.48, -0.71

 

CMYK 68 / 8 / 0 / 25

HEX #3EB0C0

RGB 62 176 192

HSL 187.38, 0.51%, 0.5%

LAB 66.43, -26.5, -17.52

 

CMYK 68 / 27 / 0 / 25

HEX #3E8DC0

RGB 62 141 192

HSL 203.54, 0.51%, 0.5%

LAB 55.97, -7.81, -33.61

 

CMYK 68 / 45 / 0 / 25

HEX #3E6AC0

RGB 62 106 192

HSL 219.69, 0.51%, 0.5%

LAB 45.82, 13.32, -49.65

 

CMYK 68 / 63 / 0 / 25

HEX #3E47C0

RGB 62 71 192

HSL 235.85, 0.51%, 0.5%

LAB 36.62, 35.68, -64.54

 

CMYK 68 / 0 / 10 / 25

HEX #3EC0AD

RGB 62 192 173

HSL 171.23, 0.51%, 0.5%

LAB 70.69, -39.48, -0.71

 

CMYK 81 / 0 / 12 / 16

HEX #29D5BC

RGB 41 213 188

HSL 171.28, 0.68%, 0.5%

LAB 77.1, -47.08, 0.49

 

CMYK 91 / 0 / 13 / 9

HEX #15E9CA

RGB 21 233 202

HSL 171.23, 0.83%, 0.5%

LAB 83.29, -52.92, 2.03

 

CMYK 100 / 0 / 15 / 0

HEX #00FED9

RGB 0 254 217

HSL 171.26, 1%, 0.5%

LAB 89.81, -58, 3.66

 

CMYK 68 / 0 / 10 / 25

HEX #3EC0AD

RGB 62 192 173

HSL 171.23, 0.51%, 0.5%

LAB 70.69, -39.48, -0.71

 

CMYK 51 / 0 / 8 / 33

HEX #53AB9E

RGB 83 171 158

HSL 171.14, 0.35%, 0.5%

LAB 64.51, -29.68, -1.41

 

CMYK 32 / 0 / 5 / 41

HEX #679790

RGB 103 151 144

HSL 171.25, 0.19%, 0.5%

LAB 59, -17.72, -1.49

 

CMYK 5 / 0 / 1 / 49

HEX #7C8281

RGB 124 130 129

HSL 170, 0.02%, 0.5%

LAB 53.85, -2.42, -0.24

 

CMYK 0 / 24 / 20 / 44

HEX #906E73

RGB 144 110 115

HSL 351.18, 0.13%, 0.5%

LAB 49.88, 14.28, 2.43

 

CMYK 68 / 0 / 46 / 25

HEX #3EC067

RGB 62 192 103

HSL 138.92, 0.51%, 0.5%

LAB 69.26, -54.63, 34.71

 

CMYK 68 / 0 / 28 / 25

HEX #3EC08A

RGB 62 192 138

HSL 155.08, 0.51%, 0.5%

LAB 69.87, -47.95, 17.14

 

CMYK 68 / 0 / 10 / 25

HEX #3EC0AD

RGB 62 192 173

HSL 171.23, 0.51%, 0.5%

LAB 70.69, -39.48, -0.71

 

CMYK 68 / 8 / 0 / 25

HEX #3EB1C0

RGB 62 177 192

HSL 186.92, 0.51%, 0.5%

LAB 66.73, -27, -17.06

 

CMYK 68 / 26 / 0 / 25

HEX #3E8EC0

RGB 62 142 192

HSL 203.08, 0.51%, 0.5%

LAB 56.26, -8.38, -33.15

 

CMYK 68 / 0 / 10 / 49

HEX #2A8275

RGB 42 130 117

HSL 171.14, 0.51%, 0.34%

LAB 49.18, -29.09, -0.57

 

CMYK 68 / 0 / 10 / 37

HEX #34A191

RGB 52 161 145

HSL 171.19, 0.51%, 0.42%

LAB 60.13, -34.39, -0.64

 

CMYK 68 / 0 / 10 / 25

HEX #3EC0AD

RGB 62 192 173

HSL 171.23, 0.51%, 0.5%

LAB 70.69, -39.48, -0.71

 

CMYK 54 / 0 / 8 / 21

HEX #5DCABA

RGB 93 202 186

HSL 171.19, 0.51%, 0.58%

LAB 74.9, -35.14, -1.52

 

CMYK 42 / 0 / 6 / 17

HEX #7CD4C7

RGB 124 212 199

HSL 171.14, 0.51%, 0.66%

LAB 79.33, -29.55, -1.88

 

CMYK 68 / 0 / 10 / 25

HEX #3EC0AD

RGB 62 192 173

HSL 171.23, 0.51%, 0.5%

LAB 70.69, -39.48, -0.71

 

CMYK 65 / 68 / 0 / 25

HEX #443EC0

RGB 68 62 192

HSL 242.77, 0.51%, 0.5%

LAB 34.96, 41.98, -67.24

 

CMYK 0 / 38 / 68 / 25

HEX #C0783E

RGB 192 120 62

HSL 26.77, 0.51%, 0.5%

LAB 57.06, 22.93, 42.78

 

CMYK 68 / 0 / 10 / 25

HEX #3EC0AD

RGB 62 192 173

HSL 171.23, 0.51%, 0.5%

LAB 70.69, -39.48, -0.71

 

CMYK 10 / 68 / 0 / 25

HEX #AD3EC0

RGB 173 62 192

HSL 291.23, 0.51%, 0.5%

LAB 47.15, 62.34, -46.93

 

CMYK 0 / 10 / 68 / 25

HEX #C0AD3E

RGB 192 173 62

HSL 51.23, 0.51%, 0.5%

LAB 70.48, -5.89, 57.17

 

CMYK 68 / 0 / 10 / 25

HEX #3EC0AD

RGB 62 192 173

HSL 171.23, 0.51%, 0.5%

LAB 70.69, -39.48, -0.71

 

CMYK 65 / 68 / 0 / 25

HEX #443EC0

RGB 68 62 192

HSL 242.77, 0.51%, 0.5%

LAB 34.96, 41.98, -67.24

 

CMYK 0 / 68 / 58 / 25

HEX #C03E51

RGB 192 62 81

HSL 351.23, 0.51%, 0.5%

LAB 45.97, 53.02, 18.41

 

CMYK 3 / 0 / 68 / 25

HEX #BAC03E

RGB 186 192 62

HSL 62.77, 0.51%, 0.5%

LAB 75.13, -18.21, 61.74

 

CMYK 68 / 0 / 10 / 25

HEX #3EC0AD

RGB 62 192 173

HSL 171.23, 0.51%, 0.5%

LAB 70.69, -39.48, -0.71

 

CMYK 44 / 68 / 0 / 25

HEX #6B3EC0

RGB 107 62 192

HSL 260.77, 0.51%, 0.5%

LAB 38.51, 48.4, -61.3

 

CMYK 0 / 68 / 58 / 25

HEX #C03E51

RGB 192 62 81

HSL 351.23, 0.51%, 0.5%

LAB 45.97, 53.02, 18.41

 

CMYK 23 / 0 / 68 / 25

HEX #93C03E

RGB 147 192 62

HSL 80.77, 0.51%, 0.5%

LAB 72.4, -34.08, 58.07

 

Description

Color code: RGB 62 192 173 | qconv.com Color code: RGB 62 192 173 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 192 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 192 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 10 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 10% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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