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Color name
RGB 64 105 201

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 64 105 201 it is the complementary color RGB 191 150 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 64 105 201. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 64 105 201 shade: RGB 69 105 196, RGB 86 123 215, RGB 103 141 234, RGB 120 159 253 and RGB 137 177 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 64 105 201. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 64 105 201 shade: RGB 64 105 201, RGB 47 87 182, RGB 30 69 163, RGB 13 51 144 and RGB 0 33 125

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 64 105 201 shade: RGB 64 105 201, RGB 64 68 201, RGB 96 64 201, RGB 133 64 201 and RGB 170 64 201

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 64 105 201 shade: RGB 64 105 201, RGB 64 68 201 and RGB 64 64 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 64 105 201 shade matches the following richer shades: RGB 64 105 201, RGB 44 97 220 and RGB 24 89 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 64 105 201 shade: RGB 64 105 201, RGB 83 113 181, RGB 103 120 161, RGB 123 128 141 and RGB 143 136 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 64 105 201 shade: RGB 64 178 201, RGB 64 141 201, RGB 64 105 201, RGB 64 68 201 and RGB 96 64 201

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 64 105 201 shade: RGB 40 70 142, RGB 49 86 174, RGB 64 105 201, RGB 96 130 210 and RGB 128 155 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 64 105 201 shade: RGB 64 105 201, RGB 187 64 201 and RGB 160 201 64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 64 105 201 shade: RGB 64 105 201, RGB 201 64 105 and RGB 105 201 64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 64 105 201 shade: RGB 64 105 201, RGB 187 64 201, RGB 201 160 64 and RGB 77 201 64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 64 105 201 shade: RGB 64 105 201, RGB 201 64 173, RGB 201 160 64 and RGB 64 201 91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 48 / 0 / 21

HEX #4069C9

RGB 64 105 201

HSL 222.04, 0.56%, 0.52%

LAB 46.19, 17.51, -54.24

 

Complementary color

CMYK 0 / 21 / 72 / 25

HEX #BF9636

RGB 191 150 54

HSL 42.04, 0.56%, 0.48%

LAB 64.29, 5.56, 54.15

 

CMYK 65 / 46 / 0 / 23

HEX #4569C4

RGB 69 105 196

HSL 222.99, 0.52%, 0.52%

LAB 46.12, 16.55, -51.48

 

CMYK 60 / 43 / 0 / 16

HEX #567BD7

RGB 86 123 215

HSL 222.79, 0.62%, 0.59%

LAB 53, 14.98, -51.25

 

CMYK 56 / 40 / 0 / 8

HEX #678DEA

RGB 103 141 234

HSL 222.6, 0.76%, 0.66%

LAB 59.77, 13.7, -51.05

 

CMYK 53 / 37 / 0 / 1

HEX #789FFD

RGB 120 159 253

HSL 222.41, 0.97%, 0.73%

LAB 66.43, 12.64, -50.89

 

CMYK 46 / 31 / 0 / 0

HEX #89B1FF

RGB 137 177 255

HSL 219.66, 1%, 0.77%

LAB 72.22, 6.8, -42.81

 

CMYK 68 / 48 / 0 / 21

HEX #4069C9

RGB 64 105 201

HSL 222.04, 0.56%, 0.52%

LAB 46.19, 17.51, -54.24

 

CMYK 74 / 52 / 0 / 29

HEX #2F57B6

RGB 47 87 182

HSL 222.22, 0.59%, 0.45%

LAB 39.24, 19.68, -54.45

 

CMYK 82 / 58 / 0 / 36

HEX #1E45A3

RGB 30 69 163

HSL 222.41, 0.69%, 0.38%

LAB 32.21, 22.41, -54.6

 

CMYK 91 / 65 / 0 / 44

HEX #0D3390

RGB 13 51 144

HSL 222.6, 0.83%, 0.31%

LAB 25.16, 25.84, -54.55

 

CMYK 100 / 74 / 0 / 51

HEX #00217D

RGB 0 33 125

HSL 224.16, 1%, 0.25%

LAB 18.23, 29.88, -54.06

 

CMYK 68 / 48 / 0 / 21

HEX #4069C9

RGB 64 105 201

HSL 222.04, 0.56%, 0.52%

LAB 46.19, 17.51, -54.24

 

CMYK 68 / 66 / 0 / 21

HEX #4044C9

RGB 64 68 201

HSL 238.25, 0.56%, 0.52%

LAB 36.82, 40.86, -69.46

 

CMYK 52 / 68 / 0 / 21

HEX #6040C9

RGB 96 64 201

HSL 254.01, 0.56%, 0.52%

LAB 38.5, 47.9, -66.61

 

CMYK 34 / 68 / 0 / 21

HEX #8540C9

RGB 133 64 201

HSL 270.22, 0.56%, 0.52%

LAB 42.57, 54.78, -59.81

 

CMYK 15 / 68 / 0 / 21

HEX #AA40C9

RGB 170 64 201

HSL 286.42, 0.56%, 0.52%

LAB 47.53, 62.58, -51.56

 

CMYK 68 / 48 / 0 / 21

HEX #4069C9

RGB 64 105 201

HSL 222.04, 0.56%, 0.52%

LAB 46.19, 17.51, -54.24

 

CMYK 68 / 66 / 0 / 21

HEX #4044C9

RGB 64 68 201

HSL 238.25, 0.56%, 0.52%

LAB 36.82, 40.86, -69.46

 

CMYK 68 / 68 / 0 / 21

HEX #4040C9

RGB 64 64 201

HSL 240, 0.56%, 0.52%

LAB 35.93, 43.25, -70.92

 

CMYK 68 / 48 / 0 / 21

HEX #4069C9

RGB 64 105 201

HSL 222.04, 0.56%, 0.52%

LAB 46.19, 17.51, -54.24

 

CMYK 80 / 56 / 0 / 14

HEX #2C61DC

RGB 44 97 220

HSL 221.93, 0.72%, 0.52%

LAB 44.59, 27.18, -67.73

 

CMYK 90 / 63 / 0 / 6

HEX #1859F0

RGB 24 89 240

HSL 221.94, 0.88%, 0.52%

LAB 43.7, 38.47, -80.53

 

CMYK 68 / 48 / 0 / 21

HEX #4069C9

RGB 64 105 201

HSL 222.04, 0.56%, 0.52%

LAB 46.19, 17.51, -54.24

 

CMYK 54 / 38 / 0 / 29

HEX #5371B5

RGB 83 113 181

HSL 221.63, 0.4%, 0.52%

LAB 48.24, 9.23, -39.37

 

CMYK 36 / 25 / 0 / 37

HEX #6778A1

RGB 103 120 161

HSL 222.41, 0.24%, 0.52%

LAB 50.56, 4.14, -24.02

 

CMYK 13 / 9 / 0 / 45

HEX #7B808D

RGB 123 128 141

HSL 223.33, 0.07%, 0.52%

LAB 53.57, 0.93, -7.65

 

CMYK 0 / 5 / 15 / 44

HEX #8F8879

RGB 143 136 121

HSL 40.91, 0.09%, 0.52%

LAB 56.91, -0.07, 8.99

 

CMYK 68 / 11 / 0 / 21

HEX #40B2C9

RGB 64 178 201

HSL 190.07, 0.56%, 0.52%

LAB 67.39, -24.47, -21.03

 

CMYK 68 / 30 / 0 / 21

HEX #408DC9

RGB 64 141 201

HSL 206.28, 0.56%, 0.52%

LAB 56.44, -4.42, -37.96

 

CMYK 68 / 48 / 0 / 21

HEX #4069C9

RGB 64 105 201

HSL 222.04, 0.56%, 0.52%

LAB 46.19, 17.51, -54.24

 

CMYK 68 / 66 / 0 / 21

HEX #4044C9

RGB 64 68 201

HSL 238.25, 0.56%, 0.52%

LAB 36.82, 40.86, -69.46

 

CMYK 52 / 68 / 0 / 21

HEX #6040C9

RGB 96 64 201

HSL 254.01, 0.56%, 0.52%

LAB 38.5, 47.9, -66.61

 

CMYK 72 / 51 / 0 / 44

HEX #28468E

RGB 40 70 142

HSL 222.35, 0.56%, 0.36%

LAB 31.31, 14.72, -43.27

 

CMYK 72 / 51 / 0 / 32

HEX #3156AE

RGB 49 86 174

HSL 222.24, 0.56%, 0.44%

LAB 38.49, 17.59, -50.95

 

CMYK 68 / 48 / 0 / 21

HEX #4069C9

RGB 64 105 201

HSL 222.04, 0.56%, 0.52%

LAB 46.19, 17.51, -54.24

 

CMYK 54 / 38 / 0 / 18

HEX #6082D2

RGB 96 130 210

HSL 222.11, 0.56%, 0.6%

LAB 55.18, 11.13, -44.93

 

CMYK 42 / 29 / 0 / 14

HEX #809BDB

RGB 128 155 219

HSL 222.2, 0.56%, 0.68%

LAB 64.28, 6.84, -35.55

 

CMYK 68 / 48 / 0 / 21

HEX #4069C9

RGB 64 105 201

HSL 222.04, 0.56%, 0.52%

LAB 46.19, 17.51, -54.24

 

CMYK 7 / 68 / 0 / 21

HEX #BB40C9

RGB 187 64 201

HSL 293.87, 0.56%, 0.52%

LAB 50.04, 66.32, -47.42

 

CMYK 20 / 0 / 68 / 21

HEX #A0C940

RGB 160 201 64

HSL 77.96, 0.56%, 0.52%

LAB 75.83, -33.04, 61.09

 

CMYK 68 / 48 / 0 / 21

HEX #4069C9

RGB 64 105 201

HSL 222.04, 0.56%, 0.52%

LAB 46.19, 17.51, -54.24

 

CMYK 0 / 68 / 48 / 21

HEX #C94069

RGB 201 64 105

HSL 342.04, 0.56%, 0.52%

LAB 48.39, 57, 7.35

 

CMYK 48 / 0 / 68 / 21

HEX #69C940

RGB 105 201 64

HSL 102.04, 0.56%, 0.52%

LAB 72.99, -52.32, 57.25

 

CMYK 68 / 48 / 0 / 21

HEX #4069C9

RGB 64 105 201

HSL 222.04, 0.56%, 0.52%

LAB 46.19, 17.51, -54.24

 

CMYK 7 / 68 / 0 / 21

HEX #BB40C9

RGB 187 64 201

HSL 293.87, 0.56%, 0.52%

LAB 50.04, 66.32, -47.42

 

CMYK 0 / 20 / 68 / 21

HEX #C9A040

RGB 201 160 64

HSL 42.04, 0.56%, 0.52%

LAB 67.97, 5.06, 53.97

 

CMYK 62 / 0 / 68 / 21

HEX #4DC940

RGB 77 201 64

HSL 114.31, 0.56%, 0.52%

LAB 72.04, -59.68, 55.96

 

CMYK 68 / 48 / 0 / 21

HEX #4069C9

RGB 64 105 201

HSL 222.04, 0.56%, 0.52%

LAB 46.19, 17.51, -54.24

 

CMYK 0 / 68 / 14 / 21

HEX #C940AD

RGB 201 64 173

HSL 312.26, 0.56%, 0.52%

LAB 50.81, 65.1, -29.78

 

CMYK 0 / 20 / 68 / 21

HEX #C9A040

RGB 201 160 64

HSL 42.04, 0.56%, 0.52%

LAB 67.97, 5.06, 53.97

 

CMYK 68 / 0 / 55 / 21

HEX #40C95B

RGB 64 201 91

HSL 131.82, 0.56%, 0.52%

LAB 71.97, -59.31, 43.97

 

Description

Color code: RGB 64 105 201 | qconv.com Color code: RGB 64 105 201 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 105 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 105 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 48 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 48% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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