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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 64 122 29 it is the complementary color RGB 191 133 226. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 64 122 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 64 122 29 shade: RGB 69 122 24, RGB 86 140 43, RGB 103 158 62, RGB 120 176 81 and RGB 137 194 100

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 64 122 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 64 122 29 shade: RGB 64 122 29, RGB 47 104 10, RGB 30 86 0, RGB 13 68 0 and RGB 0 50 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 64 122 29 shade: RGB 64 123 29, RGB 90 123 29, RGB 115 123 29, RGB 123 106 29 and RGB 123 80 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 64 122 29 shade: RGB 64 123 29, RGB 39 123 29, RGB 29 123 44, RGB 29 123 70 and RGB 29 123 95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 64 122 29 shade matches the following richer shades: RGB 64 123 29, RGB 61 136 16 and RGB 58 148 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 64 122 29 shade: RGB 64 123 29, RGB 67 111 41, RGB 70 99 53, RGB 73 86 66 and RGB 77 74 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 64 122 29 shade: RGB 116 123 29, RGB 90 123 29, RGB 65 123 29, RGB 40 123 29 and RGB 29 123 43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 64 122 29 shade: RGB 29 57 13, RGB 47 90 21, RGB 64 123 29, RGB 82 157 36 and RGB 99 190 44

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 64 122 29 shade: RGB 64 122 29, RGB 29 123 106 and RGB 123 29 103

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 64 122 29 shade: RGB 64 122 29, RGB 29 65 123 and RGB 123 29 65

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 64 122 29 shade: RGB 64 122 29, RGB 29 123 106, RGB 87 29 123 and RGB 123 29 46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 64 122 29 shade: RGB 64 122 29, RGB 29 112 123, RGB 87 29 123 and RGB 123 40 29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 76 / 52

HEX #407A1D

RGB 64 122 29

HSL 97.42, 0.62%, 0.3%

LAB 45.77, -35.88, 42.38

 

Complementary color

CMYK 15 / 41 / 0 / 11

HEX #BF85E2

RGB 191 133 226

HSL 277.42, 0.62%, 0.7%

LAB 64.44, 38.9, -38.8

 

CMYK 43 / 0 / 80 / 52

HEX #457A18

RGB 69 122 24

HSL 92.45, 0.67%, 0.29%

LAB 45.98, -34.45, 44.48

 

CMYK 39 / 0 / 69 / 45

HEX #568C2B

RGB 86 140 43

HSL 93.4, 0.53%, 0.36%

LAB 52.85, -34.92, 44.32

 

CMYK 35 / 0 / 61 / 38

HEX #679E3E

RGB 103 158 62

HSL 94.38, 0.44%, 0.43%

LAB 59.6, -35.12, 43.5

 

CMYK 32 / 0 / 54 / 31

HEX #78B051

RGB 120 176 81

HSL 95.37, 0.38%, 0.5%

LAB 66.24, -35.18, 42.42

 

CMYK 29 / 0 / 48 / 24

HEX #89C264

RGB 137 194 100

HSL 96.38, 0.44%, 0.58%

LAB 72.77, -35.15, 41.25

 

CMYK 48 / 0 / 76 / 52

HEX #407A1D

RGB 64 122 29

HSL 97.42, 0.62%, 0.3%

LAB 45.77, -35.88, 42.38

 

CMYK 55 / 0 / 90 / 59

HEX #2F680A

RGB 47 104 10

HSL 96.38, 0.82%, 0.22%

LAB 38.77, -35.06, 41.72

 

CMYK 65 / 0 / 100 / 66

HEX #1E5600

RGB 30 86 0

HSL 99.07, 1%, 0.17%

LAB 31.65, -33.48, 38.48

 

CMYK 81 / 0 / 100 / 73

HEX #0D4400

RGB 13 68 0

HSL 108.53, 1%, 0.13%

LAB 24.39, -30.87, 32.08

 

CMYK 100 / 0 / 100 / 80

HEX #003200

RGB 0 50 0

HSL 120, 1%, 0.1%

LAB 16.9, -27.33, 23.7

 

CMYK 48 / 0 / 76 / 52

HEX #407B1D

RGB 64 123 29

HSL 97.66, 0.62%, 0.3%

LAB 46.1, -36.3, 42.72

 

CMYK 27 / 0 / 76 / 52

HEX #5A7B1D

RGB 90 123 29

HSL 81.06, 0.62%, 0.3%

LAB 47.53, -26.39, 44.6

 

CMYK 7 / 0 / 76 / 52

HEX #737B1D

RGB 115 123 29

HSL 65.11, 0.62%, 0.3%

LAB 49.37, -15.39, 47.01

 

CMYK 0 / 14 / 76 / 52

HEX #7B6A1D

RGB 123 106 29

HSL 49.15, 0.62%, 0.3%

LAB 45.09, -2.17, 43.18

 

CMYK 0 / 35 / 76 / 52

HEX #7B501D

RGB 123 80 29

HSL 32.55, 0.62%, 0.3%

LAB 37.91, 13.19, 36.05

 

CMYK 48 / 0 / 76 / 52

HEX #407B1D

RGB 64 123 29

HSL 97.66, 0.62%, 0.3%

LAB 46.1, -36.3, 42.72

 

CMYK 68 / 0 / 76 / 52

HEX #277B1D

RGB 39 123 29

HSL 113.62, 0.62%, 0.3%

LAB 45.2, -43.39, 41.52

 

CMYK 76 / 0 / 64 / 52

HEX #1D7B2C

RGB 29 123 44

HSL 129.57, 0.62%, 0.3%

LAB 45.09, -43.81, 34.79

 

CMYK 76 / 0 / 43 / 52

HEX #1D7B46

RGB 29 123 70

HSL 146.17, 0.62%, 0.3%

LAB 45.45, -39.6, 21.48

 

CMYK 76 / 0 / 23 / 52

HEX #1D7B5F

RGB 29 123 95

HSL 162.13, 0.62%, 0.3%

LAB 45.98, -33.85, 7.72

 

CMYK 48 / 0 / 76 / 52

HEX #407B1D

RGB 64 123 29

HSL 97.66, 0.62%, 0.3%

LAB 46.1, -36.3, 42.72

 

CMYK 55 / 0 / 88 / 47

HEX #3D8810

RGB 61 136 16

HSL 97.5, 0.79%, 0.3%

LAB 50.26, -43.26, 50.55

 

CMYK 61 / 0 / 97 / 42

HEX #3A9404

RGB 58 148 4

HSL 97.5, 0.95%, 0.3%

LAB 54.12, -48.95, 55.96

 

CMYK 48 / 0 / 76 / 52

HEX #407B1D

RGB 64 123 29

HSL 97.66, 0.62%, 0.3%

LAB 46.1, -36.3, 42.72

 

CMYK 40 / 0 / 63 / 56

HEX #436F29

RGB 67 111 41

HSL 97.71, 0.46%, 0.3%

LAB 42.34, -28.76, 33.5

 

CMYK 29 / 0 / 46 / 61

HEX #466335

RGB 70 99 53

HSL 97.83, 0.3%, 0.3%

LAB 38.7, -20.06, 22.73

 

CMYK 15 / 0 / 23 / 66

HEX #495642

RGB 73 86 66

HSL 99, 0.13%, 0.3%

LAB 34.93, -9.37, 9.99

 

CMYK 1 / 5 / 0 / 69

HEX #4D4A4E

RGB 77 74 78

HSL 285, 0.03%, 0.3%

LAB 31.86, 2.11, -1.94

 

CMYK 6 / 0 / 76 / 52

HEX #747B1D

RGB 116 123 29

HSL 64.47, 0.62%, 0.3%

LAB 49.46, -14.93, 47.12

 

CMYK 27 / 0 / 76 / 52

HEX #5A7B1D

RGB 90 123 29

HSL 81.06, 0.62%, 0.3%

LAB 47.53, -26.39, 44.6

 

CMYK 47 / 0 / 76 / 52

HEX #417B1D

RGB 65 123 29

HSL 97.02, 0.62%, 0.3%

LAB 46.15, -35.96, 42.78

 

CMYK 67 / 0 / 76 / 52

HEX #287B1D

RGB 40 123 29

HSL 112.98, 0.62%, 0.3%

LAB 45.23, -43.16, 41.56

 

CMYK 76 / 0 / 65 / 52

HEX #1D7B2B

RGB 29 123 43

HSL 128.94, 0.62%, 0.3%

LAB 45.08, -43.93, 35.25

 

CMYK 49 / 0 / 77 / 78

HEX #1D390D

RGB 29 57 13

HSL 98.18, 0.63%, 0.14%

LAB 20.89, -20, 23.23

 

CMYK 48 / 0 / 77 / 65

HEX #2F5A15

RGB 47 90 21

HSL 97.39, 0.62%, 0.22%

LAB 33.92, -28.29, 33.42

 

CMYK 48 / 0 / 76 / 52

HEX #407B1D

RGB 64 123 29

HSL 97.66, 0.62%, 0.3%

LAB 46.1, -36.3, 42.72

 

CMYK 48 / 0 / 77 / 38

HEX #529D24

RGB 82 157 36

HSL 97.19, 0.63%, 0.38%

LAB 58.07, -44.03, 52.2

 

CMYK 48 / 0 / 77 / 25

HEX #63BE2C

RGB 99 190 44

HSL 97.4, 0.62%, 0.46%

LAB 69.23, -51.27, 60.56

 

CMYK 48 / 0 / 76 / 52

HEX #407A1D

RGB 64 122 29

HSL 97.42, 0.62%, 0.3%

LAB 45.77, -35.88, 42.38

 

CMYK 76 / 0 / 14 / 52

HEX #1D7B6A

RGB 29 123 106

HSL 169.15, 0.62%, 0.3%

LAB 46.27, -30.86, 1.63

 

CMYK 0 / 76 / 16 / 52

HEX #7B1D67

RGB 123 29 103

HSL 312.77, 0.62%, 0.3%

LAB 29.59, 47.58, -20.94

 

CMYK 48 / 0 / 76 / 52

HEX #407A1D

RGB 64 122 29

HSL 97.42, 0.62%, 0.3%

LAB 45.77, -35.88, 42.38

 

CMYK 76 / 47 / 0 / 52

HEX #1D417B

RGB 29 65 123

HSL 217.02, 0.62%, 0.3%

LAB 28.04, 8.95, -36.77

 

CMYK 0 / 76 / 47 / 52

HEX #7B1D41

RGB 123 29 65

HSL 337.02, 0.62%, 0.3%

LAB 28.04, 42.73, 1.76

 

CMYK 48 / 0 / 76 / 52

HEX #407A1D

RGB 64 122 29

HSL 97.42, 0.62%, 0.3%

LAB 45.77, -35.88, 42.38

 

CMYK 76 / 0 / 14 / 52

HEX #1D7B6A

RGB 29 123 106

HSL 169.15, 0.62%, 0.3%

LAB 46.27, -30.86, 1.63

 

CMYK 29 / 76 / 0 / 52

HEX #571D7B

RGB 87 29 123

HSL 277.02, 0.62%, 0.3%

LAB 24.75, 42.98, -41.81

 

CMYK 0 / 76 / 63 / 52

HEX #7B1D2E

RGB 123 29 46

HSL 349.15, 0.62%, 0.3%

LAB 27.54, 41.09, 13.83

 

CMYK 48 / 0 / 76 / 52

HEX #407A1D

RGB 64 122 29

HSL 97.42, 0.62%, 0.3%

LAB 45.77, -35.88, 42.38

 

CMYK 76 / 9 / 0 / 52

HEX #1D707B

RGB 29 112 123

HSL 187.02, 0.62%, 0.3%

LAB 43.18, -20.03, -13.11

 

CMYK 29 / 76 / 0 / 52

HEX #571D7B

RGB 87 29 123

HSL 277.02, 0.62%, 0.3%

LAB 24.75, 42.98, -41.81

 

CMYK 0 / 67 / 76 / 52

HEX #7B281D

RGB 123 40 29

HSL 7.02, 0.62%, 0.3%

LAB 28.95, 35.41, 26.52

 

Description

Color code: RGB 64 122 29 | qconv.com Color code: RGB 64 122 29 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 122 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 122 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 76 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 76% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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