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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 64 216 63 it is the complementary color RGB 191 39 192. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 64 216 63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 64 216 63 shade: RGB 69 216 58, RGB 86 234 77, RGB 103 252 96, RGB 120 255 115 and RGB 137 255 134

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 64 216 63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 64 216 63 shade: RGB 64 216 63, RGB 47 198 44, RGB 30 180 25, RGB 13 162 6 and RGB 0 144 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 64 216 63 shade: RGB 65 215 64, RGB 106 215 64, RGB 147 215 64, RGB 188 215 64 and RGB 215 203 64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 64 216 63 shade: RGB 65 215 64, RGB 64 215 104, RGB 64 215 145, RGB 64 215 186 and RGB 64 205 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 64 216 63 shade matches the following richer shades: RGB 65 215 64, RGB 47 234 45 and RGB 28 253 27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 64 216 63 shade: RGB 65 215 64, RGB 83 197 83, RGB 102 178 101, RGB 120 160 120 and RGB 138 141 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 64 216 63 shade: RGB 147 215 64, RGB 107 215 64, RGB 67 215 64, RGB 64 215 102 and RGB 64 215 142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 64 216 63 shade: RGB 34 164 33, RGB 41 198 40, RGB 65 215 64, RGB 99 222 98 and RGB 133 230 133

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 64 216 63 shade: RGB 64 216 63, RGB 64 188 215 and RGB 215 64 127

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 64 216 63 shade: RGB 64 216 63, RGB 64 67 215 and RGB 215 64 67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 64 216 63 shade: RGB 64 216 63, RGB 64 188 215, RGB 213 64 215 and RGB 215 92 64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 64 216 63 shade: RGB 64 216 63, RGB 64 142 215, RGB 213 64 215 and RGB 215 137 64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 71 / 15

HEX #40D83F

RGB 64 216 63

HSL 119.61, 0.66%, 0.55%

LAB 76.41, -67.36, 60.83

 

Complementary color

CMYK 1 / 80 / 0 / 25

HEX #BF27C0

RGB 191 39 192

HSL 299.61, 0.66%, 0.45%

LAB 47.41, 73.53, -46.35

 

CMYK 68 / 0 / 73 / 15

HEX #45D83A

RGB 69 216 58

HSL 115.82, 0.67%, 0.54%

LAB 76.49, -66.85, 62.72

 

CMYK 63 / 0 / 67 / 8

HEX #56EA4D

RGB 86 234 77

HSL 116.56, 0.79%, 0.61%

LAB 82.57, -67.87, 62.17

 

CMYK 59 / 0 / 62 / 1

HEX #67FC60

RGB 103 252 96

HSL 117.31, 0.96%, 0.68%

LAB 88.61, -68.53, 61.29

 

CMYK 53 / 0 / 55 / 0

HEX #78FF73

RGB 120 255 115

HSL 117.86, 1%, 0.73%

LAB 90.21, -63.52, 55.06

 

CMYK 46 / 0 / 47 / 0

HEX #89FF86

RGB 137 255 134

HSL 118.51, 1%, 0.76%

LAB 91.03, -56.71, 47.46

 

CMYK 70 / 0 / 71 / 15

HEX #40D83F

RGB 64 216 63

HSL 119.61, 0.66%, 0.55%

LAB 76.41, -67.36, 60.83

 

CMYK 76 / 0 / 78 / 22

HEX #2FC62C

RGB 47 198 44

HSL 118.83, 0.64%, 0.47%

LAB 70.3, -65.81, 61.09

 

CMYK 83 / 0 / 86 / 29

HEX #1EB419

RGB 30 180 25

HSL 118.06, 0.76%, 0.4%

LAB 64.15, -63.59, 60.47

 

CMYK 92 / 0 / 96 / 36

HEX #0DA206

RGB 13 162 6

HSL 117.31, 0.93%, 0.33%

LAB 57.98, -60.48, 58.47

 

CMYK 100 / 0 / 100 / 44

HEX #009000

RGB 0 144 0

HSL 120, 1%, 0.28%

LAB 51.78, -56.31, 54.35

 

CMYK 70 / 0 / 70 / 16

HEX #41D740

RGB 65 215 64

HSL 119.6, 0.65%, 0.55%

LAB 76.13, -66.78, 60.17

 

CMYK 51 / 0 / 70 / 16

HEX #6AD740

RGB 106 215 64

HSL 103.31, 0.65%, 0.55%

LAB 77.3, -57.36, 61.75

 

CMYK 32 / 0 / 70 / 16

HEX #93D740

RGB 147 215 64

HSL 87.02, 0.65%, 0.55%

LAB 79.14, -44.16, 64.22

 

CMYK 13 / 0 / 70 / 16

HEX #BCD740

RGB 188 215 64

HSL 70.73, 0.65%, 0.55%

LAB 81.65, -28.46, 67.56

 

CMYK 0 / 6 / 70 / 16

HEX #D7CB40

RGB 215 203 64

HSL 55.23, 0.65%, 0.55%

LAB 80.48, -11.4, 67.1

 

CMYK 70 / 0 / 70 / 16

HEX #41D740

RGB 65 215 64

HSL 119.6, 0.65%, 0.55%

LAB 76.13, -66.78, 60.17

 

CMYK 70 / 0 / 52 / 16

HEX #40D768

RGB 64 215 104

HSL 135.89, 0.65%, 0.55%

LAB 76.49, -62.4, 43.26

 

CMYK 70 / 0 / 33 / 16

HEX #40D791

RGB 64 215 145

HSL 152.19, 0.65%, 0.55%

LAB 77.12, -55.28, 23.41

 

CMYK 70 / 0 / 13 / 16

HEX #40D7BA

RGB 64 215 186

HSL 168.48, 0.65%, 0.55%

LAB 78.01, -45.91, 2.94

 

CMYK 70 / 5 / 0 / 16

HEX #40CDD7

RGB 64 205 215

HSL 183.97, 0.65%, 0.55%

LAB 75.86, -33.48, -15.84

 

CMYK 70 / 0 / 70 / 16

HEX #41D740

RGB 65 215 64

HSL 119.6, 0.65%, 0.55%

LAB 76.13, -66.78, 60.17

 

CMYK 80 / 0 / 81 / 8

HEX #2FEA2D

RGB 47 234 45

HSL 119.37, 0.82%, 0.55%

LAB 81.64, -76.44, 71.52

 

CMYK 89 / 0 / 89 / 1

HEX #1CFD1B

RGB 28 253 27

HSL 119.73, 0.98%, 0.55%

LAB 87.28, -84.07, 80.16

 

CMYK 70 / 0 / 70 / 16

HEX #41D740

RGB 65 215 64

HSL 119.6, 0.65%, 0.55%

LAB 76.13, -66.78, 60.17

 

CMYK 58 / 0 / 58 / 23

HEX #53C553

RGB 83 197 83

HSL 120, 0.5%, 0.55%

LAB 71.14, -54.85, 46.85

 

CMYK 43 / 0 / 43 / 30

HEX #66B265

RGB 102 178 101

HSL 119.22, 0.33%, 0.55%

LAB 66.22, -39.46, 32.12

 

CMYK 25 / 0 / 25 / 37

HEX #78A078

RGB 120 160 120

HSL 120, 0.17%, 0.55%

LAB 62.08, -21.79, 16.54

 

CMYK 2 / 0 / 2 / 45

HEX #8A8D8A

RGB 138 141 138

HSL 120, 0.01%, 0.55%

LAB 58.31, -1.69, 1.21

 

CMYK 32 / 0 / 70 / 16

HEX #93D740

RGB 147 215 64

HSL 87.02, 0.65%, 0.55%

LAB 79.14, -44.16, 64.22

 

CMYK 50 / 0 / 70 / 16

HEX #6BD740

RGB 107 215 64

HSL 102.91, 0.65%, 0.55%

LAB 77.34, -57.08, 61.8

 

CMYK 69 / 0 / 70 / 16

HEX #43D740

RGB 67 215 64

HSL 118.81, 0.65%, 0.55%

LAB 76.17, -66.42, 60.23

 

CMYK 70 / 0 / 53 / 16

HEX #40D766

RGB 64 215 102

HSL 135.1, 0.65%, 0.55%

LAB 76.47, -62.68, 44.19

 

CMYK 70 / 0 / 34 / 16

HEX #40D78E

RGB 64 215 142

HSL 150.99, 0.65%, 0.55%

LAB 77.07, -55.88, 24.89

 

CMYK 79 / 0 / 80 / 36

HEX #22A421

RGB 34 164 33

HSL 119.54, 0.66%, 0.39%

LAB 58.98, -57.8, 53.58

 

CMYK 79 / 0 / 80 / 22

HEX #29C628

RGB 41 198 40

HSL 119.62, 0.66%, 0.47%

LAB 70.18, -66.88, 62.15

 

CMYK 70 / 0 / 70 / 16

HEX #41D740

RGB 65 215 64

HSL 119.6, 0.65%, 0.55%

LAB 76.13, -66.78, 60.17

 

CMYK 55 / 0 / 56 / 13

HEX #63DE62

RGB 99 222 98

HSL 119.52, 0.65%, 0.63%

LAB 79.49, -58.49, 49.9

 

CMYK 42 / 0 / 42 / 10

HEX #85E685

RGB 133 230 133

HSL 120, 0.66%, 0.71%

LAB 83.59, -47.8, 38.48

 

CMYK 70 / 0 / 71 / 15

HEX #40D83F

RGB 64 216 63

HSL 119.61, 0.66%, 0.55%

LAB 76.41, -67.36, 60.83

 

CMYK 70 / 13 / 0 / 16

HEX #40BCD7

RGB 64 188 215

HSL 190.73, 0.65%, 0.55%

LAB 70.85, -25.19, -23.44

 

CMYK 0 / 70 / 41 / 16

HEX #D7407F

RGB 215 64 127

HSL 334.97, 0.65%, 0.55%

LAB 51.43, 63.18, -1.26

 

CMYK 70 / 0 / 71 / 15

HEX #40D83F

RGB 64 216 63

HSL 119.61, 0.66%, 0.55%

LAB 76.41, -67.36, 60.83

 

CMYK 70 / 69 / 0 / 16

HEX #4043D7

RGB 64 67 215

HSL 238.81, 0.65%, 0.55%

LAB 37.86, 46.13, -75.85

 

CMYK 0 / 70 / 69 / 16

HEX #D74043

RGB 215 64 67

HSL 358.81, 0.65%, 0.55%

LAB 50.12, 58.7, 32.91

 

CMYK 70 / 0 / 71 / 15

HEX #40D83F

RGB 64 216 63

HSL 119.61, 0.66%, 0.55%

LAB 76.41, -67.36, 60.83

 

CMYK 70 / 13 / 0 / 16

HEX #40BCD7

RGB 64 188 215

HSL 190.73, 0.65%, 0.55%

LAB 70.85, -25.19, -23.44

 

CMYK 1 / 70 / 0 / 16

HEX #D540D7

RGB 213 64 215

HSL 299.21, 0.65%, 0.55%

LAB 54.78, 74.35, -47.64

 

CMYK 0 / 57 / 70 / 16

HEX #D75C40

RGB 215 92 64

HSL 11.13, 0.65%, 0.55%

LAB 54.52, 46.65, 39.75

 

CMYK 70 / 0 / 71 / 15

HEX #40D83F

RGB 64 216 63

HSL 119.61, 0.66%, 0.55%

LAB 76.41, -67.36, 60.83

 

CMYK 70 / 34 / 0 / 16

HEX #408ED7

RGB 64 142 215

HSL 209.01, 0.65%, 0.55%

LAB 57.41, -0.15, -44.32

 

CMYK 1 / 70 / 0 / 16

HEX #D540D7

RGB 213 64 215

HSL 299.21, 0.65%, 0.55%

LAB 54.78, 74.35, -47.64

 

CMYK 0 / 36 / 70 / 16

HEX #D78940

RGB 215 137 64

HSL 29.01, 0.65%, 0.55%

LAB 63.92, 23.5, 50.14

 

Description

Color code: RGB 64 216 63 | qconv.com Color code: RGB 64 216 63 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 216 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 216 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 71 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 71% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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