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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 65 52 110 it is the complementary color RGB 190 203 145. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 65 52 110. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 65 52 110 shade: RGB 70 52 105, RGB 87 70 124, RGB 104 88 143, RGB 121 106 162 and RGB 138 124 181

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 65 52 110. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 65 52 110 shade: RGB 65 52 110, RGB 48 34 91, RGB 31 16 72, RGB 14 0 53 and RGB 0 0 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 65 52 110 shade: RGB 65 52 110, RGB 81 52 110, RGB 97 52 110, RGB 110 52 109 and RGB 110 52 93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 65 52 110 shade: RGB 65 52 110 and RGB 52 52 110

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 65 52 110 shade matches the following richer shades: RGB 65 52 110, RGB 58 39 124, RGB 50 25 137 and RGB 43 12 150

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 65 52 110 shade: RGB 65 52 110, RGB 72 65 97, RGB 79 78 84, RGB 87 91 71 and RGB 94 105 58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 65 52 110 shade: RGB 52 70 110, RGB 52 55 110, RGB 64 52 110, RGB 80 52 110 and RGB 96 52 110

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 65 52 110 shade: RGB 32 25 54, RGB 48 39 82, RGB 65 52 110, RGB 81 65 139 and RGB 98 78 167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 65 52 110 shade: RGB 65 52 110, RGB 110 52 86 and RGB 62 110 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 65 52 110 shade: RGB 65 52 110, RGB 110 64 52 and RGB 52 110 64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 65 52 110 shade: RGB 65 52 110, RGB 110 52 86, RGB 98 110 52 and RGB 52 110 76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 65 52 110 shade: RGB 65 52 110, RGB 110 52 68, RGB 98 110 52 and RGB 52 110 94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 53 / 0 / 57

HEX #41346E

RGB 65 52 110

HSL 253.45, 0.36%, 0.32%

LAB 25.88, 21, -31.85

 

Complementary color

CMYK 6 / 0 / 29 / 20

HEX #BECB91

RGB 190 203 145

HSL 73.45, 0.36%, 0.68%

LAB 79.44, -14.05, 27.52

 

CMYK 33 / 50 / 0 / 59

HEX #463469

RGB 70 52 105

HSL 260.38, 0.34%, 0.31%

LAB 26.09, 20.95, -28.26

 

CMYK 30 / 44 / 0 / 51

HEX #57467C

RGB 87 70 124

HSL 258.89, 0.28%, 0.38%

LAB 33.69, 19.93, -28.15

 

CMYK 27 / 38 / 0 / 44

HEX #68588F

RGB 104 88 143

HSL 257.45, 0.24%, 0.45%

LAB 41.07, 19.07, -28.09

 

CMYK 25 / 35 / 0 / 36

HEX #796AA2

RGB 121 106 162

HSL 256.07, 0.23%, 0.53%

LAB 48.24, 18.32, -28.09

 

CMYK 24 / 31 / 0 / 29

HEX #8A7CB5

RGB 138 124 181

HSL 254.74, 0.28%, 0.6%

LAB 55.23, 17.67, -28.14

 

CMYK 41 / 53 / 0 / 57

HEX #41346E

RGB 65 52 110

HSL 253.45, 0.36%, 0.32%

LAB 25.88, 21, -31.85

 

CMYK 47 / 63 / 0 / 64

HEX #30225B

RGB 48 34 91

HSL 254.74, 0.46%, 0.25%

LAB 18.04, 22.4, -32.11

 

CMYK 57 / 78 / 0 / 72

HEX #1F1048

RGB 31 16 72

HSL 256.07, 0.64%, 0.17%

LAB 10.03, 23.98, -32.26

 

CMYK 74 / 100 / 0 / 79

HEX #0E0035

RGB 14 0 53

HSL 255.85, 1%, 0.1%

LAB 3.17, 20.1, -29.89

 

CMYK 100 / 100 / 0 / 87

HEX #000022

RGB 0 0 34

HSL 240, 1%, 0.07%

LAB 1.04, 7.33, -18.78

 

CMYK 41 / 53 / 0 / 57

HEX #41346E

RGB 65 52 110

HSL 253.45, 0.36%, 0.32%

LAB 25.88, 21, -31.85

 

CMYK 26 / 53 / 0 / 57

HEX #51346E

RGB 81 52 110

HSL 270, 0.36%, 0.32%

LAB 27.66, 25.66, -28.91

 

CMYK 12 / 53 / 0 / 57

HEX #61346E

RGB 97 52 110

HSL 286.55, 0.36%, 0.32%

LAB 29.72, 30.59, -25.51

 

CMYK 0 / 53 / 1 / 57

HEX #6E346D

RGB 110 52 109

HSL 301.03, 0.36%, 0.32%

LAB 31.52, 34.46, -21.92

 

CMYK 0 / 53 / 15 / 57

HEX #6E345D

RGB 110 52 93

HSL 317.59, 0.36%, 0.32%

LAB 30.79, 31.46, -12.8

 

CMYK 41 / 53 / 0 / 57

HEX #41346E

RGB 65 52 110

HSL 253.45, 0.36%, 0.32%

LAB 25.88, 21, -31.85

 

CMYK 53 / 53 / 0 / 57

HEX #34346E

RGB 52 52 110

HSL 240, 0.36%, 0.32%

LAB 24.68, 17.58, -33.84

 

CMYK 41 / 53 / 0 / 57

HEX #41346E

RGB 65 52 110

HSL 253.45, 0.36%, 0.32%

LAB 25.88, 21, -31.85

 

CMYK 53 / 69 / 0 / 51

HEX #3A277C

RGB 58 39 124

HSL 253.41, 0.52%, 0.32%

LAB 23.02, 32.09, -45.42

 

CMYK 64 / 82 / 0 / 46

HEX #321989

RGB 50 25 137

HSL 253.39, 0.69%, 0.32%

LAB 20.75, 42.64, -57.38

 

CMYK 71 / 92 / 0 / 41

HEX #2B0C96

RGB 43 12 150

HSL 253.48, 0.85%, 0.32%

LAB 19.96, 50.86, -66.8

 

CMYK 41 / 53 / 0 / 57

HEX #41346E

RGB 65 52 110

HSL 253.45, 0.36%, 0.32%

LAB 25.88, 21, -31.85

 

CMYK 26 / 33 / 0 / 62

HEX #484161

RGB 72 65 97

HSL 253.13, 0.2%, 0.32%

LAB 29.47, 10.78, -17.81

 

CMYK 6 / 7 / 0 / 67

HEX #4F4E54

RGB 79 78 84

HSL 250, 0.04%, 0.32%

LAB 33.46, 1.74, -3.39

 

CMYK 4 / 0 / 22 / 64

HEX #575B47

RGB 87 91 71

HSL 72, 0.12%, 0.32%

LAB 37.78, -5.52, 11.03

 

CMYK 10 / 0 / 45 / 59

HEX #5E693A

RGB 94 105 58

HSL 74.04, 0.29%, 0.32%

LAB 42.44, -12.52, 24.99

 

CMYK 53 / 36 / 0 / 57

HEX #34466E

RGB 52 70 110

HSL 221.38, 0.36%, 0.32%

LAB 30, 5.36, -25.38

 

CMYK 53 / 50 / 0 / 57

HEX #34376E

RGB 52 55 110

HSL 236.9, 0.36%, 0.32%

LAB 25.53, 15.52, -32.47

 

CMYK 42 / 53 / 0 / 57

HEX #40346E

RGB 64 52 110

HSL 252.41, 0.36%, 0.32%

LAB 25.78, 20.73, -32.01

 

CMYK 27 / 53 / 0 / 57

HEX #50346E

RGB 80 52 110

HSL 268.97, 0.36%, 0.32%

LAB 27.54, 25.36, -29.1

 

CMYK 13 / 53 / 0 / 57

HEX #60346E

RGB 96 52 110

HSL 285.52, 0.36%, 0.32%

LAB 29.58, 30.28, -25.74

 

CMYK 41 / 54 / 0 / 79

HEX #201936

RGB 32 25 54

HSL 254.48, 0.37%, 0.15%

LAB 11.05, 11.77, -17.84

 

CMYK 41 / 52 / 0 / 68

HEX #302752

RGB 48 39 82

HSL 252.56, 0.36%, 0.24%

LAB 18.75, 16.04, -24.95

 

CMYK 41 / 53 / 0 / 57

HEX #41346E

RGB 65 52 110

HSL 253.45, 0.36%, 0.32%

LAB 25.88, 21, -31.85

 

CMYK 42 / 53 / 0 / 45

HEX #51418B

RGB 81 65 139

HSL 252.97, 0.36%, 0.4%

LAB 32.69, 25.74, -39.06

 

CMYK 41 / 53 / 0 / 35

HEX #624EA7

RGB 98 78 167

HSL 253.48, 0.36%, 0.48%

LAB 39.3, 30.24, -45.31

 

CMYK 41 / 53 / 0 / 57

HEX #41346E

RGB 65 52 110

HSL 253.45, 0.36%, 0.32%

LAB 25.88, 21, -31.85

 

CMYK 0 / 53 / 22 / 57

HEX #6E3456

RGB 110 52 86

HSL 324.83, 0.36%, 0.32%

LAB 30.5, 30.27, -8.7

 

CMYK 44 / 0 / 53 / 57

HEX #3E6E34

RGB 62 110 52

HSL 109.66, 0.36%, 0.32%

LAB 41.88, -28.72, 27.16

 

CMYK 41 / 53 / 0 / 57

HEX #41346E

RGB 65 52 110

HSL 253.45, 0.36%, 0.32%

LAB 25.88, 21, -31.85

 

CMYK 0 / 42 / 53 / 57

HEX #6E4034

RGB 110 64 52

HSL 12.41, 0.36%, 0.32%

LAB 32.32, 18.62, 15.87

 

CMYK 53 / 0 / 42 / 57

HEX #346E40

RGB 52 110 64

HSL 132.41, 0.36%, 0.32%

LAB 41.61, -29.97, 19.99

 

CMYK 41 / 53 / 0 / 57

HEX #41346E

RGB 65 52 110

HSL 253.45, 0.36%, 0.32%

LAB 25.88, 21, -31.85

 

CMYK 0 / 53 / 22 / 57

HEX #6E3456

RGB 110 52 86

HSL 324.83, 0.36%, 0.32%

LAB 30.5, 30.27, -8.7

 

CMYK 11 / 0 / 53 / 57

HEX #626E34

RGB 98 110 52

HSL 72.41, 0.36%, 0.32%

LAB 44.23, -14.23, 30.55

 

CMYK 53 / 0 / 31 / 57

HEX #346E4C

RGB 52 110 76

HSL 144.83, 0.36%, 0.32%

LAB 41.85, -27.56, 13.29

 

CMYK 41 / 53 / 0 / 57

HEX #41346E

RGB 65 52 110

HSL 253.45, 0.36%, 0.32%

LAB 25.88, 21, -31.85

 

CMYK 0 / 53 / 38 / 57

HEX #6E3444

RGB 110 52 68

HSL 343.45, 0.36%, 0.32%

LAB 29.88, 27.58, 2.14

 

CMYK 11 / 0 / 53 / 57

HEX #626E34

RGB 98 110 52

HSL 72.41, 0.36%, 0.32%

LAB 44.23, -14.23, 30.55

 

CMYK 53 / 0 / 15 / 57

HEX #346E5E

RGB 52 110 94

HSL 163.45, 0.36%, 0.32%

LAB 42.29, -23.26, 3.14

 

Description

Color code: RGB 65 52 110 | qconv.com Color code: RGB 65 52 110 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 52 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 52 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 53 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 53% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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