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Color name
RGB 65 199 94

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 65 199 94 it is the complementary color RGB 190 56 161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 65 199 94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 65 199 94 shade: RGB 70 199 89, RGB 87 217 108, RGB 104 235 127, RGB 121 253 146 and RGB 138 255 165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 65 199 94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 65 199 94 shade: RGB 65 199 94, RGB 48 181 75, RGB 31 163 56, RGB 14 145 37 and RGB 0 127 18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 65 199 94 shade: RGB 66 198 95, RGB 73 198 66, RGB 109 198 66, RGB 144 198 66 and RGB 180 198 66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 65 199 94 shade: RGB 66 198 95, RGB 66 198 130, RGB 66 198 166, RGB 66 195 198 and RGB 66 159 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 65 199 94 shade matches the following richer shades: RGB 66 198 95, RGB 46 218 83 and RGB 26 238 72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 65 199 94 shade: RGB 66 198 95, RGB 86 178 106, RGB 106 159 117, RGB 125 139 128 and RGB 145 119 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 65 199 94 shade: RGB 110 198 66, RGB 75 198 66, RGB 66 198 92, RGB 66 198 128 and RGB 66 198 163

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 65 199 94 shade: RGB 42 140 63, RGB 51 172 77, RGB 66 198 95, RGB 98 208 122 and RGB 130 217 149

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 65 199 94 shade: RGB 65 199 94, RGB 66 145 198 and RGB 198 66 92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 65 199 94 shade: RGB 65 199 94, RGB 92 66 198 and RGB 198 92 66

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 65 199 94 shade: RGB 65 199 94, RGB 66 145 198, RGB 198 66 172 and RGB 198 119 66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 65 199 94 shade: RGB 65 199 94, RGB 66 106 198, RGB 198 66 172 and RGB 198 159 66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 53 / 22

HEX #41C75E

RGB 65 199 94

HSL 132.99, 0.54%, 0.52%

LAB 71.4, -58, 41.86

 

Complementary color

CMYK 0 / 71 / 15 / 25

HEX #BE38A1

RGB 190 56 161

HSL 312.99, 0.54%, 0.48%

LAB 47.43, 63.53, -28.09

 

CMYK 65 / 0 / 55 / 22

HEX #46C759

RGB 70 199 89

HSL 128.84, 0.54%, 0.53%

LAB 71.47, -57.71, 44.35

 

CMYK 60 / 0 / 50 / 15

HEX #57D96C

RGB 87 217 108

HSL 129.69, 0.63%, 0.6%

LAB 77.72, -58.13, 42.98

 

CMYK 56 / 0 / 46 / 8

HEX #68EB7F

RGB 104 235 127

HSL 130.53, 0.77%, 0.66%

LAB 83.91, -58.31, 41.62

 

CMYK 52 / 0 / 42 / 1

HEX #79FD92

RGB 121 253 146

HSL 131.36, 0.97%, 0.73%

LAB 90.04, -58.35, 40.31

 

CMYK 46 / 0 / 35 / 0

HEX #8AFFA5

RGB 138 255 165

HSL 133.85, 1%, 0.77%

LAB 91.52, -51.83, 32.99

 

CMYK 67 / 0 / 53 / 22

HEX #41C75E

RGB 65 199 94

HSL 132.99, 0.54%, 0.52%

LAB 71.4, -58, 41.86

 

CMYK 73 / 0 / 59 / 29

HEX #30B54B

RGB 48 181 75

HSL 132.18, 0.58%, 0.45%

LAB 65.11, -57.19, 43.28

 

CMYK 81 / 0 / 66 / 36

HEX #1FA338

RGB 31 163 56

HSL 131.36, 0.68%, 0.38%

LAB 58.76, -55.85, 44.61

 

CMYK 90 / 0 / 74 / 43

HEX #0E9125

RGB 14 145 37

HSL 130.53, 0.82%, 0.31%

LAB 52.37, -53.73, 45.59

 

CMYK 100 / 0 / 86 / 50

HEX #007F12

RGB 0 127 18

HSL 128.5, 1%, 0.25%

LAB 45.94, -50.64, 45.69

 

CMYK 67 / 0 / 52 / 22

HEX #42C65F

RGB 66 198 95

HSL 133.18, 0.54%, 0.52%

LAB 71.13, -57.31, 41.04

 

CMYK 63 / 0 / 67 / 22

HEX #49C642

RGB 73 198 66

HSL 116.82, 0.54%, 0.52%

LAB 71.01, -59.33, 54.02

 

CMYK 45 / 0 / 67 / 22

HEX #6DC642

RGB 109 198 66

HSL 100.45, 0.54%, 0.52%

LAB 72.25, -49.75, 55.72

 

CMYK 27 / 0 / 67 / 22

HEX #90C642

RGB 144 198 66

HSL 84.55, 0.54%, 0.52%

LAB 74, -37.67, 58.11

 

CMYK 9 / 0 / 67 / 22

HEX #B4C642

RGB 180 198 66

HSL 68.18, 0.54%, 0.52%

LAB 76.37, -23.43, 61.3

 

CMYK 67 / 0 / 52 / 22

HEX #42C65F

RGB 66 198 95

HSL 133.18, 0.54%, 0.52%

LAB 71.13, -57.31, 41.04

 

CMYK 67 / 0 / 34 / 22

HEX #42C682

RGB 66 198 130

HSL 149.09, 0.54%, 0.52%

LAB 71.66, -51.33, 23.88

 

CMYK 67 / 0 / 16 / 22

HEX #42C6A6

RGB 66 198 166

HSL 165.45, 0.54%, 0.52%

LAB 72.43, -43.3, 5.64

 

CMYK 67 / 2 / 0 / 22

HEX #42C3C6

RGB 66 195 198

HSL 181.36, 0.54%, 0.52%

LAB 72.41, -33.39, -11.8

 

CMYK 67 / 20 / 0 / 22

HEX #429FC6

RGB 66 159 198

HSL 197.73, 0.54%, 0.52%

LAB 61.68, -15.17, -28.11

 

CMYK 67 / 0 / 52 / 22

HEX #42C65F

RGB 66 198 95

HSL 133.18, 0.54%, 0.52%

LAB 71.13, -57.31, 41.04

 

CMYK 79 / 0 / 62 / 15

HEX #2EDA53

RGB 46 218 83

HSL 132.91, 0.7%, 0.52%

LAB 76.89, -68.65, 53.24

 

CMYK 89 / 0 / 70 / 7

HEX #1AEE48

RGB 26 238 72

HSL 133.02, 0.86%, 0.52%

LAB 82.83, -77.52, 64.04

 

CMYK 67 / 0 / 52 / 22

HEX #42C65F

RGB 66 198 95

HSL 133.18, 0.54%, 0.52%

LAB 71.13, -57.31, 41.04

 

CMYK 52 / 0 / 40 / 30

HEX #56B26A

RGB 86 178 106

HSL 133.04, 0.37%, 0.52%

LAB 65.64, -43.23, 28.63

 

CMYK 33 / 0 / 26 / 38

HEX #6A9F75

RGB 106 159 117

HSL 132.45, 0.22%, 0.52%

LAB 60.91, -26.6, 16.47

 

CMYK 10 / 0 / 8 / 45

HEX #7D8B80

RGB 125 139 128

HSL 132.86, 0.06%, 0.52%

LAB 56.47, -7.31, 4.15

 

CMYK 0 / 18 / 3 / 43

HEX #91778C

RGB 145 119 140

HSL 311.54, 0.11%, 0.52%

LAB 53.07, 13.91, -7.61

 

CMYK 44 / 0 / 67 / 22

HEX #6EC642

RGB 110 198 66

HSL 100, 0.54%, 0.52%

LAB 72.29, -49.44, 55.78

 

CMYK 62 / 0 / 67 / 22

HEX #4BC642

RGB 75 198 66

HSL 115.91, 0.54%, 0.52%

LAB 71.06, -58.89, 54.1

 

CMYK 67 / 0 / 54 / 22

HEX #42C65C

RGB 66 198 92

HSL 131.82, 0.54%, 0.52%

LAB 71.09, -57.73, 42.44

 

CMYK 67 / 0 / 35 / 22

HEX #42C680

RGB 66 198 128

HSL 148.18, 0.54%, 0.52%

LAB 71.63, -51.73, 24.88

 

CMYK 67 / 0 / 18 / 22

HEX #42C6A3

RGB 66 198 163

HSL 164.09, 0.54%, 0.52%

LAB 72.36, -44.04, 7.16

 

CMYK 70 / 0 / 55 / 45

HEX #2A8C3F

RGB 42 140 63

HSL 132.86, 0.54%, 0.36%

LAB 51.39, -45.13, 32.79

 

CMYK 70 / 0 / 55 / 33

HEX #33AC4D

RGB 51 172 77

HSL 132.89, 0.54%, 0.44%

LAB 62.29, -53.25, 39

 

CMYK 67 / 0 / 52 / 22

HEX #42C65F

RGB 66 198 95

HSL 133.18, 0.54%, 0.52%

LAB 71.13, -57.31, 41.04

 

CMYK 53 / 0 / 41 / 18

HEX #62D07A

RGB 98 208 122

HSL 133.09, 0.54%, 0.6%

LAB 75.52, -49.93, 33.32

 

CMYK 40 / 0 / 31 / 15

HEX #82D995

RGB 130 217 149

HSL 133.1, 0.53%, 0.68%

LAB 79.92, -40.5, 25.48

 

CMYK 67 / 0 / 53 / 22

HEX #41C75E

RGB 65 199 94

HSL 132.99, 0.54%, 0.52%

LAB 71.4, -58, 41.86

 

CMYK 67 / 27 / 0 / 22

HEX #4291C6

RGB 66 145 198

HSL 204.09, 0.54%, 0.52%

LAB 57.55, -7.41, -34.53

 

CMYK 0 / 67 / 54 / 22

HEX #C6425C

RGB 198 66 92

HSL 348.18, 0.54%, 0.52%

LAB 47.85, 54.16, 14.43

 

CMYK 67 / 0 / 53 / 22

HEX #41C75E

RGB 65 199 94

HSL 132.99, 0.54%, 0.52%

LAB 71.4, -58, 41.86

 

CMYK 54 / 67 / 0 / 22

HEX #5C42C6

RGB 92 66 198

HSL 251.82, 0.54%, 0.52%

LAB 38.29, 45.24, -65.23

 

CMYK 0 / 54 / 67 / 22

HEX #C65C42

RGB 198 92 66

HSL 11.82, 0.54%, 0.52%

LAB 51.9, 40.42, 34.92

 

CMYK 67 / 0 / 53 / 22

HEX #41C75E

RGB 65 199 94

HSL 132.99, 0.54%, 0.52%

LAB 71.4, -58, 41.86

 

CMYK 67 / 27 / 0 / 22

HEX #4291C6

RGB 66 145 198

HSL 204.09, 0.54%, 0.52%

LAB 57.55, -7.41, -34.53

 

CMYK 0 / 67 / 13 / 22

HEX #C642AC

RGB 198 66 172

HSL 311.82, 0.54%, 0.52%

LAB 50.55, 63.45, -29.63

 

CMYK 0 / 40 / 67 / 22

HEX #C67742

RGB 198 119 66

HSL 24.09, 0.54%, 0.52%

LAB 57.65, 26.24, 41.61

 

CMYK 67 / 0 / 53 / 22

HEX #41C75E

RGB 65 199 94

HSL 132.99, 0.54%, 0.52%

LAB 71.4, -58, 41.86

 

CMYK 67 / 46 / 0 / 22

HEX #426AC6

RGB 66 106 198

HSL 221.82, 0.54%, 0.52%

LAB 46.37, 16.12, -52.23

 

CMYK 0 / 67 / 13 / 22

HEX #C642AC

RGB 198 66 172

HSL 311.82, 0.54%, 0.52%

LAB 50.55, 63.45, -29.63

 

CMYK 0 / 20 / 67 / 22

HEX #C69F42

RGB 198 159 66

HSL 42.27, 0.54%, 0.52%

LAB 67.42, 4.41, 52.41

 

Description

Color code: RGB 65 199 94 | qconv.com Color code: RGB 65 199 94 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 199 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 199 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 53 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 53% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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