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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 66 74 153 it is the complementary color RGB 189 181 102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 66 74 153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 66 74 153 shade: RGB 71 74 148, RGB 88 92 167, RGB 105 110 186, RGB 122 128 205 and RGB 139 146 224

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 66 74 153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 66 74 153 shade: RGB 66 74 153, RGB 49 56 134, RGB 32 38 115, RGB 15 20 96 and RGB 0 2 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 66 74 153 shade: RGB 65 73 153, RGB 81 65 153, RGB 105 65 153, RGB 128 65 153 and RGB 152 65 153

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 66 74 153 shade: RGB 65 73 153 and RGB 65 65 153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 66 74 153 shade matches the following richer shades: RGB 65 73 153, RGB 48 59 171, RGB 30 44 188 and RGB 12 30 206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 66 74 153 shade: RGB 65 73 153, RGB 83 88 135, RGB 101 102 118, RGB 119 117 100 and RGB 136 131 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 66 74 153 shade: RGB 65 121 153, RGB 65 97 153, RGB 65 74 153, RGB 80 65 153 and RGB 103 65 153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 66 74 153 shade: RGB 41 46 95, RGB 53 59 124, RGB 65 73 153, RGB 80 89 180 and RGB 109 116 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 66 74 153 shade: RGB 66 74 153, RGB 153 65 144 and RGB 109 153 65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 66 74 153 shade: RGB 66 74 153, RGB 153 65 74 and RGB 74 153 65

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 66 74 153 shade: RGB 66 74 153, RGB 153 65 144, RGB 153 144 65 and RGB 65 153 74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 66 74 153 shade: RGB 66 74 153, RGB 153 65 118, RGB 153 144 65 and RGB 65 153 100

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 52 / 0 / 40

HEX #424A99

RGB 66 74 153

HSL 234.48, 0.4%, 0.43%

LAB 34.71, 20.91, -44.42

 

Complementary color

CMYK 0 / 4 / 46 / 26

HEX #BDB566

RGB 189 181 102

HSL 54.48, 0.4%, 0.57%

LAB 72.78, -8.25, 41.07

 

CMYK 52 / 50 / 0 / 42

HEX #474A94

RGB 71 74 148

HSL 237.66, 0.35%, 0.43%

LAB 34.75, 20.33, -41.3

 

CMYK 47 / 45 / 0 / 35

HEX #585CA7

RGB 88 92 167

HSL 236.96, 0.31%, 0.5%

LAB 42.03, 19.03, -41

 

CMYK 44 / 41 / 0 / 27

HEX #696EBA

RGB 105 110 186

HSL 236.3, 0.37%, 0.57%

LAB 49.13, 17.97, -40.76

 

CMYK 40 / 38 / 0 / 20

HEX #7A80CD

RGB 122 128 205

HSL 235.66, 0.45%, 0.64%

LAB 56.07, 17.07, -40.59

 

CMYK 38 / 35 / 0 / 12

HEX #8B92E0

RGB 139 146 224

HSL 235.06, 0.58%, 0.71%

LAB 62.87, 16.31, -40.47

 

CMYK 57 / 52 / 0 / 40

HEX #424A99

RGB 66 74 153

HSL 234.48, 0.4%, 0.43%

LAB 34.71, 20.91, -44.42

 

CMYK 63 / 58 / 0 / 47

HEX #313886

RGB 49 56 134

HSL 235.06, 0.46%, 0.36%

LAB 27.3, 22.77, -44.78

 

CMYK 72 / 67 / 0 / 55

HEX #202673

RGB 32 38 115

HSL 235.66, 0.56%, 0.29%

LAB 19.77, 25.14, -45.08

 

CMYK 84 / 79 / 0 / 62

HEX #0F1460

RGB 15 20 96

HSL 236.3, 0.73%, 0.22%

LAB 12.26, 28.02, -45.01

 

CMYK 100 / 97 / 0 / 70

HEX #00024D

RGB 0 2 77

HSL 238.44, 1%, 0.15%

LAB 5.23, 29.91, -43.75

 

CMYK 58 / 52 / 0 / 40

HEX #414999

RGB 65 73 153

HSL 234.55, 0.4%, 0.43%

LAB 34.37, 21.35, -44.97

 

CMYK 47 / 58 / 0 / 40

HEX #514199

RGB 81 65 153

HSL 250.91, 0.4%, 0.43%

LAB 33.63, 30, -46.1

 

CMYK 31 / 58 / 0 / 40

HEX #694199

RGB 105 65 153

HSL 267.27, 0.4%, 0.43%

LAB 36.15, 35.89, -41.92

 

CMYK 16 / 58 / 0 / 40

HEX #804199

RGB 128 65 153

HSL 282.95, 0.4%, 0.43%

LAB 39.02, 42.01, -37.17

 

CMYK 1 / 58 / 0 / 40

HEX #984199

RGB 152 65 153

HSL 299.32, 0.4%, 0.43%

LAB 42.39, 48.59, -31.62

 

CMYK 58 / 52 / 0 / 40

HEX #414999

RGB 65 73 153

HSL 234.55, 0.4%, 0.43%

LAB 34.37, 21.35, -44.97

 

CMYK 58 / 58 / 0 / 40

HEX #414199

RGB 65 65 153

HSL 240, 0.4%, 0.43%

LAB 32.27, 26.57, -48.37

 

CMYK 58 / 52 / 0 / 40

HEX #414999

RGB 65 73 153

HSL 234.55, 0.4%, 0.43%

LAB 34.37, 21.35, -44.97

 

CMYK 72 / 65 / 0 / 33

HEX #303BAB

RGB 48 59 171

HSL 234.63, 0.56%, 0.43%

LAB 31.11, 34.05, -61.17

 

CMYK 84 / 77 / 0 / 26

HEX #1E2CBC

RGB 30 44 188

HSL 234.68, 0.72%, 0.43%

LAB 28.66, 47.5, -75.34

 

CMYK 94 / 85 / 0 / 19

HEX #0C1ECE

RGB 12 30 206

HSL 234.43, 0.89%, 0.43%

LAB 28.01, 59.4, -87.01

 

CMYK 58 / 52 / 0 / 40

HEX #414999

RGB 65 73 153

HSL 234.55, 0.4%, 0.43%

LAB 34.37, 21.35, -44.97

 

CMYK 39 / 35 / 0 / 47

HEX #535887

RGB 83 88 135

HSL 234.23, 0.24%, 0.43%

LAB 38.84, 10.41, -26.86

 

CMYK 14 / 14 / 0 / 54

HEX #656676

RGB 101 102 118

HSL 236.47, 0.08%, 0.43%

LAB 43.62, 3.17, -9.07

 

CMYK 0 / 2 / 16 / 53

HEX #777564

RGB 119 117 100

HSL 53.68, 0.09%, 0.43%

LAB 48.96, -2.4, 9.66

 

CMYK 0 / 4 / 40 / 47

HEX #888352

RGB 136 131 82

HSL 54.44, 0.25%, 0.43%

LAB 54.11, -5.82, 27.16

 

CMYK 58 / 21 / 0 / 40

HEX #417999

RGB 65 121 153

HSL 201.82, 0.4%, 0.43%

LAB 48.38, -8.72, -22.87

 

CMYK 58 / 37 / 0 / 40

HEX #416199

RGB 65 97 153

HSL 218.18, 0.4%, 0.43%

LAB 41.17, 5.81, -34.13

 

CMYK 58 / 52 / 0 / 40

HEX #414A99

RGB 65 74 153

HSL 233.86, 0.4%, 0.43%

LAB 34.64, 20.69, -44.53

 

CMYK 48 / 58 / 0 / 40

HEX #504199

RGB 80 65 153

HSL 250.23, 0.4%, 0.43%

LAB 33.53, 29.78, -46.26

 

CMYK 33 / 58 / 0 / 40

HEX #674199

RGB 103 65 153

HSL 265.91, 0.4%, 0.43%

LAB 35.92, 35.38, -42.3

 

CMYK 57 / 52 / 0 / 63

HEX #292E5F

RGB 41 46 95

HSL 234.44, 0.4%, 0.27%

LAB 21.02, 13.7, -30

 

CMYK 57 / 52 / 0 / 51

HEX #353B7C

RGB 53 59 124

HSL 234.93, 0.4%, 0.35%

LAB 27.68, 17.95, -37.9

 

CMYK 58 / 52 / 0 / 40

HEX #414999

RGB 65 73 153

HSL 234.55, 0.4%, 0.43%

LAB 34.37, 21.35, -44.97

 

CMYK 56 / 51 / 0 / 29

HEX #5059B4

RGB 80 89 180

HSL 234.6, 0.4%, 0.51%

LAB 41.45, 23.3, -49.63

 

CMYK 43 / 40 / 0 / 25

HEX #6D74C0

RGB 109 116 192

HSL 234.94, 0.4%, 0.59%

LAB 51.32, 17.12, -40.74

 

CMYK 57 / 52 / 0 / 40

HEX #424A99

RGB 66 74 153

HSL 234.48, 0.4%, 0.43%

LAB 34.71, 20.91, -44.42

 

CMYK 0 / 58 / 6 / 40

HEX #994190

RGB 153 65 144

HSL 306.14, 0.4%, 0.43%

LAB 42.1, 47.26, -26.63

 

CMYK 29 / 0 / 58 / 40

HEX #6D9941

RGB 109 153 65

HSL 90, 0.4%, 0.43%

LAB 58.43, -30.26, 40.83

 

CMYK 57 / 52 / 0 / 40

HEX #424A99

RGB 66 74 153

HSL 234.48, 0.4%, 0.43%

LAB 34.71, 20.91, -44.42

 

CMYK 0 / 58 / 52 / 40

HEX #99414A

RGB 153 65 74

HSL 353.86, 0.4%, 0.43%

LAB 39.66, 37.67, 13.07

 

CMYK 52 / 0 / 58 / 40

HEX #4A9941

RGB 74 153 65

HSL 113.86, 0.4%, 0.43%

LAB 56.7, -42.16, 38.38

 

CMYK 57 / 52 / 0 / 40

HEX #424A99

RGB 66 74 153

HSL 234.48, 0.4%, 0.43%

LAB 34.71, 20.91, -44.42

 

CMYK 0 / 58 / 6 / 40

HEX #994190

RGB 153 65 144

HSL 306.14, 0.4%, 0.43%

LAB 42.1, 47.26, -26.63

 

CMYK 0 / 6 / 58 / 40

HEX #999041

RGB 153 144 65

HSL 53.86, 0.4%, 0.43%

LAB 59.07, -7.25, 42.42

 

CMYK 58 / 0 / 52 / 40

HEX #41994A

RGB 65 153 74

HSL 126.14, 0.4%, 0.43%

LAB 56.49, -43.4, 33.53

 

CMYK 57 / 52 / 0 / 40

HEX #424A99

RGB 66 74 153

HSL 234.48, 0.4%, 0.43%

LAB 34.71, 20.91, -44.42

 

CMYK 0 / 58 / 23 / 40

HEX #994176

RGB 153 65 118

HSL 323.86, 0.4%, 0.43%

LAB 40.99, 43.04, -12.44

 

CMYK 0 / 6 / 58 / 40

HEX #999041

RGB 153 144 65

HSL 53.86, 0.4%, 0.43%

LAB 59.07, -7.25, 42.42

 

CMYK 58 / 0 / 35 / 40

HEX #419964

RGB 65 153 100

HSL 143.86, 0.4%, 0.43%

LAB 56.91, -38.91, 20.13

 

Description

Color code: RGB 66 74 153 | qconv.com Color code: RGB 66 74 153 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 74 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 74 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 52 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 52% 0% 40% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

28% - Drug metabolite prod...
Link: http://www.hyphadiscovery.co.uk

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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