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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 66 102 137 it is the complementary color RGB 189 153 118. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 66 102 137. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 66 102 137 shade: RGB 71 102 132, RGB 88 120 151, RGB 105 138 170, RGB 122 156 189 and RGB 139 174 208

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 66 102 137. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 66 102 137 shade: RGB 66 102 137, RGB 49 84 118, RGB 32 66 99, RGB 15 48 80 and RGB 0 30 61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 66 102 137 shade: RGB 66 102 137, RGB 66 83 137, RGB 68 66 137, RGB 87 66 137 and RGB 107 66 137

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 66 102 137 shade: RGB 66 102 137, RGB 66 83 137 and RGB 66 66 137

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 66 102 137 shade matches the following richer shades: RGB 66 102 137, RGB 49 102 154, RGB 33 102 170, RGB 16 103 187 and RGB 0 103 203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 66 102 137 shade: RGB 66 102 137, RGB 82 102 121, RGB 99 102 104, RGB 115 101 88 and RGB 132 101 71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 66 102 137 shade: RGB 66 137 134, RGB 66 122 137, RGB 66 103 137, RGB 66 84 137 and RGB 67 66 137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 66 102 137 shade: RGB 39 61 82, RGB 52 81 109, RGB 66 102 137, RGB 79 123 165 and RGB 104 143 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 66 102 137 shade: RGB 66 102 137, RGB 115 66 137 and RGB 131 137 66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 66 102 137 shade: RGB 66 102 137, RGB 137 66 103 and RGB 103 137 66

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 66 102 137 shade: RGB 66 102 137, RGB 115 66 137, RGB 137 100 66 and RGB 88 137 66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 66 102 137 shade: RGB 66 102 137, RGB 136 66 137, RGB 137 100 66 and RGB 67 137 66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 26 / 0 / 46

HEX #426689

RGB 66 102 137

HSL 209.58, 0.35%, 0.4%

LAB 41.95, -2.38, -23.31

 

Complementary color

CMYK 0 / 19 / 38 / 26

HEX #BD9976

RGB 189 153 118

HSL 29.58, 0.35%, 0.6%

LAB 65.68, 8.52, 23.47

 

CMYK 46 / 23 / 0 / 48

HEX #476684

RGB 71 102 132

HSL 209.51, 0.3%, 0.4%

LAB 42.01, -2.65, -20.18

 

CMYK 42 / 21 / 0 / 41

HEX #587897

RGB 88 120 151

HSL 209.52, 0.26%, 0.47%

LAB 49.18, -3.01, -20.37

 

CMYK 38 / 19 / 0 / 33

HEX #698AAA

RGB 105 138 170

HSL 209.54, 0.28%, 0.54%

LAB 56.17, -3.3, -20.59

 

CMYK 35 / 17 / 0 / 26

HEX #7A9CBD

RGB 122 156 189

HSL 209.55, 0.34%, 0.61%

LAB 63, -3.53, -20.83

 

CMYK 33 / 16 / 0 / 18

HEX #8BAED0

RGB 139 174 208

HSL 209.57, 0.42%, 0.68%

LAB 69.69, -3.73, -21.08

 

CMYK 52 / 26 / 0 / 46

HEX #426689

RGB 66 102 137

HSL 209.58, 0.35%, 0.4%

LAB 41.95, -2.38, -23.31

 

CMYK 58 / 29 / 0 / 54

HEX #315476

RGB 49 84 118

HSL 209.57, 0.41%, 0.33%

LAB 34.6, -1.7, -23.2

 

CMYK 68 / 33 / 0 / 61

HEX #204263

RGB 32 66 99

HSL 209.55, 0.51%, 0.26%

LAB 27.03, -0.71, -23.11

 

CMYK 81 / 40 / 0 / 69

HEX #0F3050

RGB 15 48 80

HSL 209.54, 0.68%, 0.19%

LAB 19.2, 0.87, -23.03

 

CMYK 100 / 51 / 0 / 76

HEX #001E3D

RGB 0 30 61

HSL 210.49, 1%, 0.12%

LAB 11.03, 3.26, -23

 

CMYK 52 / 26 / 0 / 46

HEX #426689

RGB 66 102 137

HSL 209.58, 0.35%, 0.4%

LAB 41.95, -2.38, -23.31

 

CMYK 52 / 39 / 0 / 46

HEX #425389

RGB 66 83 137

HSL 225.63, 0.35%, 0.4%

LAB 36.27, 9.58, -32.2

 

CMYK 50 / 52 / 0 / 46

HEX #444289

RGB 68 66 137

HSL 241.69, 0.35%, 0.4%

LAB 31.65, 21.21, -39.55

 

CMYK 36 / 52 / 0 / 46

HEX #574289

RGB 87 66 137

HSL 257.75, 0.35%, 0.4%

LAB 33.41, 26.12, -36.64

 

CMYK 22 / 52 / 0 / 46

HEX #6B4289

RGB 107 66 137

HSL 274.65, 0.35%, 0.4%

LAB 35.65, 31.82, -32.94

 

CMYK 52 / 26 / 0 / 46

HEX #426689

RGB 66 102 137

HSL 209.58, 0.35%, 0.4%

LAB 41.95, -2.38, -23.31

 

CMYK 52 / 39 / 0 / 46

HEX #425389

RGB 66 83 137

HSL 225.63, 0.35%, 0.4%

LAB 36.27, 9.58, -32.2

 

CMYK 52 / 52 / 0 / 46

HEX #424289

RGB 66 66 137

HSL 240, 0.35%, 0.4%

LAB 31.49, 20.74, -39.82

 

CMYK 52 / 26 / 0 / 46

HEX #426689

RGB 66 102 137

HSL 209.58, 0.35%, 0.4%

LAB 41.95, -2.38, -23.31

 

CMYK 68 / 34 / 0 / 40

HEX #31669A

RGB 49 102 154

HSL 209.71, 0.52%, 0.4%

LAB 41.98, -0.14, -33.5

 

CMYK 81 / 40 / 0 / 33

HEX #2166AA

RGB 33 102 170

HSL 209.78, 0.67%, 0.4%

LAB 42.35, 3.66, -42.42

 

CMYK 91 / 45 / 0 / 27

HEX #1067BB

RGB 16 103 187

HSL 209.47, 0.84%, 0.4%

LAB 43.36, 8.42, -50.78

 

CMYK 100 / 49 / 0 / 20

HEX #0067CB

RGB 0 103 203

HSL 209.56, 1%, 0.4%

LAB 44.25, 14.23, -58.6

 

CMYK 52 / 26 / 0 / 46

HEX #426689

RGB 66 102 137

HSL 209.58, 0.35%, 0.4%

LAB 41.95, -2.38, -23.31

 

CMYK 32 / 16 / 0 / 53

HEX #526679

RGB 82 102 121

HSL 209.23, 0.19%, 0.4%

LAB 42.27, -2.58, -13.07

 

CMYK 5 / 2 / 0 / 59

HEX #636668

RGB 99 102 104

HSL 204, 0.02%, 0.4%

LAB 43, -0.73, -1.54

 

CMYK 0 / 12 / 23 / 55

HEX #736558

RGB 115 101 88

HSL 28.89, 0.13%, 0.4%

LAB 43.74, 3.3, 9.4

 

CMYK 0 / 23 / 46 / 48

HEX #846547

RGB 132 101 71

HSL 29.51, 0.3%, 0.4%

LAB 45.18, 8.34, 21.76

 

CMYK 52 / 0 / 2 / 46

HEX #428986

RGB 66 137 134

HSL 177.46, 0.35%, 0.4%

LAB 52.7, -22.97, -5.23

 

CMYK 52 / 11 / 0 / 46

HEX #427A89

RGB 66 122 137

HSL 192.68, 0.35%, 0.4%

LAB 48.11, -14.05, -13.86

 

CMYK 52 / 25 / 0 / 46

HEX #426789

RGB 66 103 137

HSL 208.73, 0.35%, 0.4%

LAB 42.25, -2.99, -22.84

 

CMYK 52 / 39 / 0 / 46

HEX #425489

RGB 66 84 137

HSL 224.79, 0.35%, 0.4%

LAB 36.57, 8.94, -31.74

 

CMYK 51 / 52 / 0 / 46

HEX #434289

RGB 67 66 137

HSL 240.85, 0.35%, 0.4%

LAB 31.57, 20.97, -39.69

 

CMYK 52 / 26 / 0 / 68

HEX #273D52

RGB 39 61 82

HSL 209.3, 0.36%, 0.24%

LAB 24.88, -1.89, -15.37

 

CMYK 52 / 26 / 0 / 57

HEX #34516D

RGB 52 81 109

HSL 209.47, 0.35%, 0.32%

LAB 33.39, -2.13, -19.46

 

CMYK 52 / 26 / 0 / 46

HEX #426689

RGB 66 102 137

HSL 209.58, 0.35%, 0.4%

LAB 41.95, -2.38, -23.31

 

CMYK 52 / 25 / 0 / 35

HEX #4F7BA5

RGB 79 123 165

HSL 209.3, 0.35%, 0.48%

LAB 50.15, -2.87, -27.1

 

CMYK 43 / 21 / 0 / 29

HEX #688FB6

RGB 104 143 182

HSL 210, 0.35%, 0.56%

LAB 58, -3.06, -24.63

 

CMYK 52 / 26 / 0 / 46

HEX #426689

RGB 66 102 137

HSL 209.58, 0.35%, 0.4%

LAB 41.95, -2.38, -23.31

 

CMYK 16 / 52 / 0 / 46

HEX #734289

RGB 115 66 137

HSL 281.41, 0.35%, 0.4%

LAB 36.64, 34.18, -31.3

 

CMYK 4 / 0 / 52 / 46

HEX #838942

RGB 131 137 66

HSL 65.07, 0.35%, 0.4%

LAB 55.19, -13, 36.93

 

CMYK 52 / 26 / 0 / 46

HEX #426689

RGB 66 102 137

HSL 209.58, 0.35%, 0.4%

LAB 41.95, -2.38, -23.31

 

CMYK 0 / 52 / 25 / 46

HEX #894267

RGB 137 66 103

HSL 328.73, 0.35%, 0.4%

LAB 38.19, 34.9, -7.57

 

CMYK 25 / 0 / 52 / 46

HEX #678942

RGB 103 137 66

HSL 88.73, 0.35%, 0.4%

LAB 53.13, -24.68, 33.98

 

CMYK 52 / 26 / 0 / 46

HEX #426689

RGB 66 102 137

HSL 209.58, 0.35%, 0.4%

LAB 41.95, -2.38, -23.31

 

CMYK 16 / 52 / 0 / 46

HEX #734289

RGB 115 66 137

HSL 281.41, 0.35%, 0.4%

LAB 36.64, 34.18, -31.3

 

CMYK 0 / 27 / 52 / 46

HEX #896442

RGB 137 100 66

HSL 28.73, 0.35%, 0.4%

LAB 45.4, 10.62, 25.05

 

CMYK 36 / 0 / 52 / 46

HEX #588942

RGB 88 137 66

HSL 101.41, 0.35%, 0.4%

LAB 52.24, -30.38, 32.69

 

CMYK 52 / 26 / 0 / 46

HEX #426689

RGB 66 102 137

HSL 209.58, 0.35%, 0.4%

LAB 41.95, -2.38, -23.31

 

CMYK 1 / 52 / 0 / 46

HEX #884289

RGB 136 66 137

HSL 299.15, 0.35%, 0.4%

LAB 39.47, 40.47, -26.66

 

CMYK 0 / 27 / 52 / 46

HEX #896442

RGB 137 100 66

HSL 28.73, 0.35%, 0.4%

LAB 45.4, 10.62, 25.05

 

CMYK 51 / 0 / 52 / 46

HEX #438942

RGB 67 137 66

HSL 119.15, 0.35%, 0.4%

LAB 51.24, -37.32, 31.24

 

Description

Color code: RGB 66 102 137 | qconv.com Color code: RGB 66 102 137 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 102 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 102 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 26 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 26% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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