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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 66 120 58 it is the complementary color RGB 189 135 197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 66 120 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 66 120 58 shade: RGB 71 120 53, RGB 88 138 72, RGB 105 156 91, RGB 122 174 110 and RGB 139 192 129

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 66 120 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 66 120 58 shade: RGB 66 120 58, RGB 49 102 39, RGB 32 84 20, RGB 15 66 1 and RGB 0 48 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 66 120 58 shade: RGB 66 120 58, RGB 82 120 58, RGB 99 120 58, RGB 116 120 58 and RGB 120 107 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 66 120 58 shade: RGB 66 120 58, RGB 58 120 66, RGB 58 120 83, RGB 58 120 100 and RGB 58 120 117

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 66 120 58 shade matches the following richer shades: RGB 66 120 58, RGB 55 134 43, RGB 44 149 29, RGB 33 163 14 and RGB 23 178 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 66 120 58 shade: RGB 66 120 58, RGB 76 106 72, RGB 87 91 86, RGB 98 77 101 and RGB 108 62 115

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 66 120 58 shade: RGB 99 120 58, RGB 83 120 58, RGB 66 120 58, RGB 58 120 66 and RGB 58 120 83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 66 120 58 shade: RGB 35 64 31, RGB 50 92 44, RGB 66 120 58, RGB 81 148 71 and RGB 98 174 86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 66 120 58 shade: RGB 66 120 58, RGB 58 116 120 and RGB 120 58 91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 66 120 58 shade: RGB 66 120 58, RGB 58 66 120 and RGB 120 58 66

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 66 120 58 shade: RGB 66 120 58, RGB 58 116 120, RGB 112 58 120 and RGB 120 62 58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 66 120 58 shade: RGB 66 120 58, RGB 58 97 120, RGB 112 58 120 and RGB 120 80 58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 52 / 53

HEX #42783A

RGB 66 120 58

HSL 112.26, 0.35%, 0.35%

LAB 45.49, -31.18, 28.4

 

Complementary color

CMYK 4 / 31 / 0 / 23

HEX #BD87C5

RGB 189 135 197

HSL 292.26, 0.35%, 0.65%

LAB 63.49, 31.22, -24.08

 

CMYK 41 / 0 / 56 / 53

HEX #477835

RGB 71 120 53

HSL 103.88, 0.39%, 0.34%

LAB 45.67, -30.13, 31.32

 

CMYK 36 / 0 / 48 / 46

HEX #588A48

RGB 88 138 72

HSL 105.45, 0.31%, 0.41%

LAB 52.64, -30.04, 30.02

 

CMYK 33 / 0 / 42 / 39

HEX #699C5B

RGB 105 156 91

HSL 107.08, 0.26%, 0.48%

LAB 59.47, -29.88, 28.74

 

CMYK 30 / 0 / 37 / 32

HEX #7AAE6E

RGB 122 174 110

HSL 108.75, 0.28%, 0.56%

LAB 66.16, -29.68, 27.52

 

CMYK 28 / 0 / 33 / 25

HEX #8BC081

RGB 139 192 129

HSL 110.48, 0.33%, 0.63%

LAB 72.74, -29.46, 26.36

 

CMYK 45 / 0 / 52 / 53

HEX #42783A

RGB 66 120 58

HSL 112.26, 0.35%, 0.35%

LAB 45.49, -31.18, 28.4

 

CMYK 52 / 0 / 62 / 60

HEX #316627

RGB 49 102 39

HSL 110.48, 0.45%, 0.28%

LAB 38.38, -31.15, 29.74

 

CMYK 62 / 0 / 76 / 67

HEX #205414

RGB 32 84 20

HSL 108.75, 0.62%, 0.2%

LAB 31.11, -30.72, 30.76

 

CMYK 77 / 0 / 98 / 74

HEX #0F4201

RGB 15 66 1

HSL 107.08, 0.97%, 0.13%

LAB 23.67, -29.58, 30.98

 

CMYK 100 / 0 / 100 / 81

HEX #003000

RGB 0 48 0

HSL 120, 1%, 0.09%

LAB 16.07, -26.65, 22.67

 

CMYK 45 / 0 / 52 / 53

HEX #42783A

RGB 66 120 58

HSL 112.26, 0.35%, 0.35%

LAB 45.49, -31.18, 28.4

 

CMYK 32 / 0 / 52 / 53

HEX #52783A

RGB 82 120 58

HSL 96.77, 0.35%, 0.35%

LAB 46.35, -25.41, 29.65

 

CMYK 18 / 0 / 52 / 53

HEX #63783A

RGB 99 120 58

HSL 80.32, 0.35%, 0.35%

LAB 47.48, -18.52, 31.28

 

CMYK 3 / 0 / 52 / 53

HEX #74783A

RGB 116 120 58

HSL 63.87, 0.35%, 0.35%

LAB 48.82, -11.13, 33.21

 

CMYK 0 / 11 / 52 / 53

HEX #786B3A

RGB 120 107 58

HSL 47.42, 0.35%, 0.35%

LAB 45.38, -1.98, 29.14

 

CMYK 45 / 0 / 52 / 53

HEX #42783A

RGB 66 120 58

HSL 112.26, 0.35%, 0.35%

LAB 45.49, -31.18, 28.4

 

CMYK 52 / 0 / 45 / 53

HEX #3A7842

RGB 58 120 66

HSL 127.74, 0.35%, 0.35%

LAB 45.26, -32.45, 23.63

 

CMYK 52 / 0 / 31 / 53

HEX #3A7853

RGB 58 120 83

HSL 144.19, 0.35%, 0.35%

LAB 45.58, -29.19, 14.33

 

CMYK 52 / 0 / 17 / 53

HEX #3A7864

RGB 58 120 100

HSL 160.65, 0.35%, 0.35%

LAB 45.98, -25.26, 4.88

 

CMYK 52 / 0 / 3 / 53

HEX #3A7875

RGB 58 120 117

HSL 177.1, 0.35%, 0.35%

LAB 46.47, -20.73, -4.51

 

CMYK 45 / 0 / 52 / 53

HEX #42783A

RGB 66 120 58

HSL 112.26, 0.35%, 0.35%

LAB 45.49, -31.18, 28.4

 

CMYK 59 / 0 / 68 / 47

HEX #37862B

RGB 55 134 43

HSL 112.09, 0.51%, 0.35%

LAB 49.54, -42.31, 40.39

 

CMYK 70 / 0 / 81 / 42

HEX #2C951D

RGB 44 149 29

HSL 112.5, 0.67%, 0.35%

LAB 54.15, -51.5, 50.31

 

CMYK 80 / 0 / 91 / 36

HEX #21A30E

RGB 33 163 14

HSL 112.35, 0.84%, 0.35%

LAB 58.55, -58.54, 57.83

 

CMYK 87 / 0 / 100 / 30

HEX #17B200

RGB 23 178 0

HSL 112.25, 1%, 0.35%

LAB 63.36, -64.43, 63.7

 

CMYK 45 / 0 / 52 / 53

HEX #42783A

RGB 66 120 58

HSL 112.26, 0.35%, 0.35%

LAB 45.49, -31.18, 28.4

 

CMYK 28 / 0 / 32 / 58

HEX #4C6A48

RGB 76 106 72

HSL 112.94, 0.19%, 0.35%

LAB 41.71, -18.31, 15.67

 

CMYK 4 / 0 / 5 / 64

HEX #575B56

RGB 87 91 86

HSL 108, 0.03%, 0.35%

LAB 38.16, -2.64, 2.33

 

CMYK 3 / 24 / 0 / 60

HEX #624D65

RGB 98 77 101

HSL 292.5, 0.13%, 0.35%

LAB 35.68, 13.59, -10.6

 

CMYK 6 / 46 / 0 / 55

HEX #6C3E73

RGB 108 62 115

HSL 292.08, 0.3%, 0.35%

LAB 33.71, 29.39, -22.32

 

CMYK 18 / 0 / 52 / 53

HEX #63783A

RGB 99 120 58

HSL 80.32, 0.35%, 0.35%

LAB 47.48, -18.52, 31.28

 

CMYK 31 / 0 / 52 / 53

HEX #53783A

RGB 83 120 58

HSL 95.81, 0.35%, 0.35%

LAB 46.42, -25.02, 29.74

 

CMYK 45 / 0 / 52 / 53

HEX #42783A

RGB 66 120 58

HSL 112.26, 0.35%, 0.35%

LAB 45.49, -31.18, 28.4

 

CMYK 52 / 0 / 45 / 53

HEX #3A7842

RGB 58 120 66

HSL 127.74, 0.35%, 0.35%

LAB 45.26, -32.45, 23.63

 

CMYK 52 / 0 / 31 / 53

HEX #3A7853

RGB 58 120 83

HSL 144.19, 0.35%, 0.35%

LAB 45.58, -29.19, 14.33

 

CMYK 45 / 0 / 52 / 75

HEX #23401F

RGB 35 64 31

HSL 112.73, 0.35%, 0.19%

LAB 24.07, -18.79, 16.8

 

CMYK 46 / 0 / 52 / 64

HEX #325C2C

RGB 50 92 44

HSL 112.5, 0.35%, 0.27%

LAB 35.03, -25.44, 23.02

 

CMYK 45 / 0 / 52 / 53

HEX #42783A

RGB 66 120 58

HSL 112.26, 0.35%, 0.35%

LAB 45.49, -31.18, 28.4

 

CMYK 45 / 0 / 52 / 42

HEX #519447

RGB 81 148 71

HSL 112.21, 0.35%, 0.43%

LAB 55.47, -37.12, 33.96

 

CMYK 44 / 0 / 51 / 32

HEX #62AE56

RGB 98 174 86

HSL 111.82, 0.35%, 0.51%

LAB 64.6, -41.09, 37.71

 

CMYK 45 / 0 / 52 / 53

HEX #42783A

RGB 66 120 58

HSL 112.26, 0.35%, 0.35%

LAB 45.49, -31.18, 28.4

 

CMYK 52 / 3 / 0 / 53

HEX #3A7478

RGB 58 116 120

HSL 183.87, 0.35%, 0.35%

LAB 45.28, -17.72, -8.06

 

CMYK 0 / 52 / 24 / 53

HEX #783A5B

RGB 120 58 91

HSL 328.06, 0.35%, 0.35%

LAB 33.51, 31.34, -7.25

 

CMYK 45 / 0 / 52 / 53

HEX #42783A

RGB 66 120 58

HSL 112.26, 0.35%, 0.35%

LAB 45.49, -31.18, 28.4

 

CMYK 52 / 45 / 0 / 53

HEX #3A4278

RGB 58 66 120

HSL 232.26, 0.35%, 0.35%

LAB 29.79, 13.03, -31.99

 

CMYK 0 / 52 / 45 / 53

HEX #783A42

RGB 120 58 66

HSL 352.26, 0.35%, 0.35%

LAB 32.73, 27.9, 7.72

 

CMYK 45 / 0 / 52 / 53

HEX #42783A

RGB 66 120 58

HSL 112.26, 0.35%, 0.35%

LAB 45.49, -31.18, 28.4

 

CMYK 52 / 3 / 0 / 53

HEX #3A7478

RGB 58 116 120

HSL 183.87, 0.35%, 0.35%

LAB 45.28, -17.72, -8.06

 

CMYK 7 / 52 / 0 / 53

HEX #703A78

RGB 112 58 120

HSL 292.26, 0.35%, 0.35%

LAB 33.62, 34.03, -25.56

 

CMYK 0 / 48 / 52 / 53

HEX #783E3A

RGB 120 62 58

HSL 3.87, 0.35%, 0.35%

LAB 33.44, 24.74, 13.83

 

CMYK 45 / 0 / 52 / 53

HEX #42783A

RGB 66 120 58

HSL 112.26, 0.35%, 0.35%

LAB 45.49, -31.18, 28.4

 

CMYK 52 / 19 / 0 / 53

HEX #3A6178

RGB 58 97 120

HSL 202.26, 0.35%, 0.35%

LAB 39.25, -6.84, -17.2

 

CMYK 7 / 52 / 0 / 53

HEX #703A78

RGB 112 58 120

HSL 292.26, 0.35%, 0.35%

LAB 33.62, 34.03, -25.56

 

CMYK 0 / 33 / 52 / 53

HEX #78503A

RGB 120 80 58

HSL 21.29, 0.35%, 0.35%

LAB 37.91, 14.07, 19.73

 

Description

Color code: RGB 66 120 58 | qconv.com Color code: RGB 66 120 58 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 120 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 120 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 52 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 52% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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