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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 66 131 154 it is the complementary color RGB 189 124 101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 66 131 154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 66 131 154 shade: RGB 71 131 149, RGB 88 149 168, RGB 105 167 187, RGB 122 185 206 and RGB 139 203 225

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 66 131 154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 66 131 154 shade: RGB 66 131 154, RGB 49 113 135, RGB 32 95 116, RGB 15 77 97 and RGB 0 59 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 66 131 154 shade: RGB 65 130 153, RGB 65 106 153, RGB 65 83 153, RGB 71 65 153 and RGB 95 65 153

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 66 131 154 shade: RGB 65 130 153, RGB 65 106 153, RGB 65 83 153 and RGB 65 65 153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 66 131 154 shade matches the following richer shades: RGB 65 130 153, RGB 48 139 171, RGB 30 147 188 and RGB 12 155 206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 66 131 154 shade: RGB 65 130 153, RGB 83 122 135, RGB 101 113 118, RGB 119 105 100 and RGB 136 96 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 66 131 154 shade: RGB 65 153 128, RGB 65 153 152, RGB 65 131 153, RGB 65 108 153 and RGB 65 84 153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 66 131 154 shade: RGB 41 81 95, RGB 53 106 124, RGB 65 130 153, RGB 80 154 180 and RGB 109 170 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 66 131 154 shade: RGB 66 131 154, RGB 105 65 153 and RGB 153 140 65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 66 131 154 shade: RGB 66 131 154, RGB 153 65 131 and RGB 131 153 65

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 66 131 154 shade: RGB 66 131 154, RGB 105 65 153, RGB 153 87 65 and RGB 114 153 65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 66 131 154 shade: RGB 66 131 154, RGB 131 65 153, RGB 153 87 65 and RGB 87 153 65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 15 / 0 / 40

HEX #42839A

RGB 66 131 154

HSL 195.68, 0.4%, 0.43%

LAB 51.52, -13.85, -18.63

 

Complementary color

CMYK 0 / 34 / 47 / 26

HEX #BD7C65

RGB 189 124 101

HSL 15.68, 0.4%, 0.57%

LAB 58.2, 22.64, 22.94

 

CMYK 52 / 12 / 0 / 42

HEX #478395

RGB 71 131 149

HSL 193.85, 0.35%, 0.43%

LAB 51.54, -14.26, -15.67

 

CMYK 48 / 11 / 0 / 34

HEX #5895A8

RGB 88 149 168

HSL 194.25, 0.31%, 0.5%

LAB 58.41, -14.49, -16.12

 

CMYK 44 / 11 / 0 / 27

HEX #69A7BB

RGB 105 167 187

HSL 194.63, 0.38%, 0.57%

LAB 65.14, -14.65, -16.54

 

CMYK 41 / 10 / 0 / 19

HEX #7AB9CE

RGB 122 185 206

HSL 195, 0.46%, 0.64%

LAB 71.75, -14.76, -16.95

 

CMYK 38 / 10 / 0 / 12

HEX #8BCBE1

RGB 139 203 225

HSL 195.35, 0.59%, 0.71%

LAB 78.25, -14.84, -17.36

 

CMYK 57 / 15 / 0 / 40

HEX #42839A

RGB 66 131 154

HSL 195.68, 0.4%, 0.43%

LAB 51.52, -13.85, -18.63

 

CMYK 64 / 16 / 0 / 47

HEX #317187

RGB 49 113 135

HSL 195.35, 0.47%, 0.36%

LAB 44.54, -13.31, -18.19

 

CMYK 72 / 18 / 0 / 55

HEX #205F74

RGB 32 95 116

HSL 195, 0.57%, 0.29%

LAB 37.39, -12.49, -17.69

 

CMYK 85 / 21 / 0 / 62

HEX #0F4D61

RGB 15 77 97

HSL 194.63, 0.73%, 0.22%

LAB 30.09, -11.21, -17.1

 

CMYK 100 / 24 / 0 / 69

HEX #003B4E

RGB 0 59 78

HSL 194.62, 1%, 0.15%

LAB 22.58, -9.34, -16.42

 

CMYK 58 / 15 / 0 / 40

HEX #418299

RGB 65 130 153

HSL 195.68, 0.4%, 0.43%

LAB 51.14, -13.82, -18.64

 

CMYK 58 / 31 / 0 / 40

HEX #416A99

RGB 65 106 153

HSL 212.05, 0.4%, 0.43%

LAB 43.85, 0.21, -29.92

 

CMYK 58 / 46 / 0 / 40

HEX #415399

RGB 65 83 153

HSL 227.73, 0.4%, 0.43%

LAB 37.13, 14.81, -40.54

 

CMYK 54 / 58 / 0 / 40

HEX #474199

RGB 71 65 153

HSL 244.09, 0.4%, 0.43%

LAB 32.74, 27.8, -47.57

 

CMYK 38 / 58 / 0 / 40

HEX #5F4199

RGB 95 65 153

HSL 260.45, 0.4%, 0.43%

LAB 35.03, 33.36, -43.77

 

CMYK 58 / 15 / 0 / 40

HEX #418299

RGB 65 130 153

HSL 195.68, 0.4%, 0.43%

LAB 51.14, -13.82, -18.64

 

CMYK 58 / 31 / 0 / 40

HEX #416A99

RGB 65 106 153

HSL 212.05, 0.4%, 0.43%

LAB 43.85, 0.21, -29.92

 

CMYK 58 / 46 / 0 / 40

HEX #415399

RGB 65 83 153

HSL 227.73, 0.4%, 0.43%

LAB 37.13, 14.81, -40.54

 

CMYK 58 / 58 / 0 / 40

HEX #414199

RGB 65 65 153

HSL 240, 0.4%, 0.43%

LAB 32.27, 26.57, -48.37

 

CMYK 58 / 15 / 0 / 40

HEX #418299

RGB 65 130 153

HSL 195.68, 0.4%, 0.43%

LAB 51.14, -13.82, -18.64

 

CMYK 72 / 19 / 0 / 33

HEX #308BAB

RGB 48 139 171

HSL 195.61, 0.56%, 0.43%

LAB 54.06, -15.92, -24.61

 

CMYK 84 / 22 / 0 / 26

HEX #1E93BC

RGB 30 147 188

HSL 195.57, 0.72%, 0.43%

LAB 56.85, -16.41, -30.02

 

CMYK 94 / 25 / 0 / 19

HEX #0C9BCE

RGB 12 155 206

HSL 195.77, 0.89%, 0.43%

LAB 59.87, -15.38, -35.48

 

CMYK 58 / 15 / 0 / 40

HEX #418299

RGB 65 130 153

HSL 195.68, 0.4%, 0.43%

LAB 51.14, -13.82, -18.64

 

CMYK 39 / 10 / 0 / 47

HEX #537A87

RGB 83 122 135

HSL 195, 0.24%, 0.43%

LAB 48.89, -10.11, -11.42

 

CMYK 14 / 4 / 0 / 54

HEX #657176

RGB 101 113 118

HSL 197.65, 0.08%, 0.43%

LAB 46.82, -3.37, -4.3

 

CMYK 0 / 12 / 16 / 53

HEX #776964

RGB 119 105 100

HSL 15.79, 0.09%, 0.43%

LAB 45.56, 4.62, 4.82

 

CMYK 0 / 29 / 40 / 47

HEX #886052

RGB 136 96 82

HSL 15.56, 0.25%, 0.43%

LAB 44.53, 14.35, 14.46

 

CMYK 58 / 0 / 16 / 40

HEX #419980

RGB 65 153 128

HSL 162.95, 0.4%, 0.43%

LAB 57.53, -32.65, 5.26

 

CMYK 58 / 0 / 1 / 40

HEX #419998

RGB 65 153 152

HSL 179.32, 0.4%, 0.43%

LAB 58.2, -26.26, -7.41

 

CMYK 58 / 14 / 0 / 40

HEX #418399

RGB 65 131 153

HSL 195, 0.4%, 0.43%

LAB 51.45, -14.38, -18.17

 

CMYK 58 / 29 / 0 / 40

HEX #416C99

RGB 65 108 153

HSL 210.68, 0.4%, 0.43%

LAB 44.45, -1.01, -28.99

 

CMYK 58 / 45 / 0 / 40

HEX #415499

RGB 65 84 153

HSL 227.05, 0.4%, 0.43%

LAB 37.42, 14.16, -40.09

 

CMYK 57 / 15 / 0 / 63

HEX #29515F

RGB 41 81 95

HSL 195.56, 0.4%, 0.27%

LAB 32.22, -9.62, -12.49

 

CMYK 57 / 15 / 0 / 51

HEX #356A7C

RGB 53 106 124

HSL 195.21, 0.4%, 0.35%

LAB 42.03, -12.06, -15.4

 

CMYK 58 / 15 / 0 / 40

HEX #418299

RGB 65 130 153

HSL 195.68, 0.4%, 0.43%

LAB 51.14, -13.82, -18.64

 

CMYK 56 / 14 / 0 / 29

HEX #509AB4

RGB 80 154 180

HSL 195.6, 0.4%, 0.51%

LAB 59.99, -15.5, -20.55

 

CMYK 43 / 11 / 0 / 25

HEX #6DAAC0

RGB 109 170 192

HSL 195.9, 0.4%, 0.59%

LAB 66.37, -13.88, -17.44

 

CMYK 57 / 15 / 0 / 40

HEX #42839A

RGB 66 131 154

HSL 195.68, 0.4%, 0.43%

LAB 51.52, -13.85, -18.63

 

CMYK 31 / 58 / 0 / 40

HEX #694199

RGB 105 65 153

HSL 267.27, 0.4%, 0.43%

LAB 36.15, 35.89, -41.92

 

CMYK 0 / 8 / 58 / 40

HEX #998C41

RGB 153 140 65

HSL 51.14, 0.4%, 0.43%

LAB 57.95, -5.08, 41.15

 

CMYK 57 / 15 / 0 / 40

HEX #42839A

RGB 66 131 154

HSL 195.68, 0.4%, 0.43%

LAB 51.52, -13.85, -18.63

 

CMYK 0 / 58 / 14 / 40

HEX #994183

RGB 153 65 131

HSL 315, 0.4%, 0.43%

LAB 41.52, 45.06, -19.63

 

CMYK 14 / 0 / 58 / 40

HEX #839941

RGB 131 153 65

HSL 75, 0.4%, 0.43%

LAB 59.88, -21.45, 42.88

 

CMYK 57 / 15 / 0 / 40

HEX #42839A

RGB 66 131 154

HSL 195.68, 0.4%, 0.43%

LAB 51.52, -13.85, -18.63

 

CMYK 31 / 58 / 0 / 40

HEX #694199

RGB 105 65 153

HSL 267.27, 0.4%, 0.43%

LAB 36.15, 35.89, -41.92

 

CMYK 0 / 43 / 58 / 40

HEX #995741

RGB 153 87 65

HSL 15, 0.4%, 0.43%

LAB 44.19, 25, 24.52

 

CMYK 25 / 0 / 58 / 40

HEX #729941

RGB 114 153 65

HSL 86.59, 0.4%, 0.43%

LAB 58.73, -28.32, 41.26

 

CMYK 57 / 15 / 0 / 40

HEX #42839A

RGB 66 131 154

HSL 195.68, 0.4%, 0.43%

LAB 51.52, -13.85, -18.63

 

CMYK 14 / 58 / 0 / 40

HEX #834199

RGB 131 65 153

HSL 285, 0.4%, 0.43%

LAB 39.42, 42.83, -36.51

 

CMYK 0 / 43 / 58 / 40

HEX #995741

RGB 153 87 65

HSL 15, 0.4%, 0.43%

LAB 44.19, 25, 24.52

 

CMYK 43 / 0 / 58 / 40

HEX #579941

RGB 87 153 65

HSL 105, 0.4%, 0.43%

LAB 57.26, -38.12, 39.17

 

Description

Color code: RGB 66 131 154 | qconv.com Color code: RGB 66 131 154 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 131 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 131 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 15 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 15% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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