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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 69 85 154 it is the complementary color RGB 186 170 101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 69 85 154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 69 85 154 shade: RGB 74 85 149, RGB 91 103 168, RGB 108 121 187, RGB 125 139 206 and RGB 142 157 225

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 69 85 154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 69 85 154 shade: RGB 69 85 154, RGB 52 67 135, RGB 35 49 116, RGB 18 31 97 and RGB 1 13 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 69 85 154 shade: RGB 69 85 154, RGB 76 69 154, RGB 99 69 154, RGB 122 69 154 and RGB 145 69 154

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 69 85 154 shade: RGB 69 85 154 and RGB 69 69 154

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 69 85 154 shade matches the following richer shades: RGB 69 85 154, RGB 51 74 172, RGB 33 62 191 and RGB 15 51 209

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 69 85 154 shade: RGB 69 85 154, RGB 87 96 136, RGB 105 108 118, RGB 124 119 100 and RGB 142 130 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 69 85 154 shade: RGB 69 132 154, RGB 69 109 154, RGB 69 86 154, RGB 75 69 154 and RGB 97 69 154

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 69 85 154 shade: RGB 43 54 97, RGB 56 69 126, RGB 69 85 154, RGB 86 103 179 and RGB 114 129 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 69 85 154 shade: RGB 69 85 154, RGB 154 69 154 and RGB 120 154 69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 69 85 154 shade: RGB 69 85 154, RGB 154 69 86 and RGB 86 154 69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 69 85 154 shade: RGB 69 85 154, RGB 154 69 154, RGB 154 137 69 and RGB 69 154 69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 69 85 154 shade: RGB 69 85 154, RGB 154 69 129, RGB 154 137 69 and RGB 69 154 95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 45 / 0 / 40

HEX #45559A

RGB 69 85 154

HSL 228.71, 0.38%, 0.44%

LAB 38.01, 14.74, -39.72

 

Complementary color

CMYK 0 / 9 / 46 / 27

HEX #BAAA65

RGB 186 170 101

HSL 48.71, 0.38%, 0.56%

LAB 69.56, -3.8, 37.53

 

CMYK 50 / 43 / 0 / 42

HEX #4A5595

RGB 74 85 149

HSL 231.2, 0.34%, 0.44%

LAB 38.06, 14.26, -36.62

 

CMYK 46 / 39 / 0 / 34

HEX #5B67A8

RGB 91 103 168

HSL 230.65, 0.31%, 0.51%

LAB 45.29, 13.22, -36.41

 

CMYK 42 / 35 / 0 / 27

HEX #6C79BB

RGB 108 121 187

HSL 230.13, 0.37%, 0.58%

LAB 52.34, 12.37, -36.26

 

CMYK 39 / 33 / 0 / 19

HEX #7D8BCE

RGB 125 139 206

HSL 229.63, 0.45%, 0.65%

LAB 59.23, 11.67, -36.18

 

CMYK 37 / 30 / 0 / 12

HEX #8E9DE1

RGB 142 157 225

HSL 229.16, 0.58%, 0.72%

LAB 65.98, 11.06, -36.15

 

CMYK 55 / 45 / 0 / 40

HEX #45559A

RGB 69 85 154

HSL 228.71, 0.38%, 0.44%

LAB 38.01, 14.74, -39.72

 

CMYK 61 / 50 / 0 / 47

HEX #344387

RGB 52 67 135

HSL 229.16, 0.44%, 0.37%

LAB 30.63, 16.28, -40.03

 

CMYK 70 / 58 / 0 / 55

HEX #233174

RGB 35 49 116

HSL 229.63, 0.54%, 0.3%

LAB 23.05, 18.32, -40.36

 

CMYK 81 / 68 / 0 / 62

HEX #121F61

RGB 18 31 97

HSL 230.13, 0.69%, 0.23%

LAB 15.34, 21.11, -40.61

 

CMYK 99 / 83 / 0 / 69

HEX #010D4E

RGB 1 13 78

HSL 230.65, 0.97%, 0.15%

LAB 7.63, 24.45, -40.48

 

CMYK 55 / 45 / 0 / 40

HEX #45559A

RGB 69 85 154

HSL 228.71, 0.38%, 0.44%

LAB 38.01, 14.74, -39.72

 

CMYK 51 / 55 / 0 / 40

HEX #4C459A

RGB 76 69 154

HSL 244.94, 0.38%, 0.44%

LAB 34.24, 26.66, -45.74

 

CMYK 36 / 55 / 0 / 40

HEX #63459A

RGB 99 69 154

HSL 261.18, 0.38%, 0.44%

LAB 36.45, 32.26, -42.08

 

CMYK 21 / 55 / 0 / 40

HEX #7A459A

RGB 122 69 154

HSL 277.41, 0.38%, 0.44%

LAB 39.12, 38.43, -37.67

 

CMYK 6 / 55 / 0 / 40

HEX #91459A

RGB 145 69 154

HSL 293.65, 0.38%, 0.44%

LAB 42.17, 44.86, -32.64

 

CMYK 55 / 45 / 0 / 40

HEX #45559A

RGB 69 85 154

HSL 228.71, 0.38%, 0.44%

LAB 38.01, 14.74, -39.72

 

CMYK 55 / 55 / 0 / 40

HEX #45459A

RGB 69 69 154

HSL 240, 0.38%, 0.44%

LAB 33.68, 25.13, -46.68

 

CMYK 55 / 45 / 0 / 40

HEX #45559A

RGB 69 85 154

HSL 228.71, 0.38%, 0.44%

LAB 38.01, 14.74, -39.72

 

CMYK 70 / 57 / 0 / 33

HEX #334AAC

RGB 51 74 172

HSL 228.6, 0.54%, 0.44%

LAB 35.16, 25.04, -55.14

 

CMYK 83 / 68 / 0 / 25

HEX #213EBF

RGB 33 62 191

HSL 228.99, 0.71%, 0.44%

LAB 32.98, 37.96, -69.97

 

CMYK 93 / 76 / 0 / 18

HEX #0F33D1

RGB 15 51 209

HSL 228.87, 0.87%, 0.44%

LAB 31.97, 50.11, -82.17

 

CMYK 55 / 45 / 0 / 40

HEX #45559A

RGB 69 85 154

HSL 228.71, 0.38%, 0.44%

LAB 38.01, 14.74, -39.72

 

CMYK 36 / 29 / 0 / 47

HEX #576088

RGB 87 96 136

HSL 228.98, 0.22%, 0.44%

LAB 41.48, 6.88, -23.32

 

CMYK 11 / 8 / 0 / 54

HEX #696C76

RGB 105 108 118

HSL 226.15, 0.06%, 0.44%

LAB 45.68, 1.03, -5.96

 

CMYK 0 / 4 / 19 / 51

HEX #7C7764

RGB 124 119 100

HSL 47.5, 0.11%, 0.44%

LAB 49.98, -1.52, 11.15

 

CMYK 0 / 8 / 42 / 44

HEX #8E8252

RGB 142 130 82

HSL 48, 0.27%, 0.44%

LAB 54.37, -2.68, 27.61

 

CMYK 55 / 14 / 0 / 40

HEX #45849A

RGB 69 132 154

HSL 195.53, 0.38%, 0.44%

LAB 51.95, -13.75, -17.97

 

CMYK 55 / 29 / 0 / 40

HEX #456D9A

RGB 69 109 154

HSL 211.76, 0.38%, 0.44%

LAB 44.99, -0.38, -28.71

 

CMYK 55 / 44 / 0 / 40

HEX #45569A

RGB 69 86 154

HSL 228, 0.38%, 0.44%

LAB 38.29, 14.09, -39.28

 

CMYK 51 / 55 / 0 / 40

HEX #4B459A

RGB 75 69 154

HSL 244.24, 0.38%, 0.44%

LAB 34.16, 26.44, -45.88

 

CMYK 37 / 55 / 0 / 40

HEX #61459A

RGB 97 69 154

HSL 259.76, 0.38%, 0.44%

LAB 36.23, 31.74, -42.43

 

CMYK 56 / 44 / 0 / 62

HEX #2B3661

RGB 43 54 97

HSL 227.78, 0.39%, 0.27%

LAB 23.72, 9.31, -27

 

CMYK 56 / 45 / 0 / 51

HEX #38457E

RGB 56 69 126

HSL 228.86, 0.38%, 0.36%

LAB 30.89, 12.6, -34.01

 

CMYK 55 / 45 / 0 / 40

HEX #45559A

RGB 69 85 154

HSL 228.71, 0.38%, 0.44%

LAB 38.01, 14.74, -39.72

 

CMYK 52 / 42 / 0 / 30

HEX #5667B3

RGB 86 103 179

HSL 229.03, 0.38%, 0.52%

LAB 45.54, 15.47, -42.47

 

CMYK 41 / 33 / 0 / 25

HEX #7281C0

RGB 114 129 192

HSL 228.46, 0.38%, 0.6%

LAB 55.16, 10.64, -34.68

 

CMYK 55 / 45 / 0 / 40

HEX #45559A

RGB 69 85 154

HSL 228.71, 0.38%, 0.44%

LAB 38.01, 14.74, -39.72

 

CMYK 0 / 55 / 0 / 40

HEX #9A459A

RGB 154 69 154

HSL 300, 0.38%, 0.44%

LAB 43.45, 47.4, -30.54

 

CMYK 22 / 0 / 55 / 40

HEX #789A45

RGB 120 154 69

HSL 84, 0.38%, 0.44%

LAB 59.47, -26.04, 40.27

 

CMYK 55 / 45 / 0 / 40

HEX #45559A

RGB 69 85 154

HSL 228.71, 0.38%, 0.44%

LAB 38.01, 14.74, -39.72

 

CMYK 0 / 55 / 44 / 40

HEX #9A4556

RGB 154 69 86

HSL 348, 0.38%, 0.44%

LAB 40.89, 37.22, 7.32

 

CMYK 44 / 0 / 55 / 40

HEX #569A45

RGB 86 154 69

HSL 108, 0.38%, 0.44%

LAB 57.58, -38.41, 37.57

 

CMYK 55 / 45 / 0 / 40

HEX #45559A

RGB 69 85 154

HSL 228.71, 0.38%, 0.44%

LAB 38.01, 14.74, -39.72

 

CMYK 0 / 55 / 0 / 40

HEX #9A459A

RGB 154 69 154

HSL 300, 0.38%, 0.44%

LAB 43.45, 47.4, -30.54

 

CMYK 0 / 11 / 55 / 40

HEX #9A8945

RGB 154 137 69

HSL 48, 0.38%, 0.44%

LAB 57.26, -2.65, 38.35

 

CMYK 55 / 0 / 55 / 40

HEX #459A45

RGB 69 154 69

HSL 120, 0.38%, 0.44%

LAB 56.89, -43.46, 36.58

 

CMYK 55 / 45 / 0 / 40

HEX #45559A

RGB 69 85 154

HSL 228.71, 0.38%, 0.44%

LAB 38.01, 14.74, -39.72

 

CMYK 0 / 55 / 16 / 40

HEX #9A4581

RGB 154 69 129

HSL 317.65, 0.38%, 0.44%

LAB 42.32, 43.08, -17.15

 

CMYK 0 / 11 / 55 / 40

HEX #9A8945

RGB 154 137 69

HSL 48, 0.38%, 0.44%

LAB 57.26, -2.65, 38.35

 

CMYK 55 / 0 / 38 / 40

HEX #459A5F

RGB 69 154 95

HSL 138.35, 0.38%, 0.44%

LAB 57.27, -39.32, 23.4

 

Description

Color code: RGB 69 85 154 | qconv.com Color code: RGB 69 85 154 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 85 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 85 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 45 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 45% 0% 40% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

75% - Galileo - Galileo Vi...
Link: http://www.kaiserpower.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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