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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 69 140 87 it is the complementary color RGB 186 115 168. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 69 140 87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 69 140 87 shade: RGB 74 140 82, RGB 91 158 101, RGB 108 176 120, RGB 125 194 139 and RGB 142 212 158

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 69 140 87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 69 140 87 shade: RGB 69 140 87, RGB 52 122 68, RGB 35 104 49, RGB 18 86 30 and RGB 1 68 11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 69 140 87 shade: RGB 69 140 87, RGB 70 140 69, RGB 89 140 69, RGB 108 140 69 and RGB 127 140 69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 69 140 87 shade: RGB 69 140 87, RGB 69 140 106, RGB 69 140 125, RGB 69 135 140 and RGB 69 116 140

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 69 140 87 shade matches the following richer shades: RGB 69 140 87, RGB 52 157 78, RGB 35 173 70, RGB 18 190 62 and RGB 1 207 53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 69 140 87 shade: RGB 69 140 87, RGB 85 123 95, RGB 102 106 103, RGB 119 89 112 and RGB 136 72 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 69 140 87 shade: RGB 89 140 69, RGB 70 140 69, RGB 69 140 86, RGB 69 140 105 and RGB 69 140 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 69 140 87 shade: RGB 41 84 52, RGB 55 112 69, RGB 69 140 87, RGB 82 167 104 and RGB 108 182 127

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 69 140 87 shade: RGB 69 140 87, RGB 69 108 140 and RGB 140 69 79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 69 140 87 shade: RGB 69 140 87, RGB 86 69 140 and RGB 140 86 69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 69 140 87 shade: RGB 69 140 87, RGB 69 108 140, RGB 140 69 122 and RGB 140 100 69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 69 140 87 shade: RGB 69 140 87, RGB 69 86 140, RGB 140 69 122 and RGB 140 122 69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 38 / 45

HEX #458C57

RGB 69 140 87

HSL 135.21, 0.34%, 0.41%

LAB 52.63, -34.6, 21.65

 

Complementary color

CMYK 0 / 38 / 10 / 27

HEX #BA73A8

RGB 186 115 168

HSL 315.21, 0.34%, 0.59%

LAB 57.59, 35.82, -16.62

 

CMYK 47 / 0 / 41 / 45

HEX #4A8C52

RGB 74 140 82

HSL 127.27, 0.31%, 0.42%

LAB 52.75, -34.03, 24.61

 

CMYK 42 / 0 / 36 / 38

HEX #5B9E65

RGB 91 158 101

HSL 128.96, 0.27%, 0.49%

LAB 59.54, -33.82, 23.3

 

CMYK 39 / 0 / 32 / 31

HEX #6CB078

RGB 108 176 120

HSL 130.59, 0.3%, 0.56%

LAB 66.21, -33.56, 22.08

 

CMYK 36 / 0 / 28 / 24

HEX #7DC28B

RGB 125 194 139

HSL 132.17, 0.36%, 0.63%

LAB 72.77, -33.3, 20.95

 

CMYK 33 / 0 / 25 / 17

HEX #8ED49E

RGB 142 212 158

HSL 133.71, 0.45%, 0.69%

LAB 79.22, -33.03, 19.9

 

CMYK 51 / 0 / 38 / 45

HEX #458C57

RGB 69 140 87

HSL 135.21, 0.34%, 0.41%

LAB 52.63, -34.6, 21.65

 

CMYK 57 / 0 / 44 / 52

HEX #347A44

RGB 52 122 68

HSL 133.71, 0.4%, 0.34%

LAB 45.73, -34.68, 23.07

 

CMYK 66 / 0 / 53 / 59

HEX #236831

RGB 35 104 49

HSL 132.17, 0.5%, 0.27%

LAB 38.69, -34.48, 24.63

 

CMYK 79 / 0 / 65 / 66

HEX #12561E

RGB 18 86 30

HSL 130.59, 0.65%, 0.2%

LAB 31.53, -33.72, 26.22

 

CMYK 99 / 0 / 84 / 73

HEX #01440B

RGB 1 68 11

HSL 128.96, 0.97%, 0.14%

LAB 24.21, -32.13, 27.34

 

CMYK 51 / 0 / 38 / 45

HEX #458C57

RGB 69 140 87

HSL 135.21, 0.34%, 0.41%

LAB 52.63, -34.6, 21.65

 

CMYK 50 / 0 / 51 / 45

HEX #468C45

RGB 70 140 69

HSL 119.15, 0.34%, 0.41%

LAB 52.38, -37.29, 31.1

 

CMYK 36 / 0 / 51 / 45

HEX #598C45

RGB 89 140 69

HSL 103.1, 0.34%, 0.41%

LAB 53.29, -31.04, 32.42

 

CMYK 23 / 0 / 51 / 45

HEX #6C8C45

RGB 108 140 69

HSL 87.04, 0.34%, 0.41%

LAB 54.42, -23.85, 34.06

 

CMYK 9 / 0 / 51 / 45

HEX #7F8C45

RGB 127 140 69

HSL 70.99, 0.34%, 0.41%

LAB 55.78, -16.01, 36.03

 

CMYK 51 / 0 / 38 / 45

HEX #458C57

RGB 69 140 87

HSL 135.21, 0.34%, 0.41%

LAB 52.63, -34.6, 21.65

 

CMYK 51 / 0 / 24 / 45

HEX #458C6A

RGB 69 140 106

HSL 151.27, 0.34%, 0.41%

LAB 53.02, -30.73, 11.43

 

CMYK 51 / 0 / 11 / 45

HEX #458C7D

RGB 69 140 125

HSL 167.32, 0.34%, 0.41%

LAB 53.49, -26.18, 1.17

 

CMYK 51 / 4 / 0 / 45

HEX #45878C

RGB 69 135 140

HSL 184.23, 0.34%, 0.41%

LAB 52.38, -19.53, -9.17

 

CMYK 51 / 17 / 0 / 45

HEX #45748C

RGB 69 116 140

HSL 200.28, 0.34%, 0.41%

LAB 46.51, -9, -18.06

 

CMYK 51 / 0 / 38 / 45

HEX #458C57

RGB 69 140 87

HSL 135.21, 0.34%, 0.41%

LAB 52.63, -34.6, 21.65

 

CMYK 67 / 0 / 50 / 38

HEX #349D4E

RGB 52 157 78

HSL 134.86, 0.5%, 0.41%

LAB 57.46, -47.34, 32.59

 

CMYK 80 / 0 / 60 / 32

HEX #23AD46

RGB 35 173 70

HSL 135.22, 0.66%, 0.41%

LAB 62.24, -56.97, 42.22

 

CMYK 91 / 0 / 67 / 25

HEX #12BE3E

RGB 18 190 62

HSL 135.35, 0.83%, 0.41%

LAB 67.5, -64.87, 51.6

 

CMYK 100 / 0 / 74 / 19

HEX #01CF35

RGB 1 207 53

HSL 135.15, 0.99%, 0.41%

LAB 72.82, -71.41, 60.49

 

CMYK 51 / 0 / 38 / 45

HEX #458C57

RGB 69 140 87

HSL 135.21, 0.34%, 0.41%

LAB 52.63, -34.6, 21.65

 

CMYK 31 / 0 / 23 / 52

HEX #557B5F

RGB 85 123 95

HSL 135.79, 0.18%, 0.41%

LAB 48.16, -19.65, 11.11

 

CMYK 4 / 0 / 3 / 58

HEX #666A67

RGB 102 106 103

HSL 135, 0.02%, 0.41%

LAB 44.39, -2.16, 1.14

 

CMYK 0 / 25 / 6 / 53

HEX #775970

RGB 119 89 112

HSL 314, 0.14%, 0.41%

LAB 41.59, 16.48, -8.29

 

CMYK 0 / 47 / 12 / 47

HEX #884878

RGB 136 72 120

HSL 315, 0.31%, 0.41%

LAB 39.96, 34.08, -15.48

 

CMYK 36 / 0 / 51 / 45

HEX #598C45

RGB 89 140 69

HSL 103.1, 0.34%, 0.41%

LAB 53.29, -31.04, 32.42

 

CMYK 50 / 0 / 51 / 45

HEX #468C45

RGB 70 140 69

HSL 119.15, 0.34%, 0.41%

LAB 52.38, -37.29, 31.1

 

CMYK 51 / 0 / 39 / 45

HEX #458C56

RGB 69 140 86

HSL 134.37, 0.34%, 0.41%

LAB 52.61, -34.79, 22.18

 

CMYK 51 / 0 / 25 / 45

HEX #458C69

RGB 69 140 105

HSL 150.42, 0.34%, 0.41%

LAB 52.99, -30.95, 11.97

 

CMYK 51 / 0 / 11 / 45

HEX #458C7C

RGB 69 140 124

HSL 166.48, 0.34%, 0.41%

LAB 53.47, -26.43, 1.71

 

CMYK 51 / 0 / 38 / 67

HEX #295434

RGB 41 84 52

HSL 135.35, 0.34%, 0.25%

LAB 31.94, -23.07, 14.22

 

CMYK 51 / 0 / 38 / 56

HEX #377045

RGB 55 112 69

HSL 134.74, 0.34%, 0.33%

LAB 42.51, -29.08, 18.3

 

CMYK 51 / 0 / 38 / 45

HEX #458C57

RGB 69 140 87

HSL 135.21, 0.34%, 0.41%

LAB 52.63, -34.6, 21.65

 

CMYK 51 / 0 / 38 / 35

HEX #52A768

RGB 82 167 104

HSL 135.53, 0.34%, 0.49%

LAB 62.02, -39.92, 24.91

 

CMYK 41 / 0 / 30 / 29

HEX #6CB67F

RGB 108 182 127

HSL 135.41, 0.34%, 0.57%

LAB 68.15, -35.08, 20.95

 

CMYK 51 / 0 / 38 / 45

HEX #458C57

RGB 69 140 87

HSL 135.21, 0.34%, 0.41%

LAB 52.63, -34.6, 21.65

 

CMYK 51 / 23 / 0 / 45

HEX #456C8C

RGB 69 108 140

HSL 207.04, 0.34%, 0.41%

LAB 44.07, -4.29, -21.82

 

CMYK 0 / 51 / 44 / 45

HEX #8C454F

RGB 140 69 79

HSL 351.55, 0.34%, 0.41%

LAB 38.54, 31.16, 8.07

 

CMYK 51 / 0 / 38 / 45

HEX #458C57

RGB 69 140 87

HSL 135.21, 0.34%, 0.41%

LAB 52.63, -34.6, 21.65

 

CMYK 39 / 51 / 0 / 45

HEX #56458C

RGB 86 69 140

HSL 254.37, 0.34%, 0.41%

LAB 34.25, 24.84, -37.15

 

CMYK 0 / 39 / 51 / 45

HEX #8C5645

RGB 140 86 69

HSL 14.37, 0.34%, 0.41%

LAB 42.25, 20.43, 19.28

 

CMYK 51 / 0 / 38 / 45

HEX #458C57

RGB 69 140 87

HSL 135.21, 0.34%, 0.41%

LAB 52.63, -34.6, 21.65

 

CMYK 51 / 23 / 0 / 45

HEX #456C8C

RGB 69 108 140

HSL 207.04, 0.34%, 0.41%

LAB 44.07, -4.29, -21.82

 

CMYK 0 / 51 / 13 / 45

HEX #8C457A

RGB 140 69 122

HSL 315.21, 0.34%, 0.41%

LAB 39.98, 37.4, -16.63

 

CMYK 0 / 29 / 51 / 45

HEX #8C6445

RGB 140 100 69

HSL 26.2, 0.34%, 0.41%

LAB 45.8, 12.25, 23.91

 

CMYK 51 / 0 / 38 / 45

HEX #458C57

RGB 69 140 87

HSL 135.21, 0.34%, 0.41%

LAB 52.63, -34.6, 21.65

 

CMYK 51 / 39 / 0 / 45

HEX #45568C

RGB 69 86 140

HSL 225.63, 0.34%, 0.41%

LAB 37.51, 9.4, -32.07

 

CMYK 0 / 51 / 13 / 45

HEX #8C457A

RGB 140 69 122

HSL 315.21, 0.34%, 0.41%

LAB 39.98, 37.4, -16.63

 

CMYK 0 / 13 / 51 / 45

HEX #8C7A45

RGB 140 122 69

HSL 44.79, 0.34%, 0.41%

LAB 51.75, -0.46, 31.39

 

Description

Color code: RGB 69 140 87 | qconv.com Color code: RGB 69 140 87 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 140 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 140 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 38 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 38% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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