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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 69 230 104 it is the complementary color RGB 186 25 151. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 69 230 104. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 69 230 104 shade: RGB 74 230 99, RGB 91 248 118, RGB 108 255 137, RGB 125 255 156 and RGB 142 255 175

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 69 230 104. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 69 230 104 shade: RGB 69 230 104, RGB 52 212 85, RGB 35 194 66, RGB 18 176 47 and RGB 1 158 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 69 230 104 shade: RGB 70 229 105, RGB 79 229 70, RGB 122 229 70, RGB 165 229 70 and RGB 207 229 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 69 230 104 shade: RGB 70 229 105, RGB 70 229 148, RGB 70 229 191, RGB 70 225 229 and RGB 70 182 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 69 230 104 shade matches the following richer shades: RGB 70 229 105 and RGB 54 246 95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 69 230 104 shade: RGB 70 229 105, RGB 87 212 115, RGB 104 196 124, RGB 121 179 134 and RGB 138 162 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 69 230 104 shade: RGB 121 229 70, RGB 78 229 70, RGB 70 229 105, RGB 70 229 147 and RGB 70 229 190

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 69 230 104 shade: RGB 26 192 62, RGB 34 224 76, RGB 70 229 105, RGB 107 234 135 and RGB 143 239 164

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 69 230 104 shade: RGB 69 230 104, RGB 70 163 229 and RGB 229 70 100

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 69 230 104 shade: RGB 69 230 104, RGB 105 70 229 and RGB 229 105 70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 69 230 104 shade: RGB 69 230 104, RGB 70 163 229, RGB 229 70 195 and RGB 229 137 70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 69 230 104 shade: RGB 69 230 104, RGB 70 116 229, RGB 229 70 195 and RGB 229 184 70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 55 / 10

HEX #45E668

RGB 69 230 104

HSL 133.04, 0.76%, 0.59%

LAB 81.21, -66.72, 49.01

 

Complementary color

CMYK 0 / 87 / 19 / 27

HEX #BA1997

RGB 186 25 151

HSL 313.04, 0.76%, 0.41%

LAB 43.31, 69.67, -28.57

 

CMYK 68 / 0 / 57 / 10

HEX #4AE663

RGB 74 230 99

HSL 129.62, 0.76%, 0.6%

LAB 81.26, -66.5, 51.37

 

CMYK 63 / 0 / 52 / 3

HEX #5BF876

RGB 91 248 118

HSL 130.32, 0.92%, 0.66%

LAB 87.32, -67.1, 50.04

 

CMYK 58 / 0 / 46 / 0

HEX #6CFF89

RGB 108 255 137

HSL 131.84, 1%, 0.71%

LAB 90.1, -63.45, 44.65

 

CMYK 51 / 0 / 39 / 0

HEX #7DFF9C

RGB 125 255 156

HSL 134.31, 1%, 0.75%

LAB 90.91, -56.6, 36.55

 

CMYK 44 / 0 / 31 / 0

HEX #8EFFAF

RGB 142 255 175

HSL 137.52, 1%, 0.78%

LAB 91.85, -49.09, 28.43

 

CMYK 70 / 0 / 55 / 10

HEX #45E668

RGB 69 230 104

HSL 133.04, 0.76%, 0.59%

LAB 81.21, -66.72, 49.01

 

CMYK 75 / 0 / 60 / 17

HEX #34D455

RGB 52 212 85

HSL 132.38, 0.65%, 0.52%

LAB 75.12, -65.72, 50.37

 

CMYK 82 / 0 / 66 / 24

HEX #23C242

RGB 35 194 66

HSL 131.7, 0.69%, 0.45%

LAB 68.99, -64.23, 51.61

 

CMYK 90 / 0 / 73 / 31

HEX #12B02F

RGB 18 176 47

HSL 131.01, 0.81%, 0.38%

LAB 62.83, -62.07, 52.54

 

CMYK 99 / 0 / 82 / 38

HEX #019E1C

RGB 1 158 28

HSL 130.32, 0.99%, 0.31%

LAB 56.63, -59.13, 52.75

 

CMYK 69 / 0 / 54 / 10

HEX #46E569

RGB 70 229 105

HSL 133.21, 0.75%, 0.59%

LAB 80.94, -66.08, 48.22

 

CMYK 66 / 0 / 69 / 10

HEX #4FE546

RGB 79 229 70

HSL 116.6, 0.75%, 0.59%

LAB 80.82, -68.22, 62.92

 

CMYK 47 / 0 / 69 / 10

HEX #7AE546

RGB 122 229 70

HSL 100.38, 0.75%, 0.59%

LAB 82.17, -57.58, 64.75

 

CMYK 28 / 0 / 69 / 10

HEX #A5E546

RGB 165 229 70

HSL 84.15, 0.75%, 0.59%

LAB 84.22, -43.3, 67.49

 

CMYK 10 / 0 / 69 / 10

HEX #CFE546

RGB 207 229 70

HSL 68.3, 0.75%, 0.59%

LAB 86.87, -27.12, 71.03

 

CMYK 69 / 0 / 54 / 10

HEX #46E569

RGB 70 229 105

HSL 133.21, 0.75%, 0.59%

LAB 80.94, -66.08, 48.22

 

CMYK 69 / 0 / 35 / 10

HEX #46E594

RGB 70 229 148

HSL 149.43, 0.75%, 0.59%

LAB 81.55, -59.1, 27.87

 

CMYK 69 / 0 / 17 / 10

HEX #46E5BF

RGB 70 229 191

HSL 165.66, 0.75%, 0.59%

LAB 82.43, -49.75, 6.68

 

CMYK 69 / 2 / 0 / 10

HEX #46E1E5

RGB 70 225 229

HSL 181.51, 0.75%, 0.59%

LAB 82.28, -38.01, -13.67

 

CMYK 69 / 21 / 0 / 10

HEX #46B6E5

RGB 70 182 229

HSL 197.74, 0.75%, 0.59%

LAB 69.76, -16.85, -32.73

 

CMYK 69 / 0 / 54 / 10

HEX #46E569

RGB 70 229 105

HSL 133.21, 0.75%, 0.59%

LAB 80.94, -66.08, 48.22

 

CMYK 78 / 0 / 61 / 4

HEX #36F65F

RGB 54 246 95

HSL 132.81, 0.91%, 0.59%

LAB 85.77, -75.08, 58.22

 

CMYK 69 / 0 / 54 / 10

HEX #46E569

RGB 70 229 105

HSL 133.21, 0.75%, 0.59%

LAB 80.94, -66.08, 48.22

 

CMYK 59 / 0 / 46 / 17

HEX #57D473

RGB 87 212 115

HSL 133.44, 0.59%, 0.59%

LAB 76.28, -55.21, 37.75

 

CMYK 47 / 0 / 37 / 23

HEX #68C47C

RGB 104 196 124

HSL 133.04, 0.44%, 0.59%

LAB 72.15, -43, 27.89

 

CMYK 32 / 0 / 25 / 30

HEX #79B386

RGB 121 179 134

HSL 133.45, 0.28%, 0.59%

LAB 68.04, -28.33, 17.11

 

CMYK 15 / 0 / 12 / 36

HEX #8AA28F

RGB 138 162 143

HSL 132.5, 0.11%, 0.59%

LAB 64.34, -12.2, 7.09

 

CMYK 47 / 0 / 69 / 10

HEX #79E546

RGB 121 229 70

HSL 100.75, 0.75%, 0.59%

LAB 82.13, -57.88, 64.7

 

CMYK 66 / 0 / 69 / 10

HEX #4EE546

RGB 78 229 70

HSL 116.98, 0.75%, 0.59%

LAB 80.79, -68.42, 62.89

 

CMYK 69 / 0 / 54 / 10

HEX #46E569

RGB 70 229 105

HSL 133.21, 0.75%, 0.59%

LAB 80.94, -66.08, 48.22

 

CMYK 69 / 0 / 36 / 10

HEX #46E593

RGB 70 229 147

HSL 149.06, 0.75%, 0.59%

LAB 81.54, -59.29, 28.36

 

CMYK 69 / 0 / 17 / 10

HEX #46E5BE

RGB 70 229 190

HSL 165.28, 0.75%, 0.59%

LAB 82.41, -49.99, 7.17

 

CMYK 86 / 0 / 68 / 25

HEX #1AC03E

RGB 26 192 62

HSL 133.01, 0.76%, 0.43%

LAB 68.22, -64.89, 52.39

 

CMYK 85 / 0 / 66 / 12

HEX #22E04C

RGB 34 224 76

HSL 133.26, 0.75%, 0.51%

LAB 78.56, -72.47, 57.97

 

CMYK 69 / 0 / 54 / 10

HEX #46E569

RGB 70 229 105

HSL 133.21, 0.75%, 0.59%

LAB 80.94, -66.08, 48.22

 

CMYK 54 / 0 / 42 / 8

HEX #6BEA87

RGB 107 234 135

HSL 133.23, 0.75%, 0.67%

LAB 83.82, -56, 37.6

 

CMYK 40 / 0 / 31 / 6

HEX #8FEFA4

RGB 143 239 164

HSL 133.13, 0.75%, 0.75%

LAB 87.12, -43.85, 27.61

 

CMYK 70 / 0 / 55 / 10

HEX #45E668

RGB 69 230 104

HSL 133.04, 0.76%, 0.59%

LAB 81.21, -66.72, 49.01

 

CMYK 69 / 29 / 0 / 10

HEX #46A3E5

RGB 70 163 229

HSL 204.91, 0.75%, 0.59%

LAB 64.29, -6.51, -41.26

 

CMYK 0 / 69 / 56 / 10

HEX #E54664

RGB 229 70 100

HSL 348.68, 0.75%, 0.59%

LAB 53.98, 62.78, 18.87

 

CMYK 70 / 0 / 55 / 10

HEX #45E668

RGB 69 230 104

HSL 133.04, 0.76%, 0.59%

LAB 81.21, -66.72, 49.01

 

CMYK 54 / 69 / 0 / 10

HEX #6946E5

RGB 105 70 229

HSL 253.21, 0.75%, 0.59%

LAB 42.82, 54.18, -75.58

 

CMYK 0 / 54 / 69 / 10

HEX #E56946

RGB 229 105 70

HSL 13.21, 0.75%, 0.59%

LAB 59.16, 45.88, 42.41

 

CMYK 70 / 0 / 55 / 10

HEX #45E668

RGB 69 230 104

HSL 133.04, 0.76%, 0.59%

LAB 81.21, -66.72, 49.01

 

CMYK 69 / 29 / 0 / 10

HEX #46A3E5

RGB 70 163 229

HSL 204.91, 0.75%, 0.59%

LAB 64.29, -6.51, -41.26

 

CMYK 0 / 69 / 15 / 10

HEX #E546C3

RGB 229 70 195

HSL 312.83, 0.75%, 0.59%

LAB 57.05, 72.93, -32.46

 

CMYK 0 / 40 / 69 / 10

HEX #E58946

RGB 229 137 70

HSL 25.28, 0.75%, 0.59%

LAB 65.74, 29.6, 49.76

 

CMYK 70 / 0 / 55 / 10

HEX #45E668

RGB 69 230 104

HSL 133.04, 0.76%, 0.59%

LAB 81.21, -66.72, 49.01

 

CMYK 69 / 49 / 0 / 10

HEX #4674E5

RGB 70 116 229

HSL 222.64, 0.75%, 0.59%

LAB 51.21, 21.49, -62.06

 

CMYK 0 / 69 / 15 / 10

HEX #E546C3

RGB 229 70 195

HSL 312.83, 0.75%, 0.59%

LAB 57.05, 72.93, -32.46

 

CMYK 0 / 20 / 69 / 10

HEX #E5B846

RGB 229 184 70

HSL 43.02, 0.75%, 0.59%

LAB 76.91, 4.65, 61.59

 

Description

Color code: RGB 69 230 104 | qconv.com Color code: RGB 69 230 104 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 230 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 230 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 55 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 55% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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