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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 69 237 80 it is the complementary color RGB 186 18 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 69 237 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 69 237 80 shade: RGB 74 237 75, RGB 91 255 94, RGB 108 255 113, RGB 125 255 132 and RGB 142 255 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 69 237 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 69 237 80 shade: RGB 69 237 80, RGB 52 219 61, RGB 35 201 42, RGB 18 183 23 and RGB 1 165 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 69 237 80 shade: RGB 69 236 80, RGB 103 236 69, RGB 148 236 69, RGB 193 236 69 and RGB 236 234 69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 69 237 80 shade: RGB 69 236 80, RGB 69 236 125, RGB 69 236 170, RGB 69 236 215 and RGB 69 212 236

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 69 237 80 shade matches the following richer shades: RGB 69 236 80 and RGB 52 253 65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 69 237 80 shade: RGB 69 236 80, RGB 85 220 94, RGB 102 203 109, RGB 118 187 123 and RGB 135 170 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 69 237 80 shade: RGB 150 236 69, RGB 105 236 69, RGB 69 236 77, RGB 69 236 122 and RGB 69 236 166

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 69 237 80 shade: RGB 20 203 32, RGB 31 232 44, RGB 69 236 80, RGB 106 240 115 and RGB 144 244 150

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 69 237 80 shade: RGB 69 237 80, RGB 69 194 236 and RGB 236 69 127

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 69 237 80 shade: RGB 69 237 80, RGB 77 69 236 and RGB 236 77 69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 69 237 80 shade: RGB 69 237 80, RGB 69 194 236, RGB 236 69 228 and RGB 236 111 69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 69 237 80 shade: RGB 69 237 80, RGB 69 144 236, RGB 236 69 228 and RGB 236 161 69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 66 / 7

HEX #45ED50

RGB 69 237 80

HSL 123.93, 0.82%, 0.6%

LAB 83.13, -71.71, 61.49

 

Complementary color

CMYK 0 / 90 / 6 / 27

HEX #BA12AF

RGB 186 18 175

HSL 303.93, 0.82%, 0.4%

LAB 44.19, 74.08, -41.55

 

CMYK 69 / 0 / 68 / 7

HEX #4AED4B

RGB 74 237 75

HSL 120.37, 0.82%, 0.61%

LAB 83.2, -71.32, 63.51

 

CMYK 64 / 0 / 63 / 0

HEX #5BFF5E

RGB 91 255 94

HSL 121.1, 1%, 0.68%

LAB 89.18, -72.25, 62.65

 

CMYK 58 / 0 / 56 / 0

HEX #6CFF71

RGB 108 255 113

HSL 122.04, 1%, 0.71%

LAB 89.81, -66.61, 55.4

 

CMYK 51 / 0 / 48 / 0

HEX #7DFF84

RGB 125 255 132

HSL 123.23, 1%, 0.75%

LAB 90.57, -60.14, 47.73

 

CMYK 44 / 0 / 41 / 0

HEX #8EFF97

RGB 142 255 151

HSL 124.78, 1%, 0.78%

LAB 91.46, -52.95, 39.86

 

CMYK 71 / 0 / 66 / 7

HEX #45ED50

RGB 69 237 80

HSL 123.93, 0.82%, 0.6%

LAB 83.13, -71.71, 61.49

 

CMYK 76 / 0 / 72 / 14

HEX #34DB3D

RGB 52 219 61

HSL 123.23, 0.7%, 0.53%

LAB 77.12, -70.31, 62.21

 

CMYK 83 / 0 / 79 / 21

HEX #23C92A

RGB 35 201 42

HSL 122.53, 0.7%, 0.46%

LAB 71.08, -68.34, 62.38

 

CMYK 90 / 0 / 87 / 28

HEX #12B717

RGB 18 183 23

HSL 121.82, 0.82%, 0.39%

LAB 65.01, -65.61, 61.62

 

CMYK 99 / 0 / 98 / 35

HEX #01A504

RGB 1 165 4

HSL 121.1, 0.99%, 0.33%

LAB 58.91, -62.06, 59.49

 

CMYK 71 / 0 / 66 / 7

HEX #45EC50

RGB 69 236 80

HSL 123.95, 0.81%, 0.6%

LAB 82.83, -71.39, 61.16

 

CMYK 56 / 0 / 71 / 7

HEX #67EC45

RGB 103 236 69

HSL 107.78, 0.81%, 0.6%

LAB 83.6, -65.35, 66.37

 

CMYK 37 / 0 / 71 / 7

HEX #94EC45

RGB 148 236 69

HSL 91.62, 0.81%, 0.6%

LAB 85.36, -52.22, 68.72

 

CMYK 18 / 0 / 71 / 7

HEX #C1EC45

RGB 193 236 69

HSL 75.45, 0.81%, 0.6%

LAB 87.85, -35.93, 72.03

 

CMYK 0 / 1 / 71 / 7

HEX #ECEA45

RGB 236 234 69

HSL 59.28, 0.81%, 0.6%

LAB 90.37, -17.78, 75.53

 

CMYK 71 / 0 / 66 / 7

HEX #45EC50

RGB 69 236 80

HSL 123.95, 0.81%, 0.6%

LAB 82.83, -71.39, 61.16

 

CMYK 71 / 0 / 47 / 7

HEX #45EC7D

RGB 69 236 125

HSL 140.12, 0.81%, 0.6%

LAB 83.3, -65.76, 41.64

 

CMYK 71 / 0 / 28 / 7

HEX #45ECAA

RGB 69 236 170

HSL 156.29, 0.81%, 0.6%

LAB 84.05, -57.47, 19.94

 

CMYK 71 / 0 / 9 / 7

HEX #45ECD7

RGB 69 236 215

HSL 172.46, 0.81%, 0.6%

LAB 85.08, -46.81, -2.12

 

CMYK 71 / 10 / 0 / 7

HEX #45D4EC

RGB 69 212 236

HSL 188.62, 0.81%, 0.6%

LAB 78.7, -29.97, -22.8

 

CMYK 71 / 0 / 66 / 7

HEX #45EC50

RGB 69 236 80

HSL 123.95, 0.81%, 0.6%

LAB 82.83, -71.39, 61.16

 

CMYK 79 / 0 / 74 / 1

HEX #34FD41

RGB 52 253 65

HSL 123.88, 0.98%, 0.6%

LAB 87.66, -80.11, 71.46

 

CMYK 71 / 0 / 66 / 7

HEX #45EC50

RGB 69 236 80

HSL 123.95, 0.81%, 0.6%

LAB 82.83, -71.39, 61.16

 

CMYK 61 / 0 / 57 / 14

HEX #55DC5E

RGB 85 220 94

HSL 124, 0.66%, 0.6%

LAB 78.42, -61.48, 50.35

 

CMYK 50 / 0 / 46 / 20

HEX #66CB6D

RGB 102 203 109

HSL 124.16, 0.49%, 0.6%

LAB 73.96, -48.86, 37.9

 

CMYK 37 / 0 / 34 / 27

HEX #76BB7B

RGB 118 187 123

HSL 124.35, 0.34%, 0.6%

LAB 70.05, -35.01, 25.73

 

CMYK 21 / 0 / 19 / 33

HEX #87AA89

RGB 135 170 137

HSL 123.43, 0.17%, 0.6%

LAB 66.3, -18.57, 13.15

 

CMYK 36 / 0 / 71 / 7

HEX #96EC45

RGB 150 236 69

HSL 90.9, 0.81%, 0.6%

LAB 85.46, -51.56, 68.85

 

CMYK 56 / 0 / 71 / 7

HEX #69EC45

RGB 105 236 69

HSL 107.07, 0.81%, 0.6%

LAB 83.66, -64.85, 66.46

 

CMYK 71 / 0 / 67 / 7

HEX #45EC4D

RGB 69 236 77

HSL 122.87, 0.81%, 0.6%

LAB 82.8, -71.67, 62.3

 

CMYK 71 / 0 / 48 / 7

HEX #45EC7A

RGB 69 236 122

HSL 139.04, 0.81%, 0.6%

LAB 83.26, -66.22, 43.04

 

CMYK 71 / 0 / 30 / 7

HEX #45ECA6

RGB 69 236 166

HSL 154.85, 0.81%, 0.6%

LAB 83.97, -58.31, 21.9

 

CMYK 90 / 0 / 84 / 20

HEX #14CB20

RGB 20 203 32

HSL 123.93, 0.82%, 0.44%

LAB 71.53, -70.74, 65.42

 

CMYK 87 / 0 / 81 / 9

HEX #1FE82C

RGB 31 232 44

HSL 123.88, 0.81%, 0.52%

LAB 80.84, -77.46, 70.98

 

CMYK 71 / 0 / 66 / 7

HEX #45EC50

RGB 69 236 80

HSL 123.95, 0.81%, 0.6%

LAB 82.83, -71.39, 61.16

 

CMYK 56 / 0 / 52 / 6

HEX #6AF073

RGB 106 240 115

HSL 124.03, 0.82%, 0.68%

LAB 85.31, -61.38, 49.09

 

CMYK 41 / 0 / 39 / 4

HEX #90F496

RGB 144 244 150

HSL 123.6, 0.82%, 0.76%

LAB 88.37, -47.97, 36.33

 

CMYK 71 / 0 / 66 / 7

HEX #45ED50

RGB 69 237 80

HSL 123.93, 0.82%, 0.6%

LAB 83.13, -71.71, 61.49

 

CMYK 71 / 18 / 0 / 7

HEX #45C2EC

RGB 69 194 236

HSL 195.09, 0.81%, 0.6%

LAB 73.48, -21, -30.79

 

CMYK 0 / 71 / 46 / 7

HEX #EC457F

RGB 236 69 127

HSL 339.16, 0.81%, 0.6%

LAB 55.71, 67.33, 5.39

 

CMYK 71 / 0 / 66 / 7

HEX #45ED50

RGB 69 237 80

HSL 123.93, 0.82%, 0.6%

LAB 83.13, -71.71, 61.49

 

CMYK 67 / 71 / 0 / 7

HEX #4D45EC

RGB 77 69 236

HSL 242.87, 0.81%, 0.6%

LAB 41.04, 53.15, -82.56

 

CMYK 0 / 67 / 71 / 7

HEX #EC4D45

RGB 236 77 69

HSL 2.87, 0.81%, 0.6%

LAB 55.65, 60.52, 39.22

 

CMYK 71 / 0 / 66 / 7

HEX #45ED50

RGB 69 237 80

HSL 123.93, 0.82%, 0.6%

LAB 83.13, -71.71, 61.49

 

CMYK 71 / 18 / 0 / 7

HEX #45C2EC

RGB 69 194 236

HSL 195.09, 0.81%, 0.6%

LAB 73.48, -21, -30.79

 

CMYK 0 / 71 / 3 / 7

HEX #EC45E4

RGB 236 69 228

HSL 302.87, 0.81%, 0.6%

LAB 59.61, 79.67, -47.11

 

CMYK 0 / 53 / 71 / 7

HEX #EC6F45

RGB 236 111 69

HSL 15.09, 0.81%, 0.6%

LAB 61.33, 45.53, 45.67

 

CMYK 71 / 0 / 66 / 7

HEX #45ED50

RGB 69 237 80

HSL 123.93, 0.82%, 0.6%

LAB 83.13, -71.71, 61.49

 

CMYK 71 / 39 / 0 / 7

HEX #4590EC

RGB 69 144 236

HSL 213.05, 0.81%, 0.6%

LAB 59.22, 6.74, -53.13

 

CMYK 0 / 71 / 3 / 7

HEX #EC45E4

RGB 236 69 228

HSL 302.87, 0.81%, 0.6%

LAB 59.61, 79.67, -47.11

 

CMYK 0 / 32 / 71 / 7

HEX #ECA145

RGB 236 161 69

HSL 33.05, 0.81%, 0.6%

LAB 72.06, 19.73, 57.23

 

Description

Color code: RGB 69 237 80 | qconv.com Color code: RGB 69 237 80 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 237 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 237 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 66 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 66% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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