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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 69 238 64 it is the complementary color RGB 186 17 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 69 238 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 69 238 64 shade: RGB 74 238 59, RGB 91 255 78, RGB 108 255 97, RGB 125 255 116 and RGB 142 255 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 69 238 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 69 238 64 shade: RGB 69 238 64, RGB 52 220 45, RGB 35 202 26, RGB 18 184 7 and RGB 1 166 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 69 238 64 shade: RGB 67 238 62, RGB 115 238 62, RGB 162 238 62, RGB 209 238 62 and RGB 238 219 62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 69 238 64 shade: RGB 67 238 62, RGB 62 238 104, RGB 62 238 152, RGB 62 238 199 and RGB 62 229 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 69 238 64 shade matches the following richer shades: RGB 67 238 62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 69 238 64 shade: RGB 67 238 62, RGB 83 221 79, RGB 99 204 96, RGB 115 187 113 and RGB 131 170 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 69 238 64 shade: RGB 162 238 62, RGB 115 238 62, RGB 68 238 62, RGB 62 238 103 and RGB 62 238 150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 69 238 64 shade: RGB 22 200 17, RGB 30 234 24, RGB 67 238 62, RGB 104 241 100 and RGB 141 244 138

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 69 238 64 shade: RGB 69 238 64, RGB 62 208 238 and RGB 238 62 138

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 69 238 64 shade: RGB 69 238 64, RGB 62 68 238 and RGB 238 62 68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 69 238 64 shade: RGB 69 238 64, RGB 62 208 238, RGB 232 62 238 and RGB 238 91 62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 69 238 64 shade: RGB 69 238 64, RGB 62 156 238, RGB 232 62 238 and RGB 238 144 62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 73 / 7

HEX #45EE40

RGB 69 238 64

HSL 118.28, 0.84%, 0.59%

LAB 83.33, -73.36, 67.55

 

Complementary color

CMYK 3 / 91 / 0 / 25

HEX #BA11BF

RGB 186 17 191

HSL 298.28, 0.84%, 0.41%

LAB 45.08, 76.59, -49.53

 

CMYK 69 / 0 / 75 / 7

HEX #4AEE3B

RGB 74 238 59

HSL 114.97, 0.84%, 0.58%

LAB 83.4, -72.86, 69.29

 

CMYK 64 / 0 / 69 / 0

HEX #5BFF4E

RGB 91 255 78

HSL 115.59, 1%, 0.65%

LAB 89.06, -73.68, 68.67

 

CMYK 58 / 0 / 62 / 0

HEX #6CFF61

RGB 108 255 97

HSL 115.82, 1%, 0.69%

LAB 89.66, -68.34, 62.08

 

CMYK 51 / 0 / 55 / 0

HEX #7DFF74

RGB 125 255 116

HSL 116.12, 1%, 0.73%

LAB 90.39, -62.14, 54.87

 

CMYK 44 / 0 / 47 / 0

HEX #8EFF87

RGB 142 255 135

HSL 116.5, 1%, 0.76%

LAB 91.24, -55.19, 47.29

 

CMYK 71 / 0 / 73 / 7

HEX #45EE40

RGB 69 238 64

HSL 118.28, 0.84%, 0.59%

LAB 83.33, -73.36, 67.55

 

CMYK 76 / 0 / 80 / 14

HEX #34DC2D

RGB 52 220 45

HSL 117.6, 0.71%, 0.52%

LAB 77.34, -71.71, 67.53

 

CMYK 83 / 0 / 87 / 21

HEX #23CA1A

RGB 35 202 26

HSL 116.93, 0.77%, 0.45%

LAB 71.33, -69.44, 66.62

 

CMYK 90 / 0 / 96 / 28

HEX #12B807

RGB 18 184 7

HSL 116.27, 0.93%, 0.37%

LAB 65.3, -66.37, 64.37

 

CMYK 99 / 0 / 100 / 35

HEX #01A600

RGB 1 166 0

HSL 119.64, 1%, 0.33%

LAB 59.23, -62.44, 60.33

 

CMYK 72 / 0 / 74 / 7

HEX #43EE3E

RGB 67 238 62

HSL 118.3, 0.84%, 0.59%

LAB 83.28, -73.83, 68.16

 

CMYK 52 / 0 / 74 / 7

HEX #73EE3E

RGB 115 238 62

HSL 101.93, 0.84%, 0.59%

LAB 84.56, -63.44, 69.85

 

CMYK 32 / 0 / 74 / 7

HEX #A2EE3E

RGB 162 238 62

HSL 85.91, 0.84%, 0.59%

LAB 86.59, -48.67, 72.53

 

CMYK 12 / 0 / 74 / 7

HEX #D1EE3E

RGB 209 238 62

HSL 69.89, 0.84%, 0.59%

LAB 89.42, -30.93, 76.21

 

CMYK 0 / 8 / 74 / 7

HEX #EEDB3E

RGB 238 219 62

HSL 53.52, 0.84%, 0.59%

LAB 86.6, -9.86, 74.35

 

CMYK 72 / 0 / 74 / 7

HEX #43EE3E

RGB 67 238 62

HSL 118.3, 0.84%, 0.59%

LAB 83.28, -73.83, 68.16

 

CMYK 74 / 0 / 56 / 7

HEX #3EEE68

RGB 62 238 104

HSL 134.32, 0.84%, 0.59%

LAB 83.53, -70.44, 51.74

 

CMYK 74 / 0 / 36 / 7

HEX #3EEE98

RGB 62 238 152

HSL 150.68, 0.84%, 0.59%

LAB 84.19, -62.79, 29.36

 

CMYK 74 / 0 / 16 / 7

HEX #3EEEC7

RGB 62 238 199

HSL 166.7, 0.84%, 0.59%

LAB 85.15, -52.53, 6.36

 

CMYK 74 / 4 / 0 / 7

HEX #3EE5EE

RGB 62 229 238

HSL 183.07, 0.84%, 0.59%

LAB 83.57, -38.21, -16.52

 

CMYK 72 / 0 / 74 / 7

HEX #43EE3E

RGB 67 238 62

HSL 118.3, 0.84%, 0.59%

LAB 83.28, -73.83, 68.16

 

CMYK 72 / 0 / 74 / 7

HEX #43EE3E

RGB 67 238 62

HSL 118.3, 0.84%, 0.59%

LAB 83.28, -73.83, 68.16

 

CMYK 62 / 0 / 64 / 13

HEX #53DD4F

RGB 83 221 79

HSL 118.31, 0.68%, 0.59%

LAB 78.53, -63.89, 56.97

 

CMYK 51 / 0 / 53 / 20

HEX #63CC60

RGB 99 204 96

HSL 118.33, 0.51%, 0.59%

LAB 73.99, -51.85, 44.26

 

CMYK 39 / 0 / 40 / 27

HEX #73BB71

RGB 115 187 113

HSL 118.38, 0.35%, 0.59%

LAB 69.74, -37.58, 30.55

 

CMYK 23 / 0 / 24 / 33

HEX #83AA82

RGB 131 170 130

HSL 118.5, 0.19%, 0.59%

LAB 65.89, -21.23, 16.41

 

CMYK 32 / 0 / 74 / 7

HEX #A2EE3E

RGB 162 238 62

HSL 85.91, 0.84%, 0.59%

LAB 86.59, -48.67, 72.53

 

CMYK 52 / 0 / 74 / 7

HEX #73EE3E

RGB 115 238 62

HSL 101.93, 0.84%, 0.59%

LAB 84.56, -63.44, 69.85

 

CMYK 71 / 0 / 74 / 7

HEX #44EE3E

RGB 68 238 62

HSL 117.95, 0.84%, 0.59%

LAB 83.3, -73.67, 68.18

 

CMYK 74 / 0 / 57 / 7

HEX #3EEE67

RGB 62 238 103

HSL 133.98, 0.84%, 0.59%

LAB 83.52, -70.56, 52.18

 

CMYK 74 / 0 / 37 / 7

HEX #3EEE96

RGB 62 238 150

HSL 150, 0.84%, 0.59%

LAB 84.16, -63.17, 30.32

 

CMYK 89 / 0 / 92 / 22

HEX #16C811

RGB 22 200 17

HSL 118.36, 0.84%, 0.43%

LAB 70.54, -70.33, 67.46

 

CMYK 87 / 0 / 90 / 8

HEX #1EEA18

RGB 30 234 24

HSL 118.29, 0.83%, 0.51%

LAB 81.39, -78.91, 75.63

 

CMYK 72 / 0 / 74 / 7

HEX #43EE3E

RGB 67 238 62

HSL 118.3, 0.84%, 0.59%

LAB 83.28, -73.83, 68.16

 

CMYK 57 / 0 / 59 / 5

HEX #68F164

RGB 104 241 100

HSL 118.3, 0.83%, 0.67%

LAB 85.39, -64.01, 55.93

 

CMYK 42 / 0 / 43 / 4

HEX #8DF48A

RGB 141 244 138

HSL 118.3, 0.83%, 0.75%

LAB 88.06, -50.59, 41.83

 

CMYK 71 / 0 / 73 / 7

HEX #45EE40

RGB 69 238 64

HSL 118.28, 0.84%, 0.59%

LAB 83.33, -73.36, 67.55

 

CMYK 74 / 13 / 0 / 7

HEX #3ED0EE

RGB 62 208 238

HSL 190.23, 0.84%, 0.59%

LAB 77.47, -28.25, -25.77

 

CMYK 0 / 74 / 42 / 7

HEX #EE3E8A

RGB 238 62 138

HSL 334.09, 0.84%, 0.59%

LAB 55.54, 71.17, -1.34

 

CMYK 71 / 0 / 73 / 7

HEX #45EE40

RGB 69 238 64

HSL 118.28, 0.84%, 0.59%

LAB 83.33, -73.36, 67.55

 

CMYK 74 / 71 / 0 / 7

HEX #3E44EE

RGB 62 68 238

HSL 237.95, 0.84%, 0.59%

LAB 40.13, 52.87, -85.22

 

CMYK 0 / 74 / 71 / 7

HEX #EE3E44

RGB 238 62 68

HSL 357.95, 0.84%, 0.59%

LAB 54.07, 66.4, 38.04

 

CMYK 71 / 0 / 73 / 7

HEX #45EE40

RGB 69 238 64

HSL 118.28, 0.84%, 0.59%

LAB 83.33, -73.36, 67.55

 

CMYK 74 / 13 / 0 / 7

HEX #3ED0EE

RGB 62 208 238

HSL 190.23, 0.84%, 0.59%

LAB 77.47, -28.25, -25.77

 

CMYK 3 / 74 / 0 / 7

HEX #E83EEE

RGB 232 62 238

HSL 297.95, 0.84%, 0.59%

LAB 58.76, 82.53, -54.09

 

CMYK 0 / 62 / 74 / 7

HEX #EE5B3E

RGB 238 91 62

HSL 9.89, 0.84%, 0.59%

LAB 58.04, 55.14, 45.77

 

CMYK 71 / 0 / 73 / 7

HEX #45EE40

RGB 69 238 64

HSL 118.28, 0.84%, 0.59%

LAB 83.33, -73.36, 67.55

 

CMYK 74 / 34 / 0 / 7

HEX #3E9CEE

RGB 62 156 238

HSL 207.95, 0.84%, 0.59%

LAB 62.49, -0.51, -49.07

 

CMYK 3 / 74 / 0 / 7

HEX #E83EEE

RGB 232 62 238

HSL 297.95, 0.84%, 0.59%

LAB 58.76, 82.53, -54.09

 

CMYK 0 / 39 / 74 / 7

HEX #EE903E

RGB 238 144 62

HSL 27.95, 0.84%, 0.59%

LAB 68.37, 29.21, 56.59

 

Description

Color code: RGB 69 238 64 | qconv.com Color code: RGB 69 238 64 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 238 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 238 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 73 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 73% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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