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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 6 217 161 it is the complementary color RGB 249 38 94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 6 217 161. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 6 217 161 shade: RGB 11 217 156, RGB 28 235 175, RGB 45 253 194, RGB 62 255 213 and RGB 79 255 232

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 6 217 161. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 6 217 161 shade: RGB 6 217 161, RGB 0 199 142, RGB 0 181 123, RGB 0 163 104 and RGB 0 145 85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 6 217 161 shade: RGB 5 218 162, RGB 5 218 104, RGB 5 218 47, RGB 21 218 5 and RGB 78 218 5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 6 217 161 shade: RGB 5 218 162, RGB 5 217 218, RGB 5 160 218, RGB 5 102 218 and RGB 5 45 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 6 217 161 shade matches the following richer shades: RGB 5 218 162

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 6 217 161 shade: RGB 5 218 162, RGB 23 200 153, RGB 41 182 145, RGB 60 164 136 and RGB 78 146 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 6 217 161 shade: RGB 5 218 48, RGB 5 218 105, RGB 5 218 161, RGB 5 218 218 and RGB 5 161 218

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 6 217 161 shade: RGB 3 138 102, RGB 4 178 132, RGB 5 218 162, RGB 16 248 187 and RGB 56 249 198

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 6 217 161 shade: RGB 6 217 161, RGB 5 19 218 and RGB 218 76 5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 6 217 161 shade: RGB 6 217 161, RGB 161 5 218 and RGB 218 161 5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 6 217 161 shade: RGB 6 217 161, RGB 5 19 218, RGB 218 5 62 and RGB 218 204 5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 6 217 161 shade: RGB 6 217 161, RGB 55 5 218, RGB 218 5 62 and RGB 169 218 5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 26 / 15

HEX #06D9A1

RGB 6 217 161

HSL 164.08, 0.95%, 0.44%

LAB 77.42, -57.33, 15.31

 

Complementary color

CMYK 0 / 85 / 62 / 2

HEX #F9265E

RGB 249 38 94

HSL 344.08, 0.95%, 0.56%

LAB 54.38, 76.81, 23.63

 

CMYK 95 / 0 / 28 / 15

HEX #0BD99C

RGB 11 217 156

HSL 162.23, 0.9%, 0.45%

LAB 77.34, -58.33, 17.84

 

CMYK 88 / 0 / 26 / 8

HEX #1CEBAF

RGB 28 235 175

HSL 162.61, 0.84%, 0.52%

LAB 83.32, -59.98, 16.24

 

CMYK 82 / 0 / 23 / 1

HEX #2DFDC2

RGB 45 253 194

HSL 162.98, 0.98%, 0.58%

LAB 89.25, -61.27, 14.78

 

CMYK 76 / 0 / 16 / 0

HEX #3EFFD5

RGB 62 255 213

HSL 166.94, 1%, 0.62%

LAB 90.48, -56, 6.76

 

CMYK 69 / 0 / 9 / 0

HEX #4FFFE8

RGB 79 255 232

HSL 172.16, 1%, 0.65%

LAB 91.24, -49.27, -1.95

 

CMYK 97 / 0 / 26 / 15

HEX #06D9A1

RGB 6 217 161

HSL 164.08, 0.95%, 0.44%

LAB 77.42, -57.33, 15.31

 

CMYK 100 / 0 / 29 / 22

HEX #00C78E

RGB 0 199 142

HSL 162.81, 1%, 0.39%

LAB 71.42, -55.15, 17.04

 

CMYK 100 / 0 / 32 / 29

HEX #00B57B

RGB 0 181 123

HSL 160.77, 1%, 0.35%

LAB 65.34, -52.72, 18.87

 

CMYK 100 / 0 / 36 / 36

HEX #00A368

RGB 0 163 104

HSL 158.28, 1%, 0.32%

LAB 59.15, -50.2, 20.79

 

CMYK 100 / 0 / 41 / 43

HEX #009155

RGB 0 145 85

HSL 155.17, 1%, 0.28%

LAB 52.85, -47.57, 22.79

 

CMYK 98 / 0 / 26 / 15

HEX #05DAA2

RGB 5 218 162

HSL 164.23, 0.96%, 0.44%

LAB 77.75, -57.5, 15.24

 

CMYK 98 / 0 / 52 / 15

HEX #05DA68

RGB 5 218 104

HSL 147.89, 0.96%, 0.44%

LAB 76.78, -68.7, 43.48

 

CMYK 98 / 0 / 78 / 15

HEX #05DA2F

RGB 5 218 47

HSL 131.83, 0.96%, 0.44%

LAB 76.3, -74.75, 65.82

 

CMYK 90 / 0 / 98 / 15

HEX #15DA05

RGB 21 218 5

HSL 115.49, 0.96%, 0.44%

LAB 76.26, -75.58, 73.54

 

CMYK 64 / 0 / 98 / 15

HEX #4EDA05

RGB 78 218 5

HSL 99.44, 0.96%, 0.44%

LAB 77.15, -67.84, 74.62

 

CMYK 98 / 0 / 26 / 15

HEX #05DAA2

RGB 5 218 162

HSL 164.23, 0.96%, 0.44%

LAB 77.75, -57.5, 15.24

 

CMYK 98 / 0 / 0 / 15

HEX #05D9DA

RGB 5 217 218

HSL 180.28, 0.96%, 0.44%

LAB 78.88, -42.15, -12.98

 

CMYK 98 / 27 / 0 / 15

HEX #05A0DA

RGB 5 160 218

HSL 196.34, 0.96%, 0.44%

LAB 61.86, -14.01, -39.06

 

CMYK 98 / 53 / 0 / 15

HEX #0566DA

RGB 5 102 218

HSL 212.68, 0.96%, 0.44%

LAB 45.08, 21.02, -65.84

 

CMYK 98 / 79 / 0 / 15

HEX #052DDA

RGB 5 45 218

HSL 228.73, 0.96%, 0.44%

LAB 31.74, 56.1, -87.76

 

CMYK 98 / 0 / 26 / 15

HEX #05DAA2

RGB 5 218 162

HSL 164.23, 0.96%, 0.44%

LAB 77.75, -57.5, 15.24

 

CMYK 98 / 0 / 26 / 15

HEX #05DAA2

RGB 5 218 162

HSL 164.23, 0.96%, 0.44%

LAB 77.75, -57.5, 15.24

 

CMYK 89 / 0 / 24 / 22

HEX #17C899

RGB 23 200 153

HSL 164.07, 0.79%, 0.44%

LAB 72.09, -51.99, 12.09

 

CMYK 77 / 0 / 20 / 29

HEX #29B691

RGB 41 182 145

HSL 164.26, 0.63%, 0.44%

LAB 66.5, -45.14, 8.53

 

CMYK 63 / 0 / 17 / 36

HEX #3CA488

RGB 60 164 136

HSL 163.85, 0.46%, 0.44%

LAB 61.04, -36.74, 5.77

 

CMYK 47 / 0 / 12 / 43

HEX #4E9280

RGB 78 146 128

HSL 164.12, 0.3%, 0.44%

LAB 55.82, -26.13, 2.87

 

CMYK 98 / 0 / 78 / 15

HEX #05DA30

RGB 5 218 48

HSL 132.11, 0.96%, 0.44%

LAB 76.31, -74.69, 65.53

 

CMYK 98 / 0 / 52 / 15

HEX #05DA69

RGB 5 218 105

HSL 148.17, 0.96%, 0.44%

LAB 76.8, -68.55, 43.02

 

CMYK 98 / 0 / 26 / 15

HEX #05DAA1

RGB 5 218 161

HSL 163.94, 0.96%, 0.44%

LAB 77.73, -57.73, 15.74

 

CMYK 98 / 0 / 0 / 15

HEX #05DADA

RGB 5 218 218

HSL 180, 0.96%, 0.44%

LAB 79.18, -42.59, -12.53

 

CMYK 98 / 26 / 0 / 15

HEX #05A1DA

RGB 5 161 218

HSL 196.06, 0.96%, 0.44%

LAB 62.15, -14.55, -38.59

 

CMYK 98 / 0 / 26 / 46

HEX #038A66

RGB 3 138 102

HSL 164, 0.96%, 0.28%

LAB 50.87, -40.75, 10.5

 

CMYK 98 / 0 / 26 / 30

HEX #04B284

RGB 4 178 132

HSL 164.14, 0.96%, 0.36%

LAB 64.59, -49.31, 12.92

 

CMYK 98 / 0 / 26 / 15

HEX #05DAA2

RGB 5 218 162

HSL 164.23, 0.96%, 0.44%

LAB 77.75, -57.5, 15.24

 

CMYK 94 / 0 / 25 / 3

HEX #10F8BB

RGB 16 248 187

HSL 164.22, 0.94%, 0.52%

LAB 87.4, -62.61, 15.75

 

CMYK 78 / 0 / 20 / 2

HEX #38F9C6

RGB 56 249 198

HSL 164.15, 0.94%, 0.6%

LAB 88.29, -57.82, 11.37

 

CMYK 97 / 0 / 26 / 15

HEX #06D9A1

RGB 6 217 161

HSL 164.08, 0.95%, 0.44%

LAB 77.42, -57.33, 15.31

 

CMYK 98 / 91 / 0 / 15

HEX #0513DA

RGB 5 19 218

HSL 236.06, 0.96%, 0.44%

LAB 28.27, 66.45, -93.54

 

CMYK 0 / 65 / 98 / 15

HEX #DA4C05

RGB 218 76 5

HSL 20, 0.96%, 0.44%

LAB 51.93, 53.29, 61.37

 

CMYK 97 / 0 / 26 / 15

HEX #06D9A1

RGB 6 217 161

HSL 164.08, 0.95%, 0.44%

LAB 77.42, -57.33, 15.31

 

CMYK 26 / 98 / 0 / 15

HEX #A105DA

RGB 161 5 218

HSL 283.94, 0.96%, 0.44%

LAB 42.38, 78.69, -69.75

 

CMYK 0 / 26 / 98 / 15

HEX #DAA105

RGB 218 161 5

HSL 43.94, 0.96%, 0.44%

LAB 69.76, 10.24, 72.84

 

CMYK 97 / 0 / 26 / 15

HEX #06D9A1

RGB 6 217 161

HSL 164.08, 0.95%, 0.44%

LAB 77.42, -57.33, 15.31

 

CMYK 98 / 91 / 0 / 15

HEX #0513DA

RGB 5 19 218

HSL 236.06, 0.96%, 0.44%

LAB 28.27, 66.45, -93.54

 

CMYK 0 / 98 / 72 / 15

HEX #DA053E

RGB 218 5 62

HSL 343.94, 0.96%, 0.44%

LAB 46.13, 72.03, 31.22

 

CMYK 0 / 6 / 98 / 15

HEX #DACC05

RGB 218 204 5

HSL 56.06, 0.96%, 0.44%

LAB 80.8, -12.16, 80.76

 

CMYK 97 / 0 / 26 / 15

HEX #06D9A1

RGB 6 217 161

HSL 164.08, 0.95%, 0.44%

LAB 77.42, -57.33, 15.31

 

CMYK 75 / 98 / 0 / 15

HEX #3705DA

RGB 55 5 218

HSL 254.08, 0.96%, 0.44%

LAB 29.37, 70.28, -91.66

 

CMYK 0 / 98 / 72 / 15

HEX #DA053E

RGB 218 5 62

HSL 343.94, 0.96%, 0.44%

LAB 46.13, 72.03, 31.22

 

CMYK 22 / 0 / 98 / 15

HEX #A9DA05

RGB 169 218 5

HSL 73.8, 0.96%, 0.44%

LAB 81.07, -39.18, 79.38

 

Description

Color code: RGB 6 217 161 | qconv.com Color code: RGB 6 217 161 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 217 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 217 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 26 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 26% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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