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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 73 126 144 it is the complementary color RGB 182 129 111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 73 126 144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 73 126 144 shade: RGB 78 126 139, RGB 95 144 158, RGB 112 162 177, RGB 129 180 196 and RGB 146 198 215

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 73 126 144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 73 126 144 shade: RGB 73 126 144, RGB 56 108 125, RGB 39 90 106, RGB 22 72 87 and RGB 5 54 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 73 126 144 shade: RGB 73 127 145, RGB 73 107 145, RGB 73 88 145, RGB 77 73 145 and RGB 97 73 145

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 73 126 144 shade: RGB 73 127 145, RGB 73 107 145, RGB 73 88 145 and RGB 73 73 145

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 73 126 144 shade matches the following richer shades: RGB 73 127 145, RGB 55 136 163, RGB 37 144 181, RGB 20 153 199 and RGB 2 162 216

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 73 126 144 shade: RGB 73 127 145, RGB 91 118 128, RGB 108 109 110, RGB 126 101 92 and RGB 144 92 74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 73 126 144 shade: RGB 73 145 125, RGB 73 145 144, RGB 73 127 145, RGB 73 108 145 and RGB 73 89 145

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 73 126 144 shade: RGB 45 79 90, RGB 59 103 118, RGB 73 127 145, RGB 89 150 171 and RGB 116 167 185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 73 126 144 shade: RGB 73 126 144, RGB 106 73 145 and RGB 145 134 73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 73 126 144 shade: RGB 73 126 144, RGB 145 73 127 and RGB 127 145 73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 73 126 144 shade: RGB 73 126 144, RGB 106 73 145, RGB 145 91 73 and RGB 113 145 73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 73 126 144 shade: RGB 73 126 144, RGB 127 73 145, RGB 145 91 73 and RGB 91 145 73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 13 / 0 / 44

HEX #497E90

RGB 73 126 144

HSL 195.21, 0.33%, 0.43%

LAB 49.92, -12.49, -15.21

 

Complementary color

CMYK 0 / 29 / 39 / 29

HEX #B6816F

RGB 182 129 111

HSL 15.21, 0.33%, 0.57%

LAB 58.78, 18.14, 17.91

 

CMYK 44 / 9 / 0 / 45

HEX #4E7E8B

RGB 78 126 139

HSL 192.79, 0.28%, 0.43%

LAB 49.98, -12.64, -12.15

 

CMYK 40 / 9 / 0 / 38

HEX #5F909E

RGB 95 144 158

HSL 193.33, 0.25%, 0.5%

LAB 56.93, -12.72, -12.62

 

CMYK 37 / 8 / 0 / 31

HEX #70A2B1

RGB 112 162 177

HSL 193.85, 0.29%, 0.57%

LAB 63.72, -12.77, -13.06

 

CMYK 34 / 8 / 0 / 23

HEX #81B4C4

RGB 129 180 196

HSL 194.33, 0.36%, 0.64%

LAB 70.38, -12.8, -13.5

 

CMYK 32 / 8 / 0 / 16

HEX #92C6D7

RGB 146 198 215

HSL 194.78, 0.46%, 0.71%

LAB 76.92, -12.83, -13.93

 

CMYK 49 / 13 / 0 / 44

HEX #497E90

RGB 73 126 144

HSL 195.21, 0.33%, 0.43%

LAB 49.92, -12.49, -15.21

 

CMYK 55 / 14 / 0 / 51

HEX #386C7D

RGB 56 108 125

HSL 194.78, 0.38%, 0.35%

LAB 42.83, -12.2, -14.77

 

CMYK 63 / 15 / 0 / 58

HEX #275A6A

RGB 39 90 106

HSL 194.33, 0.46%, 0.28%

LAB 35.57, -11.74, -14.29

 

CMYK 75 / 17 / 0 / 66

HEX #164857

RGB 22 72 87

HSL 193.85, 0.6%, 0.21%

LAB 28.1, -10.97, -13.74

 

CMYK 93 / 21 / 0 / 73

HEX #053644

RGB 5 54 68

HSL 193.33, 0.86%, 0.14%

LAB 20.39, -9.67, -13.09

 

CMYK 50 / 12 / 0 / 43

HEX #497F91

RGB 73 127 145

HSL 195, 0.33%, 0.43%

LAB 50.26, -12.75, -15.27

 

CMYK 50 / 26 / 0 / 43

HEX #496B91

RGB 73 107 145

HSL 211.67, 0.33%, 0.43%

LAB 44.2, -1.1, -24.58

 

CMYK 50 / 39 / 0 / 43

HEX #495891

RGB 73 88 145

HSL 227.5, 0.33%, 0.43%

LAB 38.62, 10.77, -33.32

 

CMYK 47 / 50 / 0 / 43

HEX #4D4991

RGB 77 73 145

HSL 243.33, 0.33%, 0.43%

LAB 34.78, 21.46, -39.41

 

CMYK 33 / 50 / 0 / 43

HEX #614991

RGB 97 73 145

HSL 260, 0.33%, 0.43%

LAB 36.65, 26.8, -36.31

 

CMYK 50 / 12 / 0 / 43

HEX #497F91

RGB 73 127 145

HSL 195, 0.33%, 0.43%

LAB 50.26, -12.75, -15.27

 

CMYK 50 / 26 / 0 / 43

HEX #496B91

RGB 73 107 145

HSL 211.67, 0.33%, 0.43%

LAB 44.2, -1.1, -24.58

 

CMYK 50 / 39 / 0 / 43

HEX #495891

RGB 73 88 145

HSL 227.5, 0.33%, 0.43%

LAB 38.62, 10.77, -33.32

 

CMYK 50 / 50 / 0 / 43

HEX #494991

RGB 73 73 145

HSL 240, 0.33%, 0.43%

LAB 34.45, 20.47, -39.95

 

CMYK 50 / 12 / 0 / 43

HEX #497F91

RGB 73 127 145

HSL 195, 0.33%, 0.43%

LAB 50.26, -12.75, -15.27

 

CMYK 66 / 17 / 0 / 36

HEX #3788A3

RGB 55 136 163

HSL 195, 0.5%, 0.43%

LAB 53.02, -15.84, -21.59

 

CMYK 80 / 20 / 0 / 29

HEX #2590B5

RGB 37 144 181

HSL 195.42, 0.66%, 0.43%

LAB 55.76, -16.57, -27.72

 

CMYK 90 / 23 / 0 / 22

HEX #1499C7

RGB 20 153 199

HSL 195.42, 0.82%, 0.43%

LAB 59.02, -16.44, -32.86

 

CMYK 99 / 25 / 0 / 15

HEX #02A2D8

RGB 2 162 216

HSL 195.14, 0.98%, 0.43%

LAB 62.35, -15.9, -37.18

 

CMYK 50 / 12 / 0 / 43

HEX #497F91

RGB 73 127 145

HSL 195, 0.33%, 0.43%

LAB 50.26, -12.75, -15.27

 

CMYK 29 / 8 / 0 / 50

HEX #5B7680

RGB 91 118 128

HSL 196.22, 0.17%, 0.43%

LAB 47.93, -7.24, -8.68

 

CMYK 2 / 1 / 0 / 57

HEX #6C6D6E

RGB 108 109 110

HSL 210, 0.01%, 0.43%

LAB 45.98, -0.17, -0.7

 

CMYK 0 / 20 / 27 / 51

HEX #7E655C

RGB 126 101 92

HSL 15.88, 0.16%, 0.43%

LAB 44.96, 8.56, 8.88

 

CMYK 0 / 36 / 49 / 44

HEX #905C4A

RGB 144 92 74

HSL 15.43, 0.32%, 0.43%

LAB 44.34, 19.18, 19.16

 

CMYK 50 / 0 / 14 / 43

HEX #49917D

RGB 73 145 125

HSL 163.33, 0.33%, 0.43%

LAB 55.22, -27.66, 3.7

 

CMYK 50 / 0 / 1 / 43

HEX #499190

RGB 73 145 144

HSL 179.17, 0.33%, 0.43%

LAB 55.77, -22.7, -6.42

 

CMYK 50 / 12 / 0 / 43

HEX #497F91

RGB 73 127 145

HSL 195, 0.33%, 0.43%

LAB 50.26, -12.75, -15.27

 

CMYK 50 / 26 / 0 / 43

HEX #496C91

RGB 73 108 145

HSL 210.83, 0.33%, 0.43%

LAB 44.5, -1.7, -24.12

 

CMYK 50 / 39 / 0 / 43

HEX #495991

RGB 73 89 145

HSL 226.67, 0.33%, 0.43%

LAB 38.91, 10.13, -32.87

 

CMYK 50 / 12 / 0 / 65

HEX #2D4F5A

RGB 45 79 90

HSL 194.67, 0.33%, 0.26%

LAB 31.55, -8.98, -10.31

 

CMYK 50 / 13 / 0 / 54

HEX #3B6776

RGB 59 103 118

HSL 195.25, 0.33%, 0.35%

LAB 41.12, -10.76, -13.13

 

CMYK 50 / 12 / 0 / 43

HEX #497F91

RGB 73 127 145

HSL 195, 0.33%, 0.43%

LAB 50.26, -12.75, -15.27

 

CMYK 48 / 12 / 0 / 33

HEX #5996AB

RGB 89 150 171

HSL 195.37, 0.33%, 0.51%

LAB 58.86, -13.93, -17.14

 

CMYK 37 / 10 / 0 / 27

HEX #74A7B9

RGB 116 167 185

HSL 195.65, 0.33%, 0.59%

LAB 65.63, -12.28, -14.63

 

CMYK 49 / 13 / 0 / 44

HEX #497E90

RGB 73 126 144

HSL 195.21, 0.33%, 0.43%

LAB 49.92, -12.49, -15.21

 

CMYK 27 / 50 / 0 / 43

HEX #6A4991

RGB 106 73 145

HSL 267.5, 0.33%, 0.43%

LAB 37.61, 29.37, -34.72

 

CMYK 0 / 8 / 50 / 43

HEX #918649

RGB 145 134 73

HSL 50.83, 0.33%, 0.43%

LAB 55.64, -4.57, 34.12

 

CMYK 49 / 13 / 0 / 44

HEX #497E90

RGB 73 126 144

HSL 195.21, 0.33%, 0.43%

LAB 49.92, -12.49, -15.21

 

CMYK 0 / 50 / 12 / 43

HEX #91497F

RGB 145 73 127

HSL 315, 0.33%, 0.43%

LAB 41.72, 37.77, -16.98

 

CMYK 12 / 0 / 50 / 43

HEX #7F9149

RGB 127 145 73

HSL 75, 0.33%, 0.43%

LAB 57.31, -18.21, 35.81

 

CMYK 49 / 13 / 0 / 44

HEX #497E90

RGB 73 126 144

HSL 195.21, 0.33%, 0.43%

LAB 49.92, -12.49, -15.21

 

CMYK 27 / 50 / 0 / 43

HEX #6A4991

RGB 106 73 145

HSL 267.5, 0.33%, 0.43%

LAB 37.61, 29.37, -34.72

 

CMYK 0 / 37 / 50 / 43

HEX #915B49

RGB 145 91 73

HSL 15, 0.33%, 0.43%

LAB 44.21, 20.08, 19.6

 

CMYK 22 / 0 / 50 / 43

HEX #719149

RGB 113 145 73

HSL 86.67, 0.33%, 0.43%

LAB 56.33, -23.9, 34.39

 

CMYK 49 / 13 / 0 / 44

HEX #497E90

RGB 73 126 144

HSL 195.21, 0.33%, 0.43%

LAB 49.92, -12.49, -15.21

 

CMYK 12 / 50 / 0 / 43

HEX #7F4991

RGB 127 73 145

HSL 285, 0.33%, 0.43%

LAB 40.12, 35.6, -30.61

 

CMYK 0 / 37 / 50 / 43

HEX #915B49

RGB 145 91 73

HSL 15, 0.33%, 0.43%

LAB 44.21, 20.08, 19.6

 

CMYK 37 / 0 / 50 / 43

HEX #5B9149

RGB 91 145 73

HSL 105, 0.33%, 0.43%

LAB 55.03, -32.15, 32.5

 

Description

Color code: RGB 73 126 144 | qconv.com Color code: RGB 73 126 144 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 126 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 126 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 13 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 13% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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