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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 73 196 110 it is the complementary color RGB 182 59 145. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 73 196 110. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 73 196 110 shade: RGB 78 196 105, RGB 95 214 124, RGB 112 232 143, RGB 129 250 162 and RGB 146 255 181

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 73 196 110. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 73 196 110 shade: RGB 73 196 110, RGB 56 178 91, RGB 39 160 72, RGB 22 142 53 and RGB 5 124 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 73 196 110 shade: RGB 74 196 110, RGB 74 196 77, RGB 103 196 74, RGB 136 196 74 and RGB 169 196 74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 73 196 110 shade: RGB 74 196 110, RGB 74 196 143, RGB 74 196 176, RGB 74 182 196 and RGB 74 149 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 73 196 110 shade matches the following richer shades: RGB 74 196 110, RGB 54 215 103, RGB 35 235 95 and RGB 15 254 87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 73 196 110 shade: RGB 74 196 110, RGB 93 176 118, RGB 112 157 126, RGB 132 138 133 and RGB 151 118 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 73 196 110 shade: RGB 102 196 74, RGB 74 196 78, RGB 74 196 110, RGB 74 196 143 and RGB 74 196 175

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 73 196 110 shade: RGB 46 141 74, RGB 56 172 91, RGB 74 196 110, RGB 105 206 135 and RGB 136 216 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 73 196 110 shade: RGB 73 196 110, RGB 74 135 196 and RGB 196 74 86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 73 196 110 shade: RGB 73 196 110, RGB 110 74 196 and RGB 196 110 74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 73 196 110 shade: RGB 73 196 110, RGB 74 135 196, RGB 196 74 159 and RGB 196 135 74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 73 196 110 shade: RGB 73 196 110, RGB 74 98 196, RGB 196 74 159 and RGB 196 171 74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 44 / 23

HEX #49C46E

RGB 73 196 110

HSL 138.05, 0.51%, 0.53%

LAB 70.89, -52.87, 33.29

 

Complementary color

CMYK 0 / 68 / 20 / 29

HEX #B63B91

RGB 182 59 145

HSL 318.05, 0.51%, 0.47%

LAB 45.79, 58.08, -21.15

 

CMYK 60 / 0 / 46 / 23

HEX #4EC469

RGB 78 196 105

HSL 133.73, 0.5%, 0.54%

LAB 70.95, -52.61, 35.94

 

CMYK 56 / 0 / 42 / 16

HEX #5FD67C

RGB 95 214 124

HSL 134.62, 0.59%, 0.61%

LAB 77.27, -52.73, 34.55

 

CMYK 52 / 0 / 38 / 9

HEX #70E88F

RGB 112 232 143

HSL 135.5, 0.72%, 0.67%

LAB 83.52, -52.71, 33.23

 

CMYK 48 / 0 / 35 / 2

HEX #81FAA2

RGB 129 250 162

HSL 136.36, 0.92%, 0.74%

LAB 89.7, -52.6, 31.99

 

CMYK 43 / 0 / 29 / 0

HEX #92FFB5

RGB 146 255 181

HSL 139.27, 1%, 0.79%

LAB 92.12, -46.97, 25.79

 

CMYK 63 / 0 / 44 / 23

HEX #49C46E

RGB 73 196 110

HSL 138.05, 0.51%, 0.53%

LAB 70.89, -52.87, 33.29

 

CMYK 69 / 0 / 49 / 30

HEX #38B25B

RGB 56 178 91

HSL 137.21, 0.52%, 0.46%

LAB 64.51, -52.45, 34.78

 

CMYK 76 / 0 / 55 / 37

HEX #27A048

RGB 39 160 72

HSL 136.36, 0.61%, 0.39%

LAB 58.08, -51.65, 36.33

 

CMYK 85 / 0 / 63 / 44

HEX #168E35

RGB 22 142 53

HSL 135.5, 0.73%, 0.32%

LAB 51.58, -50.27, 37.86

 

CMYK 96 / 0 / 73 / 51

HEX #057C22

RGB 5 124 34

HSL 134.62, 0.92%, 0.25%

LAB 45.03, -48.04, 39.15

 

CMYK 62 / 0 / 44 / 23

HEX #4AC46E

RGB 74 196 110

HSL 137.7, 0.51%, 0.53%

LAB 70.91, -52.66, 33.33

 

CMYK 62 / 0 / 61 / 23

HEX #4AC44D

RGB 74 196 77

HSL 121.48, 0.51%, 0.53%

LAB 70.51, -57.26, 48.77

 

CMYK 47 / 0 / 62 / 23

HEX #67C44A

RGB 103 196 74

HSL 105.74, 0.51%, 0.53%

LAB 71.46, -50.05, 51.43

 

CMYK 31 / 0 / 62 / 23

HEX #88C44A

RGB 136 196 74

HSL 89.51, 0.51%, 0.53%

LAB 73.03, -39.09, 53.61

 

CMYK 14 / 0 / 62 / 23

HEX #A9C44A

RGB 169 196 74

HSL 73.28, 0.51%, 0.53%

LAB 75.08, -26.4, 56.44

 

CMYK 62 / 0 / 44 / 23

HEX #4AC46E

RGB 74 196 110

HSL 137.7, 0.51%, 0.53%

LAB 70.91, -52.66, 33.33

 

CMYK 62 / 0 / 27 / 23

HEX #4AC48F

RGB 74 196 143

HSL 153.93, 0.51%, 0.53%

LAB 71.5, -46.37, 16.76

 

CMYK 62 / 0 / 10 / 23

HEX #4AC4B0

RGB 74 196 176

HSL 170.16, 0.51%, 0.53%

LAB 72.28, -38.56, 0.01

 

CMYK 62 / 7 / 0 / 23

HEX #4AB6C4

RGB 74 182 196

HSL 186.89, 0.51%, 0.53%

LAB 68.68, -26.4, -16.3

 

CMYK 62 / 24 / 0 / 23

HEX #4A95C4

RGB 74 149 196

HSL 203.11, 0.51%, 0.53%

LAB 58.92, -8.93, -31.25

 

CMYK 62 / 0 / 44 / 23

HEX #4AC46E

RGB 74 196 110

HSL 137.7, 0.51%, 0.53%

LAB 70.91, -52.66, 33.33

 

CMYK 75 / 0 / 52 / 16

HEX #36D767

RGB 54 215 103

HSL 138.26, 0.67%, 0.53%

LAB 76.29, -64.05, 43.46

 

CMYK 85 / 0 / 60 / 8

HEX #23EB5F

RGB 35 235 95

HSL 138, 0.83%, 0.53%

LAB 82.16, -73.6, 54.04

 

CMYK 94 / 0 / 66 / 0

HEX #0FFE57

RGB 15 254 87

HSL 138.08, 0.99%, 0.53%

LAB 87.81, -81.2, 63.65

 

CMYK 62 / 0 / 44 / 23

HEX #4AC46E

RGB 74 196 110

HSL 137.7, 0.51%, 0.53%

LAB 70.91, -52.66, 33.33

 

CMYK 47 / 0 / 33 / 31

HEX #5DB076

RGB 93 176 118

HSL 138.07, 0.34%, 0.53%

LAB 65.5, -38.34, 22.1

 

CMYK 29 / 0 / 20 / 38

HEX #709D7E

RGB 112 157 126

HSL 138.67, 0.19%, 0.53%

LAB 60.84, -21.88, 11.4

 

CMYK 4 / 0 / 4 / 46

HEX #848A85

RGB 132 138 133

HSL 130, 0.02%, 0.53%

LAB 56.86, -3.19, 1.9

 

CMYK 0 / 22 / 7 / 41

HEX #97768D

RGB 151 118 141

HSL 318.18, 0.14%, 0.53%

LAB 53.45, 16.9, -7.56

 

CMYK 48 / 0 / 62 / 23

HEX #66C44A

RGB 102 196 74

HSL 106.23, 0.51%, 0.53%

LAB 71.42, -50.34, 51.37

 

CMYK 62 / 0 / 60 / 23

HEX #4AC44E

RGB 74 196 78

HSL 121.97, 0.51%, 0.53%

LAB 70.51, -57.15, 48.33

 

CMYK 62 / 0 / 44 / 23

HEX #4AC46E

RGB 74 196 110

HSL 137.7, 0.51%, 0.53%

LAB 70.91, -52.66, 33.33

 

CMYK 62 / 0 / 27 / 23

HEX #4AC48F

RGB 74 196 143

HSL 153.93, 0.51%, 0.53%

LAB 71.5, -46.37, 16.76

 

CMYK 62 / 0 / 11 / 23

HEX #4AC4AF

RGB 74 196 175

HSL 169.67, 0.51%, 0.53%

LAB 72.25, -38.81, 0.51

 

CMYK 67 / 0 / 48 / 45

HEX #2E8D4A

RGB 46 141 74

HSL 137.68, 0.51%, 0.37%

LAB 51.98, -42.96, 27.77

 

CMYK 67 / 0 / 47 / 33

HEX #38AC5B

RGB 56 172 91

HSL 138.1, 0.51%, 0.45%

LAB 62.59, -50.19, 32.35

 

CMYK 62 / 0 / 44 / 23

HEX #4AC46E

RGB 74 196 110

HSL 137.7, 0.51%, 0.53%

LAB 70.91, -52.66, 33.33

 

CMYK 49 / 0 / 34 / 19

HEX #69CE87

RGB 105 206 135

HSL 137.82, 0.51%, 0.61%

LAB 75.39, -45.09, 26.47

 

CMYK 37 / 0 / 26 / 15

HEX #88D8A0

RGB 136 216 160

HSL 138, 0.51%, 0.69%

LAB 80.11, -36.33, 20.04

 

CMYK 63 / 0 / 44 / 23

HEX #49C46E

RGB 73 196 110

HSL 138.05, 0.51%, 0.53%

LAB 70.89, -52.87, 33.29

 

CMYK 62 / 31 / 0 / 23

HEX #4A87C4

RGB 74 135 196

HSL 210, 0.51%, 0.53%

LAB 54.83, -0.89, -37.62

 

CMYK 0 / 62 / 56 / 23

HEX #C44A56

RGB 196 74 86

HSL 354.1, 0.51%, 0.53%

LAB 48.64, 49.62, 19.08

 

CMYK 63 / 0 / 44 / 23

HEX #49C46E

RGB 73 196 110

HSL 138.05, 0.51%, 0.53%

LAB 70.89, -52.87, 33.29

 

CMYK 44 / 62 / 0 / 23

HEX #6E4AC4

RGB 110 74 196

HSL 257.7, 0.51%, 0.53%

LAB 41.53, 43.58, -58.72

 

CMYK 0 / 44 / 62 / 23

HEX #C46E4A

RGB 196 110 74

HSL 17.7, 0.51%, 0.53%

LAB 55.46, 30.79, 34.72

 

CMYK 63 / 0 / 44 / 23

HEX #49C46E

RGB 73 196 110

HSL 138.05, 0.51%, 0.53%

LAB 70.89, -52.87, 33.29

 

CMYK 62 / 31 / 0 / 23

HEX #4A87C4

RGB 74 135 196

HSL 210, 0.51%, 0.53%

LAB 54.83, -0.89, -37.62

 

CMYK 0 / 62 / 19 / 23

HEX #C44A9F

RGB 196 74 159

HSL 318.2, 0.51%, 0.53%

LAB 50.85, 57.78, -21.54

 

CMYK 0 / 31 / 62 / 23

HEX #C4874A

RGB 196 135 74

HSL 30, 0.51%, 0.53%

LAB 61.27, 17.16, 41.62

 

CMYK 63 / 0 / 44 / 23

HEX #49C46E

RGB 73 196 110

HSL 138.05, 0.51%, 0.53%

LAB 70.89, -52.87, 33.29

 

CMYK 62 / 50 / 0 / 23

HEX #4A62C4

RGB 74 98 196

HSL 228.2, 0.51%, 0.53%

LAB 44.49, 21.86, -54.08

 

CMYK 0 / 62 / 19 / 23

HEX #C44A9F

RGB 196 74 159

HSL 318.2, 0.51%, 0.53%

LAB 50.85, 57.78, -21.54

 

CMYK 0 / 13 / 62 / 23

HEX #C4AB4A

RGB 196 171 74

HSL 47.7, 0.51%, 0.53%

LAB 70.42, -2.36, 51.99

 

Description

Color code: RGB 73 196 110 | qconv.com Color code: RGB 73 196 110 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 196 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 196 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 44 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 44% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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