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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 73 202 32 it is the complementary color RGB 182 53 223. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 73 202 32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 73 202 32 shade: RGB 78 202 27, RGB 95 220 46, RGB 112 238 65, RGB 129 255 84 and RGB 146 255 103

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 73 202 32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 73 202 32 shade: RGB 73 202 32, RGB 56 184 13, RGB 39 166 0, RGB 22 148 0 and RGB 5 130 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 73 202 32 shade: RGB 72 202 31, RGB 119 202 31, RGB 165 202 31, RGB 202 194 31 and RGB 202 148 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 73 202 32 shade: RGB 72 202 31, RGB 31 202 36, RGB 31 202 82, RGB 31 202 128 and RGB 31 202 175

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 73 202 32 shade matches the following richer shades: RGB 72 202 31 and RGB 63 221 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 73 202 32 shade: RGB 72 202 31, RGB 82 183 50, RGB 92 164 69, RGB 102 145 88 and RGB 112 127 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 73 202 32 shade: RGB 165 202 31, RGB 120 202 31, RGB 74 202 31, RGB 31 202 34 and RGB 31 202 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 73 202 32 shade: RGB 47 131 20, RGB 60 167 26, RGB 72 202 31, RGB 93 223 52 and RGB 122 228 88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 73 202 32 shade: RGB 73 202 32, RGB 31 202 194 and RGB 202 31 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 73 202 32 shade: RGB 73 202 32, RGB 31 74 202 and RGB 202 31 74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 73 202 32 shade: RGB 73 202 32, RGB 31 202 194, RGB 160 31 202 and RGB 202 31 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 73 202 32 shade: RGB 73 202 32, RGB 31 160 202, RGB 160 31 202 and RGB 202 74 31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 84 / 21

HEX #49CA20

RGB 73 202 32

HSL 105.53, 0.73%, 0.46%

LAB 72.07, -63.01, 66.23

 

Complementary color

CMYK 18 / 76 / 0 / 13

HEX #B635DF

RGB 182 53 223

HSL 285.53, 0.73%, 0.54%

LAB 49.28, 73.17, -61.27

 

CMYK 61 / 0 / 87 / 21

HEX #4ECA1B

RGB 78 202 27

HSL 102.51, 0.76%, 0.45%

LAB 72.19, -62.09, 67.49

 

CMYK 57 / 0 / 79 / 14

HEX #5FDC2E

RGB 95 220 46

HSL 103.1, 0.71%, 0.52%

LAB 78.35, -63.25, 68.56

 

CMYK 53 / 0 / 73 / 7

HEX #70EE41

RGB 112 238 65

HSL 103.7, 0.84%, 0.59%

LAB 84.47, -64.04, 68.73

 

CMYK 49 / 0 / 67 / 0

HEX #81FF54

RGB 129 255 84

HSL 104.21, 1%, 0.66%

LAB 90.24, -64.2, 68.05

 

CMYK 43 / 0 / 60 / 0

HEX #92FF67

RGB 146 255 103

HSL 103.03, 1%, 0.7%

LAB 91.06, -57.66, 61.52

 

CMYK 64 / 0 / 84 / 21

HEX #49CA20

RGB 73 202 32

HSL 105.53, 0.73%, 0.46%

LAB 72.07, -63.01, 66.23

 

CMYK 70 / 0 / 93 / 28

HEX #38B80D

RGB 56 184 13

HSL 104.91, 0.87%, 0.39%

LAB 65.87, -61.32, 64.32

 

CMYK 77 / 0 / 100 / 35

HEX #27A600

RGB 39 166 0

HSL 105.9, 1%, 0.33%

LAB 59.62, -58.95, 60.8

 

CMYK 85 / 0 / 100 / 42

HEX #169400

RGB 22 148 0

HSL 111.08, 1%, 0.29%

LAB 53.33, -55.76, 55.67

 

CMYK 96 / 0 / 100 / 49

HEX #058200

RGB 5 130 0

HSL 117.69, 1%, 0.25%

LAB 46.97, -51.89, 50.51

 

CMYK 64 / 0 / 85 / 21

HEX #48CA1F

RGB 72 202 31

HSL 105.61, 0.73%, 0.46%

LAB 72.04, -63.27, 66.42

 

CMYK 41 / 0 / 85 / 21

HEX #77CA1F

RGB 119 202 31

HSL 89.12, 0.73%, 0.46%

LAB 73.72, -50.19, 68.54

 

CMYK 18 / 0 / 85 / 21

HEX #A5CA1F

RGB 165 202 31

HSL 72.98, 0.73%, 0.46%

LAB 76.28, -33.04, 71.76

 

CMYK 0 / 4 / 85 / 21

HEX #CAC21F

RGB 202 194 31

HSL 57.19, 0.73%, 0.46%

LAB 76.82, -13.62, 73.33

 

CMYK 0 / 27 / 85 / 21

HEX #CA941F

RGB 202 148 31

HSL 41.05, 0.73%, 0.46%

LAB 64.83, 10.63, 63.37

 

CMYK 64 / 0 / 85 / 21

HEX #48CA1F

RGB 72 202 31

HSL 105.61, 0.73%, 0.46%

LAB 72.04, -63.27, 66.42

 

CMYK 85 / 0 / 82 / 21

HEX #1FCA24

RGB 31 202 36

HSL 121.75, 0.73%, 0.46%

LAB 71.32, -69.38, 64.27

 

CMYK 85 / 0 / 59 / 21

HEX #1FCA52

RGB 31 202 82

HSL 137.89, 0.73%, 0.46%

LAB 71.65, -65.29, 47.63

 

CMYK 85 / 0 / 37 / 21

HEX #1FCA80

RGB 31 202 128

HSL 154.04, 0.73%, 0.46%

LAB 72.29, -57.73, 25.67

 

CMYK 85 / 0 / 13 / 21

HEX #1FCAAF

RGB 31 202 175

HSL 170.53, 0.73%, 0.46%

LAB 73.3, -46.69, 1.95

 

CMYK 64 / 0 / 85 / 21

HEX #48CA1F

RGB 72 202 31

HSL 105.61, 0.73%, 0.46%

LAB 72.04, -63.27, 66.42

 

CMYK 71 / 0 / 95 / 13

HEX #3FDD0C

RGB 63 221 12

HSL 105.36, 0.9%, 0.46%

LAB 77.75, -71.53, 74.32

 

CMYK 64 / 0 / 85 / 21

HEX #48CA1F

RGB 72 202 31

HSL 105.61, 0.73%, 0.46%

LAB 72.04, -63.27, 66.42

 

CMYK 55 / 0 / 73 / 28

HEX #52B732

RGB 82 183 50

HSL 105.56, 0.57%, 0.46%

LAB 66.44, -53.11, 55.53

 

CMYK 44 / 0 / 58 / 36

HEX #5CA445

RGB 92 164 69

HSL 105.47, 0.41%, 0.46%

LAB 61.01, -40.79, 41.68

 

CMYK 30 / 0 / 39 / 43

HEX #669158

RGB 102 145 88

HSL 105.26, 0.24%, 0.46%

LAB 55.87, -26.05, 25.66

 

CMYK 12 / 0 / 16 / 50

HEX #707F6B

RGB 112 127 107

HSL 105, 0.09%, 0.46%

LAB 51.48, -9.56, 9.04

 

CMYK 18 / 0 / 85 / 21

HEX #A5CA1F

RGB 165 202 31

HSL 72.98, 0.73%, 0.46%

LAB 76.28, -33.04, 71.76

 

CMYK 41 / 0 / 85 / 21

HEX #78CA1F

RGB 120 202 31

HSL 88.77, 0.73%, 0.46%

LAB 73.76, -49.86, 68.6

 

CMYK 63 / 0 / 85 / 21

HEX #4ACA1F

RGB 74 202 31

HSL 104.91, 0.73%, 0.46%

LAB 72.09, -62.84, 66.49

 

CMYK 85 / 0 / 83 / 21

HEX #1FCA22

RGB 31 202 34

HSL 121.05, 0.73%, 0.46%

LAB 71.32, -69.48, 64.78

 

CMYK 85 / 0 / 60 / 21

HEX #1FCA50

RGB 31 202 80

HSL 137.19, 0.73%, 0.46%

LAB 71.63, -65.54, 48.51

 

CMYK 64 / 0 / 85 / 49

HEX #2F8314

RGB 47 131 20

HSL 105.41, 0.74%, 0.3%

LAB 48.12, -45.02, 47.41

 

CMYK 64 / 0 / 84 / 35

HEX #3CA71A

RGB 60 167 26

HSL 105.53, 0.73%, 0.38%

LAB 60.49, -54.39, 57.17

 

CMYK 64 / 0 / 85 / 21

HEX #48CA1F

RGB 72 202 31

HSL 105.61, 0.73%, 0.46%

LAB 72.04, -63.27, 66.42

 

CMYK 58 / 0 / 77 / 13

HEX #5DDF34

RGB 93 223 52

HSL 105.61, 0.73%, 0.54%

LAB 79.24, -64.44, 67.61

 

CMYK 46 / 0 / 61 / 11

HEX #7AE458

RGB 122 228 88

HSL 105.43, 0.72%, 0.62%

LAB 82.02, -55.67, 57.43

 

CMYK 64 / 0 / 84 / 21

HEX #49CA20

RGB 73 202 32

HSL 105.53, 0.73%, 0.46%

LAB 72.07, -63.01, 66.23

 

CMYK 85 / 0 / 4 / 21

HEX #1FCAC2

RGB 31 202 194

HSL 177.19, 0.73%, 0.46%

LAB 73.82, -41.43, -7.58

 

CMYK 0 / 85 / 30 / 21

HEX #CA1F8E

RGB 202 31 142

HSL 321.05, 0.73%, 0.46%

LAB 46.3, 70.88, -18.26

 

CMYK 64 / 0 / 84 / 21

HEX #49CA20

RGB 73 202 32

HSL 105.53, 0.73%, 0.46%

LAB 72.07, -63.01, 66.23

 

CMYK 85 / 63 / 0 / 21

HEX #1F4ACA

RGB 31 74 202

HSL 224.91, 0.73%, 0.46%

LAB 36.84, 34.23, -70.06

 

CMYK 0 / 85 / 63 / 21

HEX #CA1F4A

RGB 202 31 74

HSL 344.91, 0.73%, 0.46%

LAB 44.28, 65.1, 20.82

 

CMYK 64 / 0 / 84 / 21

HEX #49CA20

RGB 73 202 32

HSL 105.53, 0.73%, 0.46%

LAB 72.07, -63.01, 66.23

 

CMYK 85 / 0 / 4 / 21

HEX #1FCAC2

RGB 31 202 194

HSL 177.19, 0.73%, 0.46%

LAB 73.82, -41.43, -7.58

 

CMYK 21 / 85 / 0 / 21

HEX #A01FCA

RGB 160 31 202

HSL 285.26, 0.73%, 0.46%

LAB 42.33, 71.66, -60.59

 

CMYK 0 / 85 / 80 / 21

HEX #CA1F28

RGB 202 31 40

HSL 356.84, 0.73%, 0.46%

LAB 43.78, 63.65, 40.59

 

CMYK 64 / 0 / 84 / 21

HEX #49CA20

RGB 73 202 32

HSL 105.53, 0.73%, 0.46%

LAB 72.07, -63.01, 66.23

 

CMYK 85 / 21 / 0 / 21

HEX #1FA0CA

RGB 31 160 202

HSL 194.74, 0.73%, 0.46%

LAB 61.39, -18.45, -30.86

 

CMYK 21 / 85 / 0 / 21

HEX #A01FCA

RGB 160 31 202

HSL 285.26, 0.73%, 0.46%

LAB 42.33, 71.66, -60.59

 

CMYK 0 / 63 / 85 / 21

HEX #CA4A1F

RGB 202 74 31

HSL 15.09, 0.73%, 0.46%

LAB 48.95, 48.95, 49.89

 

Description

Color code: RGB 73 202 32 | qconv.com Color code: RGB 73 202 32 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 202 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 202 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 84 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 84% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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