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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 73 209 9 it is the complementary color RGB 182 46 246. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 73 209 9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 73 209 9 shade: RGB 78 209 4, RGB 95 227 23, RGB 112 245 42, RGB 129 255 61 and RGB 146 255 80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 73 209 9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 73 209 9 shade: RGB 73 209 9, RGB 56 191 0, RGB 39 173 0, RGB 22 155 0 and RGB 5 137 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 73 209 9 shade: RGB 73 210 8, RGB 127 210 8, RGB 182 210 8, RGB 210 184 8 and RGB 210 130 8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 73 209 9 shade: RGB 73 210 8, RGB 18 210 8, RGB 8 210 53, RGB 8 210 107 and RGB 8 210 161

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 73 209 9 shade matches the following richer shades: RGB 73 210 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 73 209 9 shade: RGB 73 210 8, RGB 79 192 26, RGB 86 175 44, RGB 92 157 61 and RGB 98 139 79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 73 209 9 shade: RGB 183 210 8, RGB 129 210 8, RGB 76 210 8, RGB 22 210 8 and RGB 8 210 49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 73 209 9 shade: RGB 45 131 5, RGB 59 170 7, RGB 73 210 8, RGB 88 245 15 and RGB 116 246 55

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 73 209 9 shade: RGB 73 209 9, RGB 8 210 183 and RGB 210 8 156

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 73 209 9 shade: RGB 73 209 9, RGB 8 76 210 and RGB 210 8 76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 73 209 9 shade: RGB 73 209 9, RGB 8 210 183, RGB 143 8 210 and RGB 210 8 35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 73 209 9 shade: RGB 73 209 9, RGB 8 176 210, RGB 143 8 210 and RGB 210 42 8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 96 / 18

HEX #49D109

RGB 73 209 9

HSL 100.8, 0.92%, 0.43%

LAB 74.21, -65.96, 71.81

 

Complementary color

CMYK 26 / 81 / 0 / 4

HEX #B62EF6

RGB 182 46 246

HSL 280.8, 0.92%, 0.57%

LAB 50.16, 79.59, -72.81

 

CMYK 63 / 0 / 98 / 18

HEX #4ED104

RGB 78 209 4

HSL 98.34, 0.96%, 0.42%

LAB 74.34, -64.95, 72.47

 

CMYK 58 / 0 / 90 / 11

HEX #5FE317

RGB 95 227 23

HSL 98.82, 0.82%, 0.49%

LAB 80.42, -66.54, 75.44

 

CMYK 54 / 0 / 83 / 4

HEX #70F52A

RGB 112 245 42

HSL 99.31, 0.91%, 0.56%

LAB 86.46, -67.73, 77.18

 

CMYK 49 / 0 / 76 / 0

HEX #81FF3D

RGB 129 255 61

HSL 98.97, 1%, 0.62%

LAB 90.1, -65.76, 75.71

 

CMYK 43 / 0 / 69 / 0

HEX #92FF50

RGB 146 255 80

HSL 97.37, 1%, 0.66%

LAB 90.88, -59.58, 70.39

 

CMYK 65 / 0 / 96 / 18

HEX #49D109

RGB 73 209 9

HSL 100.8, 0.92%, 0.43%

LAB 74.21, -65.96, 71.81

 

CMYK 71 / 0 / 100 / 25

HEX #38BF00

RGB 56 191 0

HSL 102.41, 1%, 0.37%

LAB 68.1, -63.8, 67.69

 

CMYK 77 / 0 / 100 / 32

HEX #27AD00

RGB 39 173 0

HSL 106.47, 1%, 0.34%

LAB 61.93, -61.09, 62.64

 

CMYK 86 / 0 / 100 / 39

HEX #169B00

RGB 22 155 0

HSL 111.48, 1%, 0.3%

LAB 55.7, -57.85, 57.56

 

CMYK 96 / 0 / 100 / 46

HEX #058900

RGB 5 137 0

HSL 117.81, 1%, 0.27%

LAB 49.4, -53.94, 52.46

 

CMYK 65 / 0 / 96 / 18

HEX #49D208

RGB 73 210 8

HSL 100.69, 0.93%, 0.43%

LAB 74.53, -66.3, 72.17

 

CMYK 40 / 0 / 96 / 18

HEX #7FD208

RGB 127 210 8

HSL 84.65, 0.93%, 0.43%

LAB 76.45, -51.23, 74.52

 

CMYK 13 / 0 / 96 / 18

HEX #B6D208

RGB 182 210 8

HSL 68.32, 0.93%, 0.43%

LAB 79.65, -30.28, 78.38

 

CMYK 0 / 12 / 96 / 18

HEX #D2B808

RGB 210 184 8

HSL 52.28, 0.93%, 0.43%

LAB 74.83, -5.39, 75.76

 

CMYK 0 / 38 / 96 / 18

HEX #D28208

RGB 210 130 8

HSL 36.24, 0.93%, 0.43%

LAB 61.38, 23.49, 66.19

 

CMYK 65 / 0 / 96 / 18

HEX #49D208

RGB 73 210 8

HSL 100.69, 0.93%, 0.43%

LAB 74.53, -66.3, 72.17

 

CMYK 91 / 0 / 96 / 18

HEX #12D208

RGB 18 210 8

HSL 117.03, 0.93%, 0.43%

LAB 73.7, -73.54, 71.15

 

CMYK 96 / 0 / 75 / 18

HEX #08D235

RGB 8 210 53

HSL 133.37, 0.93%, 0.43%

LAB 73.81, -71.99, 61.49

 

CMYK 96 / 0 / 49 / 18

HEX #08D26B

RGB 8 210 107

HSL 149.41, 0.93%, 0.43%

LAB 74.32, -65.57, 38.97

 

CMYK 96 / 0 / 23 / 18

HEX #08D2A1

RGB 8 210 161

HSL 165.45, 0.93%, 0.43%

LAB 75.28, -54.59, 12.29

 

CMYK 65 / 0 / 96 / 18

HEX #49D208

RGB 73 210 8

HSL 100.69, 0.93%, 0.43%

LAB 74.53, -66.3, 72.17

 

CMYK 65 / 0 / 96 / 18

HEX #49D208

RGB 73 210 8

HSL 100.69, 0.93%, 0.43%

LAB 74.53, -66.3, 72.17

 

CMYK 59 / 0 / 86 / 25

HEX #4FC01A

RGB 79 192 26

HSL 100.84, 0.76%, 0.43%

LAB 69.07, -58.46, 64.99

 

CMYK 51 / 0 / 75 / 31

HEX #56AF2C

RGB 86 175 44

HSL 100.76, 0.6%, 0.43%

LAB 64.02, -49.38, 55.31

 

CMYK 41 / 0 / 61 / 38

HEX #5C9D3D

RGB 92 157 61

HSL 100.63, 0.44%, 0.43%

LAB 58.72, -38.64, 42.81

 

CMYK 29 / 0 / 43 / 45

HEX #628B4F

RGB 98 139 79

HSL 101, 0.28%, 0.43%

LAB 53.63, -25.89, 27.63

 

CMYK 13 / 0 / 96 / 18

HEX #B7D208

RGB 183 210 8

HSL 68.02, 0.93%, 0.43%

LAB 79.72, -29.87, 78.47

 

CMYK 39 / 0 / 96 / 18

HEX #81D208

RGB 129 210 8

HSL 84.06, 0.93%, 0.43%

LAB 76.54, -50.54, 74.63

 

CMYK 64 / 0 / 96 / 18

HEX #4CD208

RGB 76 210 8

HSL 99.8, 0.93%, 0.43%

LAB 74.6, -65.66, 72.26

 

CMYK 90 / 0 / 96 / 18

HEX #16D208

RGB 22 210 8

HSL 115.84, 0.93%, 0.43%

LAB 73.73, -73.29, 71.19

 

CMYK 96 / 0 / 77 / 18

HEX #08D231

RGB 8 210 49

HSL 132.18, 0.93%, 0.43%

LAB 73.78, -72.28, 62.77

 

CMYK 66 / 0 / 96 / 49

HEX #2D8305

RGB 45 131 5

HSL 100.95, 0.93%, 0.27%

LAB 48.01, -46.11, 50.63

 

CMYK 65 / 0 / 96 / 33

HEX #3BAA07

RGB 59 170 7

HSL 100.86, 0.92%, 0.35%

LAB 61.39, -56.26, 61.44

 

CMYK 65 / 0 / 96 / 18

HEX #49D208

RGB 73 210 8

HSL 100.69, 0.93%, 0.43%

LAB 74.53, -66.3, 72.17

 

CMYK 64 / 0 / 94 / 4

HEX #58F50F

RGB 88 245 15

HSL 100.96, 0.92%, 0.51%

LAB 85.71, -74.11, 80.76

 

CMYK 53 / 0 / 78 / 4

HEX #74F637

RGB 116 246 55

HSL 100.84, 0.91%, 0.59%

LAB 86.95, -66.42, 74.31

 

CMYK 65 / 0 / 96 / 18

HEX #49D109

RGB 73 209 9

HSL 100.8, 0.92%, 0.43%

LAB 74.21, -65.96, 71.81

 

CMYK 96 / 0 / 13 / 18

HEX #08D2B7

RGB 8 210 183

HSL 171.98, 0.93%, 0.43%

LAB 75.8, -48.97, 1.25

 

CMYK 0 / 96 / 26 / 18

HEX #D2089C

RGB 210 8 156

HSL 316.04, 0.93%, 0.43%

LAB 47.33, 77.24, -24.97

 

CMYK 65 / 0 / 96 / 18

HEX #49D109

RGB 73 209 9

HSL 100.8, 0.92%, 0.43%

LAB 74.21, -65.96, 71.81

 

CMYK 96 / 64 / 0 / 18

HEX #084CD2

RGB 8 76 210

HSL 219.8, 0.93%, 0.43%

LAB 37.61, 34.94, -73.44

 

CMYK 0 / 96 / 64 / 18

HEX #D2084C

RGB 210 8 76

HSL 339.8, 0.93%, 0.43%

LAB 44.8, 70.52, 20.56

 

CMYK 65 / 0 / 96 / 18

HEX #49D109

RGB 73 209 9

HSL 100.8, 0.92%, 0.43%

LAB 74.21, -65.96, 71.81

 

CMYK 96 / 0 / 13 / 18

HEX #08D2B7

RGB 8 210 183

HSL 171.98, 0.93%, 0.43%

LAB 75.8, -48.97, 1.25

 

CMYK 32 / 96 / 0 / 18

HEX #8F08D2

RGB 143 8 210

HSL 280.1, 0.93%, 0.43%

LAB 39.01, 74.67, -70.76

 

CMYK 0 / 96 / 83 / 18

HEX #D20823

RGB 210 8 35

HSL 351.98, 0.93%, 0.43%

LAB 44.23, 68.95, 44.32

 

CMYK 65 / 0 / 96 / 18

HEX #49D109

RGB 73 209 9

HSL 100.8, 0.92%, 0.43%

LAB 74.21, -65.96, 71.81

 

CMYK 96 / 16 / 0 / 18

HEX #08B0D2

RGB 8 176 210

HSL 190.1, 0.93%, 0.43%

LAB 66.33, -25.15, -27.68

 

CMYK 32 / 96 / 0 / 18

HEX #8F08D2

RGB 143 8 210

HSL 280.1, 0.93%, 0.43%

LAB 39.01, 74.67, -70.76

 

CMYK 0 / 80 / 96 / 18

HEX #D22A08

RGB 210 42 8

HSL 10.1, 0.93%, 0.43%

LAB 46.14, 62.64, 56.67

 

Description

Color code: RGB 73 209 9 | qconv.com Color code: RGB 73 209 9 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 209 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 209 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 96 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 96% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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