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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 73 235 55 it is the complementary color RGB 182 20 200. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 73 235 55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 73 235 55 shade: RGB 78 235 50, RGB 95 253 69, RGB 112 255 88, RGB 129 255 107 and RGB 146 255 126

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 73 235 55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 73 235 55 shade: RGB 73 235 55, RGB 56 217 36, RGB 39 199 17, RGB 22 181 0 and RGB 5 163 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 73 235 55 shade: RGB 73 235 55, RGB 121 235 55, RGB 170 235 55, RGB 218 235 55 and RGB 235 203 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 73 235 55 shade: RGB 73 235 55, RGB 55 235 85, RGB 55 235 134, RGB 55 235 182 and RGB 55 235 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 73 235 55 shade matches the following richer shades: RGB 73 235 55 and RGB 59 253 37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 73 235 55 shade: RGB 73 235 55, RGB 87 217 73, RGB 101 199 90, RGB 115 182 108 and RGB 130 164 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 73 235 55 shade: RGB 169 235 55, RGB 121 235 55, RGB 73 235 55, RGB 55 235 85 and RGB 55 235 133

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 73 235 55 shade: RGB 35 189 18, RGB 42 226 22, RGB 73 235 55, RGB 107 238 92 and RGB 141 242 130

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 73 235 55 shade: RGB 73 235 55, RGB 55 217 235 and RGB 235 55 145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 73 235 55 shade: RGB 73 235 55, RGB 55 73 235 and RGB 235 55 73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 73 235 55 shade: RGB 73 235 55, RGB 55 217 235, RGB 217 55 235 and RGB 235 73 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 73 235 55 shade: RGB 73 235 55, RGB 55 163 235, RGB 217 55 235 and RGB 235 127 55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 77 / 8

HEX #49EB37

RGB 73 235 55

HSL 114, 0.82%, 0.57%

LAB 82.44, -72.36, 69.59

 

Complementary color

CMYK 9 / 90 / 0 / 22

HEX #B614C8

RGB 182 20 200

HSL 294, 0.82%, 0.43%

LAB 45.1, 76.93, -54.78

 

CMYK 67 / 0 / 79 / 8

HEX #4EEB32

RGB 78 235 50

HSL 110.92, 0.82%, 0.56%

LAB 82.52, -71.74, 71.18

 

CMYK 62 / 0 / 73 / 1

HEX #5FFD45

RGB 95 253 69

HSL 111.52, 0.98%, 0.63%

LAB 88.5, -72.9, 71.26

 

CMYK 56 / 0 / 65 / 0

HEX #70FF58

RGB 112 255 88

HSL 111.38, 1%, 0.67%

LAB 89.71, -68.24, 65.77

 

CMYK 49 / 0 / 58 / 0

HEX #81FF6B

RGB 129 255 107

HSL 111.08, 1%, 0.71%

LAB 90.44, -62.08, 58.93

 

CMYK 43 / 0 / 51 / 0

HEX #92FF7E

RGB 146 255 126

HSL 110.7, 1%, 0.75%

LAB 91.3, -55.18, 51.6

 

CMYK 69 / 0 / 77 / 8

HEX #49EB37

RGB 73 235 55

HSL 114, 0.82%, 0.57%

LAB 82.44, -72.36, 69.59

 

CMYK 74 / 0 / 83 / 15

HEX #38D924

RGB 56 217 36

HSL 113.37, 0.72%, 0.5%

LAB 76.43, -70.7, 69.06

 

CMYK 80 / 0 / 91 / 22

HEX #27C711

RGB 39 199 17

HSL 112.75, 0.84%, 0.42%

LAB 70.4, -68.41, 67.42

 

CMYK 88 / 0 / 100 / 29

HEX #16B500

RGB 22 181 0

HSL 112.71, 1%, 0.35%

LAB 64.34, -65.37, 64.48

 

CMYK 97 / 0 / 100 / 36

HEX #05A300

RGB 5 163 0

HSL 118.16, 1%, 0.32%

LAB 58.25, -61.38, 59.55

 

CMYK 69 / 0 / 77 / 8

HEX #49EB37

RGB 73 235 55

HSL 114, 0.82%, 0.57%

LAB 82.44, -72.36, 69.59

 

CMYK 49 / 0 / 77 / 8

HEX #79EB37

RGB 121 235 55

HSL 98, 0.82%, 0.57%

LAB 83.84, -61.09, 71.42

 

CMYK 28 / 0 / 77 / 8

HEX #AAEB37

RGB 170 235 55

HSL 81.67, 0.82%, 0.57%

LAB 86.13, -44.88, 74.39

 

CMYK 7 / 0 / 77 / 8

HEX #DAEB37

RGB 218 235 55

HSL 65.67, 0.82%, 0.57%

LAB 89.2, -26.2, 78.35

 

CMYK 0 / 14 / 77 / 8

HEX #EBCB37

RGB 235 203 55

HSL 49.33, 0.82%, 0.57%

LAB 82.19, -3.3, 72.47

 

CMYK 69 / 0 / 77 / 8

HEX #49EB37

RGB 73 235 55

HSL 114, 0.82%, 0.57%

LAB 82.44, -72.36, 69.59

 

CMYK 77 / 0 / 64 / 8

HEX #37EB55

RGB 55 235 85

HSL 130, 0.82%, 0.57%

LAB 82.32, -72.63, 58.52

 

CMYK 77 / 0 / 43 / 8

HEX #37EB86

RGB 55 235 134

HSL 146.33, 0.82%, 0.57%

LAB 82.89, -65.86, 36.65

 

CMYK 77 / 0 / 23 / 8

HEX #37EBB6

RGB 55 235 182

HSL 162.33, 0.82%, 0.57%

LAB 83.76, -56.16, 13.26

 

CMYK 77 / 0 / 2 / 8

HEX #37EBE7

RGB 55 235 231

HSL 178.67, 0.82%, 0.57%

LAB 85, -43.6, -10.69

 

CMYK 69 / 0 / 77 / 8

HEX #49EB37

RGB 73 235 55

HSL 114, 0.82%, 0.57%

LAB 82.44, -72.36, 69.59

 

CMYK 77 / 0 / 85 / 1

HEX #3BFD25

RGB 59 253 37

HSL 113.89, 0.98%, 0.57%

LAB 87.64, -80.77, 78.83

 

CMYK 69 / 0 / 77 / 8

HEX #49EB37

RGB 73 235 55

HSL 114, 0.82%, 0.57%

LAB 82.44, -72.36, 69.59

 

CMYK 60 / 0 / 66 / 15

HEX #57D949

RGB 87 217 73

HSL 114.17, 0.65%, 0.57%

LAB 77.36, -62.19, 58.16

 

CMYK 49 / 0 / 55 / 22

HEX #65C75A

RGB 101 199 90

HSL 113.94, 0.49%, 0.57%

LAB 72.46, -50.06, 45.3

 

CMYK 37 / 0 / 41 / 29

HEX #73B66C

RGB 115 182 108

HSL 114.32, 0.34%, 0.57%

LAB 68.16, -36.08, 31.1

 

CMYK 21 / 0 / 23 / 36

HEX #82A47E

RGB 130 164 126

HSL 113.68, 0.17%, 0.57%

LAB 64, -19.23, 15.98

 

CMYK 28 / 0 / 77 / 8

HEX #A9EB37

RGB 169 235 55

HSL 82, 0.82%, 0.57%

LAB 86.07, -45.24, 74.32

 

CMYK 49 / 0 / 77 / 8

HEX #79EB37

RGB 121 235 55

HSL 98, 0.82%, 0.57%

LAB 83.84, -61.09, 71.42

 

CMYK 69 / 0 / 77 / 8

HEX #49EB37

RGB 73 235 55

HSL 114, 0.82%, 0.57%

LAB 82.44, -72.36, 69.59

 

CMYK 77 / 0 / 64 / 8

HEX #37EB55

RGB 55 235 85

HSL 130, 0.82%, 0.57%

LAB 82.32, -72.63, 58.52

 

CMYK 77 / 0 / 43 / 8

HEX #37EB85

RGB 55 235 133

HSL 146, 0.82%, 0.57%

LAB 82.87, -66.03, 37.12

 

CMYK 81 / 0 / 90 / 26

HEX #23BD12

RGB 35 189 18

HSL 114.04, 0.83%, 0.41%

LAB 67.12, -65.94, 64.46

 

CMYK 81 / 0 / 90 / 11

HEX #2AE216

RGB 42 226 22

HSL 114.12, 0.82%, 0.49%

LAB 79.01, -75.66, 73.96

 

CMYK 69 / 0 / 77 / 8

HEX #49EB37

RGB 73 235 55

HSL 114, 0.82%, 0.57%

LAB 82.44, -72.36, 69.59

 

CMYK 55 / 0 / 61 / 7

HEX #6BEE5C

RGB 107 238 92

HSL 113.84, 0.81%, 0.65%

LAB 84.51, -63.05, 58.39

 

CMYK 42 / 0 / 46 / 5

HEX #8DF282

RGB 141 242 130

HSL 114.11, 0.81%, 0.73%

LAB 87.38, -50.86, 44.83

 

CMYK 69 / 0 / 77 / 8

HEX #49EB37

RGB 73 235 55

HSL 114, 0.82%, 0.57%

LAB 82.44, -72.36, 69.59

 

CMYK 77 / 8 / 0 / 8

HEX #37D9EB

RGB 55 217 235

HSL 186, 0.82%, 0.57%

LAB 79.86, -34.23, -20.53

 

CMYK 0 / 77 / 38 / 8

HEX #EB3791

RGB 235 55 145

HSL 330, 0.82%, 0.57%

LAB 54.49, 73.15, -7.1

 

CMYK 69 / 0 / 77 / 8

HEX #49EB37

RGB 73 235 55

HSL 114, 0.82%, 0.57%

LAB 82.44, -72.36, 69.59

 

CMYK 77 / 69 / 0 / 8

HEX #3749EB

RGB 55 73 235

HSL 234, 0.82%, 0.57%

LAB 40.53, 48.44, -82.87

 

CMYK 0 / 77 / 69 / 8

HEX #EB3749

RGB 235 55 73

HSL 354, 0.82%, 0.57%

LAB 52.81, 67.91, 33.53

 

CMYK 69 / 0 / 77 / 8

HEX #49EB37

RGB 73 235 55

HSL 114, 0.82%, 0.57%

LAB 82.44, -72.36, 69.59

 

CMYK 77 / 8 / 0 / 8

HEX #37D9EB

RGB 55 217 235

HSL 186, 0.82%, 0.57%

LAB 79.86, -34.23, -20.53

 

CMYK 8 / 77 / 0 / 8

HEX #D937EB

RGB 217 55 235

HSL 294, 0.82%, 0.57%

LAB 55.57, 81.16, -57.65

 

CMYK 0 / 69 / 77 / 8

HEX #EB4937

RGB 235 73 55

HSL 6, 0.82%, 0.57%

LAB 54.77, 61.15, 45.78

 

CMYK 69 / 0 / 77 / 8

HEX #49EB37

RGB 73 235 55

HSL 114, 0.82%, 0.57%

LAB 82.44, -72.36, 69.59

 

CMYK 77 / 31 / 0 / 8

HEX #37A3EB

RGB 55 163 235

HSL 204, 0.82%, 0.57%

LAB 64.16, -6.37, -44.78

 

CMYK 8 / 77 / 0 / 8

HEX #D937EB

RGB 217 55 235

HSL 294, 0.82%, 0.57%

LAB 55.57, 81.16, -57.65

 

CMYK 0 / 46 / 77 / 8

HEX #EB7F37

RGB 235 127 55

HSL 24, 0.82%, 0.57%

LAB 64.26, 36.53, 55.43

 

Description

Color code: RGB 73 235 55 | qconv.com Color code: RGB 73 235 55 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 235 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 235 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 77 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 77% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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