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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 73 236 58 it is the complementary color RGB 182 19 197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 73 236 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 73 236 58 shade: RGB 78 236 53, RGB 95 254 72, RGB 112 255 91, RGB 129 255 110 and RGB 146 255 129

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 73 236 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 73 236 58 shade: RGB 73 236 58, RGB 56 218 39, RGB 39 200 20, RGB 22 182 1 and RGB 5 164 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 73 236 58 shade: RGB 74 235 60, RGB 122 235 60, RGB 169 235 60, RGB 216 235 60 and RGB 235 207 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 73 236 58 shade: RGB 74 235 60, RGB 60 235 92, RGB 60 235 139, RGB 60 235 187 and RGB 60 235 234

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 73 236 58 shade matches the following richer shades: RGB 74 235 60 and RGB 60 253 42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 73 236 58 shade: RGB 74 235 60, RGB 89 218 77, RGB 103 201 94, RGB 118 183 112 and RGB 132 166 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 73 236 58 shade: RGB 171 235 60, RGB 124 235 60, RGB 77 235 60, RGB 60 235 89 and RGB 60 235 136

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 73 236 58 shade: RGB 33 194 19, RGB 40 231 22, RGB 74 235 60, RGB 109 239 97 and RGB 144 243 135

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 73 236 58 shade: RGB 73 236 58, RGB 60 218 235 and RGB 235 60 147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 73 236 58 shade: RGB 73 236 58, RGB 60 77 235 and RGB 235 60 77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 73 236 58 shade: RGB 73 236 58, RGB 60 218 235, RGB 218 60 235 and RGB 235 77 60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 73 236 58 shade: RGB 73 236 58, RGB 60 165 235, RGB 218 60 235 and RGB 235 130 60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 75 / 7

HEX #49EC3A

RGB 73 236 58

HSL 114.94, 0.82%, 0.58%

LAB 82.76, -72.48, 68.98

 

Complementary color

CMYK 8 / 90 / 0 / 23

HEX #B613C5

RGB 182 19 197

HSL 294.94, 0.82%, 0.42%

LAB 44.86, 76.59, -53.43

 

CMYK 67 / 0 / 78 / 7

HEX #4EEC35

RGB 78 236 53

HSL 111.8, 0.83%, 0.57%

LAB 82.84, -71.88, 70.62

 

CMYK 63 / 0 / 72 / 0

HEX #5FFE48

RGB 95 254 72

HSL 112.42, 0.99%, 0.64%

LAB 88.82, -73.01, 70.57

 

CMYK 56 / 0 / 64 / 0

HEX #70FF5B

RGB 112 255 91

HSL 112.32, 1%, 0.68%

LAB 89.73, -67.97, 64.62

 

CMYK 49 / 0 / 57 / 0

HEX #81FF6E

RGB 129 255 110

HSL 112.14, 1%, 0.72%

LAB 90.47, -61.76, 57.66

 

CMYK 43 / 0 / 49 / 0

HEX #92FF81

RGB 146 255 129

HSL 111.9, 1%, 0.75%

LAB 91.33, -54.81, 50.25

 

CMYK 69 / 0 / 75 / 7

HEX #49EC3A

RGB 73 236 58

HSL 114.94, 0.82%, 0.58%

LAB 82.76, -72.48, 68.98

 

CMYK 74 / 0 / 82 / 15

HEX #38DA27

RGB 56 218 39

HSL 114.3, 0.71%, 0.5%

LAB 76.76, -70.86, 68.62

 

CMYK 81 / 0 / 90 / 22

HEX #27C814

RGB 39 200 20

HSL 113.67, 0.82%, 0.43%

LAB 70.73, -68.62, 67.22

 

CMYK 88 / 0 / 99 / 29

HEX #16B601

RGB 22 182 1

HSL 113.04, 0.99%, 0.36%

LAB 64.67, -65.63, 64.61

 

CMYK 97 / 0 / 100 / 36

HEX #05A400

RGB 5 164 0

HSL 118.17, 1%, 0.32%

LAB 58.59, -61.66, 59.82

 

CMYK 69 / 0 / 74 / 8

HEX #4AEB3C

RGB 74 235 60

HSL 115.2, 0.81%, 0.58%

LAB 82.49, -71.85, 68.07

 

CMYK 48 / 0 / 74 / 8

HEX #7AEB3C

RGB 122 235 60

HSL 98.74, 0.81%, 0.58%

LAB 83.9, -60.51, 69.94

 

CMYK 28 / 0 / 74 / 8

HEX #A9EB3C

RGB 169 235 60

HSL 82.63, 0.81%, 0.58%

LAB 86.1, -45, 72.82

 

CMYK 8 / 0 / 74 / 8

HEX #D8EB3C

RGB 216 235 60

HSL 66.51, 0.81%, 0.58%

LAB 89.08, -26.8, 76.7

 

CMYK 0 / 12 / 74 / 8

HEX #EBCF3C

RGB 235 207 60

HSL 50.4, 0.81%, 0.58%

LAB 83.24, -5.15, 71.78

 

CMYK 69 / 0 / 74 / 8

HEX #4AEB3C

RGB 74 235 60

HSL 115.2, 0.81%, 0.58%

LAB 82.49, -71.85, 68.07

 

CMYK 74 / 0 / 61 / 8

HEX #3CEB5C

RGB 60 235 92

HSL 130.97, 0.81%, 0.58%

LAB 82.46, -71.19, 55.76

 

CMYK 74 / 0 / 41 / 8

HEX #3CEB8B

RGB 60 235 139

HSL 147.09, 0.81%, 0.58%

LAB 83.04, -64.36, 34.37

 

CMYK 74 / 0 / 20 / 8

HEX #3CEBBB

RGB 60 235 187

HSL 163.54, 0.81%, 0.58%

LAB 83.95, -54.43, 10.92

 

CMYK 74 / 0 / 0 / 8

HEX #3CEBEA

RGB 60 235 234

HSL 179.66, 0.81%, 0.58%

LAB 85.16, -42.26, -12.02

 

CMYK 69 / 0 / 74 / 8

HEX #4AEB3C

RGB 74 235 60

HSL 115.2, 0.81%, 0.58%

LAB 82.49, -71.85, 68.07

 

CMYK 76 / 0 / 83 / 1

HEX #3CFD2A

RGB 60 253 42

HSL 114.88, 0.98%, 0.58%

LAB 87.67, -80.43, 77.8

 

CMYK 69 / 0 / 74 / 8

HEX #4AEB3C

RGB 74 235 60

HSL 115.2, 0.81%, 0.58%

LAB 82.49, -71.85, 68.07

 

CMYK 59 / 0 / 65 / 15

HEX #59DA4D

RGB 89 218 77

HSL 114.89, 0.66%, 0.58%

LAB 77.76, -61.7, 56.99

 

CMYK 49 / 0 / 53 / 21

HEX #67C95E

RGB 103 201 94

HSL 114.95, 0.5%, 0.58%

LAB 73.2, -49.81, 44.3

 

CMYK 36 / 0 / 39 / 28

HEX #76B770

RGB 118 183 112

HSL 114.93, 0.33%, 0.58%

LAB 68.67, -34.94, 29.71

 

CMYK 20 / 0 / 22 / 35

HEX #84A681

RGB 132 166 129

HSL 115.14, 0.17%, 0.58%

LAB 64.77, -19.02, 15.41

 

CMYK 27 / 0 / 74 / 8

HEX #ABEB3C

RGB 171 235 60

HSL 81.94, 0.81%, 0.58%

LAB 86.21, -44.27, 72.96

 

CMYK 47 / 0 / 74 / 8

HEX #7CEB3C

RGB 124 235 60

HSL 98.06, 0.81%, 0.58%

LAB 83.98, -59.93, 70.04

 

CMYK 67 / 0 / 74 / 8

HEX #4DEB3C

RGB 77 235 60

HSL 114.17, 0.81%, 0.58%

LAB 82.55, -71.3, 68.16

 

CMYK 74 / 0 / 62 / 8

HEX #3CEB59

RGB 60 235 89

HSL 129.94, 0.81%, 0.58%

LAB 82.43, -71.53, 57

 

CMYK 74 / 0 / 42 / 8

HEX #3CEB88

RGB 60 235 136

HSL 146.06, 0.81%, 0.58%

LAB 83, -64.89, 35.81

 

CMYK 83 / 0 / 90 / 24

HEX #21C213

RGB 33 194 19

HSL 115.2, 0.82%, 0.42%

LAB 68.72, -67.59, 65.65

 

CMYK 83 / 0 / 90 / 9

HEX #28E716

RGB 40 231 22

HSL 114.83, 0.83%, 0.5%

LAB 80.55, -77.27, 75.25

 

CMYK 69 / 0 / 74 / 8

HEX #4AEB3C

RGB 74 235 60

HSL 115.2, 0.81%, 0.58%

LAB 82.49, -71.85, 68.07

 

CMYK 54 / 0 / 59 / 6

HEX #6DEF61

RGB 109 239 97

HSL 114.93, 0.82%, 0.66%

LAB 84.92, -62.4, 56.73

 

CMYK 41 / 0 / 44 / 5

HEX #90F387

RGB 144 243 135

HSL 115, 0.82%, 0.74%

LAB 87.86, -49.72, 43.05

 

CMYK 69 / 0 / 75 / 7

HEX #49EC3A

RGB 73 236 58

HSL 114.94, 0.82%, 0.58%

LAB 82.76, -72.48, 68.98

 

CMYK 74 / 7 / 0 / 8

HEX #3CDAEB

RGB 60 218 235

HSL 185.83, 0.81%, 0.58%

LAB 80.24, -34.19, -19.95

 

CMYK 0 / 74 / 37 / 8

HEX #EB3C93

RGB 235 60 147

HSL 330.17, 0.81%, 0.58%

LAB 55.07, 71.88, -7.42

 

CMYK 69 / 0 / 75 / 7

HEX #49EC3A

RGB 73 236 58

HSL 114.94, 0.82%, 0.58%

LAB 82.76, -72.48, 68.98

 

CMYK 74 / 67 / 0 / 8

HEX #3C4DEB

RGB 60 77 235

HSL 234.17, 0.81%, 0.58%

LAB 41.64, 46.53, -81.05

 

CMYK 0 / 74 / 67 / 8

HEX #EB3C4D

RGB 235 60 77

HSL 354.17, 0.81%, 0.58%

LAB 53.42, 66.58, 31.93

 

CMYK 69 / 0 / 75 / 7

HEX #49EC3A

RGB 73 236 58

HSL 114.94, 0.82%, 0.58%

LAB 82.76, -72.48, 68.98

 

CMYK 74 / 7 / 0 / 8

HEX #3CDAEB

RGB 60 218 235

HSL 185.83, 0.81%, 0.58%

LAB 80.24, -34.19, -19.95

 

CMYK 7 / 74 / 0 / 8

HEX #DA3CEB

RGB 218 60 235

HSL 294.17, 0.81%, 0.58%

LAB 56.22, 79.9, -56.59

 

CMYK 0 / 67 / 74 / 8

HEX #EB4D3C

RGB 235 77 60

HSL 5.83, 0.81%, 0.58%

LAB 55.38, 59.81, 43.78

 

CMYK 69 / 0 / 75 / 7

HEX #49EC3A

RGB 73 236 58

HSL 114.94, 0.82%, 0.58%

LAB 82.76, -72.48, 68.98

 

CMYK 74 / 30 / 0 / 8

HEX #3CA5EB

RGB 60 165 235

HSL 204, 0.81%, 0.58%

LAB 64.86, -6.91, -43.68

 

CMYK 7 / 74 / 0 / 8

HEX #DA3CEB

RGB 218 60 235

HSL 294.17, 0.81%, 0.58%

LAB 56.22, 79.9, -56.59

 

CMYK 0 / 45 / 74 / 8

HEX #EB823C

RGB 235 130 60

HSL 24, 0.81%, 0.58%

LAB 64.93, 35.19, 53.85

 

Description

Color code: RGB 73 236 58 | qconv.com Color code: RGB 73 236 58 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 236 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 236 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 75 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 75% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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