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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 70 50 212 it is the complementary color RGB 185 205 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 70 50 212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 70 50 212 shade: RGB 75 50 207, RGB 92 68 226, RGB 109 86 245, RGB 126 104 255 and RGB 143 122 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 70 50 212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 70 50 212 shade: RGB 70 50 212, RGB 53 32 193, RGB 36 14 174, RGB 19 0 155 and RGB 2 0 136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 70 50 212 shade: RGB 68 48 211, RGB 112 48 211, RGB 156 48 211, RGB 200 48 211 and RGB 211 48 178

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 70 50 212 shade: RGB 68 48 211 and RGB 48 48 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 70 50 212 shade matches the following richer shades: RGB 68 48 211, RGB 53 28 231 and RGB 38 8 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 70 50 212 shade: RGB 68 48 211, RGB 84 69 191, RGB 99 89 170, RGB 114 109 150 and RGB 129 129 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 70 50 212 shade: RGB 48 116 211, RGB 48 73 211, RGB 67 48 211, RGB 111 48 211 and RGB 154 48 211

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 70 50 212 shade: RGB 45 31 146, RGB 55 38 180, RGB 68 48 211, RGB 99 82 218 and RGB 130 116 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 70 50 212 shade: RGB 70 50 212, RGB 211 48 159 and RGB 94 211 48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 70 50 212 shade: RGB 70 50 212, RGB 211 67 48 and RGB 48 211 67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 70 50 212 shade: RGB 70 50 212, RGB 211 48 159, RGB 192 211 48 and RGB 48 211 100

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 70 50 212 shade: RGB 70 50 212, RGB 211 48 111, RGB 192 211 48 and RGB 48 211 149

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 76 / 0 / 17

HEX #4632D4

RGB 70 50 212

HSL 247.41, 0.65%, 0.51%

LAB 34.67, 55.04, -79.35

 

Complementary color

CMYK 10 / 0 / 79 / 20

HEX #B9CD2B

RGB 185 205 43

HSL 67.41, 0.65%, 0.49%

LAB 78.55, -25.88, 71.27

 

CMYK 64 / 76 / 0 / 19

HEX #4B32CF

RGB 75 50 207

HSL 249.55, 0.62%, 0.5%

LAB 34.56, 54.07, -76.63

 

CMYK 59 / 70 / 0 / 11

HEX #5C44E2

RGB 92 68 226

HSL 249.11, 0.73%, 0.58%

LAB 41.06, 52.49, -76.82

 

CMYK 56 / 65 / 0 / 4

HEX #6D56F5

RGB 109 86 245

HSL 248.68, 0.89%, 0.65%

LAB 47.62, 50.82, -76.74

 

CMYK 51 / 59 / 0 / 0

HEX #7E68FF

RGB 126 104 255

HSL 248.74, 1%, 0.7%

LAB 53.55, 46.6, -72.59

 

CMYK 44 / 52 / 0 / 0

HEX #8F7AFF

RGB 143 122 255

HSL 249.47, 1%, 0.74%

LAB 58.95, 39.81, -63.8

 

CMYK 67 / 76 / 0 / 17

HEX #4632D4

RGB 70 50 212

HSL 247.41, 0.65%, 0.51%

LAB 34.67, 55.04, -79.35

 

CMYK 73 / 83 / 0 / 24

HEX #3520C1

RGB 53 32 193

HSL 247.83, 0.72%, 0.44%

LAB 28.49, 56.34, -78.55

 

CMYK 79 / 92 / 0 / 32

HEX #240EAE

RGB 36 14 174

HSL 248.25, 0.85%, 0.37%

LAB 22.81, 56.53, -76.7

 

CMYK 88 / 100 / 0 / 39

HEX #13009B

RGB 19 0 155

HSL 247.35, 1%, 0.3%

LAB 17.94, 54.81, -73.29

 

CMYK 99 / 100 / 0 / 47

HEX #020088

RGB 2 0 136

HSL 240.88, 1%, 0.27%

LAB 14.35, 49.66, -67.48

 

CMYK 68 / 77 / 0 / 17

HEX #4430D3

RGB 68 48 211

HSL 247.36, 0.65%, 0.51%

LAB 34.08, 55.53, -79.77

 

CMYK 47 / 77 / 0 / 17

HEX #7030D3

RGB 112 48 211

HSL 263.56, 0.65%, 0.51%

LAB 38.31, 60.79, -72.65

 

CMYK 26 / 77 / 0 / 17

HEX #9C30D3

RGB 156 48 211

HSL 279.75, 0.65%, 0.51%

LAB 44.07, 67.83, -63.01

 

CMYK 5 / 77 / 0 / 17

HEX #C830D3

RGB 200 48 211

HSL 295.95, 0.65%, 0.51%

LAB 50.8, 75.95, -51.82

 

CMYK 0 / 77 / 16 / 17

HEX #D330B2

RGB 211 48 178

HSL 312.15, 0.65%, 0.51%

LAB 50.89, 73.28, -32.45

 

CMYK 68 / 77 / 0 / 17

HEX #4430D3

RGB 68 48 211

HSL 247.36, 0.65%, 0.51%

LAB 34.08, 55.53, -79.77

 

CMYK 77 / 77 / 0 / 17

HEX #3030D3

RGB 48 48 211

HSL 240, 0.65%, 0.51%

LAB 32.8, 53.92, -81.92

 

CMYK 68 / 77 / 0 / 17

HEX #4430D3

RGB 68 48 211

HSL 247.36, 0.65%, 0.51%

LAB 34.08, 55.53, -79.77

 

CMYK 77 / 88 / 0 / 9

HEX #351CE7

RGB 53 28 231

HSL 247.39, 0.81%, 0.51%

LAB 32.61, 68.32, -93.73

 

CMYK 85 / 97 / 0 / 2

HEX #2608FB

RGB 38 8 251

HSL 247.41, 0.97%, 0.51%

LAB 33.03, 77.38, -104.38

 

CMYK 68 / 77 / 0 / 17

HEX #4430D3

RGB 68 48 211

HSL 247.36, 0.65%, 0.51%

LAB 34.08, 55.53, -79.77

 

CMYK 56 / 64 / 0 / 25

HEX #5445BF

RGB 84 69 191

HSL 247.38, 0.49%, 0.51%

LAB 37.67, 40, -62.18

 

CMYK 42 / 48 / 0 / 33

HEX #6359AA

RGB 99 89 170

HSL 247.41, 0.32%, 0.51%

LAB 42.31, 24.6, -42.28

 

CMYK 24 / 27 / 0 / 41

HEX #726D96

RGB 114 109 150

HSL 247.32, 0.16%, 0.51%

LAB 47.9, 11.23, -21.59

 

CMYK 1 / 1 / 0 / 49

HEX #818182

RGB 129 129 130

HSL 240, 0%, 0.51%

LAB 54.01, 0.2, -0.55

 

CMYK 77 / 45 / 0 / 17

HEX #3074D3

RGB 48 116 211

HSL 214.97, 0.65%, 0.51%

LAB 49.28, 12.11, -55.03

 

CMYK 77 / 65 / 0 / 17

HEX #3049D3

RGB 48 73 211

HSL 230.8, 0.65%, 0.51%

LAB 38.02, 39.52, -73.32

 

CMYK 68 / 77 / 0 / 17

HEX #4330D3

RGB 67 48 211

HSL 246.99, 0.65%, 0.51%

LAB 34, 55.44, -79.89

 

CMYK 47 / 77 / 0 / 17

HEX #6F30D3

RGB 111 48 211

HSL 263.19, 0.65%, 0.51%

LAB 38.19, 60.65, -72.85

 

CMYK 27 / 77 / 0 / 17

HEX #9A30D3

RGB 154 48 211

HSL 279.02, 0.65%, 0.51%

LAB 43.78, 67.49, -63.49

 

CMYK 69 / 79 / 0 / 43

HEX #2D1F92

RGB 45 31 146

HSL 247.3, 0.65%, 0.35%

LAB 22.35, 41.87, -60.36

 

CMYK 69 / 79 / 0 / 29

HEX #3726B4

RGB 55 38 180

HSL 247.18, 0.65%, 0.43%

LAB 28.1, 49.89, -71.48

 

CMYK 68 / 77 / 0 / 17

HEX #4430D3

RGB 68 48 211

HSL 247.36, 0.65%, 0.51%

LAB 34.08, 55.53, -79.77

 

CMYK 55 / 62 / 0 / 15

HEX #6352DA

RGB 99 82 218

HSL 247.5, 0.65%, 0.59%

LAB 43.87, 43.33, -67.63

 

CMYK 42 / 48 / 0 / 12

HEX #8274E1

RGB 130 116 225

HSL 247.71, 0.64%, 0.67%

LAB 54.73, 31.88, -53.95

 

CMYK 67 / 76 / 0 / 17

HEX #4632D4

RGB 70 50 212

HSL 247.41, 0.65%, 0.51%

LAB 34.67, 55.04, -79.35

 

CMYK 0 / 77 / 25 / 17

HEX #D3309F

RGB 211 48 159

HSL 319.14, 0.65%, 0.51%

LAB 50.06, 70.83, -22.54

 

CMYK 55 / 0 / 77 / 17

HEX #5ED330

RGB 94 211 48

HSL 103.07, 0.65%, 0.51%

LAB 75.56, -60.23, 65.32

 

CMYK 67 / 76 / 0 / 17

HEX #4632D4

RGB 70 50 212

HSL 247.41, 0.65%, 0.51%

LAB 34.67, 55.04, -79.35

 

CMYK 0 / 68 / 77 / 17

HEX #D34330

RGB 211 67 48

HSL 6.99, 0.65%, 0.51%

LAB 49.59, 55.45, 42.75

 

CMYK 77 / 0 / 68 / 17

HEX #30D343

RGB 48 211 67

HSL 126.99, 0.65%, 0.51%

LAB 74.59, -67.87, 57.31

 

CMYK 67 / 76 / 0 / 17

HEX #4632D4

RGB 70 50 212

HSL 247.41, 0.65%, 0.51%

LAB 34.67, 55.04, -79.35

 

CMYK 0 / 77 / 25 / 17

HEX #D3309F

RGB 211 48 159

HSL 319.14, 0.65%, 0.51%

LAB 50.06, 70.83, -22.54

 

CMYK 9 / 0 / 77 / 17

HEX #C0D330

RGB 192 211 48

HSL 66.99, 0.65%, 0.51%

LAB 80.74, -25.67, 72.01

 

CMYK 77 / 0 / 53 / 17

HEX #30D364

RGB 48 211 100

HSL 139.14, 0.65%, 0.51%

LAB 74.91, -63.93, 43.18

 

CMYK 67 / 76 / 0 / 17

HEX #4632D4

RGB 70 50 212

HSL 247.41, 0.65%, 0.51%

LAB 34.67, 55.04, -79.35

 

CMYK 0 / 77 / 47 / 17

HEX #D3306F

RGB 211 48 111

HSL 336.81, 0.65%, 0.51%

LAB 48.4, 65.81, 3.94

 

CMYK 9 / 0 / 77 / 17

HEX #C0D330

RGB 192 211 48

HSL 66.99, 0.65%, 0.51%

LAB 80.74, -25.67, 72.01

 

CMYK 77 / 0 / 29 / 17

HEX #30D395

RGB 48 211 149

HSL 157.18, 0.65%, 0.51%

LAB 75.69, -55.02, 19.3

 

Description

Color code: RGB 70 50 212 | qconv.com Color code: RGB 70 50 212 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 50 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 50 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 76 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 76% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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